SPIDER-MAN: FAR FROM HOME (2019) – Tom Holland and Zendaya Save Marvel Film from Mediocrity

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spider-man far from home

Welcome to the post-AVENGERS Marvel Cinematic Universe!

(Although, technically, this film is being called the final chapter of the latest phase of the Marvel cinematic universe, which is a lot of Marvel geek talk to me. As far as I’m concerned, the post-Avengers universe has begun!)

AVENGERS: ENDGAME (2019) wrapped up the story arc not only for the Marvel Avengers movies but also for the entire Marvel Cinematic Universe. Beginning with IRON MAN (2008), and continuing with movies about Captain America, Thor, and eventually the Avengers films which brought all these heroes together, Marvel built an ongoing and thoroughly entertaining story arc which permeated these movies and drove them forward above and beyond their standalone movie plots.

AVENGERS: ENDGAME ended that arc, and SPIDER-MAN: FAR FROM HOME (2019) is the first Marvel movie to come after the epic conclusion, which makes it the opening chapter in the next phase of the MCU (although, again, purists are lumping this with the previous film).

And that’s because SPIDER-MAN: FAR FROM HOME leans heavily on the events from AVENGERS: ENDGAME, specifically on Tony Stark/Iron Man, who was Peter Parker’s mentor. In fact, Stark’s influence is so prevalent here this film could have been called SPIDER-MAN: THE GHOST OF TONY STARK. He’s everywhere in this movie, from being the subject of conversations, to being on posters and billboards, to providing the technology which is instrumental to the plot of this movie.

SPIDER-MAN: FAR FROM HOME opens with a memorial and tribute to the fallen heroes from AVENGERS: ENDGAME, but don’t expect a gloomy and depressing Spider-Man movie. SPIDER-MAN: FAR FROM HOME is anything but, as its script is light and spunky and a lot of fun. For instance, the opening tribute turns out to be produced by two high school students, and it quickly turns humorous.

Peter Parker (Tom Holland) has a dilemma. He was handpicked by Tony Stark to be the next Avenger, but he’s only in high school, and he’s much more interested in going on a trip to Europe with his classmates and trying to work up the nerve to ask MJ (Zendaya) out on a date than saving the world, which is why he ignores calls from Nick Fury (Samuel L. Jackson).

However, Fury is not a man to be denied, and he eventually tracks down Peter in Europe and fills him in on the latest threat to the world, and once more, it’s an otherworldly threat. It seems the Elementals—earth, wind, water, and fire— giant weather-related creatures which wreak havoc everywhere, have arrived on Earth from an alternate universe.

But so has another superhero, Mysterio (Jake Gyllenhaal) who shows up to help Spider-Man take on these monstrous baddies. He also becomes Peter Parker’s new mentor.

And that basically is the plot of SPIDER-MAN: FAR FROM HOME. In all honesty, it’s not terribly exciting, and by far this main plot is the weakest part of the movie. I could give a care. I was much more interested in Peter Parker’s relationship with MJ, and also with the pressure he was feeling from being handpicked as Tony Stark’s successor.

There’s also a plot twist midway through this one, which reminded me a lot of the plot twist in IRON MAN 3 (2013). I didn’t like that plot twist, but it wasn’t enough to ruin IRON MAN 3 for me, a film I generally liked. It’s the same here. The plot twist did little for me, but it didn’t really impact the movie all that much. Of course, it’s only a twist for those viewers who don’t read the comics.

While the plot is weak, the main characters are not. Tom Holland is back as Peter Parker/Spider-Man and once more he nails the role. I’m a big fan of the Toby Maguire Spider-Man movies, and for nostalgic reasons, he probably remains my favorite movie Spider-Man, but Tom Holland definitely makes the role his own, and he’s certainly superior to Andrew Garfield’s take on the role.

Holland looks like a high school student, and his youthful exuberance and angst are second to none. One knock I have against this movie, though, is he enjoys far more success here as Peter Parker than as Spider-Man. I felt the film needed more Spider-Man.

Zendaya is excellent as MJ, reprising the role she introduced in SPIDER-MAN: HOMECOMING (2017). And she and Holland have a wonderful chemistry together. My favorite part of this movie was their story and watching them together on-screen.

