FAST AND FURIOUS PRESENTS: HOBBS & SHAW (2019) – Amiable Action Comedy Fast and— Fluffy.

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Hobbs-Shaw

In the interest of full disclosure, I have never seen a FAST AND FURIOUS movie.

Until now, that is.

Way back when the first THE FAST AND THE FURIOUS (2001) came out I just wasn’t that interested, but then they kept coming, and word of mouth and critical reviews said they were getting better and better. But still I resisted, mostly because I hadn’t seen the previous films, but I’m guessing at some point I’ll sit down and eventually start watching these.

Anyway, after eight FAST AND FURIOUS movies, here comes the series’ first “spinoff,” FAST AND FURIOUS PRESENTS: HOBBS & SHAW, a tale featuring characters who appeared in prior movies but who weren’t part of the main core of the cast. I mainly wanted to check this one out because I like the three principal leads, Dwayne Johnson, Jason Statham, and Idris Elba. My expectations were low, but I figured, it might be fun to watch some mindless action scenes featuring these generally entertaining actors.

And I was right.  The action and the dialogue is all very fast, though not so furious. A more apt title for this one would be fast and funny, because really, from beginning to end, this one is played for laughs. I didn’t take any of it seriously, and that was okay.

The plot involves a deadly virus that could wipe out the population of the world, just like that! Yikes!  A former spy (Vanessa Kirby) steals the virus, and a super-charged baddie named Brixton (Idris Elba) will stop at nothing to steal it back. Good guy Hobbs (Dwayne Johnson) is charged with saving the day, and he’s paired with former villain turned hero Shaw (Jason Statham) because the former spy who stole the virus happens to be Shaw’s sister.

Trouble is, Hobbs and Shaw hate each other and refuse to work together, but work together they do, which sets the stage for plenty of banter and one-upmanship throughout.

If you like Dwayne Johnson and Jason Statham, you’ll enjoy this movie because the two actors are likable throughout and do share a fun chemistry together.  Their banter while not hilarious is certainly comical and amusing. There’s a good-natured amiable vibe all through the movie, even though its plot is about a potentially catastrophic virus, and that’s because the film is about as believable as a wrestling match.

Director David Leitch fills this one with exciting action scenes and chases, especially one near the end involving a helicopter and a bunch of cars. Again, fun, but not believable, which for me, pretty much kept this one from being anything special. Technically, it looks great, but it’s all fluff. Leitch also directed DEADPOOL 2 (2018). Speaking of which, Ryan Reynolds is also in the cast, and he gets to ham it up in a couple of scenes. These bits are okay but not overly funny.

The screenplay by Chris Morgan and Drew Pearce has fun with its Hobbs and Shaw banter but that’s about it. Morgan has written a bunch of other FAST AND FURIOUS movies, and Pearce wrote HOTEL ARTEMIS (2018) which I enjoyed a lot.

While Dwayne Johnson and Jason Statham don’t disappoint, Idris Elba doesn’t fare as well. Elba doesn’t get a whole lot of screen time, and his villain in spite of his superpower enhancements is pretty one-dimensional. Elba deserves better.

Vanessa Kirby is very good as Shaw’s sister Hattie, a kick-ass character who can hold her own against the likes of Hobbs and Shaw, although she’s clearly a secondary character here, unfortunately.

As I said, Ryan Reynolds shows up for a couple of scenes, as do Kevin Hart and Helen Mirren. None of these folks make much of an impact.

I liked HOBBS & SHAW well enough, but it’s all fluff, and other than its agreeable leads and well-choreographed action sequences, there’s not a whole lot going on. I’m a story guy, and this one’s story is pretty sparse, which for me, kept this one from being anything special.

It’s not riveting, there’s no edge of your seat excitement, and there’s no intrigue. Instead, there’s playful banter and sanitized action sequences that are mostly played for laughs.

Fast, yes. Furious, not so much.

