IN THE SPOOKLIGHT: HOUSE ON HAUNTED HILL (1959)

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House on Haunted Hill - posterHere’s my latest IN THE SPOOKLIGHT column, on the Vincent Price flick HOUSE ON HAUNTED HILL (1959), up now in the June 2014 edition of The Horror Writers Association Newsletter.
And just a friendly reminder: if you enjoy this column, my IN THE SPOOKLIGHT book, a collection of 115 In The Spooklight columns, is available as an EBook at http://www.neconebooks.com, and as a print edition at https://www.createspace.com/4293038.
—Michael

 

 

IN THE SPOOKLIGHT
BY
MICHAEL ARRUDA

HOUSE ON HAUNTED HILL (1959) may have been the first Vincent Price film I ever saw.

I’m not exactly sure because as a kid, I was already a fan of Hammer Films and of the Universal monster movies, and so Vincent Price was always taking a back seat to Peter Cushing, Christopher Lee, Boris Karloff, Bela Lugosi, and Lon Chaney Jr.

It took a while for Price to grow on me, but that being said, today I’m a big Vincent Price fan.

The first time I saw HOUSE ON HAUNTED HILL on television I was pretty young— I don’t think I was even ten yet— and it scared the crap out of me. There’s one scene in particular, where a creepy old lady suddenly appears out of nowhere and frightens the young heroine that nearly made me scream.

Nearly.

I was barely ten, remember.

HOUSE ON HAUNTED HILL has always been one of my favorite Vincent Price films, mostly because Price’s performance as the enigmatic millionaire Frederick Loren is the way I most remember him in the movies: somewhat sinister with a sly sense of humor, with a deadpan delivery and an air of mystery about him which makes him difficult to read. He may be a murderer, perhaps even insane, or he may simply be a man with a colorful sense of the macabre. It’s a great performance by Price.

In HOUSE ON HAUNTED HILL, Vincent Price plays the eccentric millionaire Frederick Loren who throws a party for his equally eccentric wife Annabelle (Carol Ohmart) in which he invites five guests to a supposedly haunted house. These guests must promise to stay the night in the haunted house with Frederick and Annabelle, and if they do, Frederick promises to pay them each ten thousand dollars, a hefty sum back in 1959.

It only takes one scene for us to realize that Frederick and Annabelle are not in love. In fact, they can’t stand each other. Annabelle even confides in some of the guests that she fears Frederick is trying to kill her, having thrown this party as a cover. This way, he can kill her and make it look like she was murdered by one of the ghosts that haunts the house, and with five witnesses to attest to the supernatural’s involvement, he’d be home free.

Plenty of strange things do indeed happen in the HOUSE ON HAUNTED HILL, including murder, but just who killed whom and for what reason isn’t revealed until the final frame.

HOUSE ON HAUNTED HILL was directed by William Castle, the king of the “gimmick” horror movies from the 1950s and 60s. After the success of HOUSE ON HAUNTED HILL, Castle would go on to direct THE TINGLER (1959), also starring Price, 13 GHOSTS (1960), MR. SARDONICUS (1961) STRAIT-JACKET (1964) and I SAW WHAT YOU DID (1965).

HOUSE ON HAUNTED HILL has a fun screenplay by Robb White who also wrote Castle’s THE TINGLER and 13 GHOSTS. It provides Vincent Price with some memorable lines of dialogue, and its plot about a group of people trying to spend the night in a haunted house while a murder plot is being hatched is ripe for suspense and mystery. It plays like one of those murder mystery party games. It’s a hoot, and it’s scary.

However, the story doesn’t hold up all that well today. Its tale of husband vs. wife comes off as forced and contrived. There are easier ways to get rid of a spouse than by an elaborate plot involving spooks, paid guests, and haunted houses. Ever hear of a good divorce lawyer?

But when I was a kid I didn’t care, and to be honest, as an adult, I still don’t mind all that much as the film possesses an energy and a creepiness that make it highly enjoyable.

The best part of HOUSE ON HAUNTED HILL however is Vincent Price. It’s really the first time in a horror movie that Price displayed his sinister side, something he would do with more frequency in his later films. Sure, before HOUSE ON HAUNTED HILL he played the villain in the horror films HOUSE OF WAX (1953) and THE MAD MAGICIAN (1954), but in these roles he was more of a straightforward madman. In HOUSE ON HAUNTED HILL, we see Price begin to hone and sharpen that devilish personality with which we’d become familiar in his roles in the 1960s and 70s.

