THE HORROR JAR: Genre Films Where PETER CUSHING Did NOT Play A Doctor/Scientist/Professor

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Peter Cushing - The Skull

Peter Cushing and the Skull in THE SKULL (1965), a horror film in which Cushing did not play a doctor.

 

Welcome back to THE HORROR JAR, that column where we look at lists of odds and ends pertaining to horror movies.

Up today, my all time favorite horror movie actor, Peter Cushing.

When you think of Peter Cushing, his two most famous roles immediately come to mind, Baron Frankenstein and Dr. Van Helsing, two characters who were also both doctors.  In fact, a lot of Cushing’s roles in horror movies were of medical doctors, professors, or scientists.  So much so, that I thought:  when did he not play a doctor?

Turns out— many times.

Here’s a look at those roles, the times Peter Cushing starred in a horror or science fiction film but did not play a doctor or scientist.

THE HOUND OF THE BASKERVILLES (1959) – Sherlock Holmes.  Technically not a horror film, but that being said, Hammer Films added plenty of horror elements to their rendition of the Sir Arthur Conan Doyle tale.  Directed by Terence Fisher, with Cushing as Sherlock Holmes and Christopher Lee as Sir Henry Baskerville.  Superior little movie, atmospheric and full of thrills, with Cushing’s energetic Holmes leading the way.

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Cushing as Holmes in THE HOUND OF THE BASKERVILLES (1959).

 

NIGHT CREATURES (1962) – Rev. Dr. Blyss – even though the character is identified in the credits as “Dr. Blyss” he’s really the vicar of the small village of Dymchurch— check that, he’s actually the infamous pirate Captain Clegg, hiding out, posing as the vicar, while secretly smuggling rum in this rousing adventure/horror tale by Hammer Films.  Cushing at his energetic best.

Peter Cushing - Night Creatures

Peter Cushing delivers one of his best performances, as Captain Clegg/Dr. Blyss in NIGHT CREATURES (1962).

 

SHE (1965) – Major Holly – lost cities, a supernatural woman, and lots of action in this fantasy adventure by Hammer Films.

THE SKULL (1965) – Christopher Maitland – plays a private collector interested in the occult who purchases the skull of the Marquis de Sade with deadly results.  Christopher Lee co-stars as Cushing’s rival in this fine horror film by Hammer’s rival, Amicus Productions.

TORTURE GARDEN (1967) – Lancelot Canning – another film by Amicus, this one an anthology film featuring five horror stories based on the works of Robert Bloch.  Cushing appears in the fourth segment, “The Man Who Collected Poe,” once more playing a collector of the macabre.  Jack Palance co-stars with Cushing in this segment.

THE BLOOD BEAST TERROR (1968) – Inspector Quennell-  One of Peter Cushing’s worst movies.  In fact, Cushing himself considered it his worst.  Produced by Tigon Films, a company that tried to join Hammer and Amicus as a voice in British horror but ultimately failed.  The monster is a woman who turns into a giant moth that preys on men’s blood, and Cushing plays the police inspector (in a role originally written for Basil Rathbone) who tries to stop her.

SCREAM AND SCREAM AGAIN (1970) – Major Heinrich Benedek – pretty much just a cameo in this film, famous for being the first time Peter Cushing, Christopher Lee, and Vincent Price all starred together in the same movie.  A bizarre flick, perfect for 1970, but ultimately a disappointment as Cushing and Lee only appear briefly, while Price gets a bit more screen time.

THE VAMPIRE LOVERS (1970) – General von Spielsdorf – Cushing finally appears in a vampire movie where he’s not a doctor or a professor!  This time he’s a general, but he’s still hunting vampires in this atmospheric and very sensual vampire film from Hammer, starring Ingrid Pitt as the vampire Carmilla.  The first of Hammer’s “Karnstein” vampire trilogy.

THE HOUSE THAT DRIPPED BLOOD (1971) – Philip Grayson – Another anthology film by Amicus.  Cushing stars in the second segment “Waxworks” and plays a retired stockbroker who runs afoul of a nefarious wax museum.  Director Peter Duffell once said in an interview that Peter Cushing’s entire segment in this film was simply a contrivance to place his head on a platter, which remains one of the more shocking images from the film.

TWINS OF EVIL (1971) – Gustav Weil – Cushing is excellent (as he always is) in this vampire film from Hammer, playing a different kind of vampire hunter.  He leads the Brotherhood, a fanatical group of men seeking out witches in the countryside, a group that is every bit as deadly as the vampires.  As such, when the vampire threat becomes known, and the Brotherhood turn their attention to the undead, it makes for a much more interesting dynamic than the typical vampire vs. heroes.  It’s one of Cushing’s most conflicted roles.  There’s a scene where he laments that he only wanted to do the right thing, that really resonates, because for most of the film, he’s been doing the very worst things.  The third “Karnstein” vampire film.

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Peter Cushing as the fanatical Gustav Weil in TWINS OF EVIL (1971).

 

I, MONSTER (1971) – Utterson – plays a lawyer in this version of the Dr. Jekyll and Mr. Hyde tale by Amicus, which changed the names of Jekyll and Hyde to Marlowe and Blake, played here by Christopher Lee.