—END—

HORROR MOVIES 2018 – Worst to First

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Jamie Lee Curtis as long suffering Laurie Strode striking back against Michael Myers in HALLOWEEN (2018)

2018 wasn’t really the best year for horror movies, at least not at the theater. Netflix actually had some of the better horror movies I saw this year. But at the theater it was slim pickings. Of the nearly 100 movies I saw at the move theater this year, only 12 were horror films, and a few of those weren’t really “horror” per se. Granted, there were a few clinkers I avoided all together, and so by design I saw fewer horror flicks in 2018.

Here we go, my list of HORROR MOVIES 2018, from worst to first:

12.THE NUN  – by far, the worst horror film I saw this year. I know, a lot of people liked this one, but the script with both its lame story and ridiculous dialogue was horrible. Shot on location in Romania, the film looks terrific, but that’s all it has going for it. Part of the CONJURING universe.

11.INSIDIOUS: THE LAST KEY – yet another INSIDIOUS prequel. I really wish they’d put this series to rest already. I do like Lin Shaye as demon hunter Elise Rainier, but since this character was killed off in the very first INSIDIOUS movie, the continuing back stories told in the prequels don’t really resonate.

10. JURASSIC WORLD: FALLEN KINGDOM – not really a horror movie, but you do have those dinosaurs. Pretty bad entry in the JURASSIC series. Silly and oftentimes dull.

9. HALLOWEEN – after all the hype, this latest entry in the HALLOWEEN series was ultimately a disappointment. Ignoring every other movie in the series except for the original John Carpenter classic HALLOWEEN (1978) the film joins Laurie Strode 50 years later as she’s still dealing with the traumatic events of being stalked by Michael Myers on Halloween back in 1978. Jamie Lee Curtis returns to the series to play Laurie once again, and her scenes are by far the best in the movie- the best written and the best acted. The rest of the movie is surprisingly awful. Tells nearly the same story as HALLOWEEN H20: 20 YEARS LATER (1998).

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8. RAMPAGE – Again, not really a horror movie, but the film does feature giant animals battling each other. This ultra silly Dwayne Johnson vehicle has its moments, and it’s more fun than you might think.

7. HEREDITARY – I know, for a lot of horror fans, this was the best horror flick from 2018. I was lukewarm to it. I enjoyed it for nearly 2/3 of the way through, but its ending pretty much ruined it for me. There’s a lot to like about this horror movie, which for me, ultimately did not deliver.

6. OVERLORD – this horror move/World War II action adventure combo wasn’t half bad. On the eve of D-Day, a small group of American soldiers on a secret mission discover a horrific Nazi secret. Works better as an action film than a horror movie, as the horror elements don’t really show up till the end, and they’re not as horrifying as expected.

5. THE POSSESSION OF HANNAH GRACE – this demonic possession movie was better than I expected. The gimmick here is that the possessed being is a corpse rather than a living person. I know. That doesn’t sound like much of a gimmick. But it works here thanks to a compelling lead performance by Shay Mitchell as the woman in the morgue who encounters the angry demon.

4. HELL FEST – another one that was better than expected. This one got off to an awful start with some sloppy direction and bad dialogue, but its standard tale of a crazed killer causing havoc at a Halloween amusement park gets better as it goes along, much, much better. Amy Forshyth is excellent as main character Natalie, the one girl in the group who’s not interested in horror or the supernatural but finds herself smack dab in the center of all it.

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3. THE MEG – this giant shark tale starring Jason Statham should have been stupid, but surprise! It’s actually pretty good. So much so that it was one of my favorite movies from last summer. No, it’s not JAWS (1975), but it’s the best of the recent shark movies, in spite of run-of-the-mill special effects.The strength of THE MEG is its surprisingly snappy script and exceptional performances by everyone involved, and seriously, you can’t really go wrong with a Jason Statham action movie, even if he’s battling a gigantic prehistoric shark.

2. ANNIHILATION – this film is way superior to the previous ten films on this list. This horror/science fiction flick about a group of women led by Natalie Portman on an expedition to investigate a bizarre phenomenon where the normal laws of nature don’t apply has three things going for it: the science fiction aspects will blow your mind, the horror scenes deliver, and its female cast is second to none. Exceptional science fiction horror.

