LOGAN (2017) – Fitting Final Chapter for Wolverine

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You can’t run away from your past, especially if you’re a killer with a heart.

That’s the theme which runs through LOGAN (2017), the latest Marvel superhero movie about everyone’s favorite X-Men, the Wolverine, and it’s a theme that’s backed up by frequent references to the classic western SHANE (1953) starring Alan Ladd as a former gunslinger also haunted by his past.

And in the case of LOGAN, it’s more than just a figurative canker, as in this movie Logan’s murderous past is literally poisoning him from within.

When LOGAN opens, a gang of thugs pick the wrong limo to car jack, because resting inside the vehicle is Logan (Hugh Jackman) and he doesn’t take too kindly to people messing with his property.  But we quickly see that this is an older and weaker Logan, and where in the past his alter ego Wolverine would have made quick work of these thugs, now it’s a much more difficult job.  Wolverine takes care of these baddies, but it’s more of a struggle than we are used to seeing.

That’s because the story takes place in the near future, in 2029, a time when all the mutants are now a thing of the past, and Logan is trying his best to live out his life under the radar.  He’s living in Mexico, in very poor conditions, and with the help of fellow mutant Caliban (Stephen Merchant) he’s caring for a very fragile and elderly Professor Xavier (Patrick Stewart).   This is no easy task, since Professor X is prone to seizures, and when he has them, his extraordinarily powerful mind becomes a dangerous weapon and disrupts the world around him.  So, Logan has to keep the professor constantly medicated to prevent him from having seizures, and a lot of the money Logan earns running his limousine service goes towards purchasing these meds.

One day, Logan is approached by a woman Gabriela (Elizabeth Rodriguez) who begs for Logan’s help.  She wants him to protect a young girl  Laura (Dafne Keen) who she says dangerous people are after.  Logan isn’t interested in helping and tells her to go away, but later he is approached by a man named Pierce (Boyd Holbrook) sporting a powerful mechanical hand who questions Logan about this woman, claiming he needs to find her because she stole something from him.  And when Professor X tells Logan about a young girl who is a mutant, Logan ignores him as well, telling the professor there simply aren’t any mutants being born anymore.

But Logan is wrong, and when Pierce and his men locate Gabriela, Laura escapes in the back of Logan’s car, and suddenly it’s up to Logan and the ailing Professor X to protect her.  And while Logan initially is not interested, Professor X  tells him just who she is and who her father is, and that point, for Logan, there’s no going back.

I really enjoyed LOGAN, so much so that’s easily my favorite of the Wolverine movies.

The first thing that stands out about LOGAN is that it is Rated R.  As such, there is a lot of language and bloody violence throughout, things not typically found in a superhero movie.  I’m sure this movie was able to be made as an R rated vehicle because of the extraordinary success at the box office of DEADPOOL (2016) which was also rated R.  And while the language in LOGAN is nowhere near as raunchy as the language in DEADPOOL, the film certainly earns its R rating.

The violence and the language both work here because they are integral to the story.  It’s the way Logan talks, and anything less wouldn’t have seemed as realistic.  Likewise, the violence reflects the ugliness which Logan is trying to forget.  LOGAN is an adult tale, and as such, is completely at home with its R rating.

At one point in the movie Professor X and Laura are watching SHANE (See my review at this site)  on TV, and the professor tells her that they are watching a very famous movie. More than that, SHANE with its story of Alan Ladd’s gunslinger Shane trying to forget his past serves as a backdrop to the main theme of this movie.  Logan wants out, but he finds he cannot turn his back on the people who need him.  In an interview, writer/director James Mangold cited SHANE and Clint Eastwood’s UNFORGIVEN (1992) as inspirations behind LOGAN.

I enjoyed the way Mangold directed this movie.  The action scenes work, and the pacing is good, until the end, when things definitely slow down.  The most exciting sequence in the film is probably when Logan, Professor X, and Laura befriend a farming family— another SHANE reference— and later that night they are attacked by Pierce and his men and their new “secret weapon.”  It’s the most intense sequence of the movie.

The violence is effective and fits in with the story being told here. It also looks a bit more real here than in other R-rated action movies. Often an R rating means nothing more than the ability to show blood, and in this day and age, the blood is CGI -created and very fake looking. The violence in LOGAN looks real.

There’s also a seriousness to the movie that set it apart from a lot of the other Marvel superhero flicks.

Mangold also directed the previous film in the Wolverine series, THE WOLVERINE (2013). LOGAN is a much better movie than THE WOLVERINE and plays more like another Mangold movie that I really liked, the western remake 3:10 TO YUMA (2007) starring Christian Bale and Russell Crowe.

The screenplay by Mangold, Scott Frank, and Michael Green is also very good, which comes as no surprise since all three of these guys have extensive impressive writing credits. In addition to the theme of trying to forget one’s past, the story also deals with getting old.  Both Logan, and to a greater degree, Professor X, are nearing the end of their lives, and to watch them at this stage of their life journeys is interesting.

Like the rest of the world, I’ve always enjoyed Hugh Jackman as Wolverine, and while he can play the character in his sleep by now, his performance here in LOGAN is a step above his usual work because of the added element of the age factor.  In the very first sequence of the movie we are introduced to an aged Wolverine. In previous movies, Wolverine would have made short work of the men attacking him, but here, it’s a major struggle for him. It’s a cool scene, a neat way to open the film, and it sets the stage for Jackman’s superior performance.