TALES FROM THE CRYPT (1972) – Arthur Edward Grimsdyke – famous Cushing role in yet another anthology film by Amicus.  Cushing appears in the third segment, “Poetic Justice” where he plays an elderly junk dealer who is terrorized into suicide by his neighbors, but a year later, and this is why the role is famous, he returns from the grave.

DR. PHIBES RISES AGAIN (1972) – Captain – cameo in this Vincent Price sequel.  Blink and you’ll miss him.

ASYLUM (1972) – Smith – appears in the segment “The Weird Tailor” in this anthology film by Amicus.

FEAR IN THE NIGHT (1972) – The Headmaster – plays a sinister headmaster, in this thriller written and directed by Jimmy Sangster, and also starring Joan Collins and Ralph Bates.

FROM BEYOND THE GRAVE (1974) – The Proprietor – plays the owner of an antique shop, and the man in the wraparound story in this Amicus anthology horror vehicle.

MADHOUSE (1974) – Herbert Flay – plays a screenwriter in this one, and best friend to Vincent Price’s horror actor Paul Toombes.  Toombes is having a rough go of it, as the character he played in the movies- Dr. Death – seems to be committing murders in real life.  A really interesting movie, not a total success, but definitely worth a look, mostly because Price and Cushing share equal and ample screen time in this one.

TENDRE DRACULA – Macgregor – bizarre ill-conceived French horror comedy, notable for featuring Cushing’s one and only performance as a vampire.

LAND OF THE MINOTAUR (1976) – Baron Corofax – plays the villain to Donald Pleasence’s heroic priest in this tale of devil worship and demons.

STAR WARS (1977) – Grand Moff Tarkin – aside from his work in Hammer Films, the role which Cushing is most known for.  As Tarkin, he’s the one character in the STAR WARS universe who bossed Darth Vader around and lived to tell about it.

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Peter Cushing as Grand Moff Tarkin in STAR WARS (1977).

 

SHOCK WAVES (1977) – SS Commander – Nazi zombies attack!    Nuff said.  With John Carradine.

THE UNCANNY (1977) – Wilbur – Cushing plays a writer who learns that cats are a little more “active” than he first imagined in yet another horror anthology film.

MYSTERY ON MONSTER ISLAND (1981) – William T. Kolderup – plays the “richest man in America” in this bizarre horror comedy.

HOUSE OF THE LONG SHADOWS (1983) – Sebastian Grisbane – famous teaming of Peter Cushing, Christopher Lee, Vincent Price, and John Carradine in the same movie for the first (and only) time ever, this really isn’t a very good movie.  It tries hard, and ultimately isn’t all bad, but could have been so much better.  Price and Lee fare the best.

SHERLOCK HOLMES AND THE MASKS OF DEATH (1984) – Sherlock Holmes – Holmes comes out of retirement to solve a case.   Again, not horror, per se, but since this film was directed by Roy Ward Baker, written by Anthony Hinds, and of course starred Peter Cushing, there is a definite Hammer Films feel about this movie.  John Mills plays Dr. Watson.

There you have it.  A list of genre films starring Peter Cushing where he did not play a doctor, scientist or professor.  Perhaps next time we’ll have a look at those films where he did don a lab coat or carry a medical bag.

That’s it for now.  Thanks for reading!

—Michael

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Peter Cushing, Christopher Lee, Vincent Price: Their Busiest Years

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Peter Cushing, Christopher Lee, and Vincent Price all share birthdays in May— Cushing on May 26, 1913, Lee on May 27, 1922, and Price on May 27, 1911.

To celebrate, here’s a column where we’ll look at their busiest years in the business, and they had a lot of them.  According to IMDB, Peter Cushing had 131 screen credits, Vincent Price had 201, and Christopher Lee surpassed them both with a whopping 281 screen credits.

But which years did they appear on screen the most?

For Peter Cushing, he had three such years.  In 1940—very, very early in his career— and in 1972, he made seven screen appearances.  But he did one better in 1974, with eight screen appearances.

Here are his eight screen credits from 1974:

1. SHATTER – Rattwood

2. FROM BEYOND THE GRAVE  – The Proprietor

3. FRANKENSTEIN AND THE MONSTER FROM HELL – Baron Frankenstein

4. THE BEAST MUST DIE – Dr. Lundgren

5. THE ZOO GANG (TV series) Episode:  “The Counterfeit Trap” – Judge Gautier

6. MADHOUSE  – Herbert Flay

7. THE LEGEND OF THE 7 GOLDEN VAMPIRES – Professor Van Helsing

8. TENDER DRACULA, OR CONFESSIONS OF A BLOOD DRINKER  -MacGregor

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Peter Cushing plays Baron Frankenstein for the last time in FRANKENSTEIN AND THE MONSTER FROM HELL (1974), the year he made the most screen appearances, with eight.

There are a couple of “lasts” and a “first” in this list of credits for Peter Cushing during his busiest year in 1974.  Both his role as Baron Frankenstein in FRANKENSTEIN AND THE MONSTER FROM HELL and as Professor Van Helsing in THE LEGEND OF THE SEVEN GOLDEN VAMPIRES marked the last time he would play these characters.  He played Van Helsing five times in the movies, and Baron Frankenstein six times.

TENDER DRACULA, OR CONFESSIONS OF A BLOOD DRINKER, marked the first and only time that Peter Cushing played a vampire in a movie.