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1. A QUIET PLACE – my pick for the best horror movie of 2018. Sure, its ending doesn’t make a lot of sense, but what comes before it works so well I let the weak conclusion slide. This tale of vicious alien creatures with exceptional hearing which hunt down humans whenever they hear them follows one family’s efforts to survive in this apocalyptic tale directed by John Krasinski, who also stars as the father in the family. Co-star Emily Blunt has one of the best scenes in the movie, a birthing scene. Yup, try giving birth silently as a hungry alien creature closes in for the kill. Scary stuff. Well done throughout. Also a lot of fun to see a movie that for nearly 45 minutes offers no sound on the soundtrack as the family has to survive silently. It was amazing how fast the silence caused people in the theater to stop munching on their popcorn.

There you have it. A look at the horror films from 2018.

Thanks for reading!

—Michael

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

THE MEG (2018) – Giant Shark Tale Ridiculous But Fun

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THE MEG (2018) is often ridiculous and about as scary as a Scooby-Doo cartoon, but this mega shark adventure is also something else: fun.

THE MEG opens with a deep-sea rescue mission gone wrong.  Rescuer Jonas Taylor (Jason Statham) is in the midst of leading a rescue team to save folks trapped in a damaged nuclear submarine, but when something seems to attack the sub, Jonas makes the executive decision to leave some of his team behind in order to rescue the few lives he has with him. It’s a decision that does not bode well with others on his team, as later no proof of a powerful sea creature which Jonas said was attacking the sub is ever found.

In terms of opening sequences, it’s not all that memorable and sounds more exciting than it actually is.

The action picks up five years later at a deep-sea station off the coast of China where a scientist named Zhang (Winston Chao) is leading an expedition to travel to the very depths of the ocean, and beyond.  See, Zhang believes that at the bottom of what is considered to be one of the deepest parts of the ocean floor, lies a gaseous barrier rather than a solid bottom, and he believes beneath that barrier is another world. And faster than you can say Jules Verne, a mini sub is launched from the station to prove just that.

The sub breaks through the barrier, but before anyone can celebrate, it’s attacked by a mysterious unseen creature. And of course, Zhang and company turn to the one man who has ever attempted a rescue that deep in the ocean, Jonas Taylor. Jonas, of course, says he’s done with all that, wants no part of it, and nothing they can say will change his mind. His resolve lasts all of two seconds before he learns that the woman commanding the sub and one of the people trapped inside is his ex-wife Lori (Jessica McNamee).

And so Jonas packs his bags and is off to the rescue, where of course he will come face to face with a massive prehistoric shark which may or may be the same creature which he encountered five years before. The film doesn’t really make that clear.

And this is only the beginning, because once the rescue is done, the mammoth shark decides he’s had enough of living so far below the ocean and comes up for a visit.

One of the main reasons THE MEG is so much fun is its story keeps evolving. It’s not just one long rescue mission tale.  Things continually change. As a result, the movie remains exciting throughout, and with some brisk pacing, there are very few slow parts here.

The screenplay by Dean Georgaris, Jon Hoeber, and Erich Hoeber, based on the novel Meg by Steve Alten, also contains lots of lively dialogue which is sure to be a crowd pleaser. It also does a really good job developing its characters, which for a movie like this, is a pleasant surprise. In fact, that was one of my favorite parts of this movie, that its characters were all so likable.

But the story is not without flaws. A lot of things aren’t explained all that well. For instance, once the giant shark makes its presence known, everyone who doubted Jonas apologizes to him. Yet, at one point in the story, Jonas says the creature outside the sub in his doomed mission was destroyed in the subsequent explosion, so, just how the appearance of this prehistoric shark acquits Jonas is unclear to me. Just because there’s a huge shark around now doesn’t mean there was one that day Jonas left those people behind to die.

For such a deep-sea expedition, it seems to take only seconds for everyone to get down to the ocean floor and then back up again. And some of the later shark scenes are flat-out ludicrous but somehow don’t deteriorate into laughable material.

And while the story scores high on the adventure meter, it scores less so when it comes to conflict.  Nearly every plan our heroes suggest works.

Director Jon Turteltaub plays things safe. THE MEG is rated PG-13, so there’s not a drop of blood to be found. Yet, somehow, the movie doesn’t suffer for it.

