FAST AND FURIOUS PRESENTS: HOBBS & SHAW (2019) – Amiable Action Comedy Fast and— Fluffy.

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Hobbs-Shaw

In the interest of full disclosure, I have never seen a FAST AND FURIOUS movie.

Until now, that is.

Way back when the first THE FAST AND THE FURIOUS (2001) came out I just wasn’t that interested, but then they kept coming, and word of mouth and critical reviews said they were getting better and better. But still I resisted, mostly because I hadn’t seen the previous films, but I’m guessing at some point I’ll sit down and eventually start watching these.

Anyway, after eight FAST AND FURIOUS movies, here comes the series’ first “spinoff,” FAST AND FURIOUS PRESENTS: HOBBS & SHAW, a tale featuring characters who appeared in prior movies but who weren’t part of the main core of the cast. I mainly wanted to check this one out because I like the three principal leads, Dwayne Johnson, Jason Statham, and Idris Elba. My expectations were low, but I figured, it might be fun to watch some mindless action scenes featuring these generally entertaining actors.

And I was right.  The action and the dialogue is all very fast, though not so furious. A more apt title for this one would be fast and funny, because really, from beginning to end, this one is played for laughs. I didn’t take any of it seriously, and that was okay.

The plot involves a deadly virus that could wipe out the population of the world, just like that! Yikes!  A former spy (Vanessa Kirby) steals the virus, and a super-charged baddie named Brixton (Idris Elba) will stop at nothing to steal it back. Good guy Hobbs (Dwayne Johnson) is charged with saving the day, and he’s paired with former villain turned hero Shaw (Jason Statham) because the former spy who stole the virus happens to be Shaw’s sister.

Trouble is, Hobbs and Shaw hate each other and refuse to work together, but work together they do, which sets the stage for plenty of banter and one-upmanship throughout.

If you like Dwayne Johnson and Jason Statham, you’ll enjoy this movie because the two actors are likable throughout and do share a fun chemistry together.  Their banter while not hilarious is certainly comical and amusing. There’s a good-natured amiable vibe all through the movie, even though its plot is about a potentially catastrophic virus, and that’s because the film is about as believable as a wrestling match.

Director David Leitch fills this one with exciting action scenes and chases, especially one near the end involving a helicopter and a bunch of cars. Again, fun, but not believable, which for me, pretty much kept this one from being anything special. Technically, it looks great, but it’s all fluff. Leitch also directed DEADPOOL 2 (2018). Speaking of which, Ryan Reynolds is also in the cast, and he gets to ham it up in a couple of scenes. These bits are okay but not overly funny.

The screenplay by Chris Morgan and Drew Pearce has fun with its Hobbs and Shaw banter but that’s about it. Morgan has written a bunch of other FAST AND FURIOUS movies, and Pearce wrote HOTEL ARTEMIS (2018) which I enjoyed a lot.

While Dwayne Johnson and Jason Statham don’t disappoint, Idris Elba doesn’t fare as well. Elba doesn’t get a whole lot of screen time, and his villain in spite of his superpower enhancements is pretty one-dimensional. Elba deserves better.

Vanessa Kirby is very good as Shaw’s sister Hattie, a kick-ass character who can hold her own against the likes of Hobbs and Shaw, although she’s clearly a secondary character here, unfortunately.

As I said, Ryan Reynolds shows up for a couple of scenes, as do Kevin Hart and Helen Mirren. None of these folks make much of an impact.

I liked HOBBS & SHAW well enough, but it’s all fluff, and other than its agreeable leads and well-choreographed action sequences, there’s not a whole lot going on. I’m a story guy, and this one’s story is pretty sparse, which for me, kept this one from being anything special.

It’s not riveting, there’s no edge of your seat excitement, and there’s no intrigue. Instead, there’s playful banter and sanitized action sequences that are mostly played for laughs.

Fast, yes. Furious, not so much.

—END—

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DEADPOOL 2 (2018) – Raunchy Jokes Aren’t Enough the Second Time Around

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The jokes work.

The story doesn’t.

That’s pretty much my take on DEADPOOL 2 (2018), the sequel to Marvel’s R-rated superhero romp DEADPOOL (2016) which starred Ryan Reynolds as the hilariously foul-mouthed Deadpool. Reynolds is back again in the sequel, as vulgar and comical as ever, breaking the fourth wall more often than he breaks bad guys’ heads.

Yep, there’s plenty of Deadpool and his trademark humor in DEADPOOL 2, but the story he finds himself in this time around is a complete snooze. But judging by the large audience which laughed out loud throughout, I doubt people are going to mind.

Deadpool (Ryan Reynolds) is living the dream with his girlfriend Vanessa (Morena Baccarin) and they are even planning to have a baby together, but a visit to their apartment by murderous thugs seeking revenge against Deadpool leaves Vanessa dead and alters Deadpool’s course for the rest of the movie.