Jake Gyllenhaal was pretty mediocre as Mysterio. For an actor as talented as Gyllenhaal, the role really didn’t give him a lot do. Michael Keaton, by contrast, fared much better as the villainous Vulture in SPIDER-MAN: HOMECOMING.

Samuel L. Jackson is always fun to watch as Nick Fury, and that remains true here. He’s accompanied once again by Agent Maria Hill, once more played by Cobie Smulders.

Jon Favreau gets lots of screen time as Happy Hogan, a mainstay from the Iron Man movies, who’s not not only trying to look after Peter Parker for Tony Stark but also wooing Peter’s Aunt May, played again by the lovely Marissa Tomei. Both these actors enjoy fun and lively scenes.

Jacob Batalon is back as Peter’s best buddy Ned, as is Angourie Rice as classmate Betty Brant.

The screenplay by Chris McKenna and Erik Sommers works best when focusing on Peter Parker’s personal story. The main superhero plot is mostly a dud, and the Elementals make for rather boring villains. The intriguing character is supposed to be Mysterio, but he’s not really that enthralling.

The best parts of the movie involve Peter Parker’s exploits with MJ, and his dealing with the pressure put on him by Tony Stark.

The humor also works well. In spite of the lackluster main plot, the film is lively and fun and moves along at a fast clip, with one engaging scene after another, and that’s because the Elementals never really become the driving force of the movie. In a way, this is not a good thing for a superhero movie, but SPIDER-MAN: FAR FROM HOME easily overcomes this because of the dynamic between Peter Parker and MJ.

Director Jon Watts, who also directed SPIDER-MAN: HOMECOMING, keeps the pace quick and the characters engaging, although none of the action scenes really resonate until the film’s climax. The final battle is very good, and it involves lots of deadly drones and makes for a rather exciting conclusion.

And yes, since this is a Marvel movie, there are after-credit scenes, both in the middle of the end credits and at the very end, and both these scenes reveal important plot points, so you want to stay till the end.

I had fun watching SPIDER-MAN: FAR FROM HOME, which comes as no surprise, as I’m a huge fan of the Marvel Superhero movies. That being said, I liked the previous installment SPIDER-MAN: HOMECOMING better, because I liked the plot of that film more, and it benefitted from having Robert Downey Jr. in the cast as Iron Man as well as Michael Keaton as the villain, the Vulture. That’s some major superstar power absent from this film.

Still, Tom Holland is incredibly agreeable to watch as Peter Parker/Spider-Man, and Zendaya is equally as captivating as MJ. They’re enough to carry this movie and lift it above its mediocre main plot.

At the end of the day, SPIDER-MAN: FAR FROM HOME is several notches below the best of the Marvel movies, but it’s still a Marvel movie, which makes it a lot of fun and well worth a trip to the theater.

—END

 

 

 

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SHAFT (2019) – Samuel L. Jackson Dominates, Richard Roundtree Returns, But Film Flounders

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Samuel L. Jackson is a hoot as Harlem private investigator John Shaft in the new action comedy SHAFT (2019), but the film as a whole is less so, mostly because it lacks the necessary grittiness a film bearing the name Shaft requires.

And now a brief history lesson on John Shaft. The character of Harlem police detective John Shaft was played by Richard Roundtree and first appeared in the movie SHAFT (1971) which was such a hit it was followed by two sequels and a TV series, all starring Roundtree. The series was rebooted in 2000 with Samuel L. Jackson playing New York City detective John Shaft, the nephew of the original Shaft played by Richard Roundtree, in a movie called—SHAFT (2000). How original.

And now comes the latest Shaft movie, called—- you got it!— SHAFT (2019). Gotta love the creativity behind these titles. This one focuses on the son of Samuel L. Jackson’s John Shaft, named— of course— John Shaft Jr.

And why have two John Shafts in one movie when you can have three? And so before this one is over, Richard Roundtree shows up as the original John Shaft, only now he’s no longer Samuel L. Jackson’s John Shaft’s uncle, but his father. Everybody still with me?

All kidding aside, Richard Roundtree’s return as John Shaft is one of the highlights of this movie, which, in spite of the fact that its script doesn’t succeed entirely, I enjoyed quite a bit.

