IN THE SHADOWS: TORIN THATCHER

0
torin-thatcher

Torin Thatcher as the evil magician Sokurah in THE 7TH VOYAGE OF SINBAD (1958).

Welcome back to IN THE SHADOWS, that column where we look at the career of character actors in the movies, especially horror movies.

Today IN THE SHADOWS it’s Torin Thatcher, a character actor known mostly for his villainous roles.  I remember him most for his outstanding portrayal of the evil magician Sokurah in the classic fantasy film THE 7TH VOYAGE OF SINBAD (1958) which also features some of Ray Harryhausen’s best stop-motion special effects.

And when you watch a movie featuring Ray Harryhausen’s special effects, it’s usually those effects that you remember, not the actors in the film.  This is true with THE 7TH VOYAGE OF SINBAD, with the exception of Torin Thatcher.  His work in 7TH VOYAGE is so strong you remember the magician Sokurah just as vividly as you do Harryhausen’s fantastic creatures.

Before he become an actor, Torin Thatcher was a school teacher.  How cool would that have been?  To have Sokurah the Magician as your teacher.  But seriously, I can only imagine how powerfully effective he must have been standing in a classroom teaching students.

Here now is a partial list of Torin Thatcher’s 150 film and TV credits:

THE MERCHANT OF VENICE (1927) – Solanio – Torin Thatcher’s first movie credit as Solanio in this silent short adaptation of Shakespeare’s play.

NORAH O’NEALE (1934) – Dr. Hackey – Thatcher’s first screen credit in a feature-length movie.  Early drama starring Lester Matthews, known to horror fans for his work in WEREWOLF OF LONDON (1935) and the Boris Karloff/Bela Lugosi classic THE RAVEN (1935).

SABOTEUR (1942) – uncredited appearance in this classic Alfred Hitchcock thriller.

GREAT EXPECTATIONS (1946) – Bentley Drummle – small role in the classic David Lean version of the Charles Dickens tale starring John Mills, Alec Guinness, Valerie Hobson who played Elizabeth in the Boris Karloff classic THE BRIDE OF FRANKENSTEIN (1935), and future Hammer Films stars from THE BRIDES OF DRACULA (1960) Martita Hunt and Freda Jackson.

THE FALLEN IDOL (1948) – Policeman – Plays a policeman in this classic mystery from director Carol Reed (Oliver Reed’s uncle) with a script by Graham Greene.

THE CRIMSON PIRATE (1952) – Humble Bellows – Swashbuckling pirate adventure starring Burt Lancaster and directed by Robert Siodmak, the director of SON OF DRACULA (1943).  Also memorable for featuring a young Christopher Lee in a supporting role.

THE SNOWS OF KILIMANJARO (1952) – Johnson – classic drama starring Gregory Peck, Susan Hayward, Ava Gardner, and Leo G. Carroll.

THE DESERT RATS (1953) – Col. Barney White – Robert Wise-directed war movie starring Richard Burton and James Mason.

THE ROBE (1953) – Sen. Gallio – Biblical tale  of Roman tribune with a conscience starring Richard Burton and Michael Rennie.

WITNESS FOR THE PROSECUTION (1957) – Mr. Myers – Billy Wilder-directed Agatha Christie tale starring Tyrone Power, Marlene Dietrich, Charles Laughton, and the Bride of Frankenstein herself, Elsa Lanchester.  Also features veteran character actor Una O’Connor, also from THE BRIDE OF FRANKENSTEIN (1935) and THE INVISIBLE MAN (1933).

THE 7TH VOYAGE OF SINBAD (1958) – Sokurah the Magician – My favorite all-time Torin Thatcher role.  This classic fantasy adventures features some of Ray Harryhausen’s best special effects ever.  Who can ever forget his giant Cyclops?  In addition, it also features a rousing Bernard Herrmann score, one of my favorites.  The third outstanding element of this movie is Torin Thatcher’s performance as Sokurah.  It’s a rare occurrence indeed in a Ray Harryhausen movie for anything to be as memorable as his creature effects, but Torin Thatcher achieves this feat.  He’s just as memorable in this film as Harryhausen’s effects.

ALFRED HITCHCOCK PRESENTS (1957-59) – Constable Johnson – “The Hands of Mr. Ottermole” (1957)/ Felix Edward Manbridge – “Relative Value” – appearances in two episodes of the classic Alfred Hitchcock TV series.

THRILLER (1961) – Jeremy Teal – “Well of Doom” – appearance in the classic horror anthology TV show hosted by Boris Karloff.

JACK THE GIANT KILLER (1962) – Pendragon – Once again playing the villain in a fantasy adventure.  Thatcher is reunited with 7TH VOYAGE OF SINBAD director Nathan Juran and lead actor Kerwin Matthews who played Sinbad in 7TH VOYAGE and plays Jack here, but missing this time around is Ray Harryhausen and his fantastic creatures, resulting in inferior special effects.

GET SMART (1966) – Dr. Braam – “All In the Mind” (1966) – appearance in the classic Mel Brooks TV series starring Don Adams as Secret Agent Maxwell Smart and Barbara Feldon as Agent 99.

LOST IN SPACE (1966) – The Space Trader- “The Space Trader” (1966)- plays a villain in this Season 1 episode of the Irwin Allen science fiction adventure TV show.  Trades with the Robinson family, takes advantage of Dr. Smith’s greed and makes him his slave, only to be eventually outsmarted by the Robinson Robot.  Way to go, bubble headed booby!