And for Deadpool that means seeking redemption by protecting a young mutant boy named Russell (Julian Dennison) who has become the target of Cable (Josh Brolin), who’s come back from the future a la the Terminator to kill the young boy in order to stop him from committing a crime that hasn’t happened yet.

And that’s pretty much it for storyline in this one. Sure, there are plenty more characters involved, some interesting and fun, others less so, but the bottom line is that’s about it for plot here, folks. The rest is jokes, jokes, and more jokes. And frankly for me, that just wasn’t enough.

Once more, Ryan Reynolds has a field day playing Deadpool, and the script gives him enough gags to get him through the whole movie and then some. If you’re simply into watching Deadpool make funnies, and don’t care about plot, you’ll enjoy this one. Reynolds is a hoot.  He doesn’t disappoint.

Josh Brolin is okay as Cable, but his performance is not on the same level as what we just saw him do in AVENGERS: INFINITY WAR (2018) as Thanos. Brolin delivered a powerful performance as the CGI enhanced Thanos, but here  he’s playing a character that is far less impressive.

DEADPOOL 2 also introduces the X-Force, a band of mutants who Deadpool recruits to be his superhero team.  This team was actually kind of a disappointment as they don’t do a whole lot nor are they in this one very much. The one notable X-Force member is Domino (Zazie Beetz). Her superpower is good luck, and thanks to Beetz’ performance, luck is something she doesn’t need.  She’s very good on her own.

There’s some star power here as actors like Brad Pitt, Matt Damon, Terry Crews, and Bill Skarsgard have cameos and small roles, which is all part of the fun.

T. J. Miller, an actor who I always enjoy, sadly has his screen time as bartender Weasel reduced in this one.

The script by Rhett Reese and Paul Wernick, who both wrote the first DEADPOOL, and Ryan Reynolds, scores high with the jokes but low with the story. The end credit scenes to this one alone are worth the price of admission. They’re hilarious.

DEADPOOL 2 was directed by David Leitch, who also directed ATOMIC BLONDE (2017). Leitch’s stuntman background enabled him to shoot one of the best fight sequences I’d seen in a while in ATOMIC BLONDE. I thought the fight sequences here in DEADPOOL 2 were less impressive and much more standard.

For me, and maybe it’s because it was released on the heels of AVENGERS: INFINITY WAR and BLACK PANTHER (2018), two Marvel superhero films that instantly rank as two of the best in the franchise, DEADPOOL 2 simply didn’t work.

And the reason, as I said, is its plot, which is not only mediocre, but flat-out boring. I wasn’t interested in any of it. Did I care about young Russell? No. And hence I didn’t care about Deadpool’s mission to save him. Did I care about Deadpool’s relationship with the X-Men? Not really, because this movie didn’t really make me care, as the relationship was simply a set-up for jokes. Did I care about Cable? No. The film didn’t really develop this character, and so his words and plight rang hollow.

Did I care about X-Force? Yes. They were an interesting lot. Unfortunately, they’re in the film for all of ten minutes.

So, while I laughed at the jokes, and had fun with Ryan Reynolds constantly breaking the fourth wall as Deadpool, I didn’t really care about any of it.

The first DEADPOOL got both of these items right. It was nonstop hilarious, and it had a compelling storyline.  I was into the film from the very first scene. In DEADPOOL 2, in spite of the humor, my mind was wandering throughout because no one on-screen other than Deadpool himself held my interest.

Bottom line? If you love the Deadpool character and Ryan Reynolds’ take on him, you’ll probably enjoy this movie. But be prepared for a plot that is as lifeless as it is dull.

And that’s a problem because if the story puts you to sleep, well, it’s hard to laugh at all those jokes if you’re not awake to enjoy them.

—END—

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.crossroadpress.com. Print version:  $18.00. Includes postage! Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.crossroadpress.com.  Print version:  $18.00.  Includes postage. Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Print version:  $18.00.  Includes postage. Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

THE HITMAN’S BODYGUARD (2017) – Simple-Minded Movie Has No Business Being This Funny

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THE HITMAN’S BODYGUARD (2017),  a new action comedy starring Ryan Reynolds and Samuel L. Jackson, reminded me a lot of the buddy comedies from the 1980s.  You know the ones I’m talking about.  Films that paired the likes of Eddie Murphy and Nick Nolte, Mel Gibson and Danny Glover, and even James Belushi and Arnold Schwarzenegger.

It’s slick, violent, and hopelessly forced and stupid, yet that didn’t stop me from laughing.

A lot.

I had no business liking this movie as much as I did.

Michael Bryce (Ryan Reynolds) is one of the most sought-after bodyguards on the planet, but that all changes in the opening sequence in the movie when his client is shot dead by an unseen assassin in front of Michael’s eyes.  Two years later Michael is down on his luck, unable to restore his reputation as one of the world’s best bodyguards.  However, that’s about to change.

