THE HORROR JAR: Music By Jerry Goldsmith, PART 2

0

Welcome back to THE HORROR JAR, the column where we look at lists pertaining to movies, particularly horror movies.  Today it’s Part 2 of our look at the career of composer Jerry Goldsmith.

jerry goldsmith - 2

Jerry Goldsmith

In Part 1, we looked at films Goldsmith scored between the years of 1957 and 1983.

On to Part 2!

And again, this is just a partial list of Goldsmith’s 258 movie credits, concentrating mostly on his genre films.  We continue the list now, picking up where we left off, in 1984.

GREMLINS (1984) – No water, no food after midnight, and no bright lights, but plenty of Jerry Goldsmith music in this horror comedy by director Joe Dante.

SUPERGIRL (1984) – Before the TV show, there was this movie, starring the lovely Helen Slater as Supergirl.  Slater actually appears on the new SUPERGIRL television series as Eliza Danvers.  Pretty bad movie, in spite of the presence of Faye Dunaway, Peter O’Toole, and Mia Farrow.

RAMBO:  FIRST BLOOD PART II (1985)- Following up on his work on Sylvester Stallone’s FIRST BLOOD (1982), Goldsmith provides the music again in this bigger and badder sequel.

LEGEND (Director’s Cut) (1985) – Ridley Scott’s fantasy fairy tale about a youth (Tom Cruise) battling a demon (Tim Curry).  Goldsmith’s music appears only in the re-issued director’s cut.  Tangerine Dream provided the electronic music in the theatrical release.

INNERSPACE (1987) – Dennis Quaid gets miniaturized and injected into the body of Martin Short in this action comedy by director Joe Dante, a variation of FANTASTIC VOYAGE (1966).

RAMBO III (1988) – completes the original  Sylvester Stallone Rambo trilogy.

LEVIATHAN (1989) –  Underwater monster adventure starring Peter Weller and Richard Crenna.

WARLOCK (1989) – Horror fantasy starring Julian Sands as a— warlock.

STAR TREK V:  THE FINAL FRONTIER (1989) – Goldsmith’s second trip to the STAR TREK universe, after scoring the first movie in the series, STAR TREK – THE MOTION PICTURE (1979).  This is the one directed by William Shatner and it’s usually on fan’s “worst of” lists when talking about the movie series, but other than some silliness early on, this one isn’t half bad and actually gets better as it goes along.  1989 was another busy year for Goldsmith as he wrote the music scores for four movies this year.

TOTAL RECALL (1990) – Provides the music for this Arnold Schwarnegger vehicle about a man with a virtual identity crisis on Mars.  Directed by Paul Verhoeven.  Based on a short story by Philip K. Dick.

THE VANISHING (1993)- Abduction thriller starring Kiefer Sutherland and Jeff Bridges.  Not as good as the original Dutch/French version of THE VANISHING (1988), the film on which this was based.

THE SHADOW (1994)-  Alec Baldwin is The Shadow.  Meh.

THE RIVER WILD (1994) – Thriller with Meryl Streep protecting her famly from a pair of baddies on a raging river.  Kinda exciting back in the day.

THE GHOST AND THE DARKNESS (1996) – Adventure tale starring Michael Douglas and Val Kilmer about the hunt for two maneating lions.

STAR TREK:  FIRST CONTACT (1996)- Second and best of the STAR TREK NEXT GENERATION movies has Captain Picard (Patrick Stewart) and the rest of his Enterprise crew taking on their arch enemies, The Borg.

star-trek-first-contact-movie-poster

L.A. CONFIDENTIAL (1997) – Classic thriller about police corruption in 1950s Los Angeles.  Starring Kevin Spacey, Russell Crowe, Guy Pearce, and Kim Basinger.

STAR TREK:  INSURRECTION (1998) – Third Next Generation STAR TREK film and by far the quietest of the series.  Picard and company discover a Federation plot against a peaceful planetary people, and that’s not okay with them!  Like watching a mediocre episode of the series. No sense of cinematic urgency at all.

THE MUMMY (1999)- Big budget re-imagining of Universal’s THE MUMMY by writer/director Stephen Sommers.  Starring Brendan Fraser, this one plays like an Indiana Jones flick rather than a horror movie.  Fun, but as a horror film, it’s ultimately disappointing.

the-mummy-movie-poster

THE HAUNTING (1999)- Dreadful remake of the 1963 film THE HAUNTING, itself based on the Shirley Jackson novel The Haunting of Hill House.  With Liam Neeson, Catherine Zeta-Jones, Owen Wilson, and Bruce Dern.  Pretty awful.

