KING ARTHUR: LEGEND OF THE SWORD (2017) – Energetic Adventure by Guy Ritchie Tries to Reinvent King Arthur Legend

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KING ARTHUR:  LEGEND OF THE SWORD (2017) is director Guy Ritchie’s attempt to do for King Arthur what he did for Sherlock Holmes, namely reinvent the character as an action movie hero.

He almost succeeds.

KING ARTHUR:  LEGEND OF THE SWORD opens with an exciting pre-credit battle sequence featuring giant mastodons and ear-splitting explosions as we witness young Arthur’s father King Uther (Eric Bana) defend his kingdom from attack, only to see it fall when he is betrayed by his brother Vortigern (Jude Law).  Young Arthur is whisked away to safety, and in an energetic montage, we watch as the boy is raised in a brothel, receives martial arts training, and earns his street-smarts as he becomes a man.

The adult Arthur (Charlie Hunnam) is the good guy on the block, hanging out with his friends and protecting local innocents from the occasional bullies.  Doesn’t sound much like the Arthur of legend, does it?  That’s because it’s not.  Eventually, Arthur makes his way to the infamous sword in stone, and when he alone can remove it, everyone and his grandmother, including Vortigern, knows who he is.

Arthur seeks vengeance against Vortigern for the death of his parents, while Vortigern sees Arthur as a threat to his kingdom and seeks to annihilate him.   The battle lines are drawn.  May the best man win.  Of course, there’s little doubt here as to who will emerge the victor.

One of the reasons that Guy Ritchie’s SHERLOCK HOLMES movies were so successful was that he had Robert Downey Jr. in the lead role as Sherlock Holmes.  Here, as Arthur, he has Charlie Hunnam.  Now, I’m a big fan of Hunnam from his SONS OF ANARCHY (2008-2014) days, but he plays Arthur as if he’s still playing motorcycle gang member Jax Teller from SONS.  The script doesn’t help his cause as it includes lots of modern-day language and dialogue.  In fact, at times this movie seemed like SONS OF THE ROUND TABLE, and when Arthur was with his buddies, I half expected Hunnam to turn and say “Hey, Ope.  Where’s Clay?”

So, the fact that the Arthur character doesn’t really take hold here isn’t just Hunnam’s fault.  The writers don’t help him.  I like Hunnam, and he gives an energetic performance, but it just never really won me over.  I felt like I was watching a movie about Jax Teller sent back in a time machine to England in the days of King Arthur.

There were parts of KING ARTHUR:  LEGEND OF THE SWORD that I liked, and there were just as many things about it that I didn’t like.

Usually, in a movie like this, it’s the action scenes that I like the least, as generally they are long, lifeless, and dull, but that wasn’t the case here.  I really liked the action sequences in this one, and the credit for that belongs to director Guy Ritchie. The opening battle sequence with the monstrous mastodons hooked me in immediately and made me take notice that perhaps this film was going to be better than expected.

Later battle scenes are just as lively.  Ritchie’s camera gets right in on the action, and there’s lot of innovative camerawork during these scenes.  The fight sequences here are much more energetic than what I usually see in movies like this.

I really enjoyed both of Ritchie’s SHERLOCK HOLMES movies, as well as his previous movie, THE MAN FROM U.N.C.L.E. (2015) which was panned by critics.  I liked all three of these movies better than KING ARTHUR, mostly because those films had better scripts.  Ritchie’s work as a director is just as good here as those films, if not better.  Visually and in terms of this being a rousing action movie, the film works.

It also features some pretty cool creatures.  I’ve already mentioned the impressive looking mastodons, but there’s also this creepy sexually charged octopus creature which is a mixture of slimy octopus tentacles and naked women that make it one of the more intriguing beasts I’ve seen in a movie since the days of Ray Harryhausen.  There’s also a giant snake, which of the three, is probably the least impressive but still makes for a very cinematic monster sequence.  There were a couple of times where I thought I was watching a Sinbad movie instead of a King Arthur movie.

The film also has a loud, in-your-face music score by Daniel Pemberton that I liked a lot.  It reminded me of the way James Bernard used to score Hammer Films.  You definitely notice the music. Pemberton also scored Ritchie’s THE MAN FROM U.N.C.L.E, another soundtrack that I really liked.

The screenplay, however, is another matter.  Written by director Ritchie, Joby Harold, and Lionel Wigram, it tries very hard to re-invent both the character and the legend, giving both modern-day dialogue and motivations. Arthur seems more interested in protecting his friends than inheriting a kingdom.

The snappy dialogue didn’t really work for me here, as it just seemed out-of-place. When Robert Downey Jr. spoke with updated dialogue as Sherlock Holmes, he still sounded like Holmes.  Charlie Hunnam doesn’t sound like Arthur at all.  Neither does anyone else in the cast sound like they belong in the age of Camelot.

Jude Law plays the villainous Vortigern as a cold-hearted mean-spirited devil and delivers a performance that works up to a point.  He is too one-dimensional to be all that memorable a villain.  Still, he’s a better villain than we get in all those Marvel superhero movies, and a film like GUARDIANS OF THE GALAXY, VOL. 2 (2017) would have benefitted from a character like Vortigern, who at least has an agenda.

Astrid Beges-Frisbey plays one of the more intriguing characters in the film, The Mage, a woman who can communicate with animals.  I enjoyed her performance a lot and wish she had been in the film even more.

