IN THE SHADOWS: PATRIC KNOWLES

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patric knowles - frankenstein meets the wolf man

Patric Knowles as Dr. Frank Mannering, putting the finishing touches on the Frankenstein Monster (Bela Lugosi) in FRANKENSTEIN MEETS THE WOLF MAN (1943).

Welcome back to IN THE SHADOWS, that column where we look at character actors in the movies, especially horror movies, those folks who while not playing the lead in the movies, graced the film nonetheless in smaller roles, quite often making as much of an impact as the actors on top.

Up today it’s Patric Knowles, and if you’re a fan of Universal horror, you know who he is, based on two key performances in THE WOLF MAN (1941) and its sequel FRANKENSTEIN MEETS THE WOLF MAN (1943)

Here’s a partial look at Knowles’  127 screen credits:

MEN OF TOMORROW (1932) – Kwowles’ first screen appearance.

THE POISONED DIAMOND (1933) – Jack Dane – Knowles’ first screen credit.

THE CHARGE OF THE LIGHT BRIGADE (1936) – Captain Perry Vickers – co-stars with Errol Flynn and Olivia de Havilland in this war tale based on the poem by Alfred Lord Tennyson. Directed by Michael Curtiz, who would go on to direct, among other things, CASABLANCA (1942). Cast also includes David Niven, Nigel Bruce, and J. Carrol Naish.

THE ADVENTURES OF ROBIN HOOD (1938) – Will Scarlett- co-stars in this classic adventure, also by director Michael Curtiz, again starring Errol Flynn, as Robin Hood, and Olivia De Havilland, as Maid Marian. Cast also includes Basil Rathbone, Claude Rains, and Una O’Connor.

ANOTHER THIN MAN (1939) – Dudley Horn – co-stars with William Powell and Myrna Loy in the third THIN MAN movie, another fun entry in the classic mystery/comedy series.

THE WOLF MAN (1941) – Frank Andrews –  the first genre credit for Patric Knowles, and he struck gold as the THE WOLF MAN (1941) is arguably the best werewolf movie ever made and is also on the short list for the best Universal monster movie ever made. It also features one of the strongest casts ever assembled for a Universal monster movie: Lon Chaney Jr., Claude Rains, Evelyn Ankers, Bela Lugosi, Ralph Bellamy, Knowles, Maria Ouspenskaya, and Warren William.

While THE WOLF MAN belongs to Lon Chaney Jr. in his signature role as Larry Talbot/aka The Wolf Man, and features dominating performances by Claude Rains and Maria Ouspenskaya, and even Evelyn Ankers, the entire cast is very good, including Patric Knowles in a small role as Frank Andrews.

Nonetheless, Andrews is integral to the plot as he works as the gamekeeper at the Talbot estate, and he’s engaged to be married to Gwen Conliffe (Evelyn Ankers), who just so happens to also be the object of affection of one Larry Talbot (Lon Chaney Jr.). As a woman who’s engaged to be married, she has no business spending time with Larry, yet she agrees to take that moonlit walk with him, and she’s with him the night he’s bitten by a werewolf.

Unfortunately, there’s just not a whole lot of things for Knowles to do in THE WOLF MAN, although his character Frank Andrews does appear in one of the more memorable non-werewolf scenes in the film, where, at a carnival, he, Gwen, and Larry are playing a target shooting game, and Larry, flustered when he sees a wolf target, misses the shot, and then Frank hits it dead center. I’ve always thought this moment should have foreshadowed that Frank would be responsible for the demise of the wolf man, but that’s not how the film plays out.

THE STRANGE CASE OF DR. Rx (1942) – Private Detective Jerry Church – Knowles plays the lead here, a detective trying to solve the case of a serial killer who sets his sights on mobsters. Also starring Lionel Atwill, Anne Gwynne, and Samuel S. Hinds. Church’s partner here, Detective Sergeant Sweeney, is played by one Shemp Howard!

MYSTERY OF MARIE ROGET (1942) – Dupin – Again plays the lead role in this mystery based on the story by Edgar Allan Poe. Also stars Maria Ouspenskaya and KING KONG’s Frank Reicher.

WHO DONE IT? (1942) – Jimmy Turner- co-stars in this Abbott and Costello comedy where Bud and Lou try to solve a murder at a radio station.