Also of note, Cushing co-starred with Vincent Price in MADHOUSE. And surprisingly, during his busiest year ever in terms of screen credits, Cushing did not star in any films with frequent co-star Christopher Lee that year.

 

Christopher Lee, with his 281 credits, seemed to be busy every year he was working, but his busiest year was very early in his career, in 1956, when he amassed 11 credits in that one single year.

Here they are:

1. CHEVRON HALL OF STARS (TV series), Episode:  “Captain Kidd” – Governor

2. PRIVATE’S PROGRESS – Major Schultz

3.ALEXANDER THE GREAT – Nectenabus (voice)

4.THE SCARLET PIMPERNEL (TV series) – Louis

5. PORT AFRIQUE – Franz Vermes

6.PURSUIT OF THE GRAF SPEE – Manolo

7. BEYOND MAMBASA – Gil Rossi

8. RHEINGOLD THEATER (TV Series) – Appearances in various episodes

9. AGGIE (TV series) – Inspector John Hollis

10. SAILOR OF FORTUNE (TV series) – Yusif/Carnot

11. THE ERROL FLYNN THEATER (TV series) – The Visitant/Compte de Merret/Maurice Gabet

christopher lee 1950s

Christopher Lee in the 1950s, right around his busiest year in the biz, 1956.

And while 1956 may have been Christopher Lee’s busiest year in terms of screen credits, it would be the following year that all his hard work would come to fruition, for in 1957 Christopher Lee would achieve international stardom for his role as The Creature in Hammer Film’s megahit, THE CURSE OF FRANKENSTEIN (1957), the film that also launched Peter Cushing’s international career, for his starring performance as Baron Victor Frankenstein.

 

Vincent Price didn’t have just one, but three busiest years of his career.  He made eight screen appearances in one year three times, in 1956, 1969, and 1970.

Here’s a look at those credits:

1956

1.SERENADE – Charles Winthrop

2.WHILE THE CITY SLEEPS – Walter Kyne

3.LUX VIDEO THEATRE (TV series) – Joseph Bentley/Dr.Austin Sloper/Christoff

4.THE ALCOA HOUR (TV series) – Alvanley

5.THE VAGABOND KING – Narrator (voice)

6.SCIENCE FICTION THEATRE (TV series) -Sgt. Gary Williams/Dr. Philip Redmond

7.THE TEN COMMANDMENTS – Baka

8. CROSSROADS (TV series) – Reverend Alfred W. Price/Rabbi GershomSeixas/Rev. Robert Russell

 

1969

1.MORE DEAD THAN ALIVE – Dan Ruffalo

2.DANIEL BOONE (TV series) – Dr. Thaddeus Morton

3. THE TROUBLE WITH GIRLS – Mr. Morality

4.THE OBLONG BOX – Julian

5. BBC PLAY OF THE MONTH (TV series) – Dr. Austin Sloper

6.THE GOOD GUYS (TV series) – Mr. Middleton

7. WORLD WIDE ADVENTURES:  ANNABEL LEE (Short) – Narrator

8. GET SMART (TV series) – Dr. Jarvis Pym

 

1970

1.SCREAM AND SCREAM AGAIN – Dr. Browning

2.AN EVENING OF EDGAR ALLAN POE – Narrator

3.CRY OF THE BANSHEE – Lord Edward Whitman

4.LOVE, AMERICAN STYLE (TV series)

5.HERE’S LUCY (TV series) – as Vincent Price

6. MOD SQUAD (TV series) – John Wells/Wentworth

7. HOLIDAY STARTIME SPECIAL (TV movie)

8.CUCUMBER CASTLE (TV movie) – Wicked Count Voxville

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Vincent Price in SCREAM AND SCREAM AGAIN (1970)..

Some things of note regarding these credits:  in THE OBLONG BOX, he co-starred with Christopher Lee, and in SCREAM AND SCREAM AGAIN he starred with both Lee and Peter Cushing, the first of only two times that all three of these actors appeared in the same movie together.

I hope you enjoyed this look at the busiest years in the careers of three of the busiest actors in horror film history.

Happy Birthday Peter Cushing, Christopher Lee, and Vincent Price!

Thanks for reading, everybody!

—Michael

 

 

 

 

 

 

 

 

 

 

HALLOWEEN SPECIAL: Karloff, Lugosi, Chaney, Lee, Cushing, and Price Talk Horror

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The following mock interview uses real quotes spoken by horror icons BORIS KARLOFF, BELA LUGOSI, LON CHANEY JR., CHRISTOPHER LEE, PETER CUSHING, and VINCENT PRICE.  The quotes and answers, therefore, are real.

My interview, obviously, is not.

That being said, I hope you will read on as I “interview” these horror stars with questions on their thoughts on horror.

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Bela Lugosi and Boris Karloff

MICHAEL ARRUDA:  Welcome to a special Halloween column.

Here with me today to discuss horror are six of horror movies’ biggest stars, BORIS KARLOFF, BELA LUGOSI, LON CHANEY JR., CHRISTOPHER LEE, PETER CUSHING, and VINCENT PRICE.  Thank you all for joining me tonight.

Let’s get right to it.  Your thoughts on the horror genre and horror movies.  Boris, we’ll start with you.

BORIS KARLOFF:  Thank you, Michael.