Djimon Hounsou does a nice job as Bedivere, the man who helps Arthur get his kingdom back, but it’s a rather small role and never takes full advantage of Hounsou’s talents.  Eric Bana briefly adds some class to the proceedings in the opening sequence as the ill-fated King Uther, Arthur’s father.

The rest of the cast all do a pretty good job in various small roles, mostly of Arthur’s friends.  Among these folks, I thought Neil Maskell stood out as a character named Back Lack.  He’s in one of the best scenes in the movie, where Vortigern  holds a knife to his throat to get information from Back Lack’s young son who has to watch his dad get mutilated.

The title, KING ARTHUR:  LEGEND OF THE SWORD, also did little for me.  It’s a mouthful, and it’s not particularly memorable.

The same can be said of the movie as a whole.  Strangely, I was most won over by the action scenes and the monsters in this one.  The story and the characters left me wanting more, so much so that I wish director Guy Ritchie was working with a different script entirely.

Still, I wasn’t expecting much, and it was better than I expected.

It reminded me of an old Ray Harryhausen SINBAD movie, re-imagined as a Netflix TV series, only not quite as good.

 

—END—

 

 

 

GUARDIANS OF THE GALAXY, VOL. 2 (2017) – Less of an Awesome Mix

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I loved the first GUARDIANS OF THE GALAXY (2014), and it instantly ranked as one of my favorite Marvel superhero movies.  As such, I was really looking forward to VOL. 2, and I fully expected to like it.

I did not.

As GUARDIANS OF THE GALAXY VOL. 2 (2017) opens, old friends Peter Quill/Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (voiced by Bradley Cooper), and newly born Baby Groot (voiced by Vin Diesel) are busy saving the galaxy from bad guys, in particular taking on a giant monster in order to protect a civilization’s valuable commodity, batteries.  They’re also busy arguing with each other, and their banter is certainly one of the more enjoyable parts of the movie.

When Rocket steals some of the batteries they were supposed to be protecting, Queen Ayesha (Elizabeth Debicki) sends an armada of ships in hot pursuit to get the batteries back.  Our friendly neighborhood galaxy guardians are rescued by Ego (Kurt Russell) who claims to be Quill’s long-lost father.  He’s also all-powerful and invites Quill and his friends to his own personal planet which he made himself to show his son what a wonderful life he had been missing.

Meanwhile, Yondu (Michael Rooker) has been shamed by his fellow traders because he had taken part in the buying and selling of children.  Yondu decides it’s time he makes amends, and he seeks out Quill, one of those former children.  And the Guardians will need his help because things are not what they seem with Quill’s dad, Ego.

The biggest problem I had with GUARDIANS OF THE GALAXY VOL. 2 is its story.  The Guardians of the galaxy are a fun group of wise-cracking, in-fighting misfit superheroes, but in this movie their main adversary is Ego, and for most of the movie, they don’t even know he’s an adversary.  Instead, they spend most of their time dealing with Ayesha, who really isn’t that interesting a character.

Another subplot has Gamora contending with her sister Nebula (Karen Gillan), another story that isn’t all that interesting.  Then there’s the cutesiness of Baby Groot.  Now, I had fun watching Baby Groot, but I thought the film went overboard with all the cute stuff.

In short, I love the main characters, the guardians, and I still had fun watching them.  But they’re stuck in a story here that absolutely bored me.  And once more, as if it’s a mandatory part of the Marvel movie formula, there isn’t an intriguing or worthwhile villain to be found anywhere in the galaxy.

Chris Pratt returns as Star-Lord, and he’s as handsomely charming as ever, but he’s in this flat story with his dad Ego, and the character suffers for it.   Likewise, while I really enjoyed  Zoe Saldana as Gamora once again, she too is hindered by her main story, the ongoing rift with her sister Nebula.

Dave Bautista probably fares the best in his return as Drax, as he has some of the funnier lines in the film.  But in terms of action, Drax doesn’t do a whole lot.  Bradley Cooper is enjoyable again voicing Rocket, and then there’s Baby Groot.  I have no problems with Baby Groot, but if the main story of this one had been stronger, I wouldn’t have found the cutesiness here with Baby Groot so grating.

Probably my favorite performance in the whole movie belongs to Michael Rooker as Yondu, in the largest supporting role in the movie.  Yondu was in the first film as well, and the character is further developed this time around, and Rooker is more than up to the task of fleshing out this bright blue character.

Karen Gillan gets more screen time as Nebula as well, and a new character Mantis (Pom Klementieff) gets to enjoy some fine moments, mostly when interacting with Drax.

But the villains fall completely flat here.  I had been excited about Kurt Russell playing Ego in this movie, and there’s nothing wrong with Russell’s performance, but I found the character boring.  Likewise, Elizabeth Debicki did nothing for me as Ayesha.  The biggest knock on these villains is their agendas are dull.  Ayesha is just chasing down stolen batteries and looking for payback, and Ego is all about what his name implies.  All this evil power, and nothing to do with it.  What’s a villain to do?

Sylvester Stallone shows up for about five seconds as Stakar Ogord, in a role that’s clearly a set-up for a future movie.