FRANKENSTEIN MEETS THE WOLF MAN (1943) – Dr. Frank Mannering – stars in this WOLF MAN sequel, also a sequel to THE GHOST OF FRANKENSTEIN (1942), where he plays a different role from the one he played in THE WOLF MAN (1941). Here he plays Dr. Frank Mannering, a doctor who tries to help Larry Talbot but later focuses his energies on restoring the Frankenstein Monster (Bela Lugosi) back to his full strength. As such, Mannering becomes the first movie scientist not named Frankenstein to revive the Monster. He wouldn’t be the last.

Probably my favorite Patric Knowles role. He takes what should have been a standard mundane role and makes Dr. Frank Mannering a rather real character.

HIT THE ICE (1943) – Dr. Bill Elliot – more shenanigans with Bud Abbott and Lou Costello.

TARZAN’S SAVAGE FURY (1952) – Edwards – plays the villain to Lex Barker’s Tarzan in this jungle adventure.

FROM THE EARTH TO THE MOON (1958) – Josef Cartier – co-stars with Joseph Cotten and George Sanders in this science fiction adventure based on the novels by Jules Verne.

CHISUM (1970) – Henry Tunstall – supporting role in this John Wayne western. Also stars Forrest Tucker, Christopher George, Andrew Prine, Bruce Cabot, Richard Jaeckel, Lynda Day George, and John Agar.

TERROR IN THE WAX MUSEUM (1973) – Mr. Southcott – Knowles’ next to last genre credit is in this atmospheric wax museum thriller that is ultimately done in by low-production values. Has a fun cast, which includes Ray Milland, Elsa Lanchester, Maurice Evans, and John Carradine.

ARNOLD (1973) – Douglas Whitehead – Knowles last movie is in this horror comedy which also starred Stella Stevens, Roddy McDowall, Elsa Lanchester, Victor Buono, and Jamie Farr.

Patric Knowles enjoyed a long and productive career. And while he was more than a character actor, often playing the lead in many of his films, for horror fans, he’s best remembered for two quality supporting roles in two of Universal’s better horror movies, THE WOLF MAN (1941), and FRANKENSTEIN MEETS THE WOLF MAN (1943).

Patric Knowles died on December 23, 1995 from a brain hemorrhage at the age of 84.

I hope you enjoyed today’s edition of IN THE SHADOWS and join me again next time when I look at the career of another character actor.

As always, thanks for reading!

—Michael

 

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Movie Lists: Stephen King Cameos

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Stephen King in CREEPSHOW (1982)

Stephen King has a cameo in IT CHAPTER TWO (2019), the latest film adaptation of one of his novels.

Just how many cameos has King done over the years? Well, according to stephenking.com, he has made 22 of them.

Welcome back to MOVIE LISTS, that column that looks at lists of odds and ends in movies. Up today, the movie and TV cameos of Stephen King.

Here’s a brief look at those 22 appearances:

KNIGHTRIDERS (1981) – Hoagie Man- the first one, in this creative actioner written and directed by George A. Romero.

CREEPSHOW (1982) – Jordy Verrill – one of my favorites. King gets turned into a plant by a meteor. Again, directed by George Romero, and King wrote the screenplay. One of my favorite horror movies from the 1980s.

MAXIMUM OVERDRIVE (1986) – Man at Cashpoint (uncredited)

CREEPSHOW 2 (1987) – Truck Driver

PET SEMATARY (1989) – Minister

THE GOLDEN YEARS (TV show)  (1991)- Bus Driver

THE STAND (TV miniseries) (1994) – Teddy Weizak

THE LANGOLIERS (TV miniseries) (1995) – Tom Holby

THINNER (1996) – Dr. Bangor

THE SHINING (TV miniseries) (1997) – Band Leader

STORM OF THE CENTURY (TV miniseries) (1999) – Lawyer/Reporter – uncredited

FRASIER (2000) – Brian – in the episode “Mary Christmas” of this classic TV show.

THE SIMPSONS (TV series) (2000) – Himself in the episode “Insane Clown Poppy”

ROSE RED (TV mini series) (2002) –  Pizza Delivery Guy (uncredited

KINGDOM HOSPITAL (TV series) (2004) – Johnny B. Goode

FEVER PITCH (2005) – Himself

GOTHAM CAFE (2005) – Mr. Ring

DIARY OF THE DEAD (2007) – Newsreader

SONS OF ANARCHY (TV series) (2010) – Richard Bachman, The Cleaner – in the episode “Caregiver” – probably my favorite Stephen King cameo of all time. His “cleaner” makes bodies disappear. This guy would have been right at home on the set of BREAKING BAD.