And not only is Logan dealing with the normal aging process, but he’s sick.  The years of having metal inside his body have been slowly poisoning him to death.

Equally as good as Jackman is Patrick Stewart as Professor X.  In fact, probably my favorite part of LOGAN is the chemistry between Patrick Stewart as Professor X and Hugh Jackman as Wolverine. Their banter is a highlight of the film.  They are both terrific actors, and they really work well together.

It was a lot of fun to see Patrick Stewart playing Professor X again. He’s been sharing duties with James McAvoy, who plays the character in the rebooted series featuring younger X-Men.  As such, the character of Professor X has struck gold in these movies, as he is portrayed by two top-notch actors, Patrick Stewart and James McAvoy. You can’t go wrong with either portrayal.

While I liked Dafne Keen as Laura,  she didn’t blow me away. Part of it is the writing of the character. She doesn’t say a whole lot, and a bulk of her scenes are strictly action scenes where she’s helped out by some CGI effects.  As such, she is less effective than she might have been.  Laura reminded me a little bit of the character Eleven played by Millie Bobby Brown in the TV show STRANGER THINGS, but ultimately was not as interesting.

The supporting cast was okay.  I found Stephen Merchant rather blah as Caliban.  I liked Boyd Holbrook as Pierce, but ultimately, he just becomes a glorified henchman. As the movie goes on, there’s less and less for him to do.

Like other Marvel movies, LOGAN struggles with its villain.  As much as I enjoy the Marvel movies, you can pretty much bank on it that the villain in the film is going to be sub-par, which I find really puzzling. You’d think more effort would go into creating memorable villains in these movies.

The main villain here, the man Pierce works for, is Dr. Rice (Richard E. Grant) and he’s as dull as they come.  He pretty much put me to sleep.

And as good as LOGAN is, it doesn’t sustain its excellence all the way to the end. It starts off great, and up to that farmhouse scene, about two-thirds of the way in, it’s firing on all cylinders, but then it just fizzles out.

The final act is a letdown, and nowhere near as compelling as first two-thirds of the movie. And this is where not having a formidable villain really hurts, because you don’t have that to fall back on. If you have a memorable villain, then you are locked in until the end because you are waiting for that final confrontation. Without the villain, you’re not really waiting for anything, other than for the movie to be over.

LOGAN runs for two hours and seventeen minutes,and it could have easily been about 20 minutes shorter.

And while the final act is much less interesting than what came before it, the ending of the movie, the final frame, is a good one.  So, you have an excellent superhero movie that runs a bit too long and forgets itself for its final 30 minutes or so before ending with an exclamation point.

All in all, LOGAN is a fine entry in the Marvel superhero universe, a more adult tale than usual, and a fitting final chapter to the Wolverine story.

—END—.

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

 

 

 

IN THE SHADOWS: TORIN THATCHER

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Torin Thatcher as the evil magician Sokurah in THE 7TH VOYAGE OF SINBAD (1958).

Welcome back to IN THE SHADOWS, that column where we look at the career of character actors in the movies, especially horror movies.

Today IN THE SHADOWS it’s Torin Thatcher, a character actor known mostly for his villainous roles.  I remember him most for his outstanding portrayal of the evil magician Sokurah in the classic fantasy film THE 7TH VOYAGE OF SINBAD (1958) which also features some of Ray Harryhausen’s best stop-motion special effects.

And when you watch a movie featuring Ray Harryhausen’s special effects, it’s usually those effects that you remember, not the actors in the film.  This is true with THE 7TH VOYAGE OF SINBAD, with the exception of Torin Thatcher.  His work in 7TH VOYAGE is so strong you remember the magician Sokurah just as vividly as you do Harryhausen’s fantastic creatures.

Before he become an actor, Torin Thatcher was a school teacher.  How cool would that have been?  To have Sokurah the Magician as your teacher.  But seriously, I can only imagine how powerfully effective he must have been standing in a classroom teaching students.

Here now is a partial list of Torin Thatcher’s 150 film and TV credits:

THE MERCHANT OF VENICE (1927) – Solanio – Torin Thatcher’s first movie credit as Solanio in this silent short adaptation of Shakespeare’s play.

NORAH O’NEALE (1934) – Dr. Hackey – Thatcher’s first screen credit in a feature-length movie.  Early drama starring Lester Matthews, known to horror fans for his work in WEREWOLF OF LONDON (1935) and the Boris Karloff/Bela Lugosi classic THE RAVEN (1935).

SABOTEUR (1942) – uncredited appearance in this classic Alfred Hitchcock thriller.

GREAT EXPECTATIONS (1946) – Bentley Drummle – small role in the classic David Lean version of the Charles Dickens tale starring John Mills, Alec Guinness, Valerie Hobson who played Elizabeth in the Boris Karloff classic THE BRIDE OF FRANKENSTEIN (1935), and future Hammer Films stars from THE BRIDES OF DRACULA (1960) Martita Hunt and Freda Jackson.