A deadly Russian official Vladislav Dukhovich (Gary Oldman) is on trial, and the key witness is hitman Darius Kincaid (Samuel L. Jackson).  While en route to the international court, the motorcade transporting Kincaid is ambushed by one of Vlad’s hit squads, and while there is lots of death and destruction, Kincaid and the young woman in charge of his security detail, Amelia Roussel (Elodie Yung) escape.

Amelia suspects someone on the inside is working for Vlad, and so she turns to an outsider for help, and that would be Michael, who just happens to be her ex-boyfriend. It’s Michael’s big chance to redeem himself, to get Kincaid to court on time, as the judge has given the lawyers until 5:00 to produce their star witness.  All they have to do is survive the efforts of Vlad’s seemingly infinite supply of henchmen and assassins.

And, oh yeah, Michael and Kincaid have a past, and they hate each other.  But they put aside their differences to work together, even bonding to the point where they give each other relationship advice.

As I said, this one’s a throwback to the 80s buddy movies, where it’s all about action, swearing, and silly comedy.  The only thing missing is the obligatory nude scene. Other than this, it’s all there: guns, explosions, car chases, heroes who can’t miss and villains who can’t shoot straight.

THE HITMAN’S BODYGUARD tells as stupid a story as they come, yet it somehow works. It’s that rare example of a story that really isn’t believable, and yet the comedy works and works well.  I can’t deny that I laughed quite a bit during this movie, more than I expected to, and as a result, I liked the whole movie more than I expected, as well.

For starters, director Patrick Hughes does a nice job at the helm.  Hughes directed THE EXPENDABLES 3 (2014), which was probably my least favorite film of that Sylvester Stallone action series, a series that for the most part I’ve liked a lot.  I enjoyed THE HITMAN’S BODYGUARD more than THE EXPENDABLES 3, and one of the reasons I enjoyed it so much was in addition to the comedy, the film also does not skimp on the action.

There are some fun car chases, and one fight scene in particular between Michael and a Russian hitman that is almost as good as the memorable fight sequence in ATOMIC BLONDE (2017) from several weeks back.  While the story itself is not very believable, the action scenes are.

Ryan Reynolds and Samuel L. Jackson also share decent chemistry here.  Reynolds plays the straight man to Jackson’s over-the-top unstoppable hitman, and while I prefer Reynolds as the raunchy foul-mouthed superhero Deadpool, he’s still very good here as the bodyguard who knows he’s still the best.

While I’ve always enjoyed Samuel L. Jackson, for me, his performances are often hit or miss.  His performance here as hitman Darius Kincaid is more of a hit.  I certainly enjoyed him more here than in the last couple of films I saw him in.  His role earlier this year as military man Preston Packard in KONG: SKULL ISLAND (2017) never rose above the cliché, and in last year’s THE LEGEND OF TARZAN (2016) his sympathetic George Washington Williams, while being one of the more enjoyable characters in an otherwise flat movie, was simply okay and far too reserved to make much of an impact.

Here as Darius Kincaid, Jackson lets loose.  He seems to be having an awfully good time, and he’s terribly funny.  Sure, most of the humor stems from Jackson hurling F-bombs, but that doesn’t make it any less hilarious, and Jackson is so good at capturing this type of persona.

Gary Oldman can play villains in his sleep, and his performance here as Vladislav Dukhovich is nothing we haven’t seen him do before, but like Jackson, he’s so good at it. Any film that has Oldman in the cast is going to benefit from his performance, and HITMAN’S BODYGUARD is no exception.

Elodie Yung, who played Electra in Season 2 of the Netflix TV show DAREDEVIL (2016) and who is currently reprising the role in the new Netflix Marvel show THE DEFENDERS (2017) is decent here as security agent Amelia Roussel.  She’s completely removed from the comedy and appears only in the straight action scenes in this one, and as a result she’s not in the best parts of the movie.

On the other hand, Salma Hayek has a field day as Darius’ imprisoned wife Sonia.  While all her scenes take place in her prison cell, she, like Jackson, lets loose and lets the F-bombs fly, in a funny spirited performance, a far cry from her reserved dramatic performance in BEATRIZ AT DINNER (2017) earlier this year.

The cast is excellent, and this is a good thing since the screenplay by Tom O’Connor is about as sharp as a butter knife.  The story is farfetched and simple, the characters cliché, and the humor driven by four letter words.  Yet, in this case, it somehow all works.  Again, I laughed a lot during this movie.

But the main reason for the success behind THE HITMAN’S BODYGUARD is the presence of stars Ryan Reynolds and Samuel L. Jackson.  I’m not the biggest Ryan Reynolds fan, as other than DEADPOOL (2016) I haven’t really enjoyed his movies all that much.  But he strikes the right balance here between likable guy and down on his luck bodyguard, and he makes Michael someone the audience can easily root for.

Paired with Samuel L. Jackson’s over the top larger than life unstoppable Darius Kincaid, the two actors chew up the scenery and keep things entertaining throughout.