UNDER THE DOME (TV) (2014) – Diner Patron in the episode “Heads Will Roll”

MR. MERCEDES (TV) (2017) – Diner Patron

IT CHAPTER TWO (2019) – Shopkeeper

And there you have it. A brief look at the TV and movie cameos of Stephen King.

As always, thanks for reading!

—Michael


 

 

 

IN THE SPOOKLIGHT: TRAIN TO BUSAN (2016)

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I absolutely love TRAIN TO BUSAN (2016).

So much so that after watching it for the first time a couple of years ago on Netflix, I decided to watch it again last month. The result? I enjoyed it even more!

TRAIN TO BUSAN is a South Korean horror movie about the zombie apocalypse. Now, obviously, there have been many stories about said apocalypse in recent years, from the exceptional THE WALKING DEAD TV show to films like WORLD WAR Z (2013) and ZOMBIELAND (2009). What makes TRAIN TO BUSAN stand out from all the rest?

For me it’s the same for any quality movie: it’s the writing, stupid!

TRAIN TO BUSAN has a superior script that both tells a compelling story and creates memorable characters. The result is one heck of an emotional roller coaster ride, and that’s the part that I enjoyed the most upon a second viewing. I had forgotten just how emotional this movie got. Bring out the tissues! You’re going to need them.

Yup. You’re gonna need a bigger box of tissues.

And TRAIN TO BUSAN is that good. It’s on par with the best episodes of THE WALKING DEAD, and in terms of movies, you have to go back to George Romero to find a better zombie movie. SHAUN OF THE DEAD (2004) might be better, but that one’s a comedy.

TRAIN TO BUSAN is pure horror.

In TRAIN TO BUSAN, Seok-woo (Yoo Gong) just can’t seem to spend enough time with his daughter Soo-an (Su-an Kim), as his job simply keeps him too busy. But when he decides to accompany his daughter on a train ride to take her to see her mother who he’s now separated from, he hopes to at least have this time with her.

Unfortunately for Seok-woo, he picked a bad day to go for a train ride with his daughter, as it just so happens to be the same day that the zombie apocalypse breaks out. And suddenly, quick moving flesh eating zombies are overrunning the land and getting on the train. A small group of survivors band together to fight off the zombies, all the while hoping the train makes it to Busan, where rumor has it that the military has successfully created a safe haven there.

TRAIN TO BUSAN is the story of these survivors, who besides Seok-woo and Soo-an, also includes a pregnant woman Seong-kyeong (Yu-mi Jung) and her husband Sang-hwa (Dong-seok Ma), and two high school students, Jin-hee (Sohee) and Yong-guk (Woo-sik Choi) to name a few.

What follows is an intense thrill ride that provides nonstop chills and suspenseful action sequences, as well as tugging at your heartstrings, in a big, big way.

The cast in TRAIN TO BUSAN is phenomenal.

Yoo Gong is naturally heroic as main character and daddy Seok-woo. At first, he’s not the most sympathetic character, as it’s clear that in the past he has placed his career above his daughter, but when the zombies attack, it’s also clear that Seok-woo will do whatever it takes to protect his young daughter. Gong makes for a dashing young hero.

Some of Gong’s best scenes are with his co-star Dong-seok Ma who plays Sang-hwa, the husband who similarly will do whatever it takes to protect his pregnant wife. Dong-seok Ma delivers the most fun performance in the film, as Sang-hwa is both a humorous guy and a kick-ass fighter who becomes the go-to guy when the need arises to fend off the walking dead. Initially, Seok-woo and Sang-hwa do not see eye to eye, but as things grow more bleak they put aside their differences and work together.

Yu-mi Jung is equally as good as Seong-kyeong, the pregnant wife who eventually befriends Seok-woo’s daughter Soo-an. Jung makes Seong-kyeong one of the film’s strongest characters, as she has to go above and beyond what one would expect a pregnant woman to have to do.

Likewise, Sohee is memorable as teen Jin-hee.

But best of all is Su-an Kim as Seok-woo’s young daughter Soo-an. She gives the most emotional performance in the entire movie. She has some of the best scenes in the film, and she is more than up to the task of nailing these powerhouse scenes, and for such a young performer, that’s saying a lot.

And I challenge you to find a more emotional ending to a horror movie. Talk about gut-wrenching, the final sequence will have you shaking.

Director Sang-ho Yeon has made one of the best zombie films ever. In addition to the first-rate performances and superb story, there are some truly outstanding action sequences here, well-crafted by Yeon. From hordes of zombies charging up escalators to the characters having to battle their way through zombie infested train cars, the film’s action sequences are second to none.