James Gunn, who wrote and directed the first GUARDIANS movie, is back doing both here in the sequel.  He scores better behind the camera than at the keyboard.  I thought the film looked great.  I saw it in 2D, and it looked fine, although I wouldn’t have minded seeing it in 3D, but the times didn’t work out for me.  The visuals are eye-poppingly colorful and cinematic.

The action scenes are so-so.  While fun and lively, none of the action scenes here blew me away.  Some went on too long and made me yawn.

Again, the biggest knock on this one is its screenplay, by director James Gunn.  The story did nothing for me, and the villains were disappointing.  Ego has all this power and ability and he seems to know nothing about what to do with it.  Boring.

And the film’s theme, that they are more than friends, that they are family, has been done to death already and didn’t add anything fresh to this sequel.

As expected, the film does have another awesome mix as a soundtrack, so there are no complaints here.

Like other Marvel movies, there is an after credits scene. No, wait, that’s not quite accurate.  There are several after credit scenes, so you if you want to see them all, you have to wait till the very end of the movie.  That being said, to be honest, I didn’t like any of these after-credit scenes.  It’s a case where more doesn’t mean better, which is a nice microcosm of the entire movie.

GUARDIANS OF THE GALAXY VOL. 2 brings our entertaining squabbling guardians back to the big screen, and they are certainly fun to watch, but they’re stuck in a dull storyline that doesn’t do them justice.

The awesome mix volume 2 simply isn’t quite as awesome the second time around.

–END—

 

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

Superhero Movies 2016 – Worst to First

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Here’s a look at the superhero movies from 2016, ranked from worst to first:

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7. BATMAN V SUPERMAN:  DAWN OF JUSTICE – By far, the worst superhero movie of 2016. The script by Chris Terrio and David S. Goyer doesn’t work. In spite of the fact that Batman and Superman do not trust or like each other, a big part of the plot revolves around Lex Luthor’s plans to pit them against each other.  Why?  They’re enemies already!  Also, the big moment where Batman and Superman change their tunes about each other is both unbelievable and anticlimactic.

Both Ben Affleck as Batman and Henry Cavill as Superman are fine, but the story they are in is not.  Also unimpressed with the action scenes by director Zach Snyder.  Best Part:  Gal Gadot as Wonder Woman.  Worst Part:  Jesse Eisenberg as Lex Luthor.

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6. THE LEGEND OF TARZAN- Tecnically, not really a superhero movie, but growing up I always considered Tarzan a superhero of the jungle.

THE LEGEND OF TARZAN is a serious good-looking production by director David Yates that suffers from one fundamental problem:  it’s boring.

Alexander Skarsgard is terribly uncharismatic as Tarzan, Margot Robbie somehow doesn’t wow as Jane, and Christoph Waltz thinks he’s still playing Bond baddie Blofeld, hamming it up as villain Leon Rom.  The liveliest lines go to Samuel L. Jackson as Tarzan ally George Washington Williams.  The movie would have been better served had it given this oomph to Tarzan.

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5.SUICIDE SQUAD –  The DC superhero movies continue to struggle, but that being said, I liked SUICIDE SQUAD.  Somewhat.

Whereas she didn’t wow in THE LEGEND OF TARZAN, Margot Robbie more than makes up for it here as Harley Quinn.  Robbie’s electrifying, sexy performance as the bad-girl-turned-good-maybe easily steals this movie.  It’s easy to understand from Robbie’s performance how Quinn is the Joker’s girlfriend.

While I’m not a Will Smith fan, he’s really good here as Deadshot, and his and Robbie’s performances were the main reasons I enjoyed this movie.  The rest of the cast is simply average.  The plot less so.  The screenplay by director David Ayer has all this build up to this squad of misfits only to see them square off against one of their own, a supernatural witch, no less.  This one simply lacks vision.

Also, Jared Leto’s Joker is ultimately a disappointment, partly because of his performance, but mostly because the role is under written.

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4. DOCTOR STRANGE – The first of the superhero movies on this list that I consider excellent.  It’s no surprise that all four of the top superhero movies from 2016 come out of the Marvel Universe, the studio that continues to churn out one superhero hit after another.

Certainly the most imaginative superhero movie of the year.  Not only does it tell a captivating story, but it’s also a visual treat. Benedict Cumberbatch is excellent as Doctor Strange, the obnoxious neurosurgeon turned superhero after a devastating injury ruins his career and sends him in search of healing through the Far East mystic arts.  What he finds is new life as a superhero.

As usual with the Marvel movies, it struggles with its villain, as Mads Mikkelsen really doesn’t get to do a whole lot as bad guy Kaecilius.

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3. X-MEN:  APOCALYPSE –  My sleeper pick on the list.  Critically panned and not really loved by fans, X-MEN: APOCALYPSE nonetheless entertained me from start to finish.

The main reason I enjoyed this one?  The performances by James McAvoy as Professor Xavier, and Michael Fassbender as Magneto. Since taking over these roles when the series rebooted with X-MEN:  FIRST CLASS (2011), McAvoy and Fassbender have made them their own.  It’s difficult to dislike a movie when these two talented actors are helming it.

Of course, Jennifer Lawrence is here, too, as Raven/Mystique, but in all honesty I’ve enjoyed Lawrence in most of her other movies more than here in the X-MEN series.

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2. DEADPOOL (CKF) – For many, DEADPOOL was the best superhero movie of 2016.  For me, it was second best.  That being said, it was certainly the most unusual superhero movie of the year.