The shark itself is okay.  CGI sharks just don’t cut it for me.  This one works best when we see it only partially, like shots from above where we see its massive form swimming beneath the waves. Those scenes are ominous, but seen up close, it’s nothing more than a frightening cartoon.

One of the strongest parts of THE MEG is its cast. Pretty much everyone in the movie is very good, and so that goes a long way towards making this film as enjoyable as it is.

Director Jon  Turtelbaub deserves some credit here for getting so much out of his actors in this one.

We’ll start at the top with Jason Statham, who’s been one of my favorite action movie stars over the past ten years or so. As he almost always is, he’s excellent here. He’s extremely believable in the part, except of course when he dives into the water for a hand to hand combat session with the supersized shark. Perhaps he should apply to become a Marvel superhero?

Even so, Statham does a good job making the ludicrous situations he finds himself in believable. His scenes with the little girl at the station, Meiying (Shuya Sophia Cal) are precious, and Shuya Sophia Cal is adorable and entertaining in the role.

Li Bingbing plays Suyin, Zhang’s daughter and Meiying’s mother.  She’s pretty much the lead scientist on the expedition, and she is definitely not a heroine in need of saving. She pretty much goes toe to toe with Statham’s Jonas Taylor, and the two of them lead the charge against the shark. She’s also very sexy.

Rainn Wilson, who played Dwight on THE OFFICE (2005-2013) plays the wealthy businessman who finances the expedition. He’s the guy you love to hate.

Cliff Curtis, who played Travis on FEAR THE WALKING DEAD (2015-17), is very good here as Jonas’ friend Mac. Likewise, Winston Chao is convincing as Zhang, as is Ruby Rose as the sexy engineer Jaxx who designed the deep-sea station.

Robert Taylor stands out as Heller, the doctor at the station who was there that fateful day when Jonas failed to rescue everyone from the nuclear sub, and for the past five years he had blamed Jonas for their deaths, claiming he had become unhinged. When the mega shark appears, Heller is quick to apologize to Jonas. Taylor, who plays Sheriff Walt Longmire on the TV show LONGMIRE (2012-2017), probably gives the best performance in the movie.

Olafur Darri Olafsson and Masi Oka are also very good as a couple of scientists, and likewise Jessica McNamee is memorable as Jonas’ ex-wife Lori.

Only Page Kennedy doesn’t  fare as well, as scientist DJ. He’s the one black character on the crew, and he’s also supposed to be the film’s comic relief, but a lot of the jokes I thought were cliché, and I think the one person of color in the movie deserved a better written role.

As shark movies go, THE MEG is one of the better ones. It’s a much stronger film than the recent 47 METERS DOWN (2017), and more fun than  THE SHALLOWS (2016).

That being said, it still pales in comparison to the Holy Grail of shark movies, JAWS (1975). It’s not intense like JAWS, and it’s certainly not realistic like JAWS. However, during the film’s third act, there are several nods to the 1975 Steven Spielberg classic.

THE MEG is a lot of fun, and as such, for a summer time popcorn movie, it comes highly recommended.

—END—

 

 

 

 

 

 

 

 

Worst Movies of 2016

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And here’s a look at my Top 10 List for the worst movies I saw in 2016:

10. HAIL CAESAR!

Coming in at #10 it’s HAIL CAESAR!, a misfire from the Coen brothers.  Don’t get me wrong, this period piece depicting 1950s Hollywood looks terrific.  But the script doesn’t really work.  It has the makings of a screwball comedy, but the Coen brothers opt to play up the drama instead, and so the main character is straight man Hollywood fixer Eddie Mannix (Josh Brolin) who goes around getting actors and actresses out of the various messes they’ve gotten themselves into, all in the name of protecting the studio’s image.  And so the screwball tale of lead actor Baird Whitlock (George Clooney) being kidnapped is pushed into the background, downplaying Clooney’s considerable comedic talents. The film is basically a bunch of unfunny vignettes with a serious but dull wraparound story featuring Brolin’s Eddie Mannix.  Should have been much better.