In SHAFT (2019), John Shaft Jr. (Jessie T. Usher) works as an FBI data analyst, and when his best friend turns up dead, supposedly from a drug overdose, Shaft Jr. has his doubts. He thinks his friend has been murdered, and he decides to find out the truth behind his friend’s death. When he realizes he’s in over his head, he turns to his estranged father John Shaft (Samuel L. Jackson) for help, who’s only too happy to help his son, not only because it gives him a chance to finally spend time with a son he hasn’t seen since he was baby, but also because the case connects to a person he’s been trying to put away for a long time.

The plot in SHAFT is secondary. It’s really only an excuse to allow Samuel L. Jackson the chance to chew up the scenery, which he does with great mother f****ing enthusiasm. This is one of the problems with the movie. Not only is its plot secondary, it’s also pretty bad. It tries hard to be contemporary, with a story about terrorism that touches upon racially profiling Muslims, but it’s all very superficial and none of it comes off as real or relevant. Had it taken these subjects more seriously, the film would have been better for it.

The villains are pretty nonexistent. It’s basically Samuel L. Jackson strutting his stuff out talking and out shooting every little bad guy that gets in his way, but there isn’t a main villain to speak of. Sure, there are those at the top who are responsible for pulling the strings here, but we never see them in action.

SHAFT works whenever Samuel L. Jackson is onscreen, and he’s in this one a lot, which is a good thing. The screenplay by Kenya Barris and Alex Barnow gives Jackson plenty of opportunity to spew expletives at bad guys and comment on his sensitive son’s 2019 ways. And while Jackson is hilarious, the way he talks about women in this movie often referring to them by their sex organs is rather jarring here in 2019. Had this film taken place in the 1970s the language would have worked better. Ditto on his use of the “n” word, which his son asks him to stop using, but he doesn’t.

Jesse T. Usher doesn’t fare as well as John Jr. I never warmed to the character, mostly because Usher seemed to be unable to distance himself from Jackson’s shadow. His best scene is when he displays some dance/fight moves on the dance floor when he takes on a thug at a party, but other than this he plays second fiddle throughout. If this series were to continue, I can’t imagine a film built around Usher and John Jr.

The two women actors fare better. Regina Hall plays John Shaft’s estranged wife Maya, and she enjoys some lively scenes. Better yet is Alexandra Shipp as John Jr.’s friend Sasha. Shipp stood out in all her scenes, and I actually thought she held her own with Samuel L. Jackson better than Usher did. I almost wished this one had been about Shaft’s daughter, and that she had been played by Shipp.

Shipp just appeared as Storm in DARK PHOENIX (2019), a role she reprised from the previous X-MEN movie. And while she’s very good as Storm, she has a larger role here in SHAFT and gets to show off more acting chops.

As I said, one of the highlights of SHAFT is the return of Richard Roundtree as the original Shaft, and he’s on hand for the film’s action-packed finale. He’s not really in this one until the end, but his appearance is well worth the wait. Interestingly enough, even though he’s playing Samuel L. Jackson’s father, in real life he’s only six years older than Jackson.

SHAFT was directed by Tim Story, who a while ago directed the underwhelming FANTASTIC FOUR (2005). SHAFT is not underwhelming, and you can thank Samuel L. Jackson for that. He provides all the energy and oomph in this one. Story, on the other hand, adds very little, as his direction is often punchless.

SHAFT takes place in 2019, and there’s something about seeing Shaft operate in the here and now rather than the 1970s which seems out-of-place. The movie never really owns 2019. It tries, as there are plenty of references to modern-day technology, as Shaft Jr. criticizes his father for ignoring the internet and all its resources when working on his cases, and Shaft Sr. criticizes his son’s generation for texting each other rather than talking. But the film never really captures what it’s like in the here and now. And that’s because Shaft Sr. acts exactly the way he’d act in the past. The film does not really address difficulties the character might face here in 2019.

SHAFT also isn’t much of an action movie. None of the action scenes impress. The film is also a victim of its own trailers, which showed most of the funnier bits in the movie. I really wish trailers would stop doing that.

