Even though I see lots of movies each year, I’m never able to see every one I want to see at the theater, so it’s always fun to catch a film I missed the first time around.
Such was the case with THE GIFT (2015) a thriller from few years back written, directed, and starring Joel Edgerton.
I like Joel Edgerton a lot. I’ve enjoyed nearly every movie I’ve seen him in, from IT COMES AT NIGHT (2017), BLACK MASS (2015), to THE GREAT GATSBY (2013) where he played Tom Buchanan. THE GIFT was his directorial debut, and as debuts go it’s pretty darn good.
THE GIFT tells the story of a married couple, Simon (Jason Bateman) and Robyn (Rebecca Hall) who move to California to get a fresh start in life since Robyn had recently suffered a miscarriage. They move to a place close to Simon’s home town. Not long after they are there, they run into a man (Joel Edgerton) who says he used to know Simon, but Simon doesn’t recognize him until he tells Simon his name, Gordon Mosely, or “Gordo” for short. At that point Simon does remember him and they have a polite exchange.
That is the end of that until Gordo sends them a gift, a gesture Robyn thinks is sweet, but Simon strangely seems unnerved by it, and explains to his wife that Gordo was something of an odd duck back in school, so much so that he earned the nickname “Weirdo.” When Gordo begins to visit more often and attempts to become closer friends with the couple, Simon pushes back, and the whole thing raises a red flag for Robyn because she doesn’t quite understand her husband’s feelings of hostility toward Gordo.
As things grow weirder and tensions rise, and as Simon and Robyn begin to feel threatened by Gordo, Robyn decides to look deeper into the man’s background, and what she finds is not what she expects, especially regarding her husband.
I really enjoyed THE GIFT. Its story grabbed me right away and held my attention throughout. Because I thought I knew where the plot was heading, I kept expecting it to become stupid or predictable, but that didn’t happen. It stays strong throughout and kept me guessing all the way to the end.
As a result, THE GIFT is a solid mystery/thriller.
The three principal actors all do an excellent job, and as a director, Joel Edgerton should be commended for getting so much out of his actors, even if one of those actors was himself.
First and foremost, it was fun seeing Jason Bateman cast against type. The comic actor, who has enjoyed a very long career and has starred in the recent comedies GAME NIGHT (2018), IDENTITY THIEF (2013), and the HORRIBLE BOSSES movies, as well as the ARRESTED DEVELOPMENT (2003-18) TV series, is really good here as Simon, the seemingly wonderful husband with a dark past. I bought his performance throughout.
Likewise, Rebecca Hall is equally as good as Robyn. It’s a nuanced performance because she has to react to things that affect her intuition and gut feelings, rather than to things that are blatantly in her face. And she pulls it off because most of the time I knew exactly what she was thinking and feeling. I’ve enjoyed Hall in other movies, in films like THE TOWN (2010) and VICKY CRISTINA BARCELONA (2008), but her performance here ranks as one of my favorites.
To round out the trio, Joel Edgerton does a fine job as Gordo as well. As I said, I’m a big fan of Edgerton’s, even though the last two films I saw him in weren’t very good, GRINGO (2018) and RED SPARROW (2018), but that being said, Edgerton’s performances in those movies were just fine. In THE GIFT, as was the case with Rebecca Hall, Edgerton’s performance is a nuanced one. At first, there’s something quite sad about the man, and then something a little creepy, but then sad, or is it creepy? That’s part of the reason this movie works so well. It keeps you guessing.
Which brings me to the screenplay, also by Joel Edgerton. It scores high on several fronts. It creates realistic three-dimensional characters who are difficult to label, because we get to see different sides to them. It also works as a solid mystery and thriller. I did not figure out where the story was going ahead of time, which is always a good thing, nor was I disappointed with the reveals at the end of the movie. Everything pretty much works.
The screenplay also works as a social commentary, as it has something to say about bullying, and it says it well.
And as I said, it’s an impressive directorial debut for Edgerton. In addition to being a successful mystery, it’s also an effective thriller. The best part is that it doesn’t rely on violence to unnerve its audience. It relies on its story and its characters. There is a feeling of unease throughout the movie, a feeling that keeps the audience off-balanced, and this feeling pervades until the end credits roll.
THE GIFT is an excellent thriller, one that I’m sorry I missed at the theater during its initial run. But it’s currently available on Netflix, and I highly recommend you take a look. You’ll be sure to enjoy it— unless, of course, a long-lost friend shows up at your doorstep bearing gifts. If that happens, you might want to look over your shoulder— or into your significant other’s past.