Foul-mouthed Deadpool— played by Ryan Reynolds in a role he was born to play— lets loose with an abundance of raunchy language not even George Carlin, Richard Pryor, or Eddie Murphy combined could match.  As such, this R rated superhero movie is not for everyone, but if you don’t mind raunchy language, you are in for quite a treat.

The liveliest superhero movie of the year, as well as the funniest.

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1. CAPTAIN AMERICA: CIVIL WAR – My pick for the best superhero movie of 2016 is easily Marvel’s CAPTAIN AMERICA:  CIVIL WAR.  This one plays more like THE AVENGERS 2.5. Its story about a rift between Captain America and Iron Man is much more believable and emotionally satisfying than the rift between Batman and Superman in BATMAN V SUPERMAN: DAWN OF JUSTICE.

This one is so good, that even though it’s the third Captain America movie, it belongs in the conversation as one of the best superhero movies ever made.Brothers Anthony and Joe Russo direct this one with high energy and lots of style, and the screenplay by Christopher Markus and Stephen McFeely is a genuine crowd pleaser.

Also features a phenomenal cast which has no business being in a superhero movie. You’ve got Chris Evans as Captain America, Robert Downey Jr. as Tony Stark/Iron Man, Scarlett Johansson as Black Widow, Anthony Mackie as the Falcon, Don Cheadle as War Machine, Jeremy Renner as Hawkeye, Chadwick Boseman as Black Panther, Paul Bettany as Vision, Elizabeth Olsen as Scarlet Witch, Paul Rudd as Ant-Man, and Sebastian Stan as the Winter Soldier.  And with all these folks doing their things and doing them well, the movie is almost stolen by young Tom Holland in his debut as Spider-Man.

An awesome movie.  Marvel has been churning out one quality superhero movie after another going back to IRON MAN (2008), and they show no signs of slowing down.  I’m looking forward to their upcoming releases in 2017, starting with LOGAN on March 3.

And there you have it, my list of the superhero movies from 2016.

Until next time, thanks for reading!

—Michael

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.  Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

Best Movies of 2016

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La La Land (2016)Sebastian (Ryan Gosling) and Mia (Emma Stone)

Ryan Gosling and Emma Stone in LA LA LAND (2016

 

Here’s a look at my picks for the Top 10 movies of 2016.  Of course, while I do see a lot of movies— 58 this year, and that’s just theatrical releases—  I’m not able to see every movie that comes out, and so this list is limited to only those movies I have seen.

We’ll start with #10 and count down to #1:

 

10. THE INFILTRATOR

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Excellent performance by Bryan Cranston powers this crime drama which tells the true story of how U. S. Customs Official Robert Mazur (Bryan Cranston) went undercover to take down a  Columbian drug lord.

 

9. THE JUNGLE BOOK

Loved this remake of Disney’s animated THE JUNGLE BOOK (1967), and I’m a huge fan of that original 1967 animated classic.  Special effects here were amazing, and I really liked how director Jon Favreau made this family friendly film a serious hard-hitting adventure.

 

8. DEADPOOL

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The role Ryan Reynolds has been waiting for.  Sure, this vulgar, violent tale isn’t for everybody, but the humor is spot-on.  My second favorite superhero movie of the year. Best part is it is so unlike other traditional superhero movies.

 

7. CAPTAIN AMERICA: CIVIL WAR

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My pick for the best superhero movie of 2016.  Plays much more like THE AVENGERS 2.5, rhis exciting tale pits Team Captain America vs. Team Iron Man, and the rift between these two friends comes off as real and believable, something that the similarly themed BATMAN V SUPERMAN:  DAWN OF JUSTICE (2016) failed miserably at.  The scenes with newcomer Tom Holland as Spider-Man are off-the-charts good.

 

6. EDGE OF SEVENTEEN

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Hilarious comedy-drama starring Hailee Steinfeld as a seventeen year-old dealing with life as a teenager.  Things get complicated when her best friend starts dating her older brother.  Topnotch script and direction by writer/director Kelly Fremon Craig.

 

 

Now we get down to my picks for the Top 5 movies of 2016:

5. HANDS OF STONE

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Critics panned this movie, but I absolutely loved this boxing pic about boxing champ Roberto Durant.  Edgar Ramirez  gives a spirited performance as Roberto Durant, and he’s supported by a fine cast which includes Robert De Niro, Ruben Blades, and Usher Raymond as Sugar Ray Leonard.  Excellent movie, much better than critics gave it credit for, although admittedly I am a sucker for boxing movies.

 

4. HELL OR HIGH WATER

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Easily could be my pick for the best movie of the year, this impeccably made crime drama follows a Texas crime spree by two brothers Toby (Chris Pine) and Tanner Howard (Ben Foster) with an old Texas Ranger Marcus Hamilton (Jeff Bridges) hot on their trail.  Features fantastic peformances by the three leads.  Jeff Bridges is amazing as always, and the same can be said of Ben Foster, and it’s also fun to see Chris Pine get to do a whole lot more than when he plays Captain Kirk in the rebooted STAR TREK movies.  Riveting direction by David Mackenzie, and a phenomenal thought-provoking script by one of my favorite screen writers working today, Taylor Sheridan.