THE FALLEN IDOL (1948) – Policeman – Plays a policeman in this classic mystery from director Carol Reed (Oliver Reed’s uncle) with a script by Graham Greene.

THE CRIMSON PIRATE (1952) – Humble Bellows – Swashbuckling pirate adventure starring Burt Lancaster and directed by Robert Siodmak, the director of SON OF DRACULA (1943).  Also memorable for featuring a young Christopher Lee in a supporting role.

THE SNOWS OF KILIMANJARO (1952) – Johnson – classic drama starring Gregory Peck, Susan Hayward, Ava Gardner, and Leo G. Carroll.

THE DESERT RATS (1953) – Col. Barney White – Robert Wise-directed war movie starring Richard Burton and James Mason.

THE ROBE (1953) – Sen. Gallio – Biblical tale  of Roman tribune with a conscience starring Richard Burton and Michael Rennie.

WITNESS FOR THE PROSECUTION (1957) – Mr. Myers – Billy Wilder-directed Agatha Christie tale starring Tyrone Power, Marlene Dietrich, Charles Laughton, and the Bride of Frankenstein herself, Elsa Lanchester.  Also features veteran character actor Una O’Connor, also from THE BRIDE OF FRANKENSTEIN (1935) and THE INVISIBLE MAN (1933).

THE 7TH VOYAGE OF SINBAD (1958) – Sokurah the Magician – My favorite all-time Torin Thatcher role.  This classic fantasy adventures features some of Ray Harryhausen’s best special effects ever.  Who can ever forget his giant Cyclops?  In addition, it also features a rousing Bernard Herrmann score, one of my favorites.  The third outstanding element of this movie is Torin Thatcher’s performance as Sokurah.  It’s a rare occurrence indeed in a Ray Harryhausen movie for anything to be as memorable as his creature effects, but Torin Thatcher achieves this feat.  He’s just as memorable in this film as Harryhausen’s effects.

ALFRED HITCHCOCK PRESENTS (1957-59) – Constable Johnson – “The Hands of Mr. Ottermole” (1957)/ Felix Edward Manbridge – “Relative Value” – appearances in two episodes of the classic Alfred Hitchcock TV series.

THRILLER (1961) – Jeremy Teal – “Well of Doom” – appearance in the classic horror anthology TV show hosted by Boris Karloff.

JACK THE GIANT KILLER (1962) – Pendragon – Once again playing the villain in a fantasy adventure.  Thatcher is reunited with 7TH VOYAGE OF SINBAD director Nathan Juran and lead actor Kerwin Matthews who played Sinbad in 7TH VOYAGE and plays Jack here, but missing this time around is Ray Harryhausen and his fantastic creatures, resulting in inferior special effects.

GET SMART (1966) – Dr. Braam – “All In the Mind” (1966) – appearance in the classic Mel Brooks TV series starring Don Adams as Secret Agent Maxwell Smart and Barbara Feldon as Agent 99.

LOST IN SPACE (1966) – The Space Trader- “The Space Trader” (1966)- plays a villain in this Season 1 episode of the Irwin Allen science fiction adventure TV show.  Trades with the Robinson family, takes advantage of Dr. Smith’s greed and makes him his slave, only to be eventually outsmarted by the Robinson Robot.  Way to go, bubble headed booby!

STAR TREK (1967) – Marplon- “The Return of the Archons” (1967) – appearance in this Season 1 episode of the classic TV series chronicling the adventures of Captain Kirk, Mr. Spock, and Dr. McCoy aboard the starship Enterprise.

THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE (1968) – Sir John Turnbull – TV movie version of the classic Robert Louis Stevenson tale, produced by Dan Curtis, the man behind DARK SHADOWS and THE NIGHT STALKER (1971).  Starring Jack Palance as a very sinister Mr. Hyde.

LAND OF THE GIANTS (1970) – Dr. Berger – “Nightmare” (1970) – appearance in this Irwin Allen fantasy TV show.

NIGHT GALLERY ( 1971) – Captain of the Lusitania – “Lone Survivor” (1971) – appearance in the horror anthology series by Rod Serling.

BRENDA STARR ( 1976) – Lassiter- Torin Thatcher’s last screen credit is in this TV movie adventure involving extortion, voodoo, and the supernatural.  Starring Jill St. John.

Thatcher passed away on March 4, 1981 at the age of 76 from cancer.

Torin Thatcher – January 15, 1905 – March 4, 1981.

I hope you enjoyed this edition of IN THE SHADOWS.  Join me next time when we look at the career of another classic character actor.

Thanks for reading!

—Michael

 

 

 

 

 

 

 

 

 

THE GREAT WALL (2017) – Colorful Adventure Fantasy Held Back by Fake Looking Monsters

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THE GREAT WALL (2017) is certainly a good-looking monster movie.

The costumes, the colors, the photography are all vibrant and stunning.  Yup, everything looks good in this new Matt Damon action/fantasy flick except for one thing:  the monsters.  And since this is a monster movie, that’s a problem.

In the distant past, a group of European mercenaries travelling in China in search of “magical” black powder that creates fire find themselves exhausted and weak.  One night, they are attacked by some unseen creatures.  One of the mercenaries, William (Matt Damon) manages to chop off one of the creature’s hands. The creatures flee, but only William and one other man Tovar (Pedro Pascal) survive the attack.

