AQUAMAN (2018) – Jason Momoa Best Part of Underwhelming Underwater Adventure

aquaman

It’s no secret that in the battle of big screen superhero movies, Marvel has had the upper hand over DC. The Marvel movies have been nonstop outstanding, while DC has struggled with simple notions like storytelling. As a result, it hasn’t been much of a contest.

With the exception of WONDER WOMAN (2017) the recent crop of DC films has been pretty bad. Before WONDER WOMAN, the last DC superhero movie I really enjoyed was THE DARK KNIGHT (2008).  Been a while.

Now comes AQUAMAN (2018), the origin tale of DC’s underwater superhero, with amiable hunk Jason Momoa playing the lead.

Is AQUAMAN all wet? Or is it as refreshing as a summer shower?

Well, truth be told, it’s somewhere in the middle.  The best part by far is Jason Momoa’s spirited performance as Aquaman.  He’s got all the best lines in the film, and his character is the only guy on-screen who’s all that interesting. At times I thought I was watching two different movies, one written by the folks who wrote all the Aquaman scenes, and another written by someone else.

The result is one very mixed bag of a movie.

After a silly and pointless pre-credit sequence which explains how Aquaman’s parents met, the film jumps into one of its best sequences, showing Aquaman rescuing the crew of a submarine from some pretty nasty pirates. Indeed, this might have been my favorite sequence of the whole film, and that’s because we get to see Aquaman interacting with real people in the here and now, rather than in the underwater fantasy kingdoms, where most of the film takes place.

Not too long after Aquaman saves the day, he’s visited by Mera (Amber Heard) who tells him that he must return to the undersea kingdom of Atlantis because his brother King Orm (Patrick Wilson) is about to wage war on the people who live on land. Aquaman isn’t interested, but when his human father is almost killed in an attack, he changes his tune and agrees to accompany Mera back to Atlantis to stop his brother and become the true king of the underwater world.

Blah. Blah. Blah.

I have to admit.  I’m biased. I’m just not a big fan of fantasy tales, and that’s pretty much what AQUAMAN is. It plays like THOR under water, even having Aquaman deal with his brother King Orm, the way Thor had to deal with his brother Loki.

So, all this story involving Atlantis and the great battle to restore peace and harmony under the sea I simply found a colossal bore.

What was not a bore was Jason Momoa as Aquaman.  He’s phenomenal in the role, and I’d be more than happy to see him play it again in a movie that told a better story.  He obviously looks the part with his sculpted ripped body, and he also gives the character a lively personality with plenty of wise-cracks and moments of playful humor.  Momoa is really good.

I also enjoyed Amber Heard as Mera, although as I said before, it seems she and the rest of the cast didn’t have the same screenwriter as Momoa did.  Her lines are often pretty bad, but when she’s in scenes with Momoa, they work well together and she makes the character at least somewhat interesting.

The rest of the cast doesn’t fare as well.  I thought Patrick Wilson was badly miscast as the main villain, King Orm. I just never really bought him in the role, and scenes where he battles Aquaman, where he’s pitted against the massive bulk of Jason Momoa I thought were laughable because looking at the two of them side by side how can one believe that a guy who looks like Momoa wouldn’t wipe the floor with Wilson in about two seconds? I’ve enjoyed Wilson in nearly every movie I’ve seen him in, especially in the INSIDIOUS and CONJURING movies, but not so much here.

Willem Dafoe doesn’t fare any better as Vulko, an official from Atlantis who remains loyal to Aquaman.  Vulko’s lines were so bad I had a hard time keeping a straight face whenever he spoke.

On the other hand, Dolph Lundgren does fare better as King Nereus, mostly because he looks the part. He looks like a king and also like someone fit enough to tangle with Aquaman.

The talents of Nicole Kidman are largely wasted in a throwaway role as Aquaman’s mother Atlanna.

Yahya Abdul-Mateen II makes for the best villain in the movie, Manta. Sadly, he has to play second fiddle to King Orm here, but his scenes going up against Aquaman are some of the better scenes in the movie.

AQUAMAN was directed by acclaimed director James Wan, known mostly for his horror movies, films like SAW (2004), INSIDIOUS (2010), and THE CONJURING (2013). His horror roots are on full display here as there are plenty of giant sea creatures. There are also plenty of sea battles, all of which went on too long for me.

AQUAMAN is visually striking, as the underwater sea kingdom of Atlantis is colorful and dazzling.  There’s a lot to see, and I can’t fault the way this movie looked. But in terms of story, it didn’t do much for me, nor did its battle sequences, which I found long and after a time unexciting.

The screenplay by David Leslie Johnson-McGoldrick and Will Beall hits a home run with its depiction of Aquaman but falls flat just about everywhere else.  The main story is a snooze, and the supporting characters okay but not as sharply written as Aquaman himself. I would have liked this one better had its storyline featured Aquaman dealing with events on land and interacting with people above water.

Even the interesting plot point of the underwater kingdoms  wanting to strike back against humanity because of the way we maltreat the oceans, filling them with endless trash, goes nowhere. It’s mentioned but then is buried underneath the infighting between Aquaman and his brother.

You can do a lot worse than AQUAMAN, but you could also do a lot better.  Jason Momoa’s performance is definitely worth checking out, and on the big screen, the visuals here are highly impressive, but you’ll have to sit through an underwhelming plot that is hardly exciting and never compelling, and with a running time of 143 minutes, that’s a long time to sit and be underwhelmed.

—END—

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