STAR TREK (1967) – Marplon- “The Return of the Archons” (1967) – appearance in this Season 1 episode of the classic TV series chronicling the adventures of Captain Kirk, Mr. Spock, and Dr. McCoy aboard the starship Enterprise.

THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE (1968) – Sir John Turnbull – TV movie version of the classic Robert Louis Stevenson tale, produced by Dan Curtis, the man behind DARK SHADOWS and THE NIGHT STALKER (1971).  Starring Jack Palance as a very sinister Mr. Hyde.

LAND OF THE GIANTS (1970) – Dr. Berger – “Nightmare” (1970) – appearance in this Irwin Allen fantasy TV show.

NIGHT GALLERY ( 1971) – Captain of the Lusitania – “Lone Survivor” (1971) – appearance in the horror anthology series by Rod Serling.

BRENDA STARR ( 1976) – Lassiter- Torin Thatcher’s last screen credit is in this TV movie adventure involving extortion, voodoo, and the supernatural.  Starring Jill St. John.

Thatcher passed away on March 4, 1981 at the age of 76 from cancer.

Torin Thatcher – January 15, 1905 – March 4, 1981.

I hope you enjoyed this edition of IN THE SHADOWS.  Join me next time when we look at the career of another classic character actor.

Thanks for reading!

—Michael

 

 

 

 

 

 

 

 

 

IN THE SHADOWS: HAROLD GOODWIN

0
harold goodwin

Harold Goodwin in FRANKENSTEIN MUST BE DESTROYED (1969)

Welcome back to IN THE SHADOWS, that column where we look at character actors in the movies, especially horror movies.

Today we look at Harold Goodwin, a familiar face if you’re a Hammer Film fan.  Goodwin showed up as a burglar in the suspenseful opening scene in FRANKENSTEIN MUST BE DESTROYED (1969) and he also enjoyed a memorable bit in Hammer’s THE MUMMY (1959).

Goodwin appeared in a lot of movies and TV shows, but for horror fans, especially Hammer Films fans, he’ll always be remembered as the ill-fated burglar who in the opening moments of FRANKENSTEIN MUST BE DESTROYED unfortunately chose to break into a home owned by Baron Frankenstein (Peter Cushing).  In a memorable sequence, his character finds himself trapped in a mysterious laboratory, only to be discovered by a hideous man with a pock-marked face.  The man attacks him, there’s a struggle, which damages the lab, and at one point Goodwin’s burlgar crashes into a table, knocks over a container, and a severed head spills out.  He flees in terror, and once he’s gone, the pock-marked man removes his mask and we see that he is the Baron Frankenstein.  A rousing way to start a very exciting Frankenstein movie, and Goodwin was a big part of this scene.

Goodwin also enjoys a funny bit in THE MUMMY (1959) where he plays a man who is hired by a foreign gentleman to transport some crates full of relics to the foreigner’s house.  Of course, it turns out that the foreign gentleman is Mehemet Bey (George Pastell), the man  who is controlling Kharis the Mummy (Christopher Lee), and the crates of “relics” include Kharis himself!  In one of the film’s more exciting scenes, the horses pulling the wagon get spooked and Goodwin’s character loses the crate containing Kharis into the local swamp.

Before this happens, Goodwin’s character and his buddy get rip-roaring drunk just before they’re to deliver the relics, and on their way to the horse and cart, Goodwin’s character approaches the horses and says “A man’s best friend is a horse,” to which his buddy replies “It’s a dog!”  Goodwin then looks directly at the horse in front of him and says, “It’s a horse!  I’m not that drunk!”

Interestingly enough, there were two Harold Goodwins working as character actors in the movies at the very same time!  The subject of this article was British and appeared in mostly British movies, whereas the other Harold Goodwin was an American.  The American Goodwin appeared in such films as ALL QUIET ON THE WESTERN FRONT (1930), YOUNG MR. LINCOLN (1939), and ABBOTT AND COSTELLO MEET THE INVISIBLE MAN (1951), and made movies between 1915-1973, whereas the British Harold Goodwin worked in the biz between 1946-1992.

Here’s a partial look at the acting credits of Harold Goodwin, focusing mostly on his genre films:

THE MASQUE OF KINGS (1946) – Goodwin received his first screen credit in this made-for-TV movie.

THE HAPPIEST DAYS OF YOUR LIFE (1950)- Edwin- Goodwin’s first credit in a theatrical release was this comedy about the merging of an all-boys school with an all-girls school, starring Scrooge himself, Alastair Sim.

WHO DONE IT? (1956) – Pringle- uncredited peformance in this comedy, notable for being the film debut of British comedian Benny Hill.  Also featured in the cast, Dr. Pretorious himself, Ernest Thesiger, and Hammer Film character actor Thorley Walters.

THE LAST MAN TO HANG? (1956) – Cheed – Goodwin adds his support to this crime drama directed by the man who would go on to direct Hammer Film’s best movies, Terence Fisher.  Starring Tom Conway [I WALKED WITH A ZOMBIE (1943)] and Hammer Films’ actresses Eunice Gayson [THE REVENGE OF FRANKENSTEIN (1958)- Gayson also appeared in the first two James Bond movies DR. NO (1962) & FROM RUSSIA WITH LOVE (1963) as Sylvia,in what was originally intended to be a recurring character in the series], and Freda Jackson [THE BRIDES OF DRACULA (1960)].