William and Tovar continue onward but are soon captured by a massive army and brought into a fortress behind a great wall. The authorities there are most interested in the severed hand in William’s possession, and at first they do not believe the story that William killed one of the creatures on his own, but soon they discover he has a magnet, which they believe can be used to render the creature harmless.

The fortress is soon attacked by a horde of vicious reptilian creatures.  After a brutal battle, the creatures eventually retreat.  William and Tovar meet another European man, Ballard (Willem Dafoe) who tells them he’s been a prisoner there for many years, as the Chinese refuse to let anyone leave.  Ballard tells them that he knows where they keep the black powder, and if they work together, they can steal the powder and escape.

However, during his time inside the Great Wall, William becomes friends with the leader of the army, Commander Lin Mae (Tian Jing) and he finds himself growing more interested in helping her fight the creatures than stealing the black powder.  When the creatures assemble to attack one last time, William has to decide whether or not he’s going to try to escape or remain and fight.

Hmm.  Take the black powder which you’ve travelled half-way across the world to get, or stay and fight an army of vicious creatures and most likely die.  It seems like an easy choice to me, but in this movie, well, that’s one of the ways the film doesn’t succeed.  I didn’t believe for one second that William, this supposedly cold-hearted mercenary, would be moved to help Lin Mae so easily.

But visually, THE GREAT WALL is a real treat.  The costumes for all the different factions of the Chinese army are eye-poppingly colorful, and the photography is rich and resonant. The film looks terrific.

However, as I said at the outset, the monsters do not.  They’re not awful.  In fact, they are actually quite cool looking.  The problem is although they are cool looking, they also look fake. The CGI here looks cartoonish, and the result are creatures that are not scary at all.   The scenes where we see thousands of these creatures racing towards the wall and then ascending the wall look particularly bad.

The story is so-so.  The idea of monsters attacking the Great Wall of China is a good one, although it’s not handled here in a way that made it all that believable.  The reason the creatures are attacking, as explained in a legend, is adequate, but the actual story is little more than an excuse to feature one battle after another.  The whole mercenary storyline is somewhat interesting, made better by Matt Damon’s presence.

Carlo Bernard, Doug Miro, and Tony Gilroy wrote the screenplay.  I’m guessing the lively contemporary dialogue comes from Gilroy, as he wrote the BOURNE movies, and he’s also one of the writers who worked on ROGUE ONE:  A STAR WARS STORY (2016).

The cast is decent.

I like Matt Damon a lot, and his presence here only helps the movie. He also shares decent chemistry with Tian Jing.  However, Damon did seem a bit old for the part.  A younger protagonist would have made things more believable, especially later on when William takes part in lots of ridiculous over-the-top action sequences.

Tian Ling is also very good as Commander Lin Mae.  And while she and Damon do work well together, again, had Damon been younger, their attraction to each other would have been more believable.

Pedro Pascal has the thankless job of playing the dutiful sidekick, and pretty much everything he says in this movie is a sidekick cliché.  Willem Dafoe is largely wasted here, without a whole lot to do, although his character does go out with a bang.

Director Yimou Zhang does a nice job with the visuals but struggles with the intensity later in the movie.  The film gets off to a rousing start, and there’s a lot of energy early on, but once the creatures attack, the film goes down several notches because the attacking monsters do not look real.  As such, the action sequences never rise above average.

Also, for a movie called THE GREAT WALL that has as its centerpiece the Great Wall of China, the wall itself hardly factors into the story at all.  Oh, battles occur on either side of it and on top of it, but I didn’t really get a sense of the actual structure.  There’s no sense of awe or vastness about it or even interesting historical tidbits.  It’s just part of the CGI landscape, a place where the army fights the monsters. The audience is never invited to go in for a closer look at the Great Wall.  It’s a missed opportunity to make this film something memorable.

THE GREAT WALL is not a bad adventure movie at all, and with an OK script and Matt Damon in the cast, it’s actually better than it should be, as Damon and his fellow actors rise above the lackluster monster effects.

At the end of the day, it’s a decent adventure fantasy.

It’s just not— great.

—END–

 

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

Superhero Movies 2016 – Worst to First

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Here’s a look at the superhero movies from 2016, ranked from worst to first:

batman_v_superman

7. BATMAN V SUPERMAN:  DAWN OF JUSTICE – By far, the worst superhero movie of 2016. The script by Chris Terrio and David S. Goyer doesn’t work. In spite of the fact that Batman and Superman do not trust or like each other, a big part of the plot revolves around Lex Luthor’s plans to pit them against each other.  Why?  They’re enemies already!  Also, the big moment where Batman and Superman change their tunes about each other is both unbelievable and anticlimactic.

Both Ben Affleck as Batman and Henry Cavill as Superman are fine, but the story they are in is not.  Also unimpressed with the action scenes by director Zach Snyder.  Best Part:  Gal Gadot as Wonder Woman.  Worst Part:  Jesse Eisenberg as Lex Luthor.

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6. THE LEGEND OF TARZAN- Tecnically, not really a superhero movie, but growing up I always considered Tarzan a superhero of the jungle.

THE LEGEND OF TARZAN is a serious good-looking production by director David Yates that suffers from one fundamental problem:  it’s boring.