Also in the cast of HOUSE ON HAUNTED HILL is Richard Long, who most people know from the TV western THE BIG VALLEY which also starred Barbara Stanwyck and the future SIX MILLION DOLLAR MAN Lee Majors, but when I first saw HOUSE ON HAUNTED HILL in the early 1970s, I was familiar with Long from the popular show NANNY AND THE PROFESSOR, which when I was a kid was one of my favorites. Long died young, at age 47 in 1974.

Elisha Cook Jr. is also in the cast as Watson Pritchard, the man who knows all about the house and its murderous past. Pritchard is full of ominous anecdotes, and he’s responsible for generating much of the feelings of unease in the early parts of this movie. Just the guy you want to have around at a haunted house party.

Cook appeared in a gazillion movies, but I always remember him from his bit part in THE NIGHT STALKER (1972), the film that introduced Darren McGavin as Carl Kolchak. And of course, who can forget Cook as the shady gunman in THE MALTESE FALCON (1941), who gets his comeuppance several times over at the hands of Humphrey Bogart’s Sam Spade.

But HOUSE ON HAUNTED HILL belongs to Vincent Price. He’s quick with the one-liner, gracious, and proper, but always with an undercurrent of deadliness about him, so you never know what to expect.

Price would go on to become famous for his appearances in the colorful Roger Corman Edgar Allan Poe films from the 1960s, and he is excellent in these movies. But I actually prefer Price in this movie. His performance here is less hammy, less over the top, and more biting, more frightening. It’s Price at his best.

Looking for an all-night party this summer? Look no further than HOUSE ON HAUNTED HILL.

Stay the night. Really.

It’s a scream.

—END—

 

 

 

 

 

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THE HORROR JAR: Movies starring PETER CUSHING, CHRISTOPHER LEE, and VINCENT PRICE

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Christopher Lee, Peter Cushing, and Vincent Price in HOUSE OF THE LONG SHADOWS (1983), the second and last time they would all appear in one movie together.

Christopher Lee, Peter Cushing, and Vincent Price in HOUSE OF THE LONG SHADOWS (1983), the second and last time they would all appear in one movie together.

THE HORROR JAR: Movies Starring Peter Cushing, Christopher Lee, and Vincent Price
By Michael Arruda

Welcome to another edition of THE HORROR JAR, that column where we feature various lists of odds and ends pertaining to horror movies.

Peter Cushing, Christopher Lee, and Vincent Price all share birthdays in May: Cushing on May 26 and both Lee and Price on May 27.

To celebrate the birthdays of these three horror icons, here’s a list of movies in which all three stars, Peter Cushing, Christopher Lee, and Vincent Price appeared together. It’s a brief list, since it only happened twice:

SCREAM AND SCREAM AGAIN (1970)
An Amicus Production
Directed by Gordon Hessler
Screenplay by Christopher Wicking, based on the novel The Disoriented Man by Peter Saxon
Dr. Browning: Vincent Price
Fremont: Christopher Lee
Benedek: Peter Cushing
Running Time: 95 minutes

HOUSE OF THE LONG SHADOWS (1983)
Directed by Peter Walker
Screenplay by Michael Armstrong based on the novel Seven Keys to Baldpate by Earl Derr Biggers
Lionel Grisbane: Vincent Price
Corrigan: Christopher Lee
Sebastian Grisbane: Peter Cushing
Lord Grisbane: John Carradine
Running Time: 100 minutes

Sadly, neither of these movies is very good. But you can’t beat the cast!

Thanks for reading!

—Michael

IN THE SHADOWS: LIONEL ATWILL

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Inspector Krogh (Lionel Atwill) confronts Wolf Frankenstein (Basil Rathbone) in SON OF FRANKENSTEIN (1939), arguably Atwill's finest role.

Inspector Krogh (Lionel Atwill) prepares to tell Wolf Frankenstein (Basil Rathbone) how the Monster tore his arm off when he was a child, in SON OF FRANKENSTEIN (1939), arguably Atwill’s finest role.