 

3. SULLY

Easily the most efficient film of the year, SULLY, starring Tom Hanks, and directed by Clint Eastwood, clocks in at a brisk 96 minutes, and not a minute is wasted.  It tells the emotionally riveting true tale of pilot Chesley Sullenberger, aka “Sully,” and his decision to make an emergency landing on the Hudson River.  It’s an amazing story because all the passengers on the plane survived, and the film makes things even more compelling as it follows the subsequent investigation by officials who questioned Sully’s decision to land in the water in the first place.  SULLY features another remarkable performance by Tom Hanks, and yet another superb directorial effort by Clint Eastwood.  Eastwood is 86 years old, and yet SULLY plays with as much energy, oomph, and emotion as if directed by someone half that age.  I left the theater incredibly impressed.

 

2. MANCHESTER BY THE SEA

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This film could also have been my number one pick of the year.  MANCHESTER BY THE SEA is a finely acted drama, led by two powerhouse performances by Casey Affleck and Michelle Williams, about a man Lee Chandler (Casey Affleck) thrust into a life-changing situation as he finds himself having to care fo for his deceased brother’s sixteen year-old son.  His life in a shambles due to an earlier traumatic event, Lee knows he’s not the man for the job, but since there is no on else, he pushes himself to live up to his brother’s wishes and care for his nephew. Atmospheric direction by writer/director Kenneth Lonergan, with a script that is as honest and believable as they come.

And now, for my pick for the Number 1 movie of 2016:

 

 

  1. LA LA LAND

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My pick for the Best Movie of 2016 also happened to be the last movie I saw in 2016, LA LA LAND.  What a fabulous way to end the calendar year!  LA LA LAND is an absolutely wonderful movie.

I  loved the energy writer/director Damien Chazelle brings to this one.  The opening dance number on a gridlocked L.A. freeway dazzles, and the film never looks back.  Emma Stone gives the best performance of her career to date, imbuing her struggling actress character Mia with so much raw emotion and quirky pizzazz she’s one of the liveliest characters I’ve seen on screen in a long while. Ryan Gosling is just as good as jazz musician Sebastian in this uplifting almost magical musical which follows Mia and Sebastian through a romance in which they help each other achieve their artistic dreams before reality ultimately sets in, forcing them to make decisions which affect their future.  A remarkable movie and genuine crowd pleaser.

Hands down, LA LA LAND is the Best Movie I saw in 2016.

Okay, that about wraps things up for today.  Thanks for joining me in 2016, and here’s to another fine year of movies in 2017!

Thanks for reading!

—Michael

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

 

 

 

Eye-Popping Visuals Propel DOCTOR STRANGE (2016)

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DOCTOR STRANGE (2016), the latest Marvel superhero movie starring Benedict Cumberbatch as Doctor Stephen Strange, a neorosurgeon turned superhero who can hop through alternate universes and time and space with relative ease, is an eye-popping cinematic adventure, missing only one important ingredient:  a story worthy of its visual grandeur.

DOCTOR STRANGE is the story of brilliant neurosurgeon Doctor Stephen Strange (Benedict Cumberbatch) whose ego is as big as the multiple universes in this movie.  He’s the best there is and he knows it.  But all of that changes after a catastrophic car accident leaves him with hands that are no longer functional due to severe nerve damage.  His days as a surgeon are over.

But Strange refuses to accept this fate, and in his search for answers learns of a man Jonathan Pangborn (Benjamin Bratt) who after being paralyzed, miraculously regained full used of his legs.  It was a case that Strange himself had passed on, believing that Pangborn was beyond cure and surgery would not have helped.  Strange tracks down Pangborn, who tells the doctor that our of desperation, he had traveled to the Far East and it was there that he met people who taught him about mytisc arts and cured him.

So Strange travels to the Far East to meet these folks.  Initially, he rejects the teachings of this group, led by The Ancient One (Tilda Swinton), as he believes in medical science, not mystic mumbo jumbo.  But The Ancient One and Mordo (Chiwetel Ejiofor) eventually show him enough of these alternate universes and mystic powers that he has no choice but to accept their teachings.

He becomes their star pupil, which is a good thing since they need his help, as a former pupil, Kaecilius (Mads Mikkelsen) is stealing valuable pages from their private book collection and using them to wreak havoc on the world.  At first, Strange wants no part of their war.  As he says, he’s a doctor who has sworn to save lives, not destroy them, but once again, after seeing firsthand the evil deeds of Kaecilius, he changes his mind, and the newest Marvel movie superhero Doctor Strange is born.

Strange sets out not only to save the universe but also to get back his girlfrend, fellow doctor Christine Palmer (Rachel McAdams) who he had alienated with his ego-driven rude personality.  Since this is a Marvel superhero movie, chances are high that Strange will succeed at both.

I really enjoyed DOCTOR STRANGE, in spite of a story that I found very, very silly.  In fact, for me, the weakest part of this movie was its story.  Not the background story on Doctor Strange himself.  I liked that part.  I’m talking about the whole plot with Kaecilius, and him using ancient spells and what-not to cause all kinds of sinister damage on the world.  That whole story I just couldn’t get into.  I couldn’t take it seriously.