HOLLOW MAN (2000)- Speaking of pretty awful, this re-imagining of THE INVISIBLE MAN starring Kevin Bacon and Elisabeth Shue is as awful as a horror movie can get.  Directed by Paul Verhoeven.

STAR TREK:  NEMESIS (2002) – Final Next Generation STAR TREK film and one of its best, although that’s not saying much since the STAR TREK: THE NEXT GENERATION movies were never as good as the STAR TREK:  THE NEXT GENERATION TV show.  This one features Tom Hardy and Ron Perlman in the cast.

LOONEY TUNES:  BACK IN ACTION (2003) – Goldsmith’s final feature film music score, this goofy movie features Bugs Bunny, Daffy Duck, and friends intermingling with live action actors, including Brendan Fraser, Jenna Elfman, Steve Martin, and Timothy Dalton.

The movies listed here and in Part 1 of this blog post are only a partial listing and do not include all of Goldsmith’s remarkable 258 music score credits.  In addition to these movies, Jerry Goldsmith also wrote the music for many TV shows including THE TWILIGHT ZONE (1959-61), THRILLER (1960-62), THE MAN FROM U.N.C.L.E. (1964-68), POLICE STORY (1973-79), THE WALTONS (1972-81), STAR TREK:  THE NEXT GENERATION (1987-94), and STAR TREK:  VOYAGER (1995-2001), to name just a few.

His was a long and varied career, and if you watch lots of movies, you can’t help but be familiar with his music, as his career spanned five decades.

Jerry Goldsmith passed away on July 21, 2004 at the age of 75 after a battle with cancer.

Jerry Goldsmith, February 10, 1929- July 21, 2004.

Thanks for reading everybody!

—Michael

 

 

 

 

 

 

 

 

 

 

 

 

 

Advertisements

THE HORROR JAR: Music by Jerry Goldsmith, Part 1

1

Welcome back to THE HORROR JAR, that column where we look at lists about movies, especially horror movies.  Today we look at genre movies scored by Jerry Goldsmith, and there are a lot of them.

Jerry-Goldsmith

Jerry Goldsmith

Looking back at Jerry Goldsmith’s career, it’s amazing to see just how many horror and science fiction films he wrote the music for, and how memorable these scores are.  There are so many, in fact, that I’ve divided this column into two parts.

Here’s a partial look at his prolific career, concentrating mostly on his genre credits:

BLACK PATCH (1957) –  Jerry  Goldsmith’s first film score, a western written by tough guy actor Leo Gordon.

SEVEN DAYS IN MAY (1964) – provided the music for this taut nuclear war thriller directed by John Frankenheimer and starring Burt Lancaster, Kirk Douglas, and Fredric March.  It’s DR. STRANGELOVE without the laughs.

THE SATAN BUG (1965)- Goldsmith’s first genre credit, the science fiction thriller about germ warfare

PLANET OF THE APES (1968) – This Jerry Goldsmith score remains one of my favorites.  The unusual music here really captures the feel of the Ape world and adds to the “madhouse!” emotions which Charlton Heston’s Taylor has to endure at the hands of his captors.  Classic.

THE ILLUSTRATED MAN (1969) – Science fiction film based on the short story collection of the same name by Ray Bradbury and starring Rod Steiger.

THE MEPHISTO WALTZ (1971) – Obscure horror film with Alan Alda as a pianist who finds his soul in the hands of a scheming satanist.

ESCAPE FROM THE PLANET OF THE APES (1971)-  Goldsmith goes ape again as he scores the third film in the series, a creative flick in which apes Cornelius (Roddy McDowall) and Zira (Kim Hunter) travel back in time to present day Los Angeles.

THE OTHER (1972) – classic 1970s horror movie scripted by Tom Tryon.

THE REINCARNATION OF PETER PROUD – (1975) – 1970s horror flick starring Michael Sarrazin, Jennifer O’Neil, and Margot Kidder.

THE OMEN (1976)- the big one, probaly Goldsmith’s most powerful score, and the only one for which he won an Oscar.  Still a very scary movie today, and Goldsmith’s music is a major reason why.

Omen-poster

LOGAN’S RUN (1976) – classic science fiction film from the 1970s starring Michael York and Farrah Fawcett.