The special effects are also top-notch. The zombies look scary and are plenty deadly, and these undead folks are of the speedy variety. No slow-moving walkers here. These babies run like the wind!

But the best part of TRAIN TO BUSAN is that the film gets the emotions right. You truly feel for these characters, and the situations they find themselves in play out as tremendously realistic. TRAIN TO BUSAN is a much more emotionally satisfying movie than say WORLD WAR Z which as entertaining as it was fell flat emotionally.

A lot of the credit for the emotion goes to the screenplay by Joo-Suk Park and director Sang-ho Yeon. The script creates riveting situations, likable characters, and realistic dialogue, and it’s all executed to perfection by the actors and by director Yeon.

TRAIN TO BUSAN was the first South Korean zombie apocalypse horror movie, and it’s not going to be the last, as a sequel is already in the works.

You really need to watch TRAIN TO BUSAN. It’s one of the best zombie apocalypse movies ever made, and it’s certainly the most satisfying zombie horror movie of the last twenty years.

What are you waiting for? Get your ticket already! Of course, once on board, you may want to text your loved ones, as there’s no guarantee you’ll actually make it to Busan. The zombies on the train are plenty hungry, and they have the humans insanely outnumbered, but heck, it’s a helluva thrill ride, one that you definitely don’t want to miss!

Will that be one ticket or two?

—END—

 

READY OR NOT (2019) – Relentless Thrill Ride Lots of Fun

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If you like your horror bloody and full of dark humor, you’ll love READY OR NOT (2019), a comedic yet brutal thrill ride about a deadly game of hide and seek.

It’s also a pretty funny take-down of the super rich.

Grace (Samara Weaving) is about to marry Alex Le Domas (Mark O’Brien) and by doing so marry into the ridiculously wealthy Le Domas family and empire. The Le Domas clan made their money in games and sports. Alex warns Grace that his family is weird and that she still has a chance to back out of the wedding, but she says she’s all in as she is in love with him.

Shoulda heeded that warning, Grace!

It turns out that Alex’s family is as strange as advertised, and then some. After the wedding, Alex informs Grace that it’s a family tradition that at midnight they all play a game, and after this experience, then Grace officially becomes part of the family. She doesn’t have to win the game. She simply has to agree to play. Grace loves games and so she sees no problem with this arrangement.

Inside the enormous game room of the Le Domas mansion, the patriarch of the family Tony Le Domas (Henry Czerny) explains the history of their empire, how his great-grandfather took possession of a mysterious box which Tony now holds in his hands, and how he made an arrangement with the box’s previous owner, that if he and his progeny agreed to play a game named in the box, then the stranger would finance the Le Domas business. This arrangement continues to the present day, and is the source of the Le Domas’ money.

However, there is one particular game that the Le Domas family fears playing, and that game is hide and seek, which just happens to be the one that Grace pulls from the box. See, it’s not just a game of hide and seek. In this version, after Grace hides, the family not only has to find her, but they have to kill her. The thinking being that every few years or so to continue their supernatural source of money, they have to provide a sacrifice. Otherwise, they will all die by dawn. As much as they don’t want to play this game, they have no qualms doing so.

However, in this case, things turn out to be not so easy, because once Grace finds out what’s going on, she fights back, and fights back hard.

READY OR NOT may sound like a lurid, ugly thriller, but it’s not. This is not a variation of THE PURGE movies. From the very first murder, when the ultra nervous Emilie (Melanie Scrofano) kills the wrong victim, and one of the family members asks, “Does this count?” it’s clear that this tale is being played for laughs, and it’s a game this movie plays well. The laughs are loud and frequent.

The screenplay by Guy Busick and Ryan Murphy is as sharp as the axe which lops off a person’s head in this movie. The funniest parts are the reactions of the Le Domas family. They’re aloof and impervious to the violence.

And it’s a good thing the story is played for laughs because the reasons behind the hide and seek hunt are rather ridiculous. This one would have struggled to work as a serious thriller.

The cast is solid and is more than up to the task of pulling off the bloody shenanigans. Samara Weaving is perfect as Grace, the hunted wife who refuses to be a victim and fights back, giving the Le Domas clan all they can handle. Weaving was phenomenal in THE BABYSITTER (2017),  a movie in which she played a murderous babysitter. That film was also quite humorous, and in that one she played the hunter rather than the hunted. Her performance in THE BABYSITTER was more memorable than her role here as Grace, but not by much. I like Weaving a lot and hope she continues to land leading roles. She’s exceptional.