The screenplay doesn’t help, as a lot of the dialogue is pretty bad. Plus it’s one of those movies where characters make deductions in the blink of an eye. Shaft Jr. and Sasha deduce that their friend has been murdered by looking at one set of lab results, and just like that, it’s murder! Sure, it’s a comedy, but it would have worked better as a realistic comedy, at least where the plot was concerned. I didn’t mind the unrealistic elements of Samuel L. Jackson’s Shaft character one bit.

The main reason to see SHAFT is Samuel L. Jackson’s expletive filled over-the-top performance, and the return of Richard Roundtree to the series. If you can sit through a nonexistent plot, a mediocre Shaft Jr., and some unimaginative direction, you most likely will enjoy this one, because Jackson and Roundtree are the real deal, and at the very least will command your attention and make you laugh.

—END—

 

 

 

 

 

MEMORABLE MOVIE QUOTES: AVENGERS: INFINITY WAR (2018)

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While I enjoyed AVENGERS: ENDGAME (2019) well enough, I liked the previous installment of the Marvel Avengers’ saga, AVENGERS: INFINITY WAR (2018) much better.

For me, INFINITY WAR was the perfect balance of action-adventure, well-placed humor, and raw emotion. It also didn’t hurt that it had one heck of an ending, one that left audience members gasping in shock at the bold decision made by the filmmakers.

Thanos won.

Those two words still make me groan.

Speaking of words, let’s get back to the point of this column, and lighten things up a bit. A huge reason why INFINITY WAR was so enjoyable was its script. Written by Christopher Markus and Stephen McFeely, the screenplay did a remarkable job giving each and every character in the film key moments and quality screen time. As such, there were a lot of memorable lines in this one, most of which need very little explanation or setting up.

Let’s have a listen:

One of the main reasons the script in AVENGERS: INFINITY WAR was so lively was because of the interactions of all the different characters, many of which were meeting each other for the first time, like here when Tony Stark first runs into the Guardians of the Galaxy:

PETER QUILL: Everybody stay where you are. Chill the eff out. I’m gonna ask you this one time. Where is Gamora?

TONY STARK: Yeah. I’ll do you one better. Who’s Gamora?

DRAX: I’ll do you one better. Why is Gamora?

 

And this exchange between Doctor Strange and Peter Quill:

DOCTOR STRANGE: Ok, let me ask you this one time: What master do you serve?

PETER QUILL: Oh, what master do I serve? What am I supposed to say, Jesus?

 

The Guardians get some of the funniest lines in the film, like this sequence with Thor:

THOR: There are six stones out there. Thanos already has the Power Stone because he stole it last week when he decimated Xandar. He stole the Space Stone from me when he destroyed my ship and slaughtered half my people. The Time and Mind Stones are safe on Earth, they’re with the Avengers.

PETER QUILL: The Avengers?

THOR: The Earth’s mightiest heroes.

MANTIS: Like Kevin Bacon?

THOR: He may be on the team. I don’t know, I haven’t been there in a while.

 

And here with Tony Stark and Peter Parker:

TONY STARK: We gotta coalesce. Because if all we come out is with a plucky attitude—.

PETER QUILL: Dude, don’t call us plucky. We don’t know what it means. We’re more optimistic, yes. I like your plan. Except, it sucks. So let me do the plan and that way it might be really good.

DRAX: Tell him about the dance-off to save the Universe.

TONY STARK: What dance-off?

PETER QUILL: It’s not a thing.

PETER PARKER: Like in Footloose, the movie?

PETER QUILL: Exactly like Footloose. Is it still the greatest movie in history?

PETER PARKER: It never was.

TONY STARK: Don’t encourage Flash Gordon.

PETER QUILL: Flash Gordon? That’s a compliment. Don’t forget, I’m half human. So that 50% of me that’s stupid. That’s 100% you.

 

Another reason AVENGERS: INFINITY WAR works so well is because Thanos is one of the best Marvel movie villains of all time, and the movie gives him depth and plenty of key scenes. One could make the argument that INFINITY WAR is really Thanos’ story, as it follows his quest to obtain the Infinity Stones and make good on his promise to wipe out half the population of the universe all in the interest of saving it. Thanos gets a lot of memorable lines, like in this dramatic exchange with his daughter and current Guardian of the Galaxy, Gamora:

GAMORA: I was a child when you took me.