THE HITMAN’S BODYGUARD is a movie where the sum of its parts is better than the whole, and that’s a good thing because in this case the “whole” is pretty lame-brained.

The “parts” however, are a hoot.

—END—

 

 

 

 

 

 

LIFE (2017)- Science Fiction Thriller Pretty Lifeless

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Life.

A great name for a breakfast cereal.  Works for the board game, too.

But for a science fiction horror movie?  Not so much.

And the title is the least of this movie’s problems.

LIFE (2017) takes place aboard a space station where six astronauts make the remarkable discovery of the first extraterrestrial life form, and this occurs before the opening credits. This life form starts off as a single cell organism but quickly grows, and the next thing the scientists know, the thing escapes, and it’s none too friendly.

Hmm.  A deadly alien creature loose aboard a space station terrorizing its occupants? Sound familiar?  Of course it does!  And while it would be unfair to completely dismiss this movie as a straight clone of ALIEN (1979), because there are differences— LIFE takes place on a space station orbiting Earth, while ALIEN took place on a space ship in deep space, for instance— it’s similar enough to draw comparisons, which doesn’t do it any favors since LIFE is vastly inferior to ALIEN.

So, this deadly organism which is both incredibly strong and smart, sets its sights on picking off the crew one by one.  The crew see it as their mission to either destroy the creature or at the very least, make sure it never makes it to Earth.  Easier said than done. And just why is this creature killing people?  Well, according to the scientists, it’s not because it hates people, but because it’s simply trying to survive.  It also has the nasty habit of entering people’s bodies, and when it exits after killing the person, it’s bigger, so I can only guess that it’s consuming the person’s innards, although this is never made clear in the movie.  Perhaps it’s killing people because it fears for its own life, although it became aggressive first before it was ever attacked.  Of course, it might have simply seen humans as a threat.  Or perhaps it just likes to kill.  Why am I offering all these guesses?  Because the film never really says.

One of the reasons I wasn’t all that excited about LIFE was I had seen the trailer multiple times and it seemed to give away a lot of the movie and it also made it seem like a dull clone of the movie ALIEN.  So, I felt somewhat optimistic when about 2/3 of what was shown in the movie’s trailer occurs in the opening moments of the movie, before the opening credits.  I thought, maybe there are some decent surprises ahead.

Alas, the only surprise was that a certain prominent cast member didn’t survive in this movie for very long.

The screenplay by Rhett Reese and Paul Wernick doesn’t create any memorable or interesting characters, nor does it provide for a compelling story.  We hardly get to know any of the characters, and when their lives were in danger, I simply didn’t care all that much.

The idea of finding the first extraterrestrial life form isn’t handled with any sense of grandness or awe, and the actual creature didn’t impress me, either.  Unlike the Alien in ALIEN, we learn very little about this creature.  It looks okay, but it’s hardly terrifying.

The film also really struggles to build any decent suspense.  Late in the movie, when all hell is breaking loose, we get to see Jake Gyllenhaal’s character deal with his fear by reading the children’s book Goodnight, Moon.  Oooh, scary!

Reese and Wernick are the guys who wrote the screenplay for DEADPOOL (2016) and ZOMBIELAND (2009), two films I liked a lot.  But they also wrote G.I. JOE:  RETALIATION (2013), a film I didn’t like.  Where does LIFE fall?  Let’s put it this way.  LIFE is no DEADPOOL.

The cast is largely wasted because none of their characters are developed.  Jake Gyllenhaal plays astronaut David Jordan, and he’s probably the character we learn the most about.  For instance, we learn that he’s about to break the record for the most days spent in space by a person, and we learn that he prefers it in space, as he is rather disillusioned with the world below.  Yet, unlike another disillusioned astronaut, George Taylor (Charlton Heston) from the classic movie PLANET OF THE APES (1968), David Jordan doesn’t get to have his beliefs challenged by a society more barbaric than the one he left behind, nor does he even get to be in the forefront of his own movie.  He’s just one of the six on board the space station, going through the motions of being chased by an alien.

The other lead belongs to Rebecca Ferguson who plays astronaut Miranda North, and she’s pretty much in charge of security.  It’s not one of Miranda’s better days.  We learn very little about this character, and Ferguson doesn’t really get to do much with the role.

The other big name in the film is Ryan Reynolds, and he plays Rory Adams.  Likewise, his talents are also largely wasted in a very underdeveloped character.  Rounding out the cast of space station astronauts are Hiroyuki Sanada as Sho Murakami, Olga Dihovichnaya as Ekaterina Golovkina, and Ariyon Bakare as Hugh Derry.  Their roles are pretty much cardboard cutouts of scared astronauts on board a space station terrorized by a deadly alien.

LIFE was directed by Daniel Espinosa, who also directed the action film SAFE HOUSE (2012) starring Denzel Washington and Ryan Reynolds, another film I wasn’t all that crazy about.  LIFE is very similar in terms of quality: it’s okay, but at the end of the day it’s nothing all that special.

