IN THE SPOOKLIGHT
The Towering Terror From Hell!
So reads the original lobby card for today’s movie, WAR OF THE COLOSSAL BEAST (1958).
WAR OF THE COLOSSAL BEAST is the sequel to THE AMAZING COLOSSAL MAN (1957), and both these classic giant man-in-a-diaper movies from the 1950s were written and directed by Bert I. Gordon (B.I.G. himself), the famous writer/director who gave us such movies as BEGINNING OF THE END (1957), EARTH VS. THE SPIDER (1958), THE FOOD OF THE GODS (1976) and EMPIRE OF THE ANTS (1977).
I’ve always had a soft spot for WAR OF THE COLOSSAL BEAST, mostly because of the old 8mm copy of the film I had when I was a kid. That being said, WAR OF THE COLOSSAL BEAST really isn’t a very good movie. It’s a sequel, and it plays as such, and in terms of quality, is slightly inferior to the first film, THE AMAZING COLOSSAL MAN. The most creative thing about the movie is its lively title, WAR OF THE COLOSSAL BEAST. I love that title!
At the end of THE AMAZING COLOSSAL MAN, the colossal man— turned colossal because of exposure to a plutonium bomb explosion- is shot by an army bazooka and falls to his death from the Boulder Dam.
In WAR OF THE COLOSSAL BEAST, we learn that Glenn Manning- Mr. Colossal Man himself— survived the fall and is hiding out in the deserts of Mexico. Hot on his trail is his sister Joyce (Sally Fraser), who must be his long-lost sister because in the previous film it’s mentioned how Manning had no surviving family members. As Joyce gathers evidence that her brother is indeed still alive, the military arrives and attempts to help her find him, and find him they do, only now Manning is even more far removed from the man he once was.
In the previous film, Manning was gradually losing his mind, becoming a crazed lunatic giant. In COLOSSAL BEAST, Manning boasts a hideous face, the result of either the bazooka blast or the fall from the dam or both, and now he can no longer speak, instead making only animal-like growls and snarls. Have I mentioned yet that the Colossal Beast is pretty darned scary? When I was a kid, he used to give me nightmares. He’s still rather frightening.
Anyway, the army captures the Manning Beast and brings him to Los Angeles where army scientists hope to find out if there’s any hope of restoring his sanity. They pretty much decide he’s beyond hope and plan to bring him to a deserted island where he can live out his life in seclusion where he won’t be a danger to society, but Manning has other plans and escapes, terrorizing Los Angeles in true 1950s giant monster movie fashion.
The best part of WAR OF THE COLOSSAL BEAST is the actual beast. He’s gruesome looking and quite frightening. Director Bert I. Gordon uses his grotesque face to full effect and crafts a couple of really cool scenes in this one. His first appearance, for example, as he jumps out from behind a mountain in a quick shock shot, packs quite a jolt. The scene just before he escapes from his army captors, where he pretends to be asleep, is also creepy.
Dean Parkin takes over the role of Glenn Manning from Glenn Langan, who played him in THE AMAZING COLOSSAL MAN. Langan was excellent in the role in the first film, and his presence is definitely missed in this sequel, even though the Glenn in this movie only snarls and growls. Langan turned in a superior underrated performance in the first film, and was particularly effective in scenes where he talked about his fears of growing larger and larger. It was these scenes in particular which made THE AMAZING COLOSSAL MAN better than it should have been.
While I have no problem with Dean Parkin’s performance here as the more monster-like colossal beast, I still miss Glenn Langan’s dramatic take on the role.
The rest of the cast is pretty awful, sorry to say. Sally Fraser is particularly bad as Glenn’s sister Joyce, and it doesn’t help that she has to speak some horribly bad lines of dialogue. Roger Pace as Major Mark Baird, the male lead in the film, isn’t any better.
While Bert I. Gordon is credited with the story, the screenplay was written by George Worthing Yates, who actually has some impressive credits. He received story credit for THEM! (1954) – arguably the best giant bug movie ever made—and wrote the screenplay for the Ray Harryhausen special effects films IT CAME FROM BENEATH THE SEA (1955) and EARTH VS. THE FLYING SAUCERS (1956), among others. WAR OF THE COLOSSAL BEAST has a decent story but its dialogue is nothing to write home about.
I do like Bert I. Gordon’s direction, however. This one is full of energy, and there seems to be a concerted effort to make this film scary, much more shocking than the first one. Plus there’s that final shot in color, which black and white films did back then, so we get to see the Colossal Beast’s demise in vivid color.
Of course, the Colossal Beast would have been even more frightening had he learned how to run. He pretty much does his terrorizing at a leisurely pace, strolling through the deserts of Mexico and later the streets of Los Angeles like a man getting his newspaper, not like a giant chasing down people to kill. I guess he was afraid he’d trip and fall. But even so he’s still a convincing monster.
And Bert I. Gordon also created the film’s special effects, and they aren’t half bad.
So, if you’re looking for some 1950s horror movie fun, the type of film you used to find at the drive-in during those days of yesteryear, look no further than WAR OF THE COLOSSAL BEAST. It’s entertainment of gargantuan proportions.