THANOS: I saved you.

GAMORA; No. We were happy on my home planet.

THANOS: You were going to bed hungry, scrounging for scraps. Your planet was on the brink of collapse. I’m the one who stopped that. You know what’s happened since then? The children born have known nothing but full bellies and clear skies. It’s a paradise.

GAMORA: Because you murdered half the planet.

THANOS: A small price to pay for salvation.

GAMORA: You’re insane.

THANOS: Little one, it’s a simple calculus. This universe is finite, its resources, finite. If life is left unchecked, life will cease to exist. It needs correcting.

GAMORA: You don’t know that!

THANOS: I’m the only one who knows that. At least, I’m the only one with the will to act on it.

And in one of the more dramatic sequences in the film, here with Gamora again, and Red Skull, when Thanos realizes that in order to secure this particular Stone he has to sacrifice someone he loves.

GAMORA: All my life I dreamed of a day, a moment, when you got what you deserved. And I was always so disappointed. But now, you kill and torture and you call it mercy. The universe has judged you. You asked it for a prize and it told you no. You failed. And do you wanna know why? Because you love nothing. No one.

(Thanos sheds tears.)

GAMORA: Really? Tears?

RED SKULL: They are not for him.

And at the moment, the audience realizes what’s going to happen next, what Thanos is about to do. I can still feel the shivers. Heck, nearly every time Thanos speaks I feel shivers. Just listen:

THANOS: I know what it’s like to lose. To feel so desperately that you’re right, yet to fail nonetheless. It’s frightening, turns the legs to jelly. I ask you to what end? Dread it. Run from it. Destiny arrives all the same. And now it’s here. Or should I say, I am.

I just have to say, in addition to the screenplay, Josh Brolin’s performance as Thanos really deserves a shout out.  Brolin nailed it as Thanos throughout.

Okay, time to lighten things up again.

Two other characters who met for the first time in INFINITY WAR, Thor and Rocket Raccoon, enjoyed a lot of lively exchanges:

ROCKET: You speak Groot?

THOR: Yes, they taught it on Asgard. It was an elective.

 

ROCKET: This is Thanos we’re talking about. He’s the toughest there is.

THOR:  Well, he’s never fought me.

ROCKET: Yeah, he has.

THOR: He’s never fought me twice.

 

Then there’s this humorous exchange between Tony Stark and Doctor Strange:

TONY STARK: If Thanos needs all six, why don’t we just stick this one down a garbage disposal?

DOCTOR STRANGE: No can do.

WONG: We swore an oath to protect the Time Stone with our lives.

TONY STARK: And I swore off dairy… but then Ben & Jerry’s named a flavor after me, so…

DOCTOR STRANGE: Stark Raving Hazelnuts.

TONY STARK: Not bad.

DOCTOR STRANGE: A bit chalky.

WONG: A Hunk of Hulk of Burning Fudge is our favorite.

 

INFINITY WAR also featured old friends reuniting after being separated for a long time. Here, Captain American and Thor meet up for the final battle and comment on each other’s appearances:

CAPTAIN AMERICA: New haircut?

THOR: Noticed you’ve copied my beard.

 

And this exchange between Tony Stark and Peter Parker:

PETER PARKER: Let me just say, if aliens wind up implanting eggs in my chest or something and I eat one of you, I’m sorry.

TONY STARK: I don’t want another single pop culture reference out of you for the rest of the trip. You understand?

And on and on we could go, but we’ll finish here, with, fittingly enough, the final line in the movie. It’s Samuel L. Jackson as Nick Fury:

NICK FURY: Oh, no… Motherf…!

And on that note, we’ll call it a column. Hope you enjoyed this look at memorable quotes from AVENGERS: INFINITY WAR and join me again next time for another Memorable Movie Quotes column.

As always, thanks for reading!

—Michael

 

 

AVENGERS: ENDGAME (2019) – Final Chapter in Current Marvel Saga A Good One

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The best of the AVENGERS movies was the previous one, AVENGERS: INFINITY WAR (2018). In that film, the Avengers had their tails handed to them by the cosmic supervillian Thanos, who succeeded in wiping out half the population of the Universe, including many of our favorite Marvel superheroes. INFINITY WAR was the perfect balance of rousing action-adventure, lighthearted comical quips, and gut-wrenching emotional scenes, especially its now infamous ending.