 

9. BATMAN V SUPERMAN:  DAWN OF JUSTICE

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Easily my pick for the worst superhero movie of the year.  Batman and Superman lock horns in a story that never makes much sense.   The two superheroes hate each other in the first place, which weakens the plot point of villain Lex Luthor’s plan to pit them against each other, and later the moment when the two future superfriends make amends simply doesn’t ring true.  Best part:  Gal Gadot as Wonder Woman.  Worst part:  Jesse Eisenberg as Lex Luthor.

 

8. THE CONJURING 2

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A major disappointment.  This sequel to the excellent horror movie THE CONJURING (2013) is a bust, even with the return of original director James Wan, and lead stars Patrick Wilson and Vera Farmiga.  Film offers nothing new.

 

7. THE BROTHERS GRIMSBY

Horribly unfunny comedy by Sacha Baron Cohen about two brothers, one an assassin, the other a full-fledged loser, who team up to take on the bad guys.  This one had a hilarious trailer, but that’s all.

 

6.THE DARKNESS

Another lame horror movie, this one about a demon which haunts a family after they take a trip to the Grand Canyon.  Stars Kevin Bacon.

 

5. MECHANIC:  RESURRECTION

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One of the worst sequels I’ve seen in a long while.  This sequel to one of Jason Statham’s earlier hits, THE MECHANIC (2011), itself a remake of a 1970s Charles Bronson movie, makes no sense and is simply an excuse to have Jason Statham in some action scenes.  I’m a big Statham fan, but not even his presence here could save this turkey.

 

4. THE FOREST

Yet another terrible horror movie.  There are simply too many of these.  This one takes a real place, Japan’s Suicide Forest, with lots of real potential, and reduces it to a mere setting for a silly story about an American woman searching for her missing sister.  This is one forest not worth visiting.

 

3. BLAIR WITCH

Yup, another horror movie, another pointless sequel.  This sequel to the classic THE BLAIR WITCH PROJECT (1999) drops the ball as its story about the younger brother of the main protagonist in the original film offers nothing new.  Yup, you won’t find any neat revelations here regarding the mysterious events in the first film.  A huge waste of time.

 

2. HARDCORE HENRY

This actioner deployed the gimmick of being shot entirely from the first person perspective of the main character, who we never see since the story unfolds through his eyes.  The result is a movie which plays like a video game, but of course, the viewer isn’t playing this game, so unless you like watching other people play video games, you might want to skip this one.  Not even the presence of the talented Sharlto Copley can save this shallow flick.

 

1. INCARNATE

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My pick for the Worst Movie of 2016 is a no brainer.  Easily the worst horror movie of the year and the worst movie of the  year, INCARNATE wastes the talents of a fine actor like Aaron Eckhart and sticks him in a ridiculous story about demonic possession.  The gimmick here is Eckhart’s character approaches demonic possession from the psychological standpoint, and enters the victims’ dreams to expel the demons.  Kinda like a heroic version of Freddy Kruger, only without the wit.  A mess from start to finish, this one makes little sense, nor does it try to.

And there you have it, my picks for the Worst Movies of 2016.

Thanks for reading!

—Michael

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

 

 

Thanksgiving Movie Turkeys 2016

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Welcome to a special THANKSGIVING column!  Happy Turkey Day!

On that note, I know that I don’t usually post my BEST OF  and WORST OF movie lists till after December 31, but all this turkey has got me to thinking about— well, turkeys!  As in the worst movies of the year so far.

I won’t make any final picks until the 2016 calendar year comes to a close, but in the meantime, here’s a look at some nominees for the Worst Movies of 2016 so far.  Happy reading, and while you’re at it, please pass the stuffing!

THE FOREST- This weak horror movie wastes a potential frightening setting:  Japan’s Suicide Forest, a real place with real history, but this movie is about as far away from real as you can get.  Contrived and dull.

HAIL CAESAR! – A misfire from the Coen brothers.  This period piece about 1950s Hollywood looks great but the story is not cohesive nor are the laughs.  George Clooney’s comic timing is not taken advantage of, and Josh Brolin’s lead role is that of the straight man, so he doesn’t add to the laughs either.  Best scene features Scarlett Johansson and Jonah Hill.