In The Shadows: LIONEL ATWILL

By Michael Arruda

Today In The Shadows, the column where we honor character actors from the movies, especially horror movies, we look at the career of Lionel Atwill, who divided his career between playing scary people and police inspectors in the Universal monster movies from the 1930s and 1940s.

He began his career as a leading man, appearing in the lead role in such films as MYSTERY OF THE WAX MUSEUM (1932), MURDERS IN THE ZOO (1933) and THE VAMPIRE BAT (1933) before being relegated to smaller roles in the Universal monster movies, usually as a police inspector.

He became typecast as a police inspector because of his terrific performance in SON OF FRANKENSTEIN (1939) where he played Inspector Krogh, and it’s one of his all-time best performances. Interestingly enough it wasn’t the first time he played a police inspector in a horror movie, as he played Inspector Neumann in MARK OF THE VAMPIRE (1935).

His performance as Inspector Krogh in SON OF FRANKENSTEIN is my favorite Lionel Atwill performance. Krogh suspects Baron Wolf Frankenstein (Basil Rathbone) has secretly brought his father’s creation, the Monster (Boris Karloff) back to life, putting both his family and the entire village in danger. Krogh spends the entire movie trying to prove this while protecting those under his watch in the process.

And Krogh has extra motivation, since as a young boy, he had his arm torn from his body by the Monster. Yes, he’s the one-armed Inspector, famously spoofed by Kenneth Mars in Mel Brooks’ YOUNG FRANKENSTEIN (1974). But there are no laughs here, as Atwill is as serious and focused as a Police Inspector can be. It’s a solid powerful performance, most likely Atwill’s best.

Atwill’s career was derailed by a sex scandal in which he was accused of hosting an orgy at his home, and there was a rape charge as well. His career never recovered, and he was shunned by the major film studios afterwards. He died in 1946 at the age of 61.

Here is a partial list of Lionel Atwill’s 75 movie credits, concentrating mostly on his appearances in horror movies from the 1930s and 1940s:

DOCTOR X (1932) – The lead baddie, the demented Doctor Jerry Xavier.

THE VAMPIRE BAT (1933) – Dr. Otto von Niemann – again an evil doctor, this time experimenting with vampire bats.

MYSTERY OF THE WAX MUSEUM (1933) – Ivan Igor – terrorizes Fay Wray in a role made famous twenty years later when Vincent Price starred in the 3D remake HOUSE OF WAX (1953).

MURDERS IN THE ZOO (1933) – Eric Gorman – another evil scientist, this time mixed up with deadly zoo animals.

MARK OF THE VAMPIRE (1935) – Inspector Neumann – plays a police inspector opposite Bela Lugosi’s vampire, Count Mora, in this atmospheric remake of Lon Chaney’s silent classic LONDON AFTER MIDNIGHT (1927), both versions, incidentally, directed by DRACULA director Tod Browning.

SON OF FRANKENSTEIN (1939) – Inspector Krogh- Atwill’s signature role, the relentless incorruptible Inspector Krogh, who matches wits with Baron Wolf Frankenstein and eventually tangles with the Monster (Boris Karloff).

THE HOUND OF THE BASKERVILLES (1939) – Dr. James Mortimer – Doctor who hires Basil Rathbone’s Sherlock Holmes to take on the Baskerville case.

MAN MADE MONSTER (1941) – Dr. Paul Rigas. Back in the mad scientist seat, this time zapping Lon Chaney Jr. with electricity and turning him into a monster.

TO BE OR NOT TO BE (1942) – Rawitch – Part of the ensemble cast in this classic Ernst Lubitsch comedy starring Jack Benny and Carole Lombard.

THE GHOST OF FRANKENSTEIN (1942) – Doctor Theodore Bohmer – Atwill’s second of five appearances in the Universal Frankenstein series. Here he plays Dr. Bohmer, a mad scientist who transplants Ygor’s (Bela Lugosi) brain into the body of the Monster (Lon Chaney, Jr.)

PARDON MY SARONG (1942) – Dr. Varnoff – messing around with Abbott and Costello.

NIGHT MONSTER (1942) – Dr. King – another disreputable doctor, in this murder mystery/horror movie co-starring Bela Lugosi.

SHERLOCK HOLMES AND THE SECRET WEAPON (1942) – Professor Moriarty – matching wits with Basil Rathbone’s Sherlock Holmes.