THE BRIDGE ON THE RIVER KWAI (1957) – Baker –  The classic war movie by director David Lean, starring William Holden and Alec Guinness.  Winner of seven Oscars, including Best Picture, Best Director for Lean, Best Actor for Guinness, Best Adapted Screenplay by Pierre Boulle, Carl Foreman and Michael Wilson, and Best Music Score by Malcolm Arnold. Based on the novel by Pierre Boulle (PLANET OF THE APES).

QUATERMASS AND THE PIT (TV Mini-series 1958-59- Colonel Gibson-  recurring role in this famous British TV production, later turned into a feature film by Hammer Films as FIVE MILLION YEARS TO EARTH (1967).

THE MUMMY (1959) – Pat – Goodwin’s first appearance in a Hammer horror film, a humorous role as a local hired to transport a crate carrying Kharis the Mummy (Christopher Lee) only to lose it in a muddy swamp.

THE TERROR OF THE TONGS (1961) – uncredited appearance in this crime thriller by Hammer Films starring Christopher Lee as Asian villain Chung King.  Screenplay by Jimmy Sangster.

THE PHANTOM OF THE OPERA (1962) – Bill – Nice role here in the Hammer remake of Gaston Leroux tale, starring Herbert Lom as the Phantom.  Directed by Terence Fisher.

THE LONGEST DAY (1962)- uncredited role in this classic WWII epic chronicling the D-Day invasion.  All-star cast includes John Wayne, Robert Mitchum, Richard Burton, and about 40 more major stars.

THE CURSE OF THE MUMMY’S TOMB (1964) -Fred – Another brief appearance in this second Mummy movie from Hammer Films, unrelated to their first.

DIE, MONSTER, DIE! (1965) – Taxi Driver- Horror movie with an aged Boris Karloff playing a scientist in a wheelchair who discovers a mysterious meteorite and tries to harness its powers.  Also stars Nick Adams, and Hammer veterans Freda Jackson and Suzan Farmer.  Based on the H.P. Lovecraft story “The Colour Out of Space.”

FRANKENSTEIN MUST BE DESTROYED (1969)- Burglar, uncredited – the role I most remember Harold Goodwin for- the burglar who has the misfortune of breaking into Baron Frankenstein’s home where he must face the wrath of the Baron (Peter Cushing) himself. His final Hammer horror appearance.

Frankenstein Must Be Destroyed - Goodwin

Harold Goodwin’s unfortunate encounter in FRANKENSTEIN MUST BE DESTROYED (1969).

ONE FOOT IN THE GRAVE (TV Series) (1992)- Window Cleaner – Goodwin’s final screen appearance in this British TV comedy.

There you have it.  A partial listing of Harold Goodwin’s screen credits.

Harold Goodwin passed away on June 3, 2004 in Middlesex, England, UK.  He was 87.

Hope you enjoyed this brief look at the career of Harold Goodwin.  Join me again next time for the next edition of IN THE SHADOWS where we’ll look at the career of another character actor from the movies.

Harold Goodwin – October 22, 1917 – June 3, 2004.

Thanks for reading!

—Michael

 

.

 

 

 

IN THE SHADOWS: MARIA OUSPENSKAYA

2
Maria Ouspenskaya as Maleva in THE WOLF MAN (1941).

Maria Ouspenskaya as Maleva in THE WOLF MAN (1941).

In The Shadows:  MARIA OUSPENSKAYA

 

By Michael Arruda

Welcome to another edition of IN THE SHADOWS, that column where we look at character actors in the movies, especially horror movies.  Today we look at the career of Maria Ouspenskaya, the actress most famous among horror fans for her portrayal of the gypsy woman Maleva in the Lon Chaney werewolf films THE WOLF MAN (1941) and FRANKENSTEIN MEETS THE WOLF MAN (1943).

As Maleva, Ouspenskaya endeared herself to horror fans as the sympathetic gypsy woman who befriends Lon Chaney Jr.’s cursed Larry Talbot.  In THE WOLF MAN, it was Maleva’s werewolf son (played by Bela Lugosi!) who bit Larry Talbot and turned him into a werewolf.  Later, it’s Maleva who helps Talbot understand his new condition.

In the sequel FRANKENSTEIN MEETS THE WOLF MAN, it’s Maleva again who comes to Larry’s aid, this time leading him to Castle Frankenstein in search of Dr. Frankenstein, hoping that he can help cure Larry. Unfortunately for them, Dr. Frankenstein is dead, and they find the Monster (Bela Lugosi) instead.

Ouspenskaya shines as Maleva in both these movies, and she’s one of the highlights of both films.

Ouspenskaya taught acting in the 1920s, and she opened her own acting school, the Maria Ouspenskaya School of Dramatic Arts in 1929.  Some of her students included John Garfield, Stella Adler, and Lee Strasberg.  Strasberg honed his famous Method Acting techniques under Ouspenskaya’s guidance, and Adler went on to teach among others Marlon Brando.

Ouspenskaya enjoyed a successful movie career, mostly in non-genre films.  It was a brief one, as she didn’t start acting in movies until late in her career, and it was cut short due to an untimely tragic death.

Here’s a look at some of these movies:

DODSWORTH (1936) – Baroness Von Obersdorf-  Ouspenskaya’s film career gets off to a rousing start as she’s nominated for an Oscar for Best Supporting Actress in her movie debut at age 60 in this Academy Award winning film by director William Wyler which won an Oscar for Best Art Direction.

LOVE AFFAIR (1939) – Grandmother – nominated for an Oscar again for Best Supporting Actress.  This film was nominated for six Academy Awards including Best Picture but won none.