MICHAEL ARRUDA:  What does horror mean to you?

BORIS KARLOFF:  Horror means something revolting.

Anybody can show you a pailful of innards. But the object of the roles I played is not to turn your stomach – but merely to make your hair stand on end.

CHRISTOPHER LEE (to Karloff):  You’ve actually said you don’t like the word “horror.”  You’ve said the same thing, Lon.  (Chaney nods).  And I agree with the both of you.

MICHAEL ARRUDA:  They said that?

CHRISTOPHER LEE:  Oh yes.  Both Lon and Boris here don’t like the word “horror”. They– like I— go for the French description: “the theatre of the fantastique.”

LON CHANEY JR.:  But on the other hand, nothing is more natural to me than horror.

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Lon Chaney Jr. and Bela Lugosi

PETER CUSHING:  Strangely enough, I don’t like horror pictures at all. I love to make them because they give pleasure to people, but my favorite types of films are much more subtle than horror.

I like to watch films like BRIDGE OVER THE RIVER KWAI (1957), THE APARTMENT (1960), or lovely musicals.

VINCENT PRICE:  I sometimes feel that I’m impersonating the dark unconscious of the whole human race. I know this sounds sick, but I love it.

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Peter Cushing and Vincent Price

MICHAEL ARRUDA:  Second and final question tonight.  Your thoughts on the roles you have played?

BELA LUGOSI:  Every actor’s greatest ambition is to create his own, definite and original role, a character with which he will always be identified. In my case, that role was Dracula.

And Dracula never ends. I don’t know if I should call it a fortune or a curse, but Dracula ever ends.

CHRISTOPHER LEE:  There are many vampires in the world today – you only have to think of the film business.  (Everyone laughs)

Seriously, though, I’ve always acknowledged my debt to Hammer. I’ve always said I’m very grateful to them. They gave me this great opportunity, made me a well-known face all over the world for which I am profoundly grateful.

PETER CUSHING:  Agreed.  I mean, who wants to see me as Hamlet? Very few. But millions want to see me as Frankenstein so that’s the one I do.

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Christopher Lee and Peter Cushing

LON CHANEY JR.:   All the best of the monsters played for sympathy. That goes for my father,myself and all the others. They all won the audience’s sympathy.

The Wolf Man didn’t want to do all those bad things. He was forced into them.

VINCENT PRICE:  I don’t play monsters. I play men besieged by fate and out for revenge.

BORIS KARLOFF:  For me it was pure luck.

You could heave a brick out of the window and hit ten actors who could play my parts. I just happened to be on the right corner at the right time.

MICHAEL ARRUDA:  And often that’s really what it comes down to.  Being in the right place at the right time, and of course, being persistent.

Thank you gentlemen, for joining me this evening.

And thank you all for reading!

Happy Halloween!

—Michael

 

 

 

 

Kevin Costner Is Criminally Entertaining in CRIMINAL (2016)

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When I think of Kevin Costner,  the word “bad-ass” isn’t what comes to mind.

That might change after watching CRIMINAL (2016), the new thriller starring  Costner as a death row inmate who through untested experimental surgery is given the memories of a dead CIA agent.

Why?  Because the agent died before completing his mission, and in order for his superiors to learn the vital information he took with him to his grave, they need to ressurect his memory.  Enter Kevin Costner.

When the movie opens, CIA agent Bill Pope (Ryan Reynolds) is being chased by the bad guys, and he doesn’t make it, which is very bad for the good guys, because Pope was bringing in a computer hacker who had gained control of the U.S. military’s missile launch system.  Pope’s boss, Quaker Wells (Gary Oldman) recruits Dr. Franks (Tommy Lee Jones) to perform experimental surgery on Pope to transfer Pope’s memories into the brain of another man.

Franks chooses Jericho Stewart (Kevin Costner), a death row inmate and career criminal, because Jericho has a rare brain condition as a result of a childhood brain injury which makes him a perfect candidate for the surgery.  Trouble is, the same injury has also made Jericho an unstoppable unfeeling brutal criminal who doesn’t know right form wrong, doesn’t feel emotion or pain, and basically is Michael Myers without the mask.  Well, almost.

Franks performs the surgery, but Jericho escapes, and now armed with Pope’s CIA agent knowledge and skills, sets out to steal the money that Pope was going to use to bring in the computer hacker.  But when Jericho visits Pope’s wife Jill (Gal Gadot) and his young daughter, he begins to relive happy memories from Pope’s past and suddenly he’s experiencing emotions, something he had never been able to do before, which changes his outlook on life.

Meanwhile, the hacker is still out there, CIA boss Quaker Wells is going nuts because every move he makes seems to be the wrong one, and the main baddie in the movie, terrorist Xavier Heimdahl (Jordi Molla) is intent on using Jericho to lead him to the hacker so he can gain control of the U.S. military’s missile launch codes and blow up the world.

And he’ll succeed, unless Jericho, the relentlessly brutal career criminal who’s now armed with CIA agent skills, making him more dangerous than ever, can stop him.  And he wants to stop him for the simple reason that Xavier has irked him.  As Jericho says early in the movie, “You hurt me.  I’ll hurt you worse.”  Well, Xavier put the hurt on him, and for Jericho, that’s enough.

