Best Horror Movies 2016

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Elle Fanning in  THE NEON DEMON (2016)

Here are my picks for the BEST HORROR MOVIES of 2016.

First off, I have to say that unlike a lot of other folks, I wasn’t overly impressed with the line-up of horror movies that came out in 2016.  For the most part, I was disappointed.

For example, while many people loved THE WITCH, I was lukewarm on it.  I loved its style and how well it captured the period it portrayed, but I was let down by its ending which I found much less compelling than the rest of the movie.  As such, THE WITCH did not make my BEST OF LIST.

THE BOY was kinda the opposite.  It was a rather silly horror movie that didn’t really go over big with fans and critics, but I found it entertaining and rather decent.  But again, not good enough to make my BEST OF LIST.

Similarly, LIGHTS OUT had its moments, but not enough of them to make the list.

Without further hesitation, here are my picks for the TOP 5 HORROR MOVIES of 2016:

 

5. DON’T BREATHE – The best part of DON’T BREATHE was its premise.  Three young thieves in economically depressed Detroit break into a blind man’s home in what they view as an easy heist, but they are oh-so-wrong when their “victim” turns out to be an ex-military who in spite of his blindness is a very deadly foe.

First half is better than the second half, which deteriorates into standard horror fare.

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4.  10 CLOVERFIELD LANE- Not really a sequel to the J.J. Abrams produced and Matt Reeves’ directed giant monster masterpiece CLOVERFIELD (2008), but it takes place in the same “universe.”  A lot of people really loved this one.  I didn’t love it, but I found it decent and respectable and much better than the huge crop of awful horror movies that traditionally flood mainstream theaters.

Dan Trachtenberg provides tight direction, and strong performances by John Goodman and Mary Elizabeth Winstead lend support to this tense tale about a woman abducted and held prisoner in an underground bunker, while her seemingly deranged captors try to convince her that the world above is no longer there, destroyed by some unknown apocalypse.

This one is claustrophobic and will have you on the edge of your seat.  Even so, I expected more and was somewhat disappointed by the film’s conclusion.

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3. HUSH – This one I didn’t see at the theater but on Netflix Streaming, and it’s a fine example of a weird trend these days where higher quality horror movies for whatever reason don’t enjoy wide theatrical releases.  Many of the horror films released to the theaters are terrible, and oftentimes you’ll catch a film on a streaming service and it’s terrific, and you wonder why it didn’t get a wide theatrical release.  Weird.  This seems to happen a lot.

Anyway, HUSH is a very suspenseful tale about an insane killer armed with a crossbow stalking a deaf woman who lives alone in the middle of the woods.  This deaf woman also happens to be a very successful author, and in one of the film’s more enjoyable moments, uses her skills as a writer, specifically the way she constructs plots, to form a plan to fight back against her attacker.

Entertaining, violent, and well-made horror movie by writer/director Mike Flanagan.

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2. THE SHALLOWS- This shark movie was probably my favorite horror movie of the year, even though I list it here as number 2, and that’s because while this may have been a guilty pleasure, it’s not my pick for the best horror movie of the year.

Anyway, while THE SHALLOWS isn’t JAWS, this shark tale starring Blake Lively as a surfer who finds herself attacked and then trapped by a great white shark a mere 200 yards off the shore of a desolate beach is one taut tight little thriller.  With it’s brief 86 minute running time, this one bites you right away and never lets go.  Beautifully photographed by director Jaume Collet-Serra, known more for his Liam Neeson action movies than horror films, THE SHALLOWS is the perfect summer time horror movie.

 

And now for my pick for the #1 horror movie of 2016, and it’s a strange pick because it’s not a traditional horror movie at all, yet it’s the best horror vehicle I saw this past year.

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1. THE NEON DEMON- This was the most disturbing movie I saw in 2016, as well as the most thought-provoking and stylish horror film I’ve seen in a while.  Its tale of a young model Jesse (Elle Fanning) caught in the vicious cutthroat world of modeling, takes its figurative message of a world that devours its own and turns it on its head and makes it literal.  This one takes a violent unexpected turn which will upset most people, but there’s no denying the force and power of where this film ultimately goes.

Written and directed by controversial writer/director Nicolas Winding Refn, THE NEON DEMON is not for everybody, but if you can get past its disturbing elements and images and allow yourself to enter its provocative world, you’ll be treated to a film that is every bit as weird and horrifying as the work of visionary directors David Lynch and David Cronenberg.

So, there you have it.  My picks for the Top 5 HORROR MOVIES OF 2016.

Coming soon, my picks for the Worst Horror movies of 2016.

See you then!

And thanks for reading!

—Michael

 

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10 CLOVERFIELD LANE (2016) Is NOT the Sequel CLOVERFIELD Fans Have Been Waiting For

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Let’s get this out of the way right now:  10 CLOVERFIELD LANE (2016) is not a sequel to CLOVERFIELD (2008), arguably one of the best giant monster movies ever made.  For this reason alone, this well-written, acted, and directed thriller is flawed.

