THE 7TH VOYAGE OF SINBAD – The Quintessential Ray Harryhausen Movie

7TH VOYAGE OF SINBAD posterIn memory of Ray Harryhausen, here’s a reprint of my IN THE SPOOKLIGHT column on THE 7TH VOYAGE OF SINBAD (1958), one of Harryhausen’s best and my personal favorite.

THE 7TH VOYAGE OF SINBAD (1958)

Forgive me for never having grown up.

I love movie monsters.  From the classics to the films of today, I can’t get enough of them.

In horror movie history, one name stands above the rest when it comes to making movie monsters, Ray Harryhausen.  In a career that spanned 30 years, from MIGHTY JOE YOUNG (1949) to CLASH OF THE TITANS (1981), Ray Harryhausen provided us with some of the best stop-motion animated special effects ever put on film, and while there have been many classics thanks to Harryhausen, the quintessential Harryhausen movie has to be THE 7TH VOYAGE OF SINBAD (1958).

THE 7TH VOYAGE OF SINBAD is a beautiful production shot in Technicolor with picture perfect pizzazz by director Nathan Juran, who also directed Ray Harryhausen’s 20 MILLION MILES TO EARTH (1957), as well as other genre films such as THE DEADLY MANTIS (1957).

In THE 7TH VOYAGE OF SINBAD, Sinbad (Kerwin Mathews) must travel to the far ends of the earth to the Island of Colossus on a mission to save his beloved princess (Kathryn Grant).  The princess is doing her best “incredible shrinking woman” impression, shrunk down in size by the evil magician Sokurah (Torin Thatcher).  Along the way, Sinbad must square off against giant birds, a dragon, a sword wielding skeleton, and more than one giant Cyclops.

While there are many enduring images from this movie, there’s probably none stronger than Harryhausen’s creation of the giant Cyclops.  Once seen, you will not forget it.  From its muscular body, cloven hands and feet, and grotesque face, for the horror fan, he’s a keeper!  (“Hey, mom, look who I brought home!”).

The script by Kenneth Kolb is OK, not memorable by any means, but it does its job in setting up a rip-roaring adventure that is fun to watch.  The acting is also OK, with Torin Thatcher leading the way, delivering by far the best performance in the movie as Sokurah, the evil magician.  Thatcher, who died in 1981, is most memorable here because he’s the one player in this movie who makes you forget about Harryhausen’s creatures while he’s on screen, and that’s saying something.  His Sokurah is one of my favorite genre movie villains.

Bernard Herrmann wrote the memorable music score, one of his best other than PSYCHO (1960).  It’s a rousing piece of film music that you’ll be humming to yourself long after you’ve seen the movie.

But the true star of THE 7TH VOYAGE OF SINBAD is Ray Harryhausen.  His creatures here look fantastic, and we are treated to all sorts of spectacular scenes, including an exciting battle between one of the Cyclops and the giant dragon.  There’s also a memorable duel between Sinbad and a sword wielding skeleton, a scene improved upon five years later by Harryhausen in JASON AND THE ARGONAUTS (1963), where the choreographed fight involved a bunch of skeletons.

THE 7TH VOYAGE OF SINBAD boasts some of the best stop-motion animated special effects in motion picture history, and is right up there with the work of Willis O’Brien in the all-time best, KING KONG (1933).  It’s also among the best of the Sinbad movies, though it’s hard to crown it king because Harryhausen struck gold again nearly twenty years later with his follow-up feature, THE GOLDEN VOYAGE OF SINBAD (1974) which is every bit as good as THE 7TH VOYAGE OF SINBAD.

So, this summer, go ahead and be a kid again, and enjoy THE 7TH VOYAGE OF SINBAD.  Just don’t let me catch you playing with that Cyclops toy you picked up on eBay last month!

(July 2008)

——-

You can read all my SPOOKLIGHT columns in the IN THE SPOOKLIGHT EBook now available from NECON EBooks at www.neconebooks.com.

—Michael

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