DR. EHRLICH’S MAGIC BULLET (1940) – Franziska Speyer – Bio pic written by John Huston about Dr. Paul Ehrlich (Edward G. Robinson) who developed the first synthetic antimicrobial drug, which he called a “magic bullet.”

WATERLOO BRIDGE (1940) – Madame Olga Kirowa- Oscar-nominated World War I romance starring Vivien Leigh and Robert Taylor.

THE MORTAL STORM (1940) – Mrs. Breitner – World War II drama (contemporary for its time) about a family in Germany divided by the Nazis’ rise to power.  Stars James Stewart, Margaret Sullavan, and Robert Young.

DANCE, GIRL, DANCE (1940) – Madame Lydia Basilova – Musical about ballerinas in a dance troupe starring Maureen O’Hara and Lucille Ball.  Also stars Ralph Bellamy who would co-star again with Ouspenskaya in THE WOLF MAN.

THE WOLF MAN (1941) – Maleva – one of the greatest horror movies ever made, with a superior cast that includes Lon Chaney Jr., Claude Rains, Ralph Bellamy, Evelyn Ankers, Patric Knowles, Warren William, Bela Lugosi, and Maria Ouspenskaya in the role which would make her famous among horror fans.

KINGS ROW (1942) – Madame von Eln – Mystery romance starring Ann Sheridan, Robert Cummings, and Ronald Reagan.  Also features Ouspenskaya’s WOLF MAN co-star Claude Rains.

MYSTERY OF MARIE ROGET (1942) – Mme. Cecile Roget – Mystery based on an Edgar Allan Poe tale stars Ouspenskaya’s WOLF MAN co-star Patric Knowles as Poe detective Paul Dupin trying to solve the mystery behind the death of an actress.  Also stars KING KONG’s Frank Reicher.

FRANKENSTEIN MEETS THE WOLF MAN (1943) – Maleva – reprises her role as Maleva the Gypsy Woman, in this sequel to THE WOLF MAN which brings the Wolf Man (Lon Chaney Jr.) together with the Frankenstein Monster (Bela Lugosi).  WOLF MAN actor Patric Knowles plays Dr. Mannering, a different role from the one he played in THE WOLF MAN.

TARZAN AND THE AMAZONS (1945) – Amazon Queen – Ouspenskaya is Queen of the Amazon in this Tarzan adventure starring Johnny Weismuller as Tarzan.

A KISS IN THE DARK (1949) – Mme. Karina – Ouspenskaya’s final role in this comedy starring David Niven.

Maria Ouspenskaya died tragically in December 1949 when she fell asleep while smoking in bed.  She suffered severe burns and died shortly thereafter.

Maria Ouspenskaya –   July 29, 1876 – December 3, 1949.  Age – 73.

For those of us who love horror movies, Maria Ouspenskaya will always be remembered for her endearing portrayal of Maleva, the strong-willed gypsy woman who was always there for Larry Talbot in THE WOLF MAN and FRANKENSTEIN MEETS THE WOLF MAN.  She delivers a masterful performance in both movies.

I hope you enjoyed this edition of IN THE SHADOWS, and I’ll see you again next time when we look at another character actor from the horror movies.

Thanks for reading everybody!

—Michael

IN THE SHADOWS: VALERIE GAUNT

0
Valerie Gaunt as Justine in THE CURSE OF FRANKENSTEIN (1957) prepares to search Victor Frankenstein's (Peter Cushing) laboratory, and come face to face with Christopher Lee's Creature.

Valerie Gaunt as Justine in THE CURSE OF FRANKENSTEIN (1957) prepares to search Victor Frankenstein’s (Peter Cushing) laboratory, but what she finds is Christopher Lee’s murderous Creature.

When I wrote this column in 2015, Valerie Gaunt was still with us.  She recently passed away, on November 27, 2016 at the age of 84.

R.I.P. Valerie Gaunt.

This column is dedicated to her memory.

—Michael 11/30/16

 

In The Shadows:  VALERIE GAUNT

 By Michael Arruda

Welcome back to IN THE SHADOWS, that column where we look at character actors in the movies, especially horror movies.  The subject of today’s column, Valerie Gaunt, compared to other actors we’ve visited in this column, did not amass a great number of screen credits.  In fact, she only has four screen credits, but two of them happen to be in two of the most memorable and influential horror movies of all time, Hammer’s THE CURSE OF FRANKENSTEIN (1957) and HORROR OF DRACULA (1958).

If you’ve seen these movies, then you definitely will remember Valerie Gaunt, because she makes quite the impression in both movies.

In THE CURSE OF FRANKENSTEIN, she plays Justine, the servant in the Frankenstein household.  Now, in the Mary Shelley novel, the character of Justine is rather innocent, which makes her horrific fate all the more tragic.  The Creature murders Victor’s younger brother William, and then he frames Justine for the crime.  As a result, Justine is wrongly hanged for the murder.

In THE CURSE OF FRANKENSTEIN, Justine’s not so innocent, but she still meets a tragic end.  Justine in THE CURSE OF FRANKENSTEIN is having an affair with Victor Frankenstein (Peter Cushing), even while Victor is engaged to his cousin Elizabeth (Hazel Court).

Valerie Gaunt is exceedingly sexy as Justine, and you can easily see why Victor Frankenstein is so interested in her.  And in THE CURSE OF FRANKENSTEIN, Gaunt gets to appear in two of the more memorable scenes in the movie.