THE BROTHERS GRIMSBY – Terribly unfunny comedy by Sacha Baron Cohen.  Nuff said about this turkey.

BATMAN V. SUPERMAN: DAWN OF JUSTICE –  That’s right.  This big budget DC superhero romp is one of the worst movies of the year. Neither the conflict between Batman and Superman nor its resolution ever become believable.  A very forced contrived story.  Best part:  Gal Gadot as Wonder Woman.  Worst part:  Jesse Eisenberg as Lex Luthor.

HARDCORE HENRY – Gimmick sci fi actioner with the entire film shot from the protagonists point of view just doesn’t work.  Ulitmately a very boring movie.

THE DARKNESS – Horror film starring Kevin Bacon just isn’t very dark.  Yet another demonic entity proving bothersome to a once happy family.  This demon showed up when the family was on vacation at the Grand Canyon!

THE CONJURING 2 – Sadly, this sequel to THE CONJURING doesn’t come close to the original, in spite of the presence of Patrick Wilson and Vera Farmiga.  A particularly awful script. Director James Wan needs to move on to some new material.

MECHANIC:  RESURRECTION – pointless sequel to the Jason Statham actioner.  Statham returns as hitman Arthur Bishop, wasted in a completely ridiculous story.

BLAIR WITCH – Awful, awful sequel to THE BLAIR WITCH PROJECT (1999). The less said about this one the better.

SHUT IN – Despite a terrific performance by Naomi Watts, this wannabe thriller is marred by a ridiculous story with one of the least satisfying and most unbelievable twists I’ve seen in a while.

Okie-dokie, that about does it so far.  Will any of these movies make my pick for the Worst Movie of 2016?  Or are there Worse Turkeys yet to come?

For the answer to that question, you’ll have to check back in January 2017.

Thanks for reading!

Gobble, gobble!

—Michael

 

 

 

 

 

 

MECHANIC: RESURRECTION (2016) – Pointless Sequel Even for Jason Statham Fans

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If you’re a Jason Statham fan, you might like this movie.

Then again, you might not.

MECHANIC:  RESURRECTION (2016) is a sequel to THE MECHANIC (2011), a halfway decent action movie which starred Jason Statham and Ben Foster.  Statham is back for the sequel, while Foster is not.

Let’s not mince words:  MECHANIC: RESURRECTION is a terrible movie.

It has little to offer other than some picturesque location photography and the obligatory Jason Statham fight scenes.  That’s really what this sequel is all about.  It’s just an excuse to film Statham beating on bad guys.  The most frustrating part of the whole thing is you don’t have to be Shakespeare to come up with a decent action movie plot.  The story to this one is lame and laughable .

Unstoppable assassin Arthur Bishop (Jason Statham) is living the good life.  He’s hiding out in Rio de Janeiro, and life is good, mostly because he’s “retired” since everyone believes he’s dead.  When the movie opens, his free ride comes to a close when a woman approaches him with a job, and she tells Bishop that if he declines her boss’ offer, that they will broadcast to the world that he is still alive.  I guess she hasn’t seen too many Jason Statham movies.  You should never threaten the guy.

Bishop goes ballistic, and in one of the film’s better action sequences— not a good sign when the film’s best action sequence occurs before the opening credits— singlehandedly wipes out about 30 henchmen, in a rather cool scene which culminates on top of a frighteningly high cable car.  This opening scene is very James Bond like.  So the film gets off to a strong start.  But it’s all downhill from there.

Bishop learns that the man who wants to hire him is his former friend Crain (Sam Hazeldine) who now happens to be his mortal enemy.  I guess they stopped sending each other Christmas cards.  When Crain’s next contact comes along, a woman named Gina (Jessica Alba), Bishop turns the tables on her and forces her to tell him her story, a sob story that is about as believable a plot in a bad Lifetime movie.  It turns out Gina works with underpriviliged children, and Crain threatened to kill the kids.  Jeesh!  You can’t get much lower than that.  Where’s Crain’s black hat and mustache?