Other than this, the screenplay by Jon Spaihts, C. Robert Cargill, and director Scott Derrickson, based on the comic book by Stan Lee, is pretty good.  I enjoyed the characterizations a lot here, and the dialogue is snappy and first-rate.  These writers share a pretty strong horror/science fiction background as well.  Spaihts wrote PROMETHEUS  (2012), while Cargill and Derrickson wrote the SINISTER movies.  Derrickson also wrote the screenplays to THE EXORCISM OF EMILY ROSE (2005) and DELIVER US FROM EVIL (2014), two films he also directed.  I enjoyed DOCTOR STRANGE more than all of these other movies.

The Marvel superhero movies have always boasted A-list casts, and DOCTOR STRANGE is no exception.

Leading the way is Benedict Cumberbatch as Doctor Strange.  Cumberbatch nails the role, and he makes Strange a guy you love to hate, or hate to love.  I mean, he’s an arrogant pain in the ass, and later, even as he humbled by his injuries and by the vast overwhelming amounts of information and knowledge shown him by The Ancient One, he’s still an arrogant pain in the ass.  But when he’s using this side of his personality to take on the bad guys, he’s a hoot to watch in action.  I’ve said this about other actors who have appeared in Marvel superhero movies, and I’ll say it again here:  Cumberbatch as Doctor Strange delivers a high level performance that has no business being in a superhero movie.  It’s great acting.

Chiwetel Ejiofor is likeable enough as Mordo, and Tilda Swinton is her usual icy self as The Ancient One, perhaps being a bit warmer here than we’ve seen her in the past.  Swinton of course played the White Witch in the NARNIA movies, and she was also sufficiently cold as the irritating Mason in the fine science fiction actioner SNOWPIERCER (2013), starring Captain America himself, Chris Evans.

Benedict Wong delivers a nice scene-stealing performance as Wong, the stoic librarian and protector of The Ancient One’s books who Strange spends most of the movie trying to get him to crack a smile, which he refuses to do.

I also really enjoyed Rachel McAdams as Christine Palmer, and thought her scenes with Strange were all very good.  It’s just too bad the character never really became anything more than simply Doctor Strange’s love interest.

And while Mads Mikkelsen is effectively villainous as main baddie Kaecilius, like most of the villains in the majority of the Marvel superhero movies, he doesn’t do a whole lot nor is he developed to the point where we feel like Doctor Strange is in deep trouble because of him.  At this point, I’m convinced that the powers that be behind the Marvel superhero movies just don’t care that much about their villains, because without fail, in spite of the fact that these movies are all pretty darned good, the villains are always the least memorable part.  In fact, for me, the best Marvel villain remains TV villain Wilson Fisk played by Vincent D’Onofrio on the TV series DAREDEVIL.  The movie villains haven’t come close.

I saw DOCTOR STRANGE in 3D, and I have to admit, it looked pretty darn good.  In fact, I’d have to say one of my favorite parts about this movie was the way it looked.  I loved its visuals, especially the scenes near the end where Doctor Strange is hopping through time and space.

I thought director Scott Derrickson handled things well, and this is certainly the best movie I think he’s directed.

Once more, I pretty much enjoyed everything about this movie except for its story, which I found silly and at times flat out ridiculous.  Frankly, I thought it was beneath the rest of the production, which featured strong acting and high production values and eye-popping visuals.

Like the other Marvel movies, there is an after-credits scene— there are two actually, one midway through and one at the very end.  I enjoyed the first more than the second.

So, where does DOCTOR STRANGE rank with the other Marvel movies?  Well, for me, it’s not quite as good as the heavy hitters:  THE AVENGERS movies, IRON MAN (2008), GUARDIANS OF THE GALAXY (2014), and DEADPOOL (2016) I enjoyed more than DOCTOR STRANGE.

But I liked it better than the THOR movies, and it’s probably up there in the same neighborhood as the first CAPTAIN AMERICA movie.  It’s a solid superhero adventure, entertaining from start to finish.

And since it’s part of the Marvel cinematic universe, which has produced one quality superhero movie after another, that’s not so strange.

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Weak Writing Slays Season 2 of DAREDEVIL (2016)

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I absolutely loved Season 1 of the Netflix/Marvel TV show DAREDEVIL.  It was dark, gritty, and had a definite edge to it.  The writing was superb, the characters fleshed out, and it had a helluva villain, Wilson Fisk, masterfully played by Vincent D’Onofrio, who for my money was better than any of the villains seen in the Marvel Superhero movies.

But Season 2— well, simply put, Season 2 was a major disappointment.

Yup, Season 2 of DAREDEVIL fell short on so many fronts.

We can start with the absence of Wilson Fisk (Vincent D’Onofrio).  Both the character and D’Onofrio’s performance were clearly my favorite parts of Season 1.  With Fisk caught at the end of Season 1, it meant there would be a new villain in town.  I hoped the writers would be up to the task of filling the void left by the departure of Fisk.  They were not.

Fisk was such a dominating force in Season 1, the villain who pretty much set the tone for the entire series, and who made the hero Daredevil stronger because of his presence.  In Season 2, there was no such driving force.  The main villains this time around, the shadowy Ninja group known as The Hand, and their leader, the nearly supernatural Nobu, mainly remained in the shadows, their motives barely expressed.

But the lack of a strong villain on its own wouldn’t be enough to sink the entire second season of DAREDEVIL.  There’s more.