The first is when she tells Victor she’s pregnant with his child, to which he coldly responds, “Why choose me as the father?  Pick any man in the village.  Chances are it will be the right one.”

Justine begs Victor to marry her, because he promised her that he would, and when he refuses, she threatens him, telling him that she’ll go to the authorities and tell them what he’s been doing in his laboratory.  Victor tells her that she’ll need proof, to which she replies, “I’ll get proof!”

Poor Justine.  You should have left that house while you had the chance.

Which brings us to the second memorable Justine scene in THE CURSE OF FRANKENSTEIN, when she decides to search Victor’s laboratory for evidence to bring to the police.  It’s one of the more suspenseful and scary scenes in the film.

We see Victor leave the lab, and then Justine sneaks inside, poking around the lab as James Bernard’s thrilling music plays in the background, and as she looks at some mice in a cage, Terence Fisher’s camera pans behind her where we see the shadow of the Creature’s hand reaching upwards.  As Justine turns and sees the Creature (Christopher Lee), she screams and runs for the door, but Victor is there, and he locks her in, to be murdered by his insane creation.

It’s a terribly frightening sequence.

There’s a still where we see Justine standing in front of the door with the Creature walking towards her, but this shot doesn’t exist in the final print, as the scene is shot from the point-of-view of the Creature as he closes in on Justine.

Gaunt returned in the next Hammer hit, HORROR OF DRACULA where she played the Vampire Woman who lives in Dracula’s castle, and she’s just as memorable here as she was in THE CURSE OF FRANKENSTEIN.

Who can forget her first appearance as she silently approaches Jonathan Harker (John Van Eyssen) inside Castle Dracula, wearing that long flowing white gown?  When she asks Harker for help, for him to rescue her from Count Dracula (Christopher Lee) what man would be able to resist?  (Okay, Peter Cushing as Van Helsing might have resisted, but really, who else???)

And Gaunt is involved in two of the more violent scenes from HORROR OF DRACULA as well.  The first is when she tries to bite Harker, and suddenly Christopher Lee’s Dracula explodes onto the scene, hissing, with his bloodshot eyes and bloody fangs.  It’s the first of many shots of Lee snarling as Dracula and it’s pretty much the first time in horror movie history that a vampire was portrayed this way, this violently.  Supposedly, for those who saw HORROR OF DRACULA at the movies back in 1958, this was the scene that got the ball rolling, that let them know that what they were seeing was different from the horror moves which came before it.  In short, it scared the heck out of them!

The second scene finds Valerie Gaunt’s vampire woman lying in her coffin, when Jonathan Harker makes the fatal mistake of driving a stake through her heart first rather than Dracula’s, giving Dracula time to make his escape.  Some have written that Harker staked the vampire woman first because she had attacked him, and for Harker, staking her first was personal.  I suppose that could be true.  Personally, I think the opposite was true, that Harker felt bad for her since she had asked him for help, and he let his emotions get the better of him and decided to free her first before destroying Dracula.  Either way, it was a bad decision.

In the shot afterwards where we see that the vampire woman has aged after Harker has driven a stake through her heart, that’s not Gaunt in make-up, but an entirely different actress, an elderly woman who famously fell asleep while lying in the coffin in between takes.

And here’s an interesting tidbit of a possible “in-joke” that I’ve noticed on my multiple viewings of HORROR OF DRACULA.  In the scene where Harker finds Dracula and the Vampire Woman in their coffins, if you pay attention, you’ll notice James Bernard’s music playing a theme from THE CURSE OF FRANKENSTEIN, as if to say, here’s Christopher Lee and Valerie Gaunt together again.  You just saw them last year as the Creature and Justine.

Bernard does this again a short time later when Peter Cushing’s Van Helsing finds Jonathan Harker in the same crypt, another possible in-joke since Cushing also played Victor Frankenstein.

Valerie Gaunt appeared in just two Hammer Films, but these two appearances were enough to make a lasting impression.  Here are her two Hammer Film credits:

THE CURSE OF FRANKENSTEIN (1957) – Justine –  has an affair with Peter Cushing’s Victor Frankenstein, and then makes the ill-fated decision to search his lab in search of evidence to force him to marry her.  The only evidence she finds is Christopher Lee’s homicidal Creature.

HORROR OF DRACULA (1958) – Vampire Woman – begs Jonathan Harker to rescue her from Dracula’s castle but rewards him with a bite on the neck.  She’s eventually attacked by Dracula (Christopher Lee) and then gets a stake in the heart from Jonathan Harker.

Valerie Gaunt –   July 9, 1932 – November 27, 2016.

 

Hope you enjoyed this edition of IN THE SHADOWS, and I’ll see you again next time when we look at another character actor from the horror movies.

Thanks for reading everybody!

—Michael

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

IN THE SHADOWS: GLENN STRANGE

0
Glenn Strange as the Frankenstein Monster, perhaps the most recognizable of the movie Frankenstein monsters.

Glenn Strange as the Frankenstein Monster, arguably  the most recognizable Frankenstein monster of all time.

In The Shadows: GLENN STRANGE

By Michael Arruda

 

With a name like Glenn Strange, how could you not appear in horror movies?

Glenn Strange amassed a whopping 314 screen credits over his long career which spanned five decades, from 1930 to 1973.