The opening shot in LIFE of the space station emerging from the darkness just outside Earth’s orbit is a good one and is probably the most cinematic shot of the whole film.  If only there were more shots like this.

The scenes of suspense and horror just aren’t all that intense, and I really didn’t find LIFE scary at all.  Part of the problem here is the alien creature really isn’t very frightening.  And none of the astronauts’ deaths are all that horrific, save for one, and even this scene pales in comparison to say the alien bursting out of John Hurt’s chest in ALIEN.

The pacing is off, and I found the film rather slow.  As the movie went along, the suspense sadly did not build.  Like I said, in a key moment near the end, Jake Gyllenhaal’s David Jordan pulls out Goodnight Moon and starts reading.  It’s supposed to be a poignant and terrifying moment, but I took it for what it was:  main character reads from a children’s book when frightened by the alien monster. Imagine if in PLANET OF THE APES Charlton Heston, rather than screaming, “Get your stinking paws off me, you damn dirty ape!” quoted Mother Goose. Something tells me it just wouldn’t have been the same.

LIFE is a mediocre science fiction horror movie.  It’s not all that awe-inspiring, so don’t expect anything deep like ARRIVAL (2016), and it’s certainly not all that scary, so don’t expect ALIEN.  Instead, in terms of quality,  it reminded me of another flawed science fiction film which came out last year, PASSENGERS (2016) with Chris Pratt and Jennifer Lawrence, only LIFE has an extra passenger, a murderous alien life form.  Not that it matters much.  LIFE is just as dull as PASSENGERS was.

Yup, at the end of the day, LIFE is pretty lifeless.

—END—

 

 

 

Superhero Movies 2016 – Worst to First

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Here’s a look at the superhero movies from 2016, ranked from worst to first:

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7. BATMAN V SUPERMAN:  DAWN OF JUSTICE – By far, the worst superhero movie of 2016. The script by Chris Terrio and David S. Goyer doesn’t work. In spite of the fact that Batman and Superman do not trust or like each other, a big part of the plot revolves around Lex Luthor’s plans to pit them against each other.  Why?  They’re enemies already!  Also, the big moment where Batman and Superman change their tunes about each other is both unbelievable and anticlimactic.

Both Ben Affleck as Batman and Henry Cavill as Superman are fine, but the story they are in is not.  Also unimpressed with the action scenes by director Zach Snyder.  Best Part:  Gal Gadot as Wonder Woman.  Worst Part:  Jesse Eisenberg as Lex Luthor.

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6. THE LEGEND OF TARZAN- Tecnically, not really a superhero movie, but growing up I always considered Tarzan a superhero of the jungle.

THE LEGEND OF TARZAN is a serious good-looking production by director David Yates that suffers from one fundamental problem:  it’s boring.

Alexander Skarsgard is terribly uncharismatic as Tarzan, Margot Robbie somehow doesn’t wow as Jane, and Christoph Waltz thinks he’s still playing Bond baddie Blofeld, hamming it up as villain Leon Rom.  The liveliest lines go to Samuel L. Jackson as Tarzan ally George Washington Williams.  The movie would have been better served had it given this oomph to Tarzan.

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5.SUICIDE SQUAD –  The DC superhero movies continue to struggle, but that being said, I liked SUICIDE SQUAD.  Somewhat.

Whereas she didn’t wow in THE LEGEND OF TARZAN, Margot Robbie more than makes up for it here as Harley Quinn.  Robbie’s electrifying, sexy performance as the bad-girl-turned-good-maybe easily steals this movie.  It’s easy to understand from Robbie’s performance how Quinn is the Joker’s girlfriend.

While I’m not a Will Smith fan, he’s really good here as Deadshot, and his and Robbie’s performances were the main reasons I enjoyed this movie.  The rest of the cast is simply average.  The plot less so.  The screenplay by director David Ayer has all this build up to this squad of misfits only to see them square off against one of their own, a supernatural witch, no less.  This one simply lacks vision.

Also, Jared Leto’s Joker is ultimately a disappointment, partly because of his performance, but mostly because the role is under written.

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4. DOCTOR STRANGE – The first of the superhero movies on this list that I consider excellent.  It’s no surprise that all four of the top superhero movies from 2016 come out of the Marvel Universe, the studio that continues to churn out one superhero hit after another.

Certainly the most imaginative superhero movie of the year.  Not only does it tell a captivating story, but it’s also a visual treat. Benedict Cumberbatch is excellent as Doctor Strange, the obnoxious neurosurgeon turned superhero after a devastating injury ruins his career and sends him in search of healing through the Far East mystic arts.  What he finds is new life as a superhero.

As usual with the Marvel movies, it struggles with its villain, as Mads Mikkelsen really doesn’t get to do a whole lot as bad guy Kaecilius.