Let’s start with the main character himself, Daredevil/aka Matt Murdock (Charlie Cox).  I hate to say it, but simply put, Matt Murdock became a complete bore in Season 2, which is a complete turnaround from the compelling character we met in Season 1.  One of the best things about Murdock in Season 1 was his relationship with his friends Foggy Nelson (Elden Henson) and Karen Page (Deborah Ann Woll).  Nelson is his best friend from law school, and the two practice law together at their own tiny firm.  Karen becomes their secretary, and in Season 1 there was a fun sexual tension between the three of them.

All of that disappeared in Season 2.  Matt becomes distracted with the return of a former lover, the unpredictable and dangerous Elektra (Elodie Yung), and he ends up spending nearly the entire season in an on again/off again relationship with Elektra, while also using most of his energy to help her combat The Hand.  As a result, he blows off Foggy and Karen at nearly every turn, leaving them to spend nearly the entire season reacting to his terrible treatment of them.  It gets so bad that eventually Foggy calls it quits and dissolves the firm.

To make matters even worse, Matt finally acts on his feelings towards Karen, but then does an about face and dumps her for Elektra, which was too bad, because Matt and Karen shared some chemistry.  Matt and Elektra do not.

As such, two of the more enjoyable characters from Season 1, Foggy and Karen, get reduced to being emotional punching bags for Matt Murdock.  Even worse for Karen, once she leaves the firm, she enters a ridiculous storyline where she becomes a reporter and suddenly is a major newspaper writer because she “has a knack for that sort of thing.”  I have a knack for cooking too but you don’t see me suddenly hosting my own TV show on the Food Network.  Writing is hard work, and any story that implies otherwise is difficult to take seriously.

The dialogue in Season 2 also did not help matters.

The philosophical conversations Daredevil had with the Punisher were trite, cliche, and hopelessly dull.  They basically debated over vigilantism, with the Punisher arguing it’s okay to kill while Daredevil would display his halo— is he Daredevil or Dareangel?— and say klling is always wrong.  Daredevil’s stance is admirable— heck, Batman lives by the same creed— but the writing here was so bad, the dialogue so basic it was laughable.

Speaking of the Punisher, Jon Bernthal’s performance as the Punisher was one of the highlights of Season 2, and he got to enjoy a few decent episodes.  But as the season went on, his storyline got pushed into the background, taking a back seat to the Elecktra plot with the Hand. Anwyay, I’m glad he’s getting his own Punisher TV show soon.  I’m looking forward to it.

The other new character, Elektra, I didn’t like as much.  I never warmed up to her.  A big reason why was I enjoyed Matt’s chemistry with Karen more than his chemistry with Elektra.  She was also stuck in a story I didn’t like, the whole plot with the Hand.

What exactly was the Hand up to?  Their motives were never made clear, and the show clearly suffered for it.  There was so much screen time devoted to Matt and Elektra discussing the Hand, and I just didn’t care about any of it.

Wilson Fisk (Vincent D’Onofrio) does show up for a couple of episodes, where he’s in prison and his path crosses with The Punisher’s, in what clearly were the best episodes of Season 2.

Season 1 of DAREDEVIL had a central villain, Wilson Fisk, who had an agenda, and who’s violent antics gave Daredevil a major challenge and a reason for being.  With Fisk gone and without a powerful foe, Daredevil morphed into a far less interesting character in Season 2.

All of these flaws revolve around one central weakness:  inferior writing.  The writing in Season 2 was far less impressive than the high quality writing from Season 1.  The plots were all over the place and hardly ever came together.  The strong trio of Matt, Foggy, and Karen were divided and left weaker and far less interesting.  Newcomer the Punisher was given little to do, and newcomer Elektra failed to impress.

The villains in Season 2, the Hand, were never fully developed, and for most the season, Daredevil was reduced to a whiny pontificating pacifist with a mask and bad taste in women.

Here’s hoping Season 3 will be an improvement.

Wilson Fisk can’t get out prison fast enough!

—END—

 

 

 

 

X-MEN: APOCALYPSE (2016) Provides End-of-the-World Excitement

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Movie Review:  X-MEN:  APOCALYPSE (2016)

By

Michael Arruda

I’m not hearing great things about X-MEN:  APOCALYPSE (2016), the latest film in the Marvel X-MEN series, which is too bad, because all things considered, it’s a purdy darn good movie, one well worth the price of a movie ticket.

Let’s turn back the clock a little bit, to 2011, when the X-MEN series was rebooted featuring younger actors in an X-Men origin story, X-MEN:  FIRST CLASS (2011).  I absolutely loved this movie, and it ranks in my Top 5 List of the best Marvel superhero movies ever made.  A big reason for this was the performances by James McAvoy as Professor Charles Xavier and Michael Fassbender as Magneto.

The second film in the rebooted series, X-MEN: DAYS OF FUTURE PAST (2014) played with time travel and combined cast members from the original series with the cast from X-MEN:  FIRST CLASS.  A creative idea to be sure, but the film stumbled with its execution, and I was not nuts about this movie.

Now comes X-MEN:  APOCALYPSE, the third film in the rebooted series.  This time around, we learn that mutants have been in existence since the beginning of time, and one such all-powerfult mutant, Apocalypse (Oscar Isaac) sets his sights on taking over the world  but is betrayed and buried in a pyramid in ancient Egypt.