Granted, most of these were in westerns, including the long running television series GUNSMOKE (1961-1973), but horror fans will forever remember Strange for his portrayal of the Frankenstein Monster in three of the Universal Frankenstein movies, the final three to be exact: HOUSE OF FRANKENSTEIN (1944), HOUSE OF DRACULA (1945) and ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948).  In fact, you can make the argument that it is the image of Glenn Strange as the Frankenstein Monster, not Boris Karloff who originated the role that is the most iconic image of the classic Universal Frankenstein Monster.  It’s Glenn Strange as the Frankenstein Monster we see in so many of the movie stills and posters.

Karloff may be the definitive Frankenstein monster (he is, without doubt), but Glenn Strange just might be the most recognizable.

Welcome everybody to another edition of In The Shadows, the column where we honor character actors from the movies, especially horror movies.  Today we look at the career of Glenn Strange, the actor whose image as the Frankenstein Monster may be the most iconic.

The majority of Glenn Strange’s 314 screen credits were in westerns, in a career that began in 1930. He finished his career on the TV show GUNSMOKE, where he enjoyed a recurring role as Sam the bartender which lasted for the full run of the series.

In addition to his three stints as the Frankenstein Monster, Strange also appeared in several other genre films. Here’s a look at Strange’s horror/science fiction credits:

 

FLASH GORDON (1936) – Robot/Soldier/Gocko – the famous Buster Crabbe serial.

THE MAD MONSTER (1942) – Petro – Gets turned into a werewolf by mad scientist George Zucco in this Grade Z thriller.

THE MUMMY’S TOMB (1942) – Man Riding Buckboard (uncredited) – bit part in this classic Lon Chaney Jr. Mummy movie from Universal.

THE BLACK RAVEN (1943) – Andy – mystery and murder in an old dark house, again with George Zucco.

THE MONSTER MAKER (1944) – Giant/Steve – another mad scientist movie. This time it’s J. Carrol Naish as Dr. Igor Markoff busy turning people into monsters.  Why?  Because he can!

HOUSE OF FRANKENSTEIN (1944) – the Frankenstein Monster – Glenn Strange was a natural choice to play the Monster, as he stood at nearly 6’7”. HOUSE OF FRANKENSTEIN, the sixth film in the Universal Frankenstein series, is memorable because it’s the first film which included all three of the major Universal monsters, Lon Chaney Jr. as the Wolf Man, John Carradine as Dracula, and Glenn Strange as the Frankenstein Monster.  Also notable because Boris Karloff returned to the series after a two film hiatus, not as the Monster, but as the demented Doctor Gustav Neimann.  Decent Universal monster movie, and Strange isn’t bad as the Frankenstein Monster, although he really isn’t in the movie all that much and doesn’t get to do much of anything until the film’s final reel.  But he was good enough to return as the Monster in the next two Universal Frankenstein movies.

HOUSE OF DRACULA (1945) – the Frankenstein Monster – Strange’s second stint as the Frankenstein Monster, again teaming up with Lon Chaney Jr.’s Wolf Man and John Carradine’s Dracula. Once more, has little to do until the film’s final reel where he comes back to life just in time to be destroyed yet again.

ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948) – the Frankenstein Monster- The third time Strange would play the Frankenstein Monster would be the best time. Ironically, his screen time as the Monster is greatly increased in this movie, and the character probably has the most to do since the early days of the series.  Once again teamed with Lon Chaney Jr. as the Wolf Man, but this time Bela Lugosi made his triumphant return as Dracula, reprising the role for the first time since the original 1931 classic!  All in all, in spite of it being a comedy, this is one of the better Universal Monster movies.  A classic in its own right.

MASTER MINDS (1949) – Atlas, the Monster – plays a monster in this Bowery Boys horror comedy featuring yet another mad scientist who turns people into monsters, this time played by Alan Napier, famous for playing Alfred on the Adam West BATMAN TV series.

SPACE PATROL (1950-1955) – Captain Jonas – guest spot in this early 1950s space television show.

THE COLGATE COMEDY HOUR (1954) – the Frankenstein Monster – appeared as the Frankenstein Monster in an episode featuring Bud Abbott and Lou Costello.

 

Glenn Strange passed away on September 20, 1973 succumbing to lung cancer at the age of 74.

Glenn Strange: August 16, 1899 – September 20, 1973.

Thanks for reading everybody!

—Michael

IN THE SHADOWS: UNA O’CONNOR

0
Una O'Connor as Mrs. Hall in THE INVISIBLE MAN (1933).

Una O’Connor as Mrs. Hall in THE INVISIBLE MAN (1933).

In The Shadows:  UNA O’CONNOR

 By Michael Arruda

Welcome everyone to another edition of In The Shadows, the column where we honor character actors from the movies, especially horror movies.  Today we look at the career of Una O’Connor.

Una O’Connor made a ton of movies, 84 screen credits in all, but to horror fans, she’s most remembered for her roles in two classic Universal monster movies, THE INVISIBLE MAN (1933) and THE BRIDE OF FRANKENSTEIN (1935).  When I was a kid, I used to call her “the screaming woman” because her shrill cries were unforgettable.  I think she could give Jonathan Harris’ Doctor Smith on the classic TV show LOST IN SPACE (1965-68) a run for his money, and anyone who’s seen him shriek on LOST IN SPACE knows what I’m talking about.

Una O’Connor often provided the comic relief in the movies in which she appeared, and her appearances in both THE INVISIBLE MAN and THE BRIDE OF FRANKENSTEIN are no exception.