The rest of the cast do marvelous jobs as the bizarre Le Domas family, especially Henry Czerny as patriarch Tony Le Domas. Other standouts include Melanie Scrofano as the hyper Emilie, and Elyse Levesque as the cold and deadly Charity Le Domas, who doesn’t mind killing to stay in the family, as she says her past life before she married into the Le Domas clan was far worse.

Mark O’Brien is fine as Grace’s new husband Alex Le Domas. He insists that he’s different from his family and vows to help Grace escape, but family ties run deep. Adam Brody is also very good as Alex’s older brother Daniel, an alcoholic, who is also sympathetic to Grace’s plight. And Nicky Guadagni nearly steals the show with an over the top performance as the tight-lipped evil eyed Aunt Helene.

Also in the cast is Andie MacDowell who plays matriarch Becky Le Domas. Even though MacDowell has been working steadily over the years, it’s been a very long time since I’ve seen her in a movie. Here, she pretty much plays things straight, and her scenes are mostly about trying to reconnect with her son Alex, refuting his claims that Grace has shown him the light, stealing her son’s thunder with the cutting remark that there’s no way a girl he’s known for only a year knows him better than she does. Ouch!

Directors Matt Bettinelli-Olpin and Tyler Gillett keep the action fast and furious. The killings are graphic, bloody, and brutal, the weapons of choice include axes, crossbows, and guns, yet you’re more likely to laugh than shield your eyes and groan, although there is one wince-inducing scene involving Grace’s already mangled hand from a bullet, and a very large nail. Well, in spite of the laughter, this is a horror movie after all.

And the laughs from the audience were loud and frequent. It was clear that everyone in the theater was having a good time.

There are also plenty of swipes at the ultra rich, thematic elements which include the notion that money gives people power to do whatever they want without consequences, and how this is just accepted. Of course, here, as Grace fights back, that’s not how things go down this time.

I really liked READY OR NOT.  While I prefer horror that is more serious than this tale, I can’t deny that I had a lot of fun watching this one.

So strap yourself in and get ready for one relentless thrill ride.

Ready or not!

—END—

 

 

47 METERS DOWN: UNCAGED (2019) – Shark Sequel Scary, Claustrophobic, and Unremarkable

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Shark movies have become a trope.

Throw a few sharks in the water, mix in some unsuspecting swimmers, preferably of the teen variety, have lots of screaming, and you’ve got the makings of a horror movie. Trouble is, like the slasher film before it, the shark movies have become carbon copies of each other, and most of the time, they’re not very good.

This is the biggest thing that 47 METERS DOWN: UNCAGED (2019) has working against it. Even though it tries to be different, it’s still a shark movie, which takes away from some of the solid scares it manages to deliver.

47 METERS DOWN: UNCAGED (2019) is also a sequel. The first film, 47 METERS DOWN (2017) was a movie I liked but didn’t love. The good news here is 47 METERS DOWN: UNCAGED has nothing to do with that first movie. It’s got all new characters and an all new story. The only connection between the two are the sharks, and the location. Both movies take place in Mexico.

47 METERS DOWN: UNCAGED is the story of two sisters. The movie opens when one of the sisters Mia (Sophie Nelisse) is pushed into a swimming pool by a group of mean girls at their all girl private high school. When the film starts off, it looks like it’s going to be CARRIE meets JAWS, which incidentally might have been a better movie, but that’s not where this one ultimately goes, as the bullies take a back seat to the two sisters.

Mia’s half-sister Sasha (Corinne Fox) doesn’t get along with her either, and to remedy this, their dad Grant (John Corbett) arranges for them to spend some quality time together on a glass bottom boat shark tour, where they’ll be able to see some great white sharks, which doesn’t really seem like the best parenting idea to me, thrusting two daughters together who really don’t like each other, but of course, this is a shark movie, so you know where this one is going. They’re going to have to put aside their differences once their lives are on the line.

Anyway, they don’t ever go on the tour because Sasha’s friends Alexa (Brianne Tju) and Nicole (Sistine Rose Stallone) show up to whisk them away on a private swimming date. For a moment I thought Sasha was going to ditch Mia, but at least she agrees to take her sister along.

The girls go swimming in a beautiful secluded area, which just so happens to be where Mia and Sasha’s dad has been diving and exploring some ancient underwater caves, as he is busy discovering an underwater city. The girls decide to dive there and explore the underwater city themselves, only for a few minutes.

But things go awry when they discover that inhabiting the underground city are a bunch of s-s-sharks!!! The rest of the film follows the girls as they have to battle the sharks as they try to find their way out of the underwater city.