Jump to the 1980s, twenty years after the events of X-MEN: FIRST CLASS, and ten years after the events of X-MEN: DAYS OF FUTURE PAST, and Apocalypse escapes from his Egyptian grave and once more sets his sights on taking over the world.  His strength is that he can enhance the abilities of others, and so he always assembles four mutants, four horsemen, to be his minions, and he uses them by making their special ablities even stronger.  He gathers four mutants, including a young Storm (Alexandra Shipp) and the grand prize, Magneto (Michael Fassbender).

Magneto has been doing his best to blend in with society.  He has a wife and a young daughter, and he has given up his powers so he can live in the real world.  But things go sour when he is discovered, and his wife and daughter are killed.  This leaves Magneto feeling very bitter indeed, and so he is more than willing to join forces with Apocalypse.

Meanwhile, Professor Xavier (James McAvoy) is running his school for gifted mutants, when there is a great disturbance in the force— oops, wrong series.  But there is a great disturbance, an energy surge, coming from Apocalypse.  When Mystique (Jennifer Lawrence) shows up and informs Professor X that Magneto has joined the bad guys again, it’s up to Professor X and his students to save the day.

Except that Apocalypse wants Professor X’s mental abilities for his own, and so he abducts the professor in order to force him to work for him.  And so now it’s up to Mystique and the latest and youngest X-Men recruits to save the world by going up against the most powerful mutant in existence, Apocalypse.

This is no small task, which is why the last third of the movie is so exciting.

There are many things to like about X-MEN:  APOCALYPSE.

However, when talking about the Marvel superhero series, you have to start with the acting, and that’s because these films have assembled an A-list cast on a regular basis, meaning that when you watch a Marvel superhero movie, you’re pretty much guaranteed A-list caliber acting.  The acting in these films is far better than what you would expect in a superhero movie, and the acting in X-MEN: APOCALYPSE is no exception.

Both James McAvoy as Professor X and Michael Fassbender as Magneto are excellent in this movie.  They also work extremely well together, and so whenever we are fortunate enough to see them in the same scene, the film is that much better.

In addition to McAvoy and Fassbender, Jennifer Lawrence completes the star triumvarate as Mystique.  Now, as much as I like Jennifer Lawrence, I’m not nuts about her as Mystique.  She has shown so much range in other roles, in films like SILVER LININGS PLAYBOOK (2012) and JOY (2015), it’s difficult to accept her in a role where she’s covered in blue make-up.  She also plays Mystique like a mutant cousin of Katniss, her character in THE HUNGER GAMES movies.  It’s just not my favorite mix.

The rest of the young cast is first-rate.

Nicholas Hoult is very good as Beast, Sophie Turner is mesmerizing as Jean Grey, and Kodi Smit-McPhee who was so memorable as the young boy in the vampire movie LET ME IN (2010) and also in DAWN OF THE PLANET OF THE APES (2014) is charmingly electric as Nightcrawler.

And as he did in the previous X-MEN movie, Evan Peters provides scene-stealing fun as Quicksilver.  Reprising her role from X-MEN:  FIRST CLASS Rose Byrne is effective in her return as CIA Agent Moira Mactaggert.

Oscar Isaac makes Apocalypse a formidable villain.  A frequent stumbling block in the otherwise pristine Marvel superhero films is their inablity to craft a worthy villain for their heroes.  It hasn’t hurt the movies since the Marvel superheroes generally are such an entertaining lot on their own, as they are full of flaws and can’t seem to stop arguing and fighting amongst themselves.  Still, a decent villain would only help, and here in X-MEN: APOCALYPSE, Apocalypse is a decent villain, and then some.  And you can’t fault his agenda:  he just wants to destroy the world, that’s all.  Technically, he wants to wipe out everyone on Earth who possesses great power so he can then rule it with ease.  Greedy bastard.

Apocalypse is all-powerful, so much so he fathoms himself a god, and his powers are indeed god-like.  What this means is that even the combined strength of all the X-Men mutants, even with Professor X and Magneto working together, they can’t stop this guy, which makes for some dramatic cinema.  And how they finally do gain the upper hand against this superpowerful villain makes sense and works.

I enjoyed both the direction by Bryan Singer and the screenplay by Simon Kinberg.

Singer is no stranger to the X-MEN universe, having directed the first two films in the series, X-MEN (2000) and X-MEN 2 (2003), and the most recent film in the series, X-MEN: DAYS OF FUTURE PAST (2014).  He crafts some powerfully emotional scenes in this one, including the scene where Magneto’s family meets a tragic end.  The conclusive battle is also very exciting.

Kinberg’s script strikes a nice balance between witty snappy dialogue and poignant moments, like when Professor X tells Magneto that he is not alone, that he hasn’t lost everybody.

That theme, being alone, is prominent throughout the film, and is what Professor X ultimately uses to set him and his X-Men apart from Apocalypse- the villain is alone, while they are not.

As there are in most of these Marvel superhero movies, there is an additional scene after the end credits, but it’s hardly worth the wait, and so if you’re not in the mood to sit through the credits, don’t bother.  You won’t be missing much.

I liked X-MEN: APOCALYPSE a lot.  While I didn’t enjoy it quite as much as this year’s DEADPOOL (2016) or CAPTAIN AMERICA:  CIVIL WAR (2016), it’s still a very good movie, a worthy entry in the Marvel superhero universe.

—END—