I went into CRIMINAL not expecting much, but I was pleasantly surprised.  It’s a very entertaining movie, and the biggest reason for this is Kevin Costner.

For me, it’s usually hit or miss with Costner.  Sometimes I enjoy him, and other times not so much.  For example, his recent action thriller 3 DAYS TO KILL (2014) I thought was meh, and he didn’t really do all that much for me in that movie.  Yet, he was terrific in last year’s MCFARLAND, USA. (2015), and I also enjoyed him in the two thrillers THE NEW DAUGHTER (2009) and MR. BROOKS (2007).  Of course, Costner’s career goes way back to THE UNTOUCHABLES (1987) and was followed by a career of hits [DANCES WITH WOLVES (1990)] and misses [WATERWORLD (1995)].

Costner knocks it out of the park here in CRIMINAL.  I haven’t seen Coster this good in years.  Part of the fun is it’s a role Costner doesn’t usually play.  As Jericho Stewart, he’s in-your-face abrasive, rough, crude, and incredibly entertaining.  His gritty yet realistic performance is reminsicent of the work of Tom Hardy, who also could have easily played this guy.

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Jericho Stewart (Kevin Costner) takes aim at an enemy in CRIMINAL (2016).

Costner is also supported by a fine cast.  While neither Gary Oldman nor Tommy Lee Jones really stand out or do anything we haven’t seen them do before, they are both very good and their presence certainly helps the movie.  As does Gal Gadot (Wonder Woman herself!) as Pope’s beautiful wife Jill.  Gadot is not in the movie a whole lot, but when she is, it gets that much better.

Jordi Molla is meh as main baddie Xavier Heimdahl.  I’ve seen better villains, and I’ve seen worse.  Likewise, Michael Pitt as hacker Jan Stroop aka “The Dutchman” is also simply okay.

Better than these two are the other women in the cast.  Alice Eve makes her mark in a brief bit as CIA Agent Marta Lynch who for a time is Quaker Wells’ go-to person before she meets an untimely demise.  Even better than Eve is Antje Traue as Elsa Mueller, Xavier’s top assassin.  Traue gives the second best performance in the movie, behind Costner’s, and I really enjoyed her work as Elsa, who was one of the better characters in the movie.  Then again, maybe I just have a thing for sexy assassins.

And while it was nice to see Ryan Reynolds as Bill Pope, his performance was more of an afterthought, since he’s only in the movie for a few minutes.

CRIMINAL also has a really good script by Douglas Cook and David Weisberg.  It’s chock full of good lines, mostly spoken by Kevin Costner, and the idea behind the story, transferring one man’s memories into another, was pretty interesting.

I couldn’t help but think of FRANKENSTEIN while watching this movie.  The memory transplant, the brain surgery, the fact that Costner’s Jericho behaves like the Frankenstein Monster, especially how he doesn’t feel emotion and goes about scaring people and beating them senseless every chance he gets.  Plus Tommy Lee Jones’ character is named Dr. Franks, which immediately made my Hammer Films brain think of Peter Cushing’s Dr. Franck at the end of THE REVENGE OF FRANKENSTEIN (1958).

That whole part of the story is really interesting and compeletely worked for me, mostly because Costner’s performance brings Jericho to life.

The other part of the story, the stealing of military secrets and wanting to blow things up, didn’t work as well.  That was all standard action movie fare and offered nothing new.

Director Ariel Vromen does a nice job, especially with the pacing.  This one flew by.   The action scenes were all decent, although none of them were all that spectacular.

By far, the best part of CRIMINAL and the main reason to see this one is Kevin Costner’s completely satisfying performance against type as rough, tough, unstoppable and often insane Jericho Stewart.

It’s Costner’s most entertaining role in years.

—END—

 

 

 

 

 

 

 

 

 

IN THE SHADOWS: HAROLD GOODWIN

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Harold Goodwin in FRANKENSTEIN MUST BE DESTROYED (1969)

Welcome back to IN THE SHADOWS, that column where we look at character actors in the movies, especially horror movies.

Today we look at Harold Goodwin, a familiar face if you’re a Hammer Film fan.  Goodwin showed up as a burglar in the suspenseful opening scene in FRANKENSTEIN MUST BE DESTROYED (1969) and he also enjoyed a memorable bit in Hammer’s THE MUMMY (1959).

Goodwin appeared in a lot of movies and TV shows, but for horror fans, especially Hammer Films fans, he’ll always be remembered as the ill-fated burglar who in the opening moments of FRANKENSTEIN MUST BE DESTROYED unfortunately chose to break into a home owned by Baron Frankenstein (Peter Cushing).  In a memorable sequence, his character finds himself trapped in a mysterious laboratory, only to be discovered by a hideous man with a pock-marked face.  The man attacks him, there’s a struggle, which damages the lab, and at one point Goodwin’s burlgar crashes into a table, knocks over a container, and a severed head spills out.  He flees in terror, and once he’s gone, the pock-marked man removes his mask and we see that he is the Baron Frankenstein.  A rousing way to start a very exciting Frankenstein movie, and Goodwin was a big part of this scene.