In THE INVISIBLE MAN, she plays Mrs. Jenny Hall, the owner of the tavern in which Claude Rains’ mad Dr. Griffin happens upon one snowy night, entering the crowded tavern all wrapped in bandages.  It’s one of the grander entrances of all the Universal monsters.

As Mrs. Hall, O’Connor enjoys a bunch of scenes muttering her displeasure over Griffin’s eccentricities, and she also has the pleasure of being thrown out his room.  When she sends her husband upstairs to physically toss Griffin off the premises, and Griffin returns the favor by throwing Mr. Griffin down a flight of stairs, Mrs. Hall responds with her signature shrieking and wailing, a scene that makes me laugh out loud each and every time I see it.

In THE BRIDE OF FRANKENSTEIN, O’Connor plays Minnie, one of the head servants in the Frankenstein household.  She enjoys some memorable scenes in this one.  She’s the first character to see that the Monster has survived the fire in the windmill at the end of FRANKENSTEIN (1931)— or at least the first character to see him and survive.  The Monster had already killed the parents of Maria, the little girl he drowned in the first movie, but when he happens upon Minnie moments later, she shrieks at him and runs away.  Being the wise Monster that he is, he leaves her alone.

Of course, when she returns to Castle Frankenstein and says she has seen the Monster and he’s still alive, no one believes her.  Moments later, she’s also the first one to see that Henry Frankenstein (Colin Clive) is still alive and has survived his fall from the burning windmill.  In a scene reminiscent of the creation scene in the first film, she sees Henry Frankenstein’s hand move, and she screams, “He’s alive!!!”

She also gets to introduce the memorable and iconic character Dr. Pretorious (Ernest Thesiger) to Henry and Elizabeth Frankenstein, when Pretorious arrives at the door and demands to be announced.  No one says “Pretorius” better than Una O’Connor!

So, for those of us who grew up with the Universal monster movies, we know and adore Una O’Connor, based on those two performances alone.

Here’s a partial list of Una O’Connor’s 84 movie credits:

 

DARK RED ROSES (1929) – Mrs. Weeks – O’Connor’s first movie, a drama about a sculptor who plots to chop off the hands of his wife’s pianist lover.

MURDER! (1930) – Mrs. Grogram- lends her support to this early Alfred Hitchcock thriller.

THE INVISIBLE MAN (1933) – Mrs. Hall – Poor Mrs. Hall.  You shouldn’t have sent your husband up those stairs.  My favorite O’Connor role.  Her cries can wake the dead.

ORIENT EXPRESS (1934) – Mrs. Peters – Murder on a train.

CHAINED (1934) – Amy, Diane’s Maid – Romance starring Joan Crawford, Clark Gable, and Otto Kruger.  O’Connor plays Crawford’s maid.

THE BARRETTS OF WIMPOLE STREET (1934) – Wilson.  Period piece drama/biography starring Charles Laughton and Fredric March.

DAVID COPPERFIELD (1935) – Mrs. Gummidge – George Cukor directed this version of Charles Dickens’ novel, which also featured Elsa Lanchester who would co-star with O’Connor in THE BRIDE OF FRANKENSTEIN.

 THE BRIDE OF FRANKENSTEIN (1935) – Minnie – adds memorable support as Minnie the main servant in the Frankenstein household in this all-time classic monster masterpiece by director James Whale, starring Boris Karloff as the Monster and Elsa Lanchester as his bride.  O’Connor’s best line:  Dr. Pretorious? Pretorious?

 THE INFORMER (1935) – Mrs. McPhillip – John Ford-directed drama.

THE ADVENTURES OF ROBIN HOOD (1938) – Bess – Classic adventure starring Errol Flynn, Olivia de Havilland, Basil Rathbone, Claude Rains, and Patrick Knowles.

THE SEA HAWK (1940) – Miss Latham – Sea adventure directed by Michael Curtiz, starring Errol Flynn and Claude Rains.

THIS LAND IS MINE (1943) – Mrs. Emma Lory – World War II drama— contemporary at the time— directed by Jean Renoir and starring Charles Laughton, Maureen O’Hara, and George Sanders.

THE CANTERVILLE GHOST (1944) – Mrs. Umney –  Comedy fantasy based on the Oscar Wilde story about a cowardly ghost starring Charles Laughton, Robert Young, and Margaret O’Brien.

THE BELLS OF ST. MARY’S (1945) – Mrs. Breen – Bing Crosby reprises his role as Father O’Malley in this well-made sequel to GOING MY WAY (1944), about Crosby running a Catholic school and butting heads with nun Sister Mary Benedict, played by Ingrid Bergman.

WITNESS FOR THE PROSECUTION (1957) – Janet – O’Connor’s final role, in this Billy Wilder directed version of the Agatha Christie story (Wilder also wrote the screenplay), starring Tyrone Power, Marlene Dietrich, Charles Laughton, and Elsa Lanchester, Won Oscars for Best Picture, Best Actor for Laughton, and Best Supporting Actress for Lanchester.

Una O’Connor died on February 4, 1959 from a heart ailment at the age of 79.

Una O’Connor:  October 23, 1880 – February 4, 1959.

Thanks for reading everybody!

—Michael

IN THE SHADOWS: THORLEY WALTERS

0
Thorley Walters as Ludwig in DRACULA - PRINCE OF DARKNESS (1966)

Thorley Walters as Ludwig in DRACULA – PRINCE OF DARKNESS (1966)

In The Shadows: THORLEY WALTERS

By Michael Arruda

Welcome to another edition of In The Shadows, the column where we honor character actors from the movies, especially horror movies. Earlier in this column we looked at the careers of Lionel Atwill, Dwight Frye, and Hammer favorite Michael Ripper.

