MEMORABLE MOVIE QUOTES: GOLDFINGER (1964)

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goldfinger poster

Welcome back to MEMORABLE MOVIE QUOTES, that column where we look at fun quotes from the movies.

Today we look at GOLDFINGER (1964), the third Sean Connery James Bond movie, and one of my all-time favorites.  When looking at memorable quotes in the movies, you really can’t go wrong with a James Bond flick.  GOLDFINGER is one of the best.  Let’s have