Goodwin also enjoys a funny bit in THE MUMMY (1959) where he plays a man who is hired by a foreign gentleman to transport some crates full of relics to the foreigner’s house.  Of course, it turns out that the foreign gentleman is Mehemet Bey (George Pastell), the man  who is controlling Kharis the Mummy (Christopher Lee), and the crates of “relics” include Kharis himself!  In one of the film’s more exciting scenes, the horses pulling the wagon get spooked and Goodwin’s character loses the crate containing Kharis into the local swamp.

Before this happens, Goodwin’s character and his buddy get rip-roaring drunk just before they’re to deliver the relics, and on their way to the horse and cart, Goodwin’s character approaches the horses and says “A man’s best friend is a horse,” to which his buddy replies “It’s a dog!”  Goodwin then looks directly at the horse in front of him and says, “It’s a horse!  I’m not that drunk!”

Interestingly enough, there were two Harold Goodwins working as character actors in the movies at the very same time!  The subject of this article was British and appeared in mostly British movies, whereas the other Harold Goodwin was an American.  The American Goodwin appeared in such films as ALL QUIET ON THE WESTERN FRONT (1930), YOUNG MR. LINCOLN (1939), and ABBOTT AND COSTELLO MEET THE INVISIBLE MAN (1951), and made movies between 1915-1973, whereas the British Harold Goodwin worked in the biz between 1946-1992.

Here’s a partial look at the acting credits of Harold Goodwin, focusing mostly on his genre films:

THE MASQUE OF KINGS (1946) – Goodwin received his first screen credit in this made-for-TV movie.

THE HAPPIEST DAYS OF YOUR LIFE (1950)- Edwin- Goodwin’s first credit in a theatrical release was this comedy about the merging of an all-boys school with an all-girls school, starring Scrooge himself, Alastair Sim.

WHO DONE IT? (1956) – Pringle- uncredited peformance in this comedy, notable for being the film debut of British comedian Benny Hill.  Also featured in the cast, Dr. Pretorious himself, Ernest Thesiger, and Hammer Film character actor Thorley Walters.

THE LAST MAN TO HANG? (1956) – Cheed – Goodwin adds his support to this crime drama directed by the man who would go on to direct Hammer Film’s best movies, Terence Fisher.  Starring Tom Conway [I WALKED WITH A ZOMBIE (1943)] and Hammer Films’ actresses Eunice Gayson [THE REVENGE OF FRANKENSTEIN (1958)- Gayson also appeared in the first two James Bond movies DR. NO (1962) & FROM RUSSIA WITH LOVE (1963) as Sylvia,in what was originally intended to be a recurring character in the series], and Freda Jackson [THE BRIDES OF DRACULA (1960)].

THE BRIDGE ON THE RIVER KWAI (1957) – Baker –  The classic war movie by director David Lean, starring William Holden and Alec Guinness.  Winner of seven Oscars, including Best Picture, Best Director for Lean, Best Actor for Guinness, Best Adapted Screenplay by Pierre Boulle, Carl Foreman and Michael Wilson, and Best Music Score by Malcolm Arnold. Based on the novel by Pierre Boulle (PLANET OF THE APES).

QUATERMASS AND THE PIT (TV Mini-series 1958-59- Colonel Gibson-  recurring role in this famous British TV production, later turned into a feature film by Hammer Films as FIVE MILLION YEARS TO EARTH (1967).

THE MUMMY (1959) – Pat – Goodwin’s first appearance in a Hammer horror film, a humorous role as a local hired to transport a crate carrying Kharis the Mummy (Christopher Lee) only to lose it in a muddy swamp.

THE TERROR OF THE TONGS (1961) – uncredited appearance in this crime thriller by Hammer Films starring Christopher Lee as Asian villain Chung King.  Screenplay by Jimmy Sangster.

THE PHANTOM OF THE OPERA (1962) – Bill – Nice role here in the Hammer remake of Gaston Leroux tale, starring Herbert Lom as the Phantom.  Directed by Terence Fisher.

THE LONGEST DAY (1962)- uncredited role in this classic WWII epic chronicling the D-Day invasion.  All-star cast includes John Wayne, Robert Mitchum, Richard Burton, and about 40 more major stars.

THE CURSE OF THE MUMMY’S TOMB (1964) -Fred – Another brief appearance in this second Mummy movie from Hammer Films, unrelated to their first.

DIE, MONSTER, DIE! (1965) – Taxi Driver- Horror movie with an aged Boris Karloff playing a scientist in a wheelchair who discovers a mysterious meteorite and tries to harness its powers.  Also stars Nick Adams, and Hammer veterans Freda Jackson and Suzan Farmer.  Based on the H.P. Lovecraft story “The Colour Out of Space.”

FRANKENSTEIN MUST BE DESTROYED (1969)- Burglar, uncredited – the role I most remember Harold Goodwin for- the burglar who has the misfortune of breaking into Baron Frankenstein’s home where he must face the wrath of the Baron (Peter Cushing) himself. His final Hammer horror appearance.

Frankenstein Must Be Destroyed - Goodwin

Harold Goodwin’s unfortunate encounter in FRANKENSTEIN MUST BE DESTROYED (1969).

ONE FOOT IN THE GRAVE (TV Series) (1992)- Window Cleaner – Goodwin’s final screen appearance in this British TV comedy.

There you have it.  A partial listing of Harold Goodwin’s screen credits.

Harold Goodwin passed away on June 3, 2004 in Middlesex, England, UK.  He was 87.