In spite of this being yet another shark movie and a sequel, there was a lot in 47 METERS DOWN: UNCAGED that I actually liked. The underwater scenes in the submerged city are done very well. Director Johannes Roberts gives this one a claustrophobic feel with lots of attention given to confined spaces and dark narrow tunnels. The camera stays in tight as the characters navigate through the confining underwater caves.  Roberts also directed the first 47 METERS DOWN. I guess he likes shark movies.

Speaking of sharks, the shark scenes here were definitely scary. I thought they were handled better here than in the first movie. The fact that the girls are fighting off the sharks in underwater caves helps, and these just aren’t any sharks. Since they’ve been living in darkness for ages, they’re blind. So, if you’re real quiet, they won’t be able to find you. Hmm. Where have I heard this plot point before? (Hello A QUIET PLACE [2018], as well as DON’T BREATHE [2016]). Trouble is, for some reason, the girls are anything but quiet. They constantly make noise, and as a result, they are constantly under attack.

But that being said, the shark scenes are quite effective and provide the film with lots of tense moments.

Working against the movie is its poor pacing. With its brisk 89 minute running time, I wouldn’t call it a slow-paced movie, but it also has no sense of urgency. It doesn’t use pace to its advantage, as the film never really builds suspense.

It also goes to the well once too often, and its conclusion is nothing short of ludicrous.

The screenplay by Ernest Riera and director Johannes Roberts creates likable characters with the four teenagers and puts them in a dire situation, but it doesn’t do anything above and beyond to make this one stand out. And as I said, the ending is completely unbelievable.

The acting is fine. All four main actors do a serviceable job, Sophie Nelisse as Mia, Corinne Fox as Sasha, Brianne Tju as Alexa, and Sistine Rose Stallone as Nicole. Stallone is Sylvester Stallone’s daughter, and this is her film debut.

The sharks don’t actually look that bad, but they’re not great either. They’re helped by the fact that most of the time they’re seen in the darkness of the underwater caves. Still, I’ve yet to be impressed by a CGI created shark.

Since the bulk of this film takes place in confined spaces, it reminded me somewhat of this year’s earlier release CRAWL (2019) about a daughter and her father terrorized in the flooding basement of their home by hungry alligators during a monstrous hurricane. I liked CRAWL better. For one, it wasn’t about sharks, and it also told a more compelling story and featured stronger acting.

47 METERS DOWN: UNCAGED will barely register on the shark movie meter, but judged on its own merits, it’s really not half bad and does provide a decent amount of shark scares in a dark claustrophobic setting of underwater caves.

You can do a lot worse, so if you like shark movies, you may want to check out 47 METERS DOWN: UNCAGED. Otherwise, don’t take the bait.

—-END—

 

FAST AND FURIOUS PRESENTS: HOBBS & SHAW (2019) – Amiable Action Comedy Fast and— Fluffy.

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In the interest of full disclosure, I have never seen a FAST AND FURIOUS movie.

Until now, that is.

Way back when the first THE FAST AND THE FURIOUS (2001) came out I just wasn’t that interested, but then they kept coming, and word of mouth and critical reviews said they were getting better and better. But still I resisted, mostly because I hadn’t seen the previous films, but I’m guessing at some point I’ll sit down and eventually start watching these.

Anyway, after eight FAST AND FURIOUS movies, here comes the series’ first “spinoff,” FAST AND FURIOUS PRESENTS: HOBBS & SHAW, a tale featuring characters who appeared in prior movies but who weren’t part of the main core of the cast. I mainly wanted to check this one out because I like the three principal leads, Dwayne Johnson, Jason Statham, and Idris Elba. My expectations were low, but I figured, it might be fun to watch some mindless action scenes featuring these generally entertaining actors.

And I was right.  The action and the dialogue is all very fast, though not so furious. A more apt title for this one would be fast and funny, because really, from beginning to end, this one is played for laughs. I didn’t take any of it seriously, and that was okay.

The plot involves a deadly virus that could wipe out the population of the world, just like that! Yikes!  A former spy (Vanessa Kirby) steals the virus, and a super-charged baddie named Brixton (Idris Elba) will stop at nothing to steal it back. Good guy Hobbs (Dwayne Johnson) is charged with saving the day, and he’s paired with former villain turned hero Shaw (Jason Statham) because the former spy who stole the virus happens to be Shaw’s sister.

Trouble is, Hobbs and Shaw hate each other and refuse to work together, but work together they do, which sets the stage for plenty of banter and one-upmanship throughout.