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3. X-MEN:  APOCALYPSE –  My sleeper pick on the list.  Critically panned and not really loved by fans, X-MEN: APOCALYPSE nonetheless entertained me from start to finish.

The main reason I enjoyed this one?  The performances by James McAvoy as Professor Xavier, and Michael Fassbender as Magneto. Since taking over these roles when the series rebooted with X-MEN:  FIRST CLASS (2011), McAvoy and Fassbender have made them their own.  It’s difficult to dislike a movie when these two talented actors are helming it.

Of course, Jennifer Lawrence is here, too, as Raven/Mystique, but in all honesty I’ve enjoyed Lawrence in most of her other movies more than here in the X-MEN series.

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2. DEADPOOL (CKF) – For many, DEADPOOL was the best superhero movie of 2016.  For me, it was second best.  That being said, it was certainly the most unusual superhero movie of the year.

Foul-mouthed Deadpool— played by Ryan Reynolds in a role he was born to play— lets loose with an abundance of raunchy language not even George Carlin, Richard Pryor, or Eddie Murphy combined could match.  As such, this R rated superhero movie is not for everyone, but if you don’t mind raunchy language, you are in for quite a treat.

The liveliest superhero movie of the year, as well as the funniest.

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1. CAPTAIN AMERICA: CIVIL WAR – My pick for the best superhero movie of 2016 is easily Marvel’s CAPTAIN AMERICA:  CIVIL WAR.  This one plays more like THE AVENGERS 2.5. Its story about a rift between Captain America and Iron Man is much more believable and emotionally satisfying than the rift between Batman and Superman in BATMAN V SUPERMAN: DAWN OF JUSTICE.

This one is so good, that even though it’s the third Captain America movie, it belongs in the conversation as one of the best superhero movies ever made.Brothers Anthony and Joe Russo direct this one with high energy and lots of style, and the screenplay by Christopher Markus and Stephen McFeely is a genuine crowd pleaser.

Also features a phenomenal cast which has no business being in a superhero movie. You’ve got Chris Evans as Captain America, Robert Downey Jr. as Tony Stark/Iron Man, Scarlett Johansson as Black Widow, Anthony Mackie as the Falcon, Don Cheadle as War Machine, Jeremy Renner as Hawkeye, Chadwick Boseman as Black Panther, Paul Bettany as Vision, Elizabeth Olsen as Scarlet Witch, Paul Rudd as Ant-Man, and Sebastian Stan as the Winter Soldier.  And with all these folks doing their things and doing them well, the movie is almost stolen by young Tom Holland in his debut as Spider-Man.

An awesome movie.  Marvel has been churning out one quality superhero movie after another going back to IRON MAN (2008), and they show no signs of slowing down.  I’m looking forward to their upcoming releases in 2017, starting with LOGAN on March 3.

And there you have it, my list of the superhero movies from 2016.

Until next time, thanks for reading!

—Michael

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.  Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

Best Movies of 2016

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La La Land (2016)Sebastian (Ryan Gosling) and Mia (Emma Stone)

Ryan Gosling and Emma Stone in LA LA LAND (2016

 

Here’s a look at my picks for the Top 10 movies of 2016.  Of course, while I do see a lot of movies— 58 this year, and that’s just theatrical releases—  I’m not able to see every movie that comes out, and so this list is limited to only those movies I have seen.

We’ll start with #10 and count down to #1:

 

10. THE INFILTRATOR

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Excellent performance by Bryan Cranston powers this crime drama which tells the true story of how U. S. Customs Official Robert Mazur (Bryan Cranston) went undercover to take down a  Columbian drug lord.

 

9. THE JUNGLE BOOK

Loved this remake of Disney’s animated THE JUNGLE BOOK (1967), and I’m a huge fan of that original 1967 animated classic.  Special effects here were amazing, and I really liked how director Jon Favreau made this family friendly film a serious hard-hitting adventure.

 

8. DEADPOOL

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The role Ryan Reynolds has been waiting for.  Sure, this vulgar, violent tale isn’t for everybody, but the humor is spot-on.  My second favorite superhero movie of the year. Best part is it is so unlike other traditional superhero movies.

 

7. CAPTAIN AMERICA: CIVIL WAR

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My pick for the best superhero movie of 2016.  Plays much more like THE AVENGERS 2.5, rhis exciting tale pits Team Captain America vs. Team Iron Man, and the rift between these two friends comes off as real and believable, something that the similarly themed BATMAN V SUPERMAN:  DAWN OF JUSTICE (2016) failed miserably at.  The scenes with newcomer Tom Holland as Spider-Man are off-the-charts good.

 

6. EDGE OF SEVENTEEN

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Hilarious comedy-drama starring Hailee Steinfeld as a seventeen year-old dealing with life as a teenager.  Things get complicated when her best friend starts dating her older brother.  Topnotch script and direction by writer/director Kelly Fremon Craig.