Alexander Skarsgard is terribly uncharismatic as Tarzan, Margot Robbie somehow doesn’t wow as Jane, and Christoph Waltz thinks he’s still playing Bond baddie Blofeld, hamming it up as villain Leon Rom.  The liveliest lines go to Samuel L. Jackson as Tarzan ally George Washington Williams.  The movie would have been better served had it given this oomph to Tarzan.

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5.SUICIDE SQUAD –  The DC superhero movies continue to struggle, but that being said, I liked SUICIDE SQUAD.  Somewhat.

Whereas she didn’t wow in THE LEGEND OF TARZAN, Margot Robbie more than makes up for it here as Harley Quinn.  Robbie’s electrifying, sexy performance as the bad-girl-turned-good-maybe easily steals this movie.  It’s easy to understand from Robbie’s performance how Quinn is the Joker’s girlfriend.

While I’m not a Will Smith fan, he’s really good here as Deadshot, and his and Robbie’s performances were the main reasons I enjoyed this movie.  The rest of the cast is simply average.  The plot less so.  The screenplay by director David Ayer has all this build up to this squad of misfits only to see them square off against one of their own, a supernatural witch, no less.  This one simply lacks vision.

Also, Jared Leto’s Joker is ultimately a disappointment, partly because of his performance, but mostly because the role is under written.

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4. DOCTOR STRANGE – The first of the superhero movies on this list that I consider excellent.  It’s no surprise that all four of the top superhero movies from 2016 come out of the Marvel Universe, the studio that continues to churn out one superhero hit after another.

Certainly the most imaginative superhero movie of the year.  Not only does it tell a captivating story, but it’s also a visual treat. Benedict Cumberbatch is excellent as Doctor Strange, the obnoxious neurosurgeon turned superhero after a devastating injury ruins his career and sends him in search of healing through the Far East mystic arts.  What he finds is new life as a superhero.

As usual with the Marvel movies, it struggles with its villain, as Mads Mikkelsen really doesn’t get to do a whole lot as bad guy Kaecilius.

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3. X-MEN:  APOCALYPSE –  My sleeper pick on the list.  Critically panned and not really loved by fans, X-MEN: APOCALYPSE nonetheless entertained me from start to finish.

The main reason I enjoyed this one?  The performances by James McAvoy as Professor Xavier, and Michael Fassbender as Magneto. Since taking over these roles when the series rebooted with X-MEN:  FIRST CLASS (2011), McAvoy and Fassbender have made them their own.  It’s difficult to dislike a movie when these two talented actors are helming it.

Of course, Jennifer Lawrence is here, too, as Raven/Mystique, but in all honesty I’ve enjoyed Lawrence in most of her other movies more than here in the X-MEN series.

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2. DEADPOOL (CKF) – For many, DEADPOOL was the best superhero movie of 2016.  For me, it was second best.  That being said, it was certainly the most unusual superhero movie of the year.

Foul-mouthed Deadpool— played by Ryan Reynolds in a role he was born to play— lets loose with an abundance of raunchy language not even George Carlin, Richard Pryor, or Eddie Murphy combined could match.  As such, this R rated superhero movie is not for everyone, but if you don’t mind raunchy language, you are in for quite a treat.

The liveliest superhero movie of the year, as well as the funniest.

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1. CAPTAIN AMERICA: CIVIL WAR – My pick for the best superhero movie of 2016 is easily Marvel’s CAPTAIN AMERICA:  CIVIL WAR.  This one plays more like THE AVENGERS 2.5. Its story about a rift between Captain America and Iron Man is much more believable and emotionally satisfying than the rift between Batman and Superman in BATMAN V SUPERMAN: DAWN OF JUSTICE.

This one is so good, that even though it’s the third Captain America movie, it belongs in the conversation as one of the best superhero movies ever made.Brothers Anthony and Joe Russo direct this one with high energy and lots of style, and the screenplay by Christopher Markus and Stephen McFeely is a genuine crowd pleaser.

Also features a phenomenal cast which has no business being in a superhero movie. You’ve got Chris Evans as Captain America, Robert Downey Jr. as Tony Stark/Iron Man, Scarlett Johansson as Black Widow, Anthony Mackie as the Falcon, Don Cheadle as War Machine, Jeremy Renner as Hawkeye, Chadwick Boseman as Black Panther, Paul Bettany as Vision, Elizabeth Olsen as Scarlet Witch, Paul Rudd as Ant-Man, and Sebastian Stan as the Winter Soldier.  And with all these folks doing their things and doing them well, the movie is almost stolen by young Tom Holland in his debut as Spider-Man.

An awesome movie.  Marvel has been churning out one quality superhero movie after another going back to IRON MAN (2008), and they show no signs of slowing down.  I’m looking forward to their upcoming releases in 2017, starting with LOGAN on March 3.

And there you have it, my list of the superhero movies from 2016.

Until next time, thanks for reading!

—Michael

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.  Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

Science Fiction Movies 2016 – Worst to First

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Here’s a look back at the major science fiction movies from 2016.  There has been a resurgence of late of quality science fiction films, but that being said, 2016 didn’t have a lot to offer audiences in the sci-fi genre.  In fact, of the more than 50 films I saw in 2016, only five were science fiction.