Bishop promises to bring Gina to safety and stresses that he will never work for Crain, but in the very next scene, Crain’s men overpower Bishop and abduct Gina, and the next thing we know, Bishop is working for Crain.  Of course, he’s doing it to protect Gina’s life.  What a guy!

Crain wants Bishop to kill three men, and every time Bishop succeeds, Crain promises to let Bishop speak with Gina so he’ll know that she is still alive.  Bishop’s special talent is that he makes his hits look like accidents, and so he goes about killing these targets—who are supposedly protected by the best security on the planet— while making their deaths look like accidents.

When Bishop gets to the third man, Max Adams (Tommy Lee Jones) he decides to offer him a deal in order to turn the tables on Crain, seemingly for no other reason than the guy is being played by Tommy Lee Jones.  Bishop’s plan would have worked just as easily with Adams dead.

The plot to MECHANIC: RESURRECTION nearly put me to sleep.  It was farfetched and convoluted  throughout.

While I remain a Jason Statham fan, mostly because he looks the parts he plays and is believable as an unstoppable assassin, MECHANIC:  RESURRECTION is one of the weaker films I’ve seen him in.

Jessica Alba, who I usually like a lot, wasn’t convincing here at all. I never believed Gina was a real person.  It’s probably the weakest Alba performance I’ve seen yet.

Likewise, Sam Hazeldine as Crain made for a pretty boring villain.  It didn’t help that every time he opened his mouth a cliche came out.

And Tommy Lee Jones looked like he was having a blast during his one hour shoot.  Yup, it looks like Jones strolled onto the set for about an hour, delivered his lines, and left.  He has very little impact on this movie.

The worst part of MECHANIC:  RESURRECTION is the writing.  The screenplay by Philip Shelby and Tony Mosher tells a simpleminded story that is as dull as it is unimaginative.  It also contains cliche-ridden dialogue throughout.

Director Dennis Gansel fares slightly better.  The pre-credit sequence is a good one, and there’s lots of picturesque photography of several exotic settings, including Rio and Thailand.  But the bulk of the action scenes don’t hold up, and Bishop’s “accidental” murders aren’t as creative as the ones in the first movie.

The first movie THE MECHANIC (2011) was also a better movie because it had strong source material, as it was a remake of a 1972 Charles Bronson movie of the same name.

This sequel MECHANIC:  RESURRECTION is as lame as can be.  It’s for hardcore Jason Statham fans only.  Then again, I’m a big Jason Stathan fan myself, and I didn’t like this one at all.

—END—

 

 

 

 

 

 

 

 

Melissa McCarthy Is Hilarious In SPY (2015)

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MOVIE REVIEW:  SPY (2015)spy poster

By Michael Arruda

 If I laugh a lot during a comedy, that’s usually a good sign, and SPY (2015), the latest comedy starring Melissa McCarthy, made me laugh quite a bit.

In SPY, Melissa McCarthy plays a desk bound CIA agent named Susan Cooper who spends her days speaking into the headset of suave CIA agent Bradley Fine (Jude Law), providing him with intel when he’s in the field, and generally saving his butt on a regular basis.  Of course, since he’s drop dead handsome and she’s overweight and not model-pretty, she’s secretly in love with him, and he pays her no attention.

When Fine is killed in the field by the villainous Rayna Boyanov (Rose Byrne), who reveals to the CIA that she knows the identities of all their agents, it prompts CIA director Elaine Crocker (Allison Janney) to make the unusual decision of sending in an agent Rayna and her people have no chance of recognizing.  Crocker, of course, selects Susan, who aggressively volunteers for the assignment because she wants to seek revenge for Bradley’s death.

This decision infuriates fellow agent Rick Ford (Jason Statham) who wants the assignment for himself, and when he doesn’t get it, he quits and goes rogue, shadowing Susan in the field, constantly reminding her that she’s not good enough to get the job done, and that he’s going to get it done on his own.

Of course, the “job” involves locating a nuclear weapon, which Rayna has somewhere in her possession, and she plans to sell it to the highest terrorist bidder.