 

 

Now we get down to my picks for the Top 5 movies of 2016:

5. HANDS OF STONE

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Critics panned this movie, but I absolutely loved this boxing pic about boxing champ Roberto Durant.  Edgar Ramirez  gives a spirited performance as Roberto Durant, and he’s supported by a fine cast which includes Robert De Niro, Ruben Blades, and Usher Raymond as Sugar Ray Leonard.  Excellent movie, much better than critics gave it credit for, although admittedly I am a sucker for boxing movies.

 

4. HELL OR HIGH WATER

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Easily could be my pick for the best movie of the year, this impeccably made crime drama follows a Texas crime spree by two brothers Toby (Chris Pine) and Tanner Howard (Ben Foster) with an old Texas Ranger Marcus Hamilton (Jeff Bridges) hot on their trail.  Features fantastic peformances by the three leads.  Jeff Bridges is amazing as always, and the same can be said of Ben Foster, and it’s also fun to see Chris Pine get to do a whole lot more than when he plays Captain Kirk in the rebooted STAR TREK movies.  Riveting direction by David Mackenzie, and a phenomenal thought-provoking script by one of my favorite screen writers working today, Taylor Sheridan.

 

3. SULLY

Easily the most efficient film of the year, SULLY, starring Tom Hanks, and directed by Clint Eastwood, clocks in at a brisk 96 minutes, and not a minute is wasted.  It tells the emotionally riveting true tale of pilot Chesley Sullenberger, aka “Sully,” and his decision to make an emergency landing on the Hudson River.  It’s an amazing story because all the passengers on the plane survived, and the film makes things even more compelling as it follows the subsequent investigation by officials who questioned Sully’s decision to land in the water in the first place.  SULLY features another remarkable performance by Tom Hanks, and yet another superb directorial effort by Clint Eastwood.  Eastwood is 86 years old, and yet SULLY plays with as much energy, oomph, and emotion as if directed by someone half that age.  I left the theater incredibly impressed.

 

2. MANCHESTER BY THE SEA

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This film could also have been my number one pick of the year.  MANCHESTER BY THE SEA is a finely acted drama, led by two powerhouse performances by Casey Affleck and Michelle Williams, about a man Lee Chandler (Casey Affleck) thrust into a life-changing situation as he finds himself having to care fo for his deceased brother’s sixteen year-old son.  His life in a shambles due to an earlier traumatic event, Lee knows he’s not the man for the job, but since there is no on else, he pushes himself to live up to his brother’s wishes and care for his nephew. Atmospheric direction by writer/director Kenneth Lonergan, with a script that is as honest and believable as they come.

And now, for my pick for the Number 1 movie of 2016:

 

 

  1. LA LA LAND

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My pick for the Best Movie of 2016 also happened to be the last movie I saw in 2016, LA LA LAND.  What a fabulous way to end the calendar year!  LA LA LAND is an absolutely wonderful movie.

I  loved the energy writer/director Damien Chazelle brings to this one.  The opening dance number on a gridlocked L.A. freeway dazzles, and the film never looks back.  Emma Stone gives the best performance of her career to date, imbuing her struggling actress character Mia with so much raw emotion and quirky pizzazz she’s one of the liveliest characters I’ve seen on screen in a long while. Ryan Gosling is just as good as jazz musician Sebastian in this uplifting almost magical musical which follows Mia and Sebastian through a romance in which they help each other achieve their artistic dreams before reality ultimately sets in, forcing them to make decisions which affect their future.  A remarkable movie and genuine crowd pleaser.

Hands down, LA LA LAND is the Best Movie I saw in 2016.

Okay, that about wraps things up for today.  Thanks for joining me in 2016, and here’s to another fine year of movies in 2017!

Thanks for reading!

—Michael

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

 

 

 

Kevin Costner Is Criminally Entertaining in CRIMINAL (2016)

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When I think of Kevin Costner,  the word “bad-ass” isn’t what comes to mind.

That might change after watching CRIMINAL (2016), the new thriller starring  Costner as a death row inmate who through untested experimental surgery is given the memories of a dead CIA agent.

Why?  Because the agent died before completing his mission, and in order for his superiors to learn the vital information he took with him to his grave, they need to ressurect his memory.  Enter Kevin Costner.

When the movie opens, CIA agent Bill Pope (Ryan Reynolds) is being chased by the bad guys, and he doesn’t make it, which is very bad for the good guys, because Pope was bringing in a computer hacker who had gained control of the U.S. military’s missile launch system.  Pope’s boss, Quaker Wells (Gary Oldman) recruits Dr. Franks (Tommy Lee Jones) to perform experimental surgery on Pope to transfer Pope’s memories into the brain of another man.

Franks chooses Jericho Stewart (Kevin Costner), a death row inmate and career criminal, because Jericho has a rare brain condition as a result of a childhood brain injury which makes him a perfect candidate for the surgery.  Trouble is, the same injury has also made Jericho an unstoppable unfeeling brutal criminal who doesn’t know right form wrong, doesn’t feel emotion or pain, and basically is Michael Myers without the mask.  Well, almost.