It’s flawed because producer J.J. Abrams resurrected the CLOVERFIELD name, resurrected the anticipation and excitement of fans the world over of the original movie, only to put out a film with as much in common with CLOVERFIELD as THE MARTIAN (2015) has with GODZILLA.  Yeah, but if you pay close attention, you’ll see that the astronaut in THE MARTIAN had a cousin who worked for the company responsible for resurrecting Godzilla.  Isn’t that cool?  Isn’t that a wild connection?

No, it’s not.

It’s geeky and annoying.  Now, obviously, there is no connection between GODZILLA and THE MARTIAN, but the example shows the level of connection we’re talking about between CLOVERFIELD and 10 CLOVERFIELD LANE.  It’s minuscule.

It’s also embarrassingly clear that J.J. Abrams threw in the Cloverfield name simply as a marketing ploy to attract viewers.  Shame on him.  Sure, you can argue otherwise, but you might just sound like Donald Trump doing it.

Other than this though, 10 CLOVERFIELD LANE is a pretty nifty thriller.

Michelle (Mary Elizabeth Winstead) is leaving her boyfriend.  He calls her (that’s Bradley Cooper’s voice on the phone.) asking her to come back, but she’s not interested.  She no sooner turns off her cell when she’s involved in a nasty car accident which leaves her unconscious.

When she awakes, she finds herself imprisoned in an underground bunker, and she assumes she’s been kidnapped.  When the peculiar Howard (John Goodman) shows up and tells her that he hasn’t abducted her but rather has saved her life after the car accident, she doesn’t believe him; and when he tells her she can’t leave because outside the bunker the world she once knew doesn’t exist anymore as some unknown apocalyptic event has poisoned the air killing everyone on the surface, she thinks he’s crazy.

Even when she meets the third tenant in the bunker, Emmett (John Gallagher Jr.), who confirms Howard’s story, she’s still not convinced.  But later, when Michelle tries to escape and sees a woman outside the door whose skin seems to be peeling from her face and acting crazy, it appears as if Howard has been telling the truth.

The three then set their sights on surviving, and life is good, until certain things come to light that confirm Michelle’s worst fears.

The story told in 10 CLOVERFIELD LANE is tight and well-written.  It’s an excellent screenplay by Josh Campbell, Matthew Stuecken, and Damien Chazelle.  There’s an uncomfortable feeling permeating throughout this film, as you’re never quite able to feel at ease around John Goodman’s Howard.

John Goodman delivers a phenomenal performance as Howard.  He’s the best part of 10 CLOVERFIELD LANE.  Goodman is almost always good, but his performance here in this movie is extra special.  He’s just “off” enough where you’re pretty sure you don’t trust him but you’re not quite convinced because the crazy things he says all seem to be true.    He’s a difficult character to read, which is one of the reasons the story works so well. Should Michelle trust him?  Or should she try to kill him?

Mary Elizabeth Winstead is equally as good as Michelle.  She is not a helpless victim at all. At first, she’s constantly trying to escape, and even later, when she more or less believes Howard, she still keeps her eyes wide open.  No one is going to pull  a fast one on her.

And John Gallagher, Jr. rounds out the phenomenal trio with a decent performance of his own as Emmett.  At first, you’re not sure how much Emmett knows or what his intentions are, but as the story goes on, he becomes Michelle’s biggest ally.

Director Dan Trachtenberg, in his feature film directorial debut, does a nice job at the helm.  He gives this film a claustrophobic feel as he puts the audience right in the middle of the action with the characters in the underground bunker.

There are plenty of suspenseful scenes as well.  There’s one scene in particular where they are playing a game, and it goes from funny, to suspenseful, to back to funny again all in a matter of seconds.

Strangely, the weakest part of this movie is its ending, and it’s strange because it should have been the best part.  This is where the film should have tied in with the original CLOVERFIELD, but alas, that’s not how things play out.

10 CLOVERFIELD LANE is a tight little thriller, a stand-alone movie that would work on its own merits even without the CLOVERFIELD name in the title.  Unfortunately, however, the name is in the title and the fact that is so loosely connected is a shame.  It’s pretty much not connected to the earlier movie at all.  Ridley Scott’s PROMETHEUS (2012) was more connected to the ALIEN series.

Why does this matter?  Let me use another movie to make my point.  Take JAWS (1975) for example.  And let’s say instead of JAWS 2 (1978) the next movie in the series was called 10 JAWS LANE, and in this movie, there’s no shark, there’s no Brody, no Matt Hooper, it doesn’t take place on Amity Island, and heck it’s not even about a shark!  It’s about an unknown threat that may or may not be lurking in the ocean while our characters are holed up in an underground bunker.  It’s a well-made movie, but without even one reference to the events in the previous film, I think audiences would have been miffed, and they probably would have felt cheated.  That’s how I felt towards 10 CLOVERFIELD LANE.

All this being said, I still enjoyed 10 CLOVERFIELD LANE, although it’s nowhere near as good a movie as CLOVERFIELD.

It is suspenseful, though, as it plays more like an Alfred Hitchcock movie than a horror movie.  Is this bad?  Not at all, but again, it works against the expectations generated by the CLOVERFIELD name.

10 CLOVERFIELD LANE is a decent thriller, but it’s not CLOVERFIELD, nor is it related to it in any way shape or form.  And when your namesake is one of the finest giant monster movies ever made, the fact that you share no connection to it, is definitely not something worth celebrating.

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