Marvel fans have waited a whole year to find out what happens next, and now we know, as the final chapter of Marvel’s Avengers saga has arrived, AVENGERS: ENDGAME.

And that’s exactly what AVENGERS: ENDGAME is, a final chapter. Sure, there will still be other Marvel superhero movies going forward, but the current saga, which began with IRON MAN (2008) and continued with films for Captain America and Thor and eventually the Avengers comes to a close with AVENGERS: ENDGAME.

So, not only is this movie dealing with the aftermath of Thanos but also the legacy of the Avengers themselves. Yup, it has a lot on its plate. How, then, does it perform?

Well, let’s just say I don’t think there will be too many people who will leave the theater disappointed. That being said, my favorite AVENGERS movie remains the previous one, AVENGERS: INFINITY WAR.

AVENGERS: ENDGAME begins with a chilling scene as Hawkeye (Jeremy Renner), absent from the previous movie, experiences firsthand the horror of Thanos, as his family is wiped out by the infamous cosmic cleansing. The remaining Avengers, still reeling from both their overwhelming defeat and its aftermath, decide they have no choice but to pursue and track down Thanos, but then what? They can’t undo what Thanos has done.

Or can they?

I’m going to stop right there, because the less known about the plot the better.

I liked AVENGERS: ENDGAME well enough. Heck, I’m a huge Marvel fan, and so there was going to be very little chance I wouldn’t like this one.  The cast of characters alone are worth the price of admission, and as always in a Marvel movie, the cast of actors is second to none. We’ll get to that in a minute.

But there were some things I didn’t like. Take that cast of characters. One of the things I thought the previous movie AVENGERS: INFINITY WAR did extraordinarily well was giving all its characters equal screen time. While this may not have translated into equal minutes, it certainly meant nearly every character in the film enjoyed key moments and scenes.

AVENGERS: ENDGAME wasn’t as successful in that department this time around. Some of the Marvel characters get short-changed here. There were also far fewer key moments for the major characters. So, whereas directors Anthony and Joe Russo created a perfectly seamless and well-paced story in the previous entry, they weren’t as successful doing so in this movie. In terms of giving characters their due, things were a bit uneven.

The screenplay by Christopher Markus and Stephen McFeely was not as sharp, tight, or as comical as the one they wrote for INFINITY WAR. Things simply didn’t flow as well here.

There’s also a somber tone throughout, understandably, since Thanos has wiped out half the universe, but the film doesn’t shed this tone till its final reel, and even then, it’s not really gone.

I also didn’t completely enjoy the method of the Avengers’ endgame. While it was fun to watch what they were doing, it didn’t always make the most sense, and the film really didn’t go out of its way to try to have it make sense. I wanted more from the story in this department.

The story arcs for Iron Man and Captain America really are the two main ones in this movie, and neither one disappoints.

Robert Downey Jr. has been the face of the franchise as Tony Stark/Iron Man since his first Iron Man movie in 2008, and AVENGERS: ENDGAME provides a fitting conclusion for the character. Once again, Downey Jr. delivers a top-notch performance.

Some of the most satisfying scenes in the film are between Tony Stark and Captain America. They had spent the majority of the past few movies arguing and fighting with each other, and now they have finally put their differences aside.

Captain America also gets a fitting conclusion in the film, and Chris Evans once again does an admirable job as the Captain. While I’ve liked Robert Downey Jr. from the get-go, Chris Evans has only gotten better with each successive film. He has made Captain America one of the best parts of these movies.

Chris Hemsworth returns as Thor, and he’s largely reduced to comic relief here, although he does get one moving scene with his mother back on Asgard.

While I like Mark Ruffalo as Bruce Banner/the Hulk, I was disappointed with the interpretation of the Hulk this time around. We didn’t see much of the Hulk in the previous film either, as strangely, he retreated into the deepest parts of Bruce Banner’s subconscious, refusing to re-emerge after getting his butt kicked by Thanos. That doesn’t sound like the Hulk. This time, he’s a Hulk/Bruce Banner hybrid— “Professor Hulk”— which pretty much means he’s Hulk-lite. I think Hulk fans have been cheated in these past two films.