Hope you enjoyed this brief look at the career of Harold Goodwin.  Join me again next time for the next edition of IN THE SHADOWS where we’ll look at the career of another character actor from the movies.

Harold Goodwin – October 22, 1917 – June 3, 2004.

Thanks for reading!

—Michael

 

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IN THE SPOOKLIGHT: SON OF FRANKENSTEIN (1939)

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Here’s my latest IN THE SPOOKLIGHT column, available now in the February 2016 edition of THE OFFICIAL NEWSLETTER OF THE HORROR WRITERS ASSOCIATION, on the third Universal Frankenstein movie, SON OF FRANKENSTEIN (1939) starring Boris Karloff and Bela Lugosi.

It’s my 150th IN THE SPOOKLIGHT column.

Enjoy!

—Michael

son of frankenstein poster

 

IN THE SPOOKLIGHT

By

Michael Arruda

Welcome to the 150th IN THE SPOOKLIGHT column!

To celebrate, let’s look at the Universal Monster classic, SON OF FRANKENSTEIN (1939).

SON OF FRANKENSTEIN is the third film in the Universal Frankenstein series.  It marked the third and final time that Boris Karloff would play the Monster, and while Karloff’s presence in this one is still key, really, the biggest reason to see this movie is to watch Bela Lugosi play Ygor, arguably his second best film role after Dracula.

SON OF FRANKENSTEIN takes place several decades after the events of THE BRIDE OF FRANKENSTEIN (1935).  Henry Frankenstein (Colin Clive) has died, and his adult son Baron Wolf von Frankenstein (Basil Rathbone) returns home to his father’s estate along with his wife and young son, after being away for many years.

Wolf and his family are given the cold shoulder by the villagers, who remain scarred by memories of the Monster.  In fact, the local police inspector, Inspector Krogh (Lionel Atwill) even offers Frankenstein and his family protection from the villagers, an offer which the proud Wolf scoffs at.

While searching the ruins of his father’s laboratory, Wolf comes across old Ygor (Bela Lugosi), a man who had once been hung for the crime of stealing bodies but survived the hanging.  When Ygor learns that Wolf is a scientist like his father, he brings Wolf to an underground cave beneath the laboratory where he shows him the sleeping body of the Monster (Boris Karloff).

Intrigue, Wolf decides to bring his father’s creation back to full strength, which pleases Ygor, since he uses his “friend” the Monster to murder the members of the jury who had sent him to the gallows.

SON OF FRANKENSTEIN is the most elaborate of the Universal Frankenstein series and it’s also the lengthiest, clocking in at 99 minutes.  While it can be a bit talky, it does a terrific job developing its characters, as the three new characters in this film, Wolf Frankenstein, Inspector Krogh, and Ygor are among the series’ best.  It was originally going to be shot in color, but the decision was made to film it in black and white when initial screen tests of the Monster in color failed to impress.

While SON OF FRANKENSTEIN has a lot going for it, it’s nowhere near as good as the first two films in the series, FRANKENSTEIN (1931) and THE BRIDE OF FRANKENSTEIN (1935).  That being said, it’s the one film in the series that is closest in style to the Hammer Frankenstein movies which were to follow twenty years later, as it spends more time on characterizations and less on the Monster, and it features opulent sets.

Even though director Rowland V. Lee does an admirable job at the helm, the film really misses the direction of James Whale, who directed the first two Frankenstein movies.  Those films were paced better and possessed a chaotic energy about them that really captured the persona of the Monster, and in both those films, Karloff’s performance as the Monster stole the show.

Here in SON OF FRANKENSTEIN, Karloff turns in his least effective performance as the Monster, mostly because he doesn’t have much to do. For reasons that are not explained, the Monster in SON OF FRANKENSTEIN no longer speaks.    One can infer that he may have suffered further brain damage in the explosion at the end of THE BRIDE OF FRANKENSTEIN, which could have taken away his ability to speak.  Whatever the reason, without speech the Monster is a far less interesting character than when we last saw him in BRIDE.

Also, the Monster becomes a “patient” in this movie, spending lots of time lying on a lab table waiting to be energized by Doctor Frankenstein.  Unfortunately, this trend would continue as the series went on, with the Monster spending more and more time reclining on his back, rather than  moving around terrorizing people.  It’s also established for the first time in SON OF FRANKENSTEIN that the Monster cannot die, that Henry Frankenstein created him in such a way that he would live forever.  This would make it convenient for Universal to keep bringing the Monster back in subsequent movies.

Karloff’s best scene as the Monster in SON OF FRANKENSTEIN is when he meets Wolf Frankenstein for the first time.  As he gets right in Wolf’s face, easily terrifying the man, he seems to be thinking back to the man who created both of them, Wolf’s father, Henry Frankenstein.

Ygor and Monster

Ygor (Bela Lugosi) and the Monster (Boris Karloff) are up to no good in SON OF FRANKENSTEIN (1939).

But again, the best part of this movie is Bela Lugosi’s performance as Ygor.  He steals nearly every scene he’s in.  My favorite bits include his coughing on a jury member in a courtroom scene, and his answer to Wolf when asked if he killed their butler Benson:  “I scare him to death.  I don’t need to kill him to death!”  And then he laughs.  Of course, he’s also lying since the Monster did murder Benson.