If you like Dwayne Johnson and Jason Statham, you’ll enjoy this movie because the two actors are likable throughout and do share a fun chemistry together.  Their banter while not hilarious is certainly comical and amusing. There’s a good-natured amiable vibe all through the movie, even though its plot is about a potentially catastrophic virus, and that’s because the film is about as believable as a wrestling match.

Director David Leitch fills this one with exciting action scenes and chases, especially one near the end involving a helicopter and a bunch of cars. Again, fun, but not believable, which for me, pretty much kept this one from being anything special. Technically, it looks great, but it’s all fluff. Leitch also directed DEADPOOL 2 (2018). Speaking of which, Ryan Reynolds is also in the cast, and he gets to ham it up in a couple of scenes. These bits are okay but not overly funny.

The screenplay by Chris Morgan and Drew Pearce has fun with its Hobbs and Shaw banter but that’s about it. Morgan has written a bunch of other FAST AND FURIOUS movies, and Pearce wrote HOTEL ARTEMIS (2018) which I enjoyed a lot.

While Dwayne Johnson and Jason Statham don’t disappoint, Idris Elba doesn’t fare as well. Elba doesn’t get a whole lot of screen time, and his villain in spite of his superpower enhancements is pretty one-dimensional. Elba deserves better.

Vanessa Kirby is very good as Shaw’s sister Hattie, a kick-ass character who can hold her own against the likes of Hobbs and Shaw, although she’s clearly a secondary character here, unfortunately.

As I said, Ryan Reynolds shows up for a couple of scenes, as do Kevin Hart and Helen Mirren. None of these folks make much of an impact.

I liked HOBBS & SHAW well enough, but it’s all fluff, and other than its agreeable leads and well-choreographed action sequences, there’s not a whole lot going on. I’m a story guy, and this one’s story is pretty sparse, which for me, kept this one from being anything special.

It’s not riveting, there’s no edge of your seat excitement, and there’s no intrigue. Instead, there’s playful banter and sanitized action sequences that are mostly played for laughs.

Fast, yes. Furious, not so much.

—END—

SPIDER-MAN: FAR FROM HOME (2019) – Tom Holland and Zendaya Save Marvel Film from Mediocrity

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Welcome to the post-AVENGERS Marvel Cinematic Universe!

(Although, technically, this film is being called the final chapter of the latest phase of the Marvel cinematic universe, which is a lot of Marvel geek talk to me. As far as I’m concerned, the post-Avengers universe has begun!)

AVENGERS: ENDGAME (2019) wrapped up the story arc not only for the Marvel Avengers movies but also for the entire Marvel Cinematic Universe. Beginning with IRON MAN (2008), and continuing with movies about Captain America, Thor, and eventually the Avengers films which brought all these heroes together, Marvel built an ongoing and thoroughly entertaining story arc which permeated these movies and drove them forward above and beyond their standalone movie plots.

AVENGERS: ENDGAME ended that arc, and SPIDER-MAN: FAR FROM HOME (2019) is the first Marvel movie to come after the epic conclusion, which makes it the opening chapter in the next phase of the MCU (although, again, purists are lumping this with the previous film).

And that’s because SPIDER-MAN: FAR FROM HOME leans heavily on the events from AVENGERS: ENDGAME, specifically on Tony Stark/Iron Man, who was Peter Parker’s mentor. In fact, Stark’s influence is so prevalent here this film could have been called SPIDER-MAN: THE GHOST OF TONY STARK. He’s everywhere in this movie, from being the subject of conversations, to being on posters and billboards, to providing the technology which is instrumental to the plot of this movie.

SPIDER-MAN: FAR FROM HOME opens with a memorial and tribute to the fallen heroes from AVENGERS: ENDGAME, but don’t expect a gloomy and depressing Spider-Man movie. SPIDER-MAN: FAR FROM HOME is anything but, as its script is light and spunky and a lot of fun. For instance, the opening tribute turns out to be produced by two high school students, and it quickly turns humorous.

Peter Parker (Tom Holland) has a dilemma. He was handpicked by Tony Stark to be the next Avenger, but he’s only in high school, and he’s much more interested in going on a trip to Europe with his classmates and trying to work up the nerve to ask MJ (Zendaya) out on a date than saving the world, which is why he ignores calls from Nick Fury (Samuel L. Jackson).

However, Fury is not a man to be denied, and he eventually tracks down Peter in Europe and fills him in on the latest threat to the world, and once more, it’s an otherworldly threat. It seems the Elementals—earth, wind, water, and fire— giant weather-related creatures which wreak havoc everywhere, have arrived on Earth from an alternate universe.