So, Susan sets out to save the world, and with the help of her best friend and fellow agent Nancy (Miranda Hart) who at first is on a headset back at headquarters, supplying Susan with valuable information but eventually joins Susan in the field, she spends the rest of the movie trying to infiltrate Rayna’s organization so she can find the bomb before Rayna sells it to terrorists.

The plot of SPY is completely inane, but you don’t see this movie because of its plot.  You see it because of Melissa McCarthy, who happens to be one of the funniest people working in movies today.

McCarthy enjoys a lot of side-splitting moments here in SPY.  She’s funny early on as the shy, super intelligent desk agent who goes unnoticed and without respect.  There’s a hilarious scene where she’s berated by her boss Elaine because she has pink eye.  Later when she’s in the field she shows off her physical comedy skills, and towards the end of the movie, she goes into full-fledged over-the-top Melissa McCarthy mode as Susan becomes a take-charge save-the-world agent who has to rely on every aspect of her being to get the job done.  McCarthy has some of her funniest moments in these latter scenes.

And while McCarthy gets to play off co-stars Jude Law and Jason Statham with amiable results, she doesn’t share quite as much chemistry with them as she did with Sandra Bullock in the hit film from two summers ago THE HEAT (2013).  In THE HEAT, Bullock played a complete character who held her own with McCarthy.  Here in SPY, both Law and Statham play caricatures rather than characters, and so their scenes with McCarthy don’t resonate as well.

That being said, Jason Statham is really funny throughout this movie, and he has some of the funniest bits in the film.  He plays super tough agent Rick Ford, a guy who believes he’s invulnerable.  Trouble is, he can’t seem to stop telling people just how invulnerable he is.  The scene where he spouts off all the ways he has cheated death is one of the more hilarious moments in the film and had me laughing out loud.

Jude Law is less interesting as Agent Bradley Fine, a character that is a one joke caricature of the dashing handsome spy.  Miranda Hart fares better as Susan’s friend and co-worker Nancy.  The scene early on where the two of them go out for a drink at a bar and encounter a beautiful operative who they’re insanely jealous of is priceless.  And later, when Nancy joins Susan in the field, they’re pretty funny together, more so than when McCarthy pairs with Statham or Law.

Allison Janney makes for a convincing hard-ass CIA director.  Rose Byrne as the Cruella-De Vil-ish Rayna Boyanov is okay, although it’s a one-note performance.  Boyanov is the spoiled rich girl gone wrong.  Yawn.  Boyanov is also the phoniest character in the entire movie, and she becomes harder to take as the movie goes along.  I enjoyed Byrne much more when she played Renai Lambert, the mother in the first two INSIDIOUS movies.

Writer/director Paul Feig, who directed earlier McCarthy hits BRIDESMAIDS (2011) and THE HEAT (2013) infuses this one with lots of oomph, energy, and style.  The opening credits sequence is right out of a James Bond movie, specifically the recent Daniel Craig Bond films.  The action sequences here are decent.  While the chase scenes are average and played strictly for laughs, the fight scenes actually look pretty good.  They even sport some realistic blood.

More importantly, the humor remains sharp for most of the movie.  McCarthy stays funny throughout, and Jason Statham surprisingly steals nearly every scene he’s in.

It’s not until the third act of the film that SPY staggers, running out of steam for the simple reason that it goes on too long.  A running time of 120 minutes for this kind of comedy is a bit much.  At this length, it’s difficult to sustain the laughs, and SPY definitely struggles with this.  Shave off about 20 minutes and the comedy would have worked better.

As it is, it reaches the point where you realize that what you’re watching has stopped being funny and has delved head-first into mindless silliness.  There are way too many plot twists near the end, and rather than appear clever, they come off as “we’re not sure how to end this movie so we’ll keep on going till we get it right.”  The film definitely could have used a tighter ending.

SPY still works though.  I laughed throughout most of the movie, and even though it deteriorates somewhat towards the end, it wasn’t enough to stop me from liking it.

Melissa McCarthy is hilarious, and she receives fine support from Jason Statham, who’s surprisingly funny for most of the movie, and from Miranda Hart as her friend and co-worker Nancy.  McCarthy is one of the funniest actors working in film today, and she’s the main reason to see SPY.   I can’t wait to see what she does next.

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