Today we look at another character actor from Hammer Films, Thorley Walters. If you’ve seen your share of Hammer Films, chances are you’ve seen Thorley Walters.

Walters usually played a pompous stuffy type, a bumbling buffoon, or a mixture of the two. Some standout roles include his performance as Ludwig in DRACULA- PRINCE OF DARKNESS (1966), in which he played a character very similar to Renfield from Bram Stoker’s novel. Ludwig is a man who had once visited Castle Dracula and had left the castle somewhat insane and still under Dracula’s influence.

When the young couple fleeing Dracula (Christopher Lee) takes shelter with Father Sandor (Andrew Keir) at his monastery, where Ludwig is also staying, it’s Ludwig who invites Dracula inside.

Walters was also memorable as the snuff sniffing Police Inspector hot on the trail of Baron Frankenstein (Peter Cushing) in FRANKENSTEIN MUST BE DESTROYED (1969). He chases Frankenstein throughout the entire movie but never quite catches him.

Walters’ most memorable performance however, and my personal favorite, came in the previous Hammer Frankenstein movie, FRANKENSTEIN CREATED WOMAN (1969). In this film, Walters played Baron Frankenstein’s bumbling but loyal assistant, Doctor Hertz. The way Cushing and Walters interact in this film is priceless, and their camaraderie here is reminiscent of Sherlock Holmes and Dr. Watson. In the entire Hammer Frankenstein series, Walters’ Hertz is probably the best of Victor Frankenstein’s assistants. He’s certainly the most likable.

I’ve always wished Walters had reprised the role. I would have enjoyed seeing more tales of Baron Frankenstein with Doctor Hertz by his side.

Walters enjoyed a long film career, appearing in films from the 1930s all the way up until his death in 1991.

Here’s a partial list of Thorley Walters’ 139 acting credits, concentrating mostly on his Hammer Film and other genre appearances:

THE PHANTOM OF THE OPERA (1962) – Lattimer – Assistant to Michael Gough’s insanely annoying Lord Ambrose d’Arcy, the true villain in this Hammer Phantom film starring Herbert Lom as the Phantom. Walters gets to roll his eyes and shake his head at Gough’s infuriating antics.

SHERLOCK HOLMES AND THE DEADLY NECKLACE (1962) – Dr. Watson-
Plays Dr. Watson to Christopher Lee’s Sherlock Holmes in this French, Italian, and German production directed by Hammer A-list director Terence Fisher. A muddled production. Both Lee’s and Walter’s voices are dubbed by other actors!

THE EARTH DIES SCREAMING (1964) – Edgar Otis – A science fiction horror film by director Terence Fisher.

DRACULA- PRINCE OF DARKNESS (1966) – Ludwig – Memorable role as Renfield-type character in this sequel to HORROR OF DRACULA (1958), again directed by Terence Fisher. With Christopher Lee, of course, as Dracula.

THE PSYCHOPATH (1966) – Martin Roth – Walters appears here in a horror movie not directed by Terence Fisher, but by Freddie Francis with a script by Robert Bloch in this Amicus production.

THE AVENGERS – TV series- Episode: “What The Butler Saw” (July 28, 1966) – Hubert Hemming.

FRANKENSTEIN CREATED WOMAN (1967) – Doctor Hertz – My personal favorite Thorley Walters role. His Doctor Hertz is such a likeable character, and Walters and Peter Cushing work so well together it’s too bad this was the only pairing of these two characters. The best of Baron Frankenstein’s assistants in the Hammer Frankenstein series.

FRANKENSTEIN MUST BE DESTROYED (1969)- Inspector Frisch – As Inspector Frisch, Thorley Walters chases Peter Cushing’s evil Baron Frankenstein across the countryside because in this flick Frankenstein must be destroyed.

THE MAN WHO HAUNTED HIMSELF (1970) – Frank Bellamy – Thriller starring Roger Moore.

TROG (1970) – Magistrate – Classic horror flick from the 1970s starring Joan Crawford, Michael Gough, and an ape man. Directed by Freddie Francis. Sadly, Crawford’s last film.

THERE’S A GIRL IN MY SOUP (1970) – Manager of Carlton Hotel – Silly comedy starring Peter Sellers and Goldie Hawn.

VAMPIRE CIRCUS (1972)- Burgermeister – Superior and very underrated Hammer vampire film. If you haven’t seen this one, definitely check it out.

THE ADVENTURE OF SHERLOCK HOLMES’ SMARTER BROTHER (1975) – Dr. Watson – Again plays Dr. Watson, this time to Douglas Wilmer’s Sherlock Holmes in this silly comedy starring Gene Wilder as Sherlock Holmes’ inept younger brother. Also starring Madeline Kahn, Marty Feldman, and Dom DeLuise, obviously trying to recapture the YOUNG FRANKENSTEIN (1974) magic. Falls short. Written and directed by Wilder.

THE PEOPLE THAT TIME FORGOT (1977) – Norfolk – Amicus’ sequel to their earlier hit THE LAND THAT TIME FORGOT (1975), both films starring Doug McClure. Average.

THE LITTLE DRUMMER GIRL (1984) – Ned Quilley – Critically acclaimed drama starring Diane Keaton.

Thorley Walters also appeared in many TV shows and miniseries.

Thorley Walters: May 12, 1913 – July 6, 1991

Thanks for reading everybody!

—Michael