But so has another superhero, Mysterio (Jake Gyllenhaal) who shows up to help Spider-Man take on these monstrous baddies. He also becomes Peter Parker’s new mentor.

And that basically is the plot of SPIDER-MAN: FAR FROM HOME. In all honesty, it’s not terribly exciting, and by far this main plot is the weakest part of the movie. I could give a care. I was much more interested in Peter Parker’s relationship with MJ, and also with the pressure he was feeling from being handpicked as Tony Stark’s successor.

There’s also a plot twist midway through this one, which reminded me a lot of the plot twist in IRON MAN 3 (2013). I didn’t like that plot twist, but it wasn’t enough to ruin IRON MAN 3 for me, a film I generally liked. It’s the same here. The plot twist did little for me, but it didn’t really impact the movie all that much. Of course, it’s only a twist for those viewers who don’t read the comics.

While the plot is weak, the main characters are not. Tom Holland is back as Peter Parker/Spider-Man and once more he nails the role. I’m a big fan of the Toby Maguire Spider-Man movies, and for nostalgic reasons, he probably remains my favorite movie Spider-Man, but Tom Holland definitely makes the role his own, and he’s certainly superior to Andrew Garfield’s take on the role.

Holland looks like a high school student, and his youthful exuberance and angst are second to none. One knock I have against this movie, though, is he enjoys far more success here as Peter Parker than as Spider-Man. I felt the film needed more Spider-Man.

Zendaya is excellent as MJ, reprising the role she introduced in SPIDER-MAN: HOMECOMING (2017). And she and Holland have a wonderful chemistry together. My favorite part of this movie was their story and watching them together on-screen.

Jake Gyllenhaal was pretty mediocre as Mysterio. For an actor as talented as Gyllenhaal, the role really didn’t give him a lot do. Michael Keaton, by contrast, fared much better as the villainous Vulture in SPIDER-MAN: HOMECOMING.

Samuel L. Jackson is always fun to watch as Nick Fury, and that remains true here. He’s accompanied once again by Agent Maria Hill, once more played by Cobie Smulders.

Jon Favreau gets lots of screen time as Happy Hogan, a mainstay from the Iron Man movies, who’s not not only trying to look after Peter Parker for Tony Stark but also wooing Peter’s Aunt May, played again by the lovely Marissa Tomei. Both these actors enjoy fun and lively scenes.

Jacob Batalon is back as Peter’s best buddy Ned, as is Angourie Rice as classmate Betty Brant.

The screenplay by Chris McKenna and Erik Sommers works best when focusing on Peter Parker’s personal story. The main superhero plot is mostly a dud, and the Elementals make for rather boring villains. The intriguing character is supposed to be Mysterio, but he’s not really that enthralling.

The best parts of the movie involve Peter Parker’s exploits with MJ, and his dealing with the pressure put on him by Tony Stark.

The humor also works well. In spite of the lackluster main plot, the film is lively and fun and moves along at a fast clip, with one engaging scene after another, and that’s because the Elementals never really become the driving force of the movie. In a way, this is not a good thing for a superhero movie, but SPIDER-MAN: FAR FROM HOME easily overcomes this because of the dynamic between Peter Parker and MJ.

Director Jon Watts, who also directed SPIDER-MAN: HOMECOMING, keeps the pace quick and the characters engaging, although none of the action scenes really resonate until the film’s climax. The final battle is very good, and it involves lots of deadly drones and makes for a rather exciting conclusion.

And yes, since this is a Marvel movie, there are after-credit scenes, both in the middle of the end credits and at the very end, and both these scenes reveal important plot points, so you want to stay till the end.

I had fun watching SPIDER-MAN: FAR FROM HOME, which comes as no surprise, as I’m a huge fan of the Marvel Superhero movies. That being said, I liked the previous installment SPIDER-MAN: HOMECOMING better, because I liked the plot of that film more, and it benefitted from having Robert Downey Jr. in the cast as Iron Man as well as Michael Keaton as the villain, the Vulture. That’s some major superstar power absent from this film.

Still, Tom Holland is incredibly agreeable to watch as Peter Parker/Spider-Man, and Zendaya is equally as captivating as MJ. They’re enough to carry this movie and lift it above its mediocre main plot.

At the end of the day, SPIDER-MAN: FAR FROM HOME is several notches below the best of the Marvel movies, but it’s still a Marvel movie, which makes it a lot of fun and well worth a trip to the theater.

—END