Franks performs the surgery, but Jericho escapes, and now armed with Pope’s CIA agent knowledge and skills, sets out to steal the money that Pope was going to use to bring in the computer hacker.  But when Jericho visits Pope’s wife Jill (Gal Gadot) and his young daughter, he begins to relive happy memories from Pope’s past and suddenly he’s experiencing emotions, something he had never been able to do before, which changes his outlook on life.

Meanwhile, the hacker is still out there, CIA boss Quaker Wells is going nuts because every move he makes seems to be the wrong one, and the main baddie in the movie, terrorist Xavier Heimdahl (Jordi Molla) is intent on using Jericho to lead him to the hacker so he can gain control of the U.S. military’s missile launch codes and blow up the world.

And he’ll succeed, unless Jericho, the relentlessly brutal career criminal who’s now armed with CIA agent skills, making him more dangerous than ever, can stop him.  And he wants to stop him for the simple reason that Xavier has irked him.  As Jericho says early in the movie, “You hurt me.  I’ll hurt you worse.”  Well, Xavier put the hurt on him, and for Jericho, that’s enough.

I went into CRIMINAL not expecting much, but I was pleasantly surprised.  It’s a very entertaining movie, and the biggest reason for this is Kevin Costner.

For me, it’s usually hit or miss with Costner.  Sometimes I enjoy him, and other times not so much.  For example, his recent action thriller 3 DAYS TO KILL (2014) I thought was meh, and he didn’t really do all that much for me in that movie.  Yet, he was terrific in last year’s MCFARLAND, USA. (2015), and I also enjoyed him in the two thrillers THE NEW DAUGHTER (2009) and MR. BROOKS (2007).  Of course, Costner’s career goes way back to THE UNTOUCHABLES (1987) and was followed by a career of hits [DANCES WITH WOLVES (1990)] and misses [WATERWORLD (1995)].

Costner knocks it out of the park here in CRIMINAL.  I haven’t seen Coster this good in years.  Part of the fun is it’s a role Costner doesn’t usually play.  As Jericho Stewart, he’s in-your-face abrasive, rough, crude, and incredibly entertaining.  His gritty yet realistic performance is reminsicent of the work of Tom Hardy, who also could have easily played this guy.

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Jericho Stewart (Kevin Costner) takes aim at an enemy in CRIMINAL (2016).

Costner is also supported by a fine cast.  While neither Gary Oldman nor Tommy Lee Jones really stand out or do anything we haven’t seen them do before, they are both very good and their presence certainly helps the movie.  As does Gal Gadot (Wonder Woman herself!) as Pope’s beautiful wife Jill.  Gadot is not in the movie a whole lot, but when she is, it gets that much better.

Jordi Molla is meh as main baddie Xavier Heimdahl.  I’ve seen better villains, and I’ve seen worse.  Likewise, Michael Pitt as hacker Jan Stroop aka “The Dutchman” is also simply okay.

Better than these two are the other women in the cast.  Alice Eve makes her mark in a brief bit as CIA Agent Marta Lynch who for a time is Quaker Wells’ go-to person before she meets an untimely demise.  Even better than Eve is Antje Traue as Elsa Mueller, Xavier’s top assassin.  Traue gives the second best performance in the movie, behind Costner’s, and I really enjoyed her work as Elsa, who was one of the better characters in the movie.  Then again, maybe I just have a thing for sexy assassins.

And while it was nice to see Ryan Reynolds as Bill Pope, his performance was more of an afterthought, since he’s only in the movie for a few minutes.

CRIMINAL also has a really good script by Douglas Cook and David Weisberg.  It’s chock full of good lines, mostly spoken by Kevin Costner, and the idea behind the story, transferring one man’s memories into another, was pretty interesting.

I couldn’t help but think of FRANKENSTEIN while watching this movie.  The memory transplant, the brain surgery, the fact that Costner’s Jericho behaves like the Frankenstein Monster, especially how he doesn’t feel emotion and goes about scaring people and beating them senseless every chance he gets.  Plus Tommy Lee Jones’ character is named Dr. Franks, which immediately made my Hammer Films brain think of Peter Cushing’s Dr. Franck at the end of THE REVENGE OF FRANKENSTEIN (1958).

That whole part of the story is really interesting and compeletely worked for me, mostly because Costner’s performance brings Jericho to life.

The other part of the story, the stealing of military secrets and wanting to blow things up, didn’t work as well.  That was all standard action movie fare and offered nothing new.

Director Ariel Vromen does a nice job, especially with the pacing.  This one flew by.   The action scenes were all decent, although none of them were all that spectacular.

By far, the best part of CRIMINAL and the main reason to see this one is Kevin Costner’s completely satisfying performance against type as rough, tough, unstoppable and often insane Jericho Stewart.

It’s Costner’s most entertaining role in years.

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