On the other hand, Scarlett Johansson as Black Widow enjoys some of her finest moments in the entire series. The same can be said for Jeremy Renner as Hawkeye. In fact, the two share one of the best scenes in the film, certainly the most emotionally riveting.

But no one else really has any key moments. Even Ant Man (Paul Rudd) who has a lot of screen time doesn’t have his usual comical presence. It’s not for a lack of trying. I just think the screenplay wasn’t as sharp.

When Josh Brolin played Thanos in the previous film, he was easily one of the best Marvel movie villains ever. You can’t say the same thing about him in this film. His screen time is drastically reduced, as is his impact.

The film really relies on the emotions from the previous movie, and it probably does this a little too much. I wanted more out of ENDGAME that was new.

And while I was glad to see the addition of Captain Marvel (Brie Larson) here, she doesn’t do a whole heck of a lot either.

But the cast you can’t beat. In addition to the actors already mentioned, the cast of AVENGERS: ENDGAME also includes Don Cheadle, Benedict Cumberbatch, Chadwick Boseman, Tom Holland, Karen Gillan, Zoe Saldana, Evangeline Lilly, Rene Russo, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Tom Hiddleston, Danai Gurira, Dave Bautista, John Slattery, Jon Favreau, Hayley Atwell, Natalie Portman, Marisa Tomei, Angela Basset, Michael Douglas, Michelle Pfeiffer, William Hurt, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Robert Redford, Chris Pratt, and Samuel L. Jackson.

Wow.

As I said, just the cast itself is worth the price of a ticket.

The action scenes are well-done and the build-up to the second confrontation with Thanos is a good one. The conclusion does what it sets out to do, wrapping things up neat and tidy and restoring order to the universe.

Again, I believe fans will be pleased.

That being said, while I enjoyed ENDGAME a lot, I liked INFINITY WAR more. Maybe it’s because I prefer darker stories. Or maybe it’s just the better movie.

And perhaps to reinforce the notion that ENDGAME is a final chapter in this part of the Marvel saga, there is no after credit scene here. Say what? Yup, it’s true. No comical lunch gathering for the Avengers. No teaser for what’s coming next. Nothing.

Fitting for a movie called ENDGAME.

—-END—-

 

 

 

 

 

 

THE HITMAN’S BODYGUARD (2017) – Simple-Minded Movie Has No Business Being This Funny

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THE HITMAN’S BODYGUARD (2017),  a new action comedy starring Ryan Reynolds and Samuel L. Jackson, reminded me a lot of the buddy comedies from the 1980s.  You know the ones I’m talking about.  Films that paired the likes of Eddie Murphy and Nick Nolte, Mel Gibson and Danny Glover, and even James Belushi and Arnold Schwarzenegger.

It’s slick, violent, and hopelessly forced and stupid, yet that didn’t stop me from laughing.

A lot.

I had no business liking this movie as much as I did.

Michael Bryce (Ryan Reynolds) is one of the most sought-after bodyguards on the planet, but that all changes in the opening sequence in the movie when his client is shot dead by an unseen assassin in front of Michael’s eyes.  Two years later Michael is down on his luck, unable to restore his reputation as one of the world’s best bodyguards.  However, that’s about to change.

A deadly Russian official Vladislav Dukhovich (Gary Oldman) is on trial, and the key witness is hitman Darius Kincaid (Samuel L. Jackson).  While en route to the international court, the motorcade transporting Kincaid is ambushed by one of Vlad’s hit squads, and while there is lots of death and destruction, Kincaid and the young woman in charge of his security detail, Amelia Roussel (Elodie Yung) escape.

Amelia suspects someone on the inside is working for Vlad, and so she turns to an outsider for help, and that would be Michael, who just happens to be her ex-boyfriend. It’s Michael’s big chance to redeem himself, to get Kincaid to court on time, as the judge has given the lawyers until 5:00 to produce their star witness.  All they have to do is survive the efforts of Vlad’s seemingly infinite supply of henchmen and assassins.

And, oh yeah, Michael and Kincaid have a past, and they hate each other.  But they put aside their differences to work together, even bonding to the point where they give each other relationship advice.