Here’s a break down of how they fared, from worst to first:

passengers

5. PASSENGERS – this big budget pairing of superstars Jennifer Lawrence and Chris Pratt was my least favorite science fiction film from 2016.  That being said, it’s really not that bad a movie.  I would rate it slightly less than average.  Probably not worth a trip to the theater, but something you might consider catching at home on a streaming service or on DVD or Blu-ray.

The biggest culprit is a story that just didn’t work.  It’s about a massive spaceship carrying thousands of passengers in sleep stasis to a new colony planet where they hope to begin a new life.  When there’s a malfunction, and a man Jim Preston (Chris Pratt) is accidentally awoken, he finds himself alone and realizes with 90 years still left to the voyage, he won’t get off the ship alive.  His decision to awake fellow passenger Aurora Lane (Jennifer Lawrence)— in effect giving her a death sentence— and the subsequent love story  which follows sets up the burning question:  what will happen if Aurora finds out that unlike Jim she didn’t awake by accident?

The resolution to this question is both unsatisfying and unbelievable.  PASSENGERS is a good-looking science fiction movie hindered by a muddled storyline.  Plus Lawrence and Pratt share very little chemistry as desperate space lovers.

 

rogue-one-poster

4. ROGUE ONE:  A STAR WARS STORY –  while legions of fans call this the best STAR WARS movie ever! I simply found it to be a decent stand alone film in the series.  It starts off slow but gets better with an exciting ending that is one of the best endings of the entire series.

ROGUE ONE is a stand alone film in the series, meaning it’s the first film in the STAR WARS franchise not to be part of a trilogy.  It tells the intriguing story of the daring mission to steal those Death Star plans which would ultimately give Luke Skywalker the ability to destroy the evil Empire’s ultimate weapon way back in the very first STAR WARS (1977).  It’s a good story, but the film struggles to tell it at first, as we are introduced to a bunch of new characters early on with a minimum of character development.  As such, during the film’s first half, I didn’t care for any of these new characters.

Things eventually get better, and the ending is superb.  I really liked Felicity Jones as Jyn Erso, but the rest of the cast didn’t really wow me.  Nor did the much hyped CGI-motion capture hybrid of Grand Moff Tarkin, which tried to recreate the late great Peter Cushing in one of his later roles.  Mixed results here, as this Tarkin looks just like Cushing if you imagine him as a cartoon.  I enjoyed STAR WARS:  THE FORCE AWAKENS (2015) better.

 

morgan

3. MORGAN – Little seen and critically panned sci-fi actioner, but I really liked this one.  It’s the story of an artificially intelligent being named Morgan (Anya Taylor-Joy) who kills one of the scientists working with her.  As a result, the company which financed the project to create Morgan sends in an agent Lee Weathers (Kate Mara) to investigate whether or not Morgan needs to be terminated.

The scientists who created and now care for Morgan argue in her favor, even though she killed one of their own.  They believe she has attained life and as such cannot be terminated at the whim of a company.  While the film does explore what it means to be an artificial life form, the story is not on the same level as the deeper and better written EX MACHINA (2015).

But where MORGAN does succeed is as an action thriller.  As such, MORGAN features two strong performances, one by Kate Mara as the driven investigator who will stop at nothing to reach her conclusions, and the other by Anya Taylor-Joy as the introspective and potentially dangerous Morgan.  The climactic fight scene between agent Lee Weathers and Morgan is expertly edited, as intense and violent a fight as you’ll see in an action movie, especially between two women.

 

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2.STAR TREK BEYOND- As a lifelong STAR TREK fan, I’ve enjoyed this rebooted movie series a lot, as it explores an alternate timeline involving the characters from the original STAR TREK series.

This third film in this rebooted series is as enjoyable as the two films which came before it. By far, the best part of these movies is its cast, which continue to do a bang up job at capturing the personas of the original cast from the first STAR TREK TV show.  Chris Pine shines as Captain Kirk, and I thought he played the role a bit more like William Shatner here in this third film than he did in the previous two.

Zachary Quinto continues to nail Mr. Spock by delivering a performance that Leonard Nimoy would no doubt be proud of.  But most impressive is Karl Urban as Doctor McCoy.  He has gotten better with each successive movie, and he was excellent to begin with.  He truly captures what DeForest Kelly did with the character in the original series.  Urban’s performance is uncanny.

 

And now we’ve reached my pick for the best science fiction movie from 2016.  We started with PASSENGERS, which I found slightly less than average, and the next three movies were all solid, flirting with average to better than average.

But my pick for the #1 science fiction movie of the year is the only science fiction film from 2016 that I considered excellent.  It’s a far superior science fiction movie than the other four films in this list.

And that movie is:

 

arrival

1. ARRIVAL – the one true science fiction movie from 2016.  When mysterious space ships suddenly appear all over the Earth, suspended silently above ground like enormous storm clouds, the governments from around the world scramble to decipher what these aliens want.

The U.S. government sends in linguistics professor Louise Banks (Amy Adams) to communicate with the aliens.  Banks not only has to try to learn the aliens’ language, but she also has to figure out a way to teach them ours.

What she, along with physicist Ian Donnelly (Jeremy Renner) ultimately learn changes the way we think about time and space.