FRANKENSTEIN MEETS THE WOLF MAN (1943) – Mayor – received a promotion in this one, as rather than playing a police inspector, Atwill is Mayor of Vasaria.

HOUSE OF FRANKENSTEIN (1944) – Inspector Arnz – back to being a police inspector again.

HOUSE OF DRACULA (1945) – Inspector Holtz – yet another police inspector in a Universal monster movie. Atwill would die before the next film in the series, ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948).

And there you have it. A brief look at some of Lionel Atwill’s memorable film performances.

Lionel Atwill: March 1, 1885 – April 22, 1946

Thanks for reading everybody!

—Michael

CLASSIC HORROR MOVIE DOUBLE FEATURES TO WATCH ON HALLOWEEN

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HALLOWEEN HAUNTS:  Classic Movie Double Features for Halloween Night

By

Michael Arruda

 

 Curse Frankenstein Horror Dracula

Okay.

 

I love watching horror movies, that’s a given.  And what better time to watch them than on Halloween night?  Even folks who don’t generally watch horror movies indulge on Halloween. 

 

Some watch just one.  Others do marathons long into the night.  Still others hearken back to the days of the Creature Double Feature and settle in for a twin bill.  Yep, everybody loves a good double feature. 

 

So, for Halloween 2013, here’s a look at some awesome double features for you to enjoy after all the Trick-or-Treaters have come and gone.

 

Granted, I lean heavily on classic horror, but no worries, I’ve got some new ones here as well.  The bottom line is there are simply so many horror films worthy of your time, especially on Halloween night.  You really can’t go wrong.

 

Here we go:

 

Into the Universal classics?  Excellent!  They make great viewing on Halloween night, as they’re real mood setters.

 

Look no further than the best of the best:  FRANKENSTEIN (1931) followed by its sequel THE BRIDE OF FRANKENSTEIN (1935).  FRANKENSTEIN is my personal favorite of the Universal monster movies.  Boris Karloff’s Monster is the perfect mix of uncontrollable brutality and infant innocence.  He’s as sympathetic as he is terrifying.  Its sequel, THE BRIDE OF FRANKENSTEIN is considered by many to be the best horror film of all time.

 

Not into Frankenstein?  Rather watch vampires?  Then check out DRACULA (1931) and allow Bela Lugosi to mesmerize you as the king of the undead.  Follow it up with its effective sequel, DRACULA’S DAUGHTER (1936).

 

More into werewolves?  Then watch THE WOLF MAN (1941) followed by its exciting sequel, FRANKENSTEIN MEETS THE WOLF MAN (1942).

 

Simply want more monsters?  Then indulge in these Universal monster parties, which include Dracula, the Wolf Man, and the Frankenstein monster, HOUSE OF FRANKENSTEIN (1944) starring Boris Karloff as an evil mad scientist, rather than as the monster, and its companion piece HOUSE OF DRACULA (1945). 

 

Not into monsters but want a classic flavor?  Then check out this Boris Karloff/Bela Lugosi double bill:  THE BLACK CAT (1934) and THE RAVEN (1935).   Other than their signature roles as the Frankenstein monster and Dracula, Boris Karloff and Bela Lugosi probably turn in their best performances in these two movies.  They complement each other so well.  Karloff and Lugosi made several movies together.  These are two of their best.

 

In the mood to mix frights with laughter?  Then settle in and watch ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948) and Mel Brooks’ YOUNG FRANKENSTEIN (1974), two of the funniest horror movies ever made.

 

Moving onto to Hammer Films, while there are so many to choose from, it’s Halloween, so go with the best:  THE CURSE OF FRANKENSTEIN (1957) followed by HORROR OF DRACULA (1958).  Watch Peter Cushing give the performance of his life as the relentless Baron Victor Frankenstein, creating one of the most hideous monsters ever to grace the big screen, Christopher Lee’s Creature, in THE CURSE OF FRANKENSTEIN.  Then, watch HORROR OF DRACULA and witness Christopher Lee’s insanely frightening and sexy performance as Dracula, matching wits against Peter Cushing’s energetic and dynamic Van Helsing. 

 

Into Vincent Price?  Check out this early double bill, HOUSE OF WAX (1953) followed by this other “house” classic, HOUSE ON HAUNTED HILL (1959).