As I said, this one’s a throwback to the 80s buddy movies, where it’s all about action, swearing, and silly comedy.  The only thing missing is the obligatory nude scene. Other than this, it’s all there: guns, explosions, car chases, heroes who can’t miss and villains who can’t shoot straight.

THE HITMAN’S BODYGUARD tells as stupid a story as they come, yet it somehow works. It’s that rare example of a story that really isn’t believable, and yet the comedy works and works well.  I can’t deny that I laughed quite a bit during this movie, more than I expected to, and as a result, I liked the whole movie more than I expected, as well.

For starters, director Patrick Hughes does a nice job at the helm.  Hughes directed THE EXPENDABLES 3 (2014), which was probably my least favorite film of that Sylvester Stallone action series, a series that for the most part I’ve liked a lot.  I enjoyed THE HITMAN’S BODYGUARD more than THE EXPENDABLES 3, and one of the reasons I enjoyed it so much was in addition to the comedy, the film also does not skimp on the action.

There are some fun car chases, and one fight scene in particular between Michael and a Russian hitman that is almost as good as the memorable fight sequence in ATOMIC BLONDE (2017) from several weeks back.  While the story itself is not very believable, the action scenes are.

Ryan Reynolds and Samuel L. Jackson also share decent chemistry here.  Reynolds plays the straight man to Jackson’s over-the-top unstoppable hitman, and while I prefer Reynolds as the raunchy foul-mouthed superhero Deadpool, he’s still very good here as the bodyguard who knows he’s still the best.

While I’ve always enjoyed Samuel L. Jackson, for me, his performances are often hit or miss.  His performance here as hitman Darius Kincaid is more of a hit.  I certainly enjoyed him more here than in the last couple of films I saw him in.  His role earlier this year as military man Preston Packard in KONG: SKULL ISLAND (2017) never rose above the cliché, and in last year’s THE LEGEND OF TARZAN (2016) his sympathetic George Washington Williams, while being one of the more enjoyable characters in an otherwise flat movie, was simply okay and far too reserved to make much of an impact.

Here as Darius Kincaid, Jackson lets loose.  He seems to be having an awfully good time, and he’s terribly funny.  Sure, most of the humor stems from Jackson hurling F-bombs, but that doesn’t make it any less hilarious, and Jackson is so good at capturing this type of persona.

Gary Oldman can play villains in his sleep, and his performance here as Vladislav Dukhovich is nothing we haven’t seen him do before, but like Jackson, he’s so good at it. Any film that has Oldman in the cast is going to benefit from his performance, and HITMAN’S BODYGUARD is no exception.

Elodie Yung, who played Electra in Season 2 of the Netflix TV show DAREDEVIL (2016) and who is currently reprising the role in the new Netflix Marvel show THE DEFENDERS (2017) is decent here as security agent Amelia Roussel.  She’s completely removed from the comedy and appears only in the straight action scenes in this one, and as a result she’s not in the best parts of the movie.

On the other hand, Salma Hayek has a field day as Darius’ imprisoned wife Sonia.  While all her scenes take place in her prison cell, she, like Jackson, lets loose and lets the F-bombs fly, in a funny spirited performance, a far cry from her reserved dramatic performance in BEATRIZ AT DINNER (2017) earlier this year.

The cast is excellent, and this is a good thing since the screenplay by Tom O’Connor is about as sharp as a butter knife.  The story is farfetched and simple, the characters cliché, and the humor driven by four letter words.  Yet, in this case, it somehow all works.  Again, I laughed a lot during this movie.

But the main reason for the success behind THE HITMAN’S BODYGUARD is the presence of stars Ryan Reynolds and Samuel L. Jackson.  I’m not the biggest Ryan Reynolds fan, as other than DEADPOOL (2016) I haven’t really enjoyed his movies all that much.  But he strikes the right balance here between likable guy and down on his luck bodyguard, and he makes Michael someone the audience can easily root for.

Paired with Samuel L. Jackson’s over the top larger than life unstoppable Darius Kincaid, the two actors chew up the scenery and keep things entertaining throughout.

THE HITMAN’S BODYGUARD is a movie where the sum of its parts is better than the whole, and that’s a good thing because in this case the “whole” is pretty lame-brained.

The “parts” however, are a hoot.

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