ARRIVAL is fun science fiction movie with a thought-provoking script by Eric Heisserer.  It’s not perfect. I found the ending not quite as satisfying or mind-blowing as the ending to INTERSTELLAR (2014).  But Amy Adams is excellent in the lead role, and the film really belongs to her.

Without much serious competition, ARRIVAL is easily the best science fiction movie I saw in 2016.

Until next time, thanks for reading!

— Michael

 

 

 

 

 

Worst Movies of 2016

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And here’s a look at my Top 10 List for the worst movies I saw in 2016:

10. HAIL CAESAR!

Coming in at #10 it’s HAIL CAESAR!, a misfire from the Coen brothers.  Don’t get me wrong, this period piece depicting 1950s Hollywood looks terrific.  But the script doesn’t really work.  It has the makings of a screwball comedy, but the Coen brothers opt to play up the drama instead, and so the main character is straight man Hollywood fixer Eddie Mannix (Josh Brolin) who goes around getting actors and actresses out of the various messes they’ve gotten themselves into, all in the name of protecting the studio’s image.  And so the screwball tale of lead actor Baird Whitlock (George Clooney) being kidnapped is pushed into the background, downplaying Clooney’s considerable comedic talents. The film is basically a bunch of unfunny vignettes with a serious but dull wraparound story featuring Brolin’s Eddie Mannix.  Should have been much better.

 

9. BATMAN V SUPERMAN:  DAWN OF JUSTICE

batman_v_superman

Easily my pick for the worst superhero movie of the year.  Batman and Superman lock horns in a story that never makes much sense.   The two superheroes hate each other in the first place, which weakens the plot point of villain Lex Luthor’s plan to pit them against each other, and later the moment when the two future superfriends make amends simply doesn’t ring true.  Best part:  Gal Gadot as Wonder Woman.  Worst part:  Jesse Eisenberg as Lex Luthor.

 

8. THE CONJURING 2

conjuring 2

A major disappointment.  This sequel to the excellent horror movie THE CONJURING (2013) is a bust, even with the return of original director James Wan, and lead stars Patrick Wilson and Vera Farmiga.  Film offers nothing new.

 

7. THE BROTHERS GRIMSBY

Horribly unfunny comedy by Sacha Baron Cohen about two brothers, one an assassin, the other a full-fledged loser, who team up to take on the bad guys.  This one had a hilarious trailer, but that’s all.

 

6.THE DARKNESS

Another lame horror movie, this one about a demon which haunts a family after they take a trip to the Grand Canyon.  Stars Kevin Bacon.

 

5. MECHANIC:  RESURRECTION

mechanic-resurrection-poster

One of the worst sequels I’ve seen in a long while.  This sequel to one of Jason Statham’s earlier hits, THE MECHANIC (2011), itself a remake of a 1970s Charles Bronson movie, makes no sense and is simply an excuse to have Jason Statham in some action scenes.  I’m a big Statham fan, but not even his presence here could save this turkey.

 

4. THE FOREST

Yet another terrible horror movie.  There are simply too many of these.  This one takes a real place, Japan’s Suicide Forest, with lots of real potential, and reduces it to a mere setting for a silly story about an American woman searching for her missing sister.  This is one forest not worth visiting.

 

3. BLAIR WITCH

Yup, another horror movie, another pointless sequel.  This sequel to the classic THE BLAIR WITCH PROJECT (1999) drops the ball as its story about the younger brother of the main protagonist in the original film offers nothing new.  Yup, you won’t find any neat revelations here regarding the mysterious events in the first film.  A huge waste of time.

 

2. HARDCORE HENRY

This actioner deployed the gimmick of being shot entirely from the first person perspective of the main character, who we never see since the story unfolds through his eyes.  The result is a movie which plays like a video game, but of course, the viewer isn’t playing this game, so unless you like watching other people play video games, you might want to skip this one.  Not even the presence of the talented Sharlto Copley can save this shallow flick.

 

1. INCARNATE

incarnate

My pick for the Worst Movie of 2016 is a no brainer.  Easily the worst horror movie of the year and the worst movie of the  year, INCARNATE wastes the talents of a fine actor like Aaron Eckhart and sticks him in a ridiculous story about demonic possession.  The gimmick here is Eckhart’s character approaches demonic possession from the psychological standpoint, and enters the victims’ dreams to expel the demons.  Kinda like a heroic version of Freddy Kruger, only without the wit.  A mess from start to finish, this one makes little sense, nor does it try to.

And there you have it, my picks for the Worst Movies of 2016.

Thanks for reading!

—Michael

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

 

 

Best Movies of 2016

1
La La Land (2016)Sebastian (Ryan Gosling) and Mia (Emma Stone)

Ryan Gosling and Emma Stone in LA LA LAND (2016

 

Here’s a look at my picks for the Top 10 movies of 2016.  Of course, while I do see a lot of movies— 58 this year, and that’s just theatrical releases—  I’m not able to see every movie that comes out, and so this list is limited to only those movies I have seen.

We’ll start with #10 and count down to #1:

 

10. THE INFILTRATOR

infiltrator-poster

Excellent performance by Bryan Cranston powers this crime drama which tells the true story of how U. S. Customs Official Robert Mazur (Bryan Cranston) went undercover to take down a  Columbian drug lord.