 

Want later Price?  Then check out these campy classics, THE ABOMINABLE DR. PHIBES (1971) followed by THEATER OF BLOOD (1973).  Murder has never been so much fun!

 

Into giant monsters?  Invite these behemoths into your home:  KING KONG (1933), the classic monster movie that remains one of the best movies of all time period!  It’s truly the Eighth Wonder of the movie world.  And follow it up with the campy Japanese classic bout, KING KONG VS. GODZILLA (1962).  It’s silly, it’s goofy, and King Kong looks like a stuffed gorilla toy accidentally run through the wash, but it’s oh so fun.

 

Speaking of Godzilla, if you want to be scared by a giant monster, then kick off this frightening double bill with GODZILLA, KING OF THE MONSTERS! (1956).  Godzilla’s first foray into the movies is his most frightening ever, a very intense film, nothing at all like the lightweight Godzilla movies from the 1960s and 70s.  Follow this with one of the best horror movies of the 21st century, J.J. Abram’s CLOVERFIELD (2008).  If you don’t think giant monsters can be scary, you haven’t seen these two movies.

 

You prefer your giant monsters silly and campy?  Then look no further than these wild rides from Japan’s Toho Studios:  FRANKENSTEIN CONQUERS THE WORLD (1965), featuring a giant Frankenstein Monster who battles a colossal reptile, followed by THE WAR OF THE GARGANTUAS (1966) which in Japan was the sequel to FRANKENSTEIN CONQUERS THE WORLD.  But here in the United States, all references to Frankenstein were removed from GARGANTUAS.  Still, it’s one of my favorite Toho movies, and once you’ve seen the good gargantua and the bad gargantua, you won’t forget them.

 

Looking for some 1950s science fiction to get you in the Halloween spirit?  Then kick things off with George Pal’s colorful and explosive THE WAR OF THE WORLDS (1953).  You’ll forever marvel at those Martian machines.  Follow this with a different kind of space invasion, INVASION OF THE BODY SNATCHERS (1956) one of the scariest science fiction movies ever made.

 

Jumping ahead to the 1970s, how about these devilishly good haunts to scare you this Halloween, THE EXORCIST (1973) followed by THE OMEN (1976).  Heads will spin, beds will rise, and 666 will be flashing on your speed dial.

 

Okay, let’s get modern and look at some more recent haunts.

 

Want brutal and intense?  Then go with 30 DAYS OF NIGHT (2007), a story about vampires loose in an Alaskan town just before the sun sets for a month.  Follow this with THE CRAZIES (2010) an excellent remake of George Romero’s original about a small town overrun by a disease that turns people into crazy murderous beasts.

 

Speaking of remakes, watch the better than average remake THE LAST HOUSE ON THE LEFT (2009) about parents getting the chance to avenge a brutal rape of their daughter.  If you like family tales of a different nature, follow this up with ORPHAN (2009) a story that will make you think twice about adopting.

 

Feel like spying on people in their own homes and watching them terrified by spooks and demons?  Then watch PARANORMAL ACTIVITY (2007) followed by PARANORMAL ACTIVITY 2 (2010).    

 

In the mood for a modern take on classic monsters, in colorful productions that honor the Universal and Hammer styles?  Then go with ABRAHAM LINCOLN:  VAMPIRE HUNTER (2012) and follow that up with the remake of THE WOLFMAN (2010).  Both these movies have some serious bite.

 

For me, the most fun horror film I’ve seen in the past few years has been INSIDIOUS (2010).  When I saw this in the theater, people were screaming left and right.  It was one of the most fun times I’ve had at a horror movie in years.  So, start off with INSIDIOUS, guaranteed to freak you out, and follow it up with another fun horror movie, this one very new, MAMA (2013).

 

What will I be watching this Halloween? 

 

Well, for me, it varies from year to year.  This year I’m going with a classic, an oldie-but-a-goodie double bill:  John Carpenter’s HALLOWEEN (1978) followed by its sequel, HALLOWEEN II (1981).  HALLOWEEN is a classic of horror cinema, one of John Carpenter’s best movies.  Its sequel, HALLOWEEN II, is not, but it’s still an entertaining follow-up.  You’ll also have fun with John Carpenter’s memorable music score stuck in your head for the rest of the night.

 

You can’t go wrong with any of these double bills.  And of course, there are many, many more horror movies not mentioned in this column.  Feel free to come up with your own double feature.