DAMNATION ALLEY (1977) – Much-hyped science fiction movie about survivors in a post-apocalyptic world starring George Peppard and Jan-Michael Vincent was a major flop upon its release, as it was completely overshadowed by another science fiction release that same year, a little film called STAR WARS (1977).

COMA (1978) – Horror thriller written and directed by Michael Crichton about sinister goings-on starring Genevieve Bujold and Michael Douglas.

CAPRICORN ONE (1978) – another major flop from the 1970s, this thriller about a fake space mission to Mars featured a strong cast which included Elliott Gould, James Brolin, Brenda Vaccaro, Sam Waterston, O.J. Simpson (remember when he was that likable former football star who went on to make movies?), Hal Holbrook, Karen Black, and Telly Savalas.

DAMIEN:  OMEN II (1978) – Goldsmith’s back at it again, composing yet another horrific score in this OMEN sequel that, while nowhere near as good as the original, remains highly entertaining today.  Starring William Holden and Lee Grant.

THE SWARM (1978)- One of the worst movies of the decade and certainly one of the worst “disaster” movies ever made.  This tale of a swarm of killer bees attacking the United States was directed by Irwin Allen who must have been punch drunk over the success of his previous hits THE POSEIDON ADVENTURE (1972) and THE TOWERING INFERNO (1974) when he made this turkey.  With an “all-star” cast which included Michael Caine, Katharine Ross, and Richard Chamberlain, and many many unforturnate more.  It’s hard to believe that this storyline– deadly killer bees– used to be considered real and scary.  I can’t believe I actually saw this one at the movies!

THE BOYS FROM BRAZIL (1978) – Excellent thriller about a Nazi hunter (Laurence Olivier) on the trail of a fanatical Nazi (Gregory Peck) with plans to resurrect the Third Reich.

MAGIC (1978)- The Anthony Hopkins horror classic about a ventriliouost and his evil dummy.  1978 was a busy year for Jerry Goldsmith, as MAGIC was the sixth film he scored that year!

THE GREAT TRAIN ROBBERY (1979) – Period piece fun with Sean Connery and Donald Sutherland robbing a train in Victorian England.  An underrated gem by writer/director Michael Crichton.

ALIEN (1979)- Goldsmith just keeps on rolling here with his chillingly effective score for this science fiction classic which launched the career of Sigourney Weaver.

STAR TREK:  THE MOTION PICTURE (1979) – Goldsmith’s score for the first STAR TREK movie is my personal favorite.  Kirk (William Shatner), Spock (Leonard Nimoy), Dr. McCoy (DeForest Kelley) and the rest of the Enterprise crew hit the big screen for the first time with mixed results.  It’s highbrow science fiction to be sure, but it’s all so slow paced.  This one continues to grow on me over the years, but I loved Goldsmith’s music from the get-go.  Sure, his iconic new theme went on to become the main theme for STAR TREK: THE NEXT GENERATION, but that’s not what I love about this score.  It’s all rather dark and ominous, a powerful score that remains the finest music score in the STAR TREK universe.

star trek motion picture poster

THE FINAL CONFLICT (1981)- the final film in the OMEN trilogy, and by far the weakest, even with a young Sam Neill cast as the adult Damien.

OUTLAND (1981) – Interesting science fiction movie with Sean Connery playing a Marshall on a mining colony on Jupiter’s moon tangling with some baddies without help from its inhabitants.  It’s HIGH NOON (1951) in space.

POLTERGEIST (1982) – A big hit in 1982, I’ve never liked this horror vehicle by Steven Spielberg and Tobe Hooper.

FIRST BLOOD (1982) – provides the music for Sylvester Stallone’s first foray as Rambo.

PSYCHO II (1983) – provides yet another very effective music score in this long awaited sequel to the Alfred Hitchcock classic, once again starring Anthony Perkins as the twisted tormened Norman Bates.  It’s certainly not PSYCHO (1960) but this thriller by director Richard Franklin really isn’t all that bad.  Vera Miles also reprises her role from the original.

TWILIGHT ZONE:  THE MOVIE (1983) – Muddled big screen treatment of classic Rod Serling TV series, a real head-scratcher when you consider the talent involved – Joe Dante, John Landis, George Miller, and Steven Spielberg each directed a segment and yet this film still is a clunker.

And that’s all the time we have.  Tune in for Part 2 of THE HORROR JAR:  Jerry Goldsmith when we look at the second half of Goldsmith’s career.  Coming soon!

To be continued—.

 

 

 

 

 

 

 

AFTER MOVIES – LIST SOME TV SHOWS HE SCORED