 

9. THE JUNGLE BOOK

Loved this remake of Disney’s animated THE JUNGLE BOOK (1967), and I’m a huge fan of that original 1967 animated classic.  Special effects here were amazing, and I really liked how director Jon Favreau made this family friendly film a serious hard-hitting adventure.

 

8. DEADPOOL

deadpool-movie-poster

The role Ryan Reynolds has been waiting for.  Sure, this vulgar, violent tale isn’t for everybody, but the humor is spot-on.  My second favorite superhero movie of the year. Best part is it is so unlike other traditional superhero movies.

 

7. CAPTAIN AMERICA: CIVIL WAR

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My pick for the best superhero movie of 2016.  Plays much more like THE AVENGERS 2.5, rhis exciting tale pits Team Captain America vs. Team Iron Man, and the rift between these two friends comes off as real and believable, something that the similarly themed BATMAN V SUPERMAN:  DAWN OF JUSTICE (2016) failed miserably at.  The scenes with newcomer Tom Holland as Spider-Man are off-the-charts good.

 

6. EDGE OF SEVENTEEN

edge_of_seventeen

Hilarious comedy-drama starring Hailee Steinfeld as a seventeen year-old dealing with life as a teenager.  Things get complicated when her best friend starts dating her older brother.  Topnotch script and direction by writer/director Kelly Fremon Craig.

 

 

Now we get down to my picks for the Top 5 movies of 2016:

5. HANDS OF STONE

hands-of-stone

Critics panned this movie, but I absolutely loved this boxing pic about boxing champ Roberto Durant.  Edgar Ramirez  gives a spirited performance as Roberto Durant, and he’s supported by a fine cast which includes Robert De Niro, Ruben Blades, and Usher Raymond as Sugar Ray Leonard.  Excellent movie, much better than critics gave it credit for, although admittedly I am a sucker for boxing movies.

 

4. HELL OR HIGH WATER

hell-or-high-water-poster

Easily could be my pick for the best movie of the year, this impeccably made crime drama follows a Texas crime spree by two brothers Toby (Chris Pine) and Tanner Howard (Ben Foster) with an old Texas Ranger Marcus Hamilton (Jeff Bridges) hot on their trail.  Features fantastic peformances by the three leads.  Jeff Bridges is amazing as always, and the same can be said of Ben Foster, and it’s also fun to see Chris Pine get to do a whole lot more than when he plays Captain Kirk in the rebooted STAR TREK movies.  Riveting direction by David Mackenzie, and a phenomenal thought-provoking script by one of my favorite screen writers working today, Taylor Sheridan.

 

3. SULLY

Easily the most efficient film of the year, SULLY, starring Tom Hanks, and directed by Clint Eastwood, clocks in at a brisk 96 minutes, and not a minute is wasted.  It tells the emotionally riveting true tale of pilot Chesley Sullenberger, aka “Sully,” and his decision to make an emergency landing on the Hudson River.  It’s an amazing story because all the passengers on the plane survived, and the film makes things even more compelling as it follows the subsequent investigation by officials who questioned Sully’s decision to land in the water in the first place.  SULLY features another remarkable performance by Tom Hanks, and yet another superb directorial effort by Clint Eastwood.  Eastwood is 86 years old, and yet SULLY plays with as much energy, oomph, and emotion as if directed by someone half that age.  I left the theater incredibly impressed.

 

2. MANCHESTER BY THE SEA

manchester-by-the-sea-poster

This film could also have been my number one pick of the year.  MANCHESTER BY THE SEA is a finely acted drama, led by two powerhouse performances by Casey Affleck and Michelle Williams, about a man Lee Chandler (Casey Affleck) thrust into a life-changing situation as he finds himself having to care fo for his deceased brother’s sixteen year-old son.  His life in a shambles due to an earlier traumatic event, Lee knows he’s not the man for the job, but since there is no on else, he pushes himself to live up to his brother’s wishes and care for his nephew. Atmospheric direction by writer/director Kenneth Lonergan, with a script that is as honest and believable as they come.

And now, for my pick for the Number 1 movie of 2016:

 

 

  1. LA LA LAND

la_la_land_poster

My pick for the Best Movie of 2016 also happened to be the last movie I saw in 2016, LA LA LAND.  What a fabulous way to end the calendar year!  LA LA LAND is an absolutely wonderful movie.

I  loved the energy writer/director Damien Chazelle brings to this one.  The opening dance number on a gridlocked L.A. freeway dazzles, and the film never looks back.  Emma Stone gives the best performance of her career to date, imbuing her struggling actress character Mia with so much raw emotion and quirky pizzazz she’s one of the liveliest characters I’ve seen on screen in a long while. Ryan Gosling is just as good as jazz musician Sebastian in this uplifting almost magical musical which follows Mia and Sebastian through a romance in which they help each other achieve their artistic dreams before reality ultimately sets in, forcing them to make decisions which affect their future.  A remarkable movie and genuine crowd pleaser.

Hands down, LA LA LAND is the Best Movie I saw in 2016.

Okay, that about wraps things up for today.  Thanks for joining me in 2016, and here’s to another fine year of movies in 2017!

Thanks for reading!

—Michael

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.