 

This Halloween, after the Trick-or-Treaters have come and gone, sit back and relax and enjoy one of these Halloween double features.

 

Happy Halloween, everybody!

 

—Michael

 

 

 

 

 

 

IN THE SPOOKLIGHT: DR. PHIBES RISES AGAIN! (1972)

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Dr Phibes Rises Again Cover ArtThis column, a reprint from September 2006, is currently appearing in the September 2013 edition of the Horror Writers Association Newsletter.

Don’t forget, if you enjoy this column, feel free to check out my IN THE SPOOKLIGHT collection, available now as an EBook at www.neconebooks.com, and as a print edition at https://www.createspace.com/4293038.  It contains 115 horror movie columns, covering movies from the silent era and 1930s to the movies of today.  Thanks!

—Michael

IN THE SPOOKLIGHT

BY

MICHAEL ARRUDA

You just can’t keep a good madman down.

Thus, DR. PHIBES RISES AGAIN!

DR. PHIBES RISES AGAIN! (1972) is the sequel to THE ABOMINABLE DR. PHIBES (1971), the campy classic that gave Vincent Price one of his most memorable roles.  Price is back in the sequel, once again playing the mad disfigured genius who murders his enemies in the most creative and grotesque ways.

In the first film, Phibes seeks revenge against the doctors who couldn’t save his wife.  In DR. PHIBES RISES AGAIN! Phibes searches for an elusive Egyptian elixir to resurrect his wife, played by the beautiful Caroline Munroe [THE SPY WHO LOVED ME (1977) and DRACULA A.D. 1972 (1972) among others] in an unbilled performance.

However, there’s another man also looking for the same supernatural elixir, Biederbeck, played with equal effectiveness by Robert Quarry.  At the time, Quarry was an up and coming star, riding the fame of his huge hit COUNT YORGA, VAMPIRE (1970), and he shares equal billing with Price.  Quarry is quite good in the film, and it’s too bad his career didn’t take off as expected.  He’s a lot of fun to watch, as is the whole movie.  If you haven’t seen the PHIBES movies, you’re missing quite a treat.

In a way, the PHIBES films are precursors to the current crop of gross-out movies, films like HOSTEL (2006) and SAW (2004), though the PHIBES movies kept everything campy and possessed a spirit of fun the current films don’t have.  They also had an actor like Vincent Price in the lead.

Price plays Phibes so over the top there’s really no way you can truly believe in the character.  Usually this is a bad thing, but here it’s good.  Price takes Phibes into the realm of fantasy.  As a result, DR. PHIBES RISES AGAIN! doesn’t play like a gritty crime tale, the way many modern “horror” movies do.  HOSTEL, for instance, it’s really a crime movie.  DR. PHIBES RISES AGAIN! is a horror  movie.  Violent, yes, macabre, sure, stomach churning, you bet, but it never forgets one simple lesson:  it’s fun.

Dr. Phibes is one of Vincent Price’s best characters.  Phibes is a “phantom of the opera” character- his face is disfigured, he wears a mask in the likeness of Price’s own face, similar to his character in HOUSE OF WAX (1953), but unlike that character, Phibes can’t move his lips when speaking, so when Price speaks as Phibes, his voice is metallic, as if heard through a small tinny speaker, and his lips don’t move.  Price literally looks like a dead man talking.  Very effective, very cool.

And when we do see him without his mask, his face is a skull, and the skull make-up here is phenomenal.  It’s among the best “underneath the mask” make-up jobs ever. Other than Lon Chaney’s make-up in the silent PHANTOM OF THE OPERA (1925), there’s none better.

Robert Fuest directed DR. PHIBES RISES AGAIN! with the same flair he displayed while directing the original.  There’s an energy about these films that’s contagious.  Fuest also wrote the screenplay, along with Robert Blees.  There’s just the right mix of humor and horror.

There’s a great supporting cast as well.  Why, even Peter Cushing shows up, though for just one scene as a ship’s captain.  Blink and you’ll miss him!

DR. PHIBES RISES AGAIN! is the most fun you’ll have watching murder this side of an Alfred Hitchcock movie.  Where else will you find a grown man stuffed into a bottle and thrown overboard off a ship?

Hopefully, nowhere.

(September 2006)