Basil Rathbone is adequate as Wolf Frankenstein, though he does tend to ham it up a bit.  I definitely miss Colin Clive as Henry Frankenstein.  Of course, the writers went with the “son” story-line rather than another Henry Frankenstein tale because Clive had sadly passed away shortly after making THE BRIDE OF FRANKENSTEIN.  

Lionel Atwill also has one of his best roles here as Inspector Krogh, the one-armed inspector spoofed so effectively by Kenneth Mars in Mel Brooks’ YOUNG FRANKENSTEIN (1974).  Krogh is a memorable character, with a great back story:  he has one arm because the Monster ripped it from its socket when he was a child.  Yikes!

atwill-rathbone-son-of-frankenstein

Inspector Krogh (Lionel Atwill) prepares to tell Wolf Frankenstein (Basil Rathbone) the story of his childhood encounter with the Monster.

The screenplay by Willis Cooper is definitely talky, but it does tell a good story and does a terrific job developing its characters.  SON OF FRANKENSTEIN also features arguably the best music score of the series, by Frank Skinner.

SON OF FRANKENSTEIN  is a fine third film in the series, not as effective as the first two, but definitely better than the films which would follow it, and its cast, which features Boris Karloff, Bela Lugosi, Basil Rathbone, and Lionel Atwill is second to none.

The biggest of the Universal Frankenstein movies, SON OF FRANKENSTEIN is a well-made and worthy installment in the Frankenstein canon.

HORROR MOVIES: Best and Worst of 2015

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Here’s the list of horror movies I saw in 2015, from first to worst:

It Follows poster

IT FOLLOWS – *** – by far, the best horror film of the year.  If you see one horror movie this year, make it this one.  It plays like a John Carpenter film from the 1970s.  Probably my favorite thing about this movie by writer/director David Robert Mitchell is its plot which is unlike most other horror films.  Not gory at all, but suspenseful and captivating throughout.  Very stylish.

THE VISIT- *** – Who knew this M. Night Shyamalan movie about two children visiting their increasingly odd grandparents would be so good?  After a string of misfires, Shyamalan pushes all the right buttons with this one, capturing the perfect blend of horror and humor.

krampus-2015-movie-poster

KRAMPUS – *** – another flick I expected not to like that turned into one of the better horror movies of the year.  This Christmas horror movie in spite of its potentially ridiculous storyline gets the horror right and makes the most of its creepy images and suspenseful scenes.  It’s a holiday comedy with a serious horrific attitude.  Check this one out.

JURASSIC WORLD – ***- technically not really a horror film, but it does contain some angry hungry dinosaurs.  This one is mostly light in tone, but I found it entertaining throughout, and I really enjoyed Chris Pratt’s performance.

THE WOMAN IN BLACK 2:  THE ANGEL OF DEATH- ** 1/2 – I liked this sequel to the well-made THE WOMAN IN BLACK (2012).  I enjoyed the atmosphere and the cinematography more than the story.  A Hammer Film.

UNFRIENDED – ** 1/2 – I thought I would hate this one, but the gimmick of having all the action appear on a computer screen actually works, mostly because audiences today all use computers/laptops/smartphones  and so watching this type of screen seemed perfectly natural, even if its story of high school friends tormented online isn’t very compelling.  Not half bad.

THE GREEN INFERNO – ** 1/2 – not my cup of tea, but this Eli Roth tale of cannibalism actually features likable characters and a decent story.  NOT FOR THE SQUEAMISH.

VICTOR FRANKENSTEIN – ** – ultimately disappointing tale of Frankenstein, told from the perspective of Igor.  So why not call this one Igor?  Best part is Daniel Radcliffe’s performance as Igor.  Tries to be upbeat and action-oriented, a la the Robert Downey Jr. Sherlock Holmes movies, but doesn’t really work.

MAGGIE – ** – Arnold Schwarzenegger in a zombie movie?  Is it full of brutal kills and big gun violence?  Not at all.  This is actually a low-key drama about Arnold caring for his teen daughter who’s slowly turning into a zombie.  Slow moving and quiet.  Worth it if you’re in the right frame of mind.

maggie poster

CRIMSON PEAK- ** – good looking horror movie is undone by a dumb story that ultimately makes little sense.  The main character in this ghost story is supposed to be a strong smart heroine, and yet she’s the only person in the movie who can’t see the danger around her.

INSIDIOUS CHAPTER 3- ** – didn’t like this third chapter in the INSIDOUS series at all.  I’m just not a big fan of prequels, especially when they’re as poorly written as this one.

THE LAZARUS EFFECT – * 1/2 -weak horror movie about a  “Frankenstein”- like experiment to reanimate the dead.  If only this movie could be reanimated.

SINISTER 2 – * 1/2 – utterly horrible sequel.    Story makes little sense nor is it scary.

THE GALLOWS – * – my pick for the Worst Horror Movie of the Year.  How dumb is this one?  Well, the main plot point is that in honor of the 20th anniversary of a high school play gone wrong— a student was accidentally hanged to death on stage- the school decides to put on the same play again.  Duh!  Needless to say, someone isn’t very happy about this decision, and once again more students turn up dead.  Unfortunately none of them were responsible for the script.

There you have it.  My list of horror movies from 2015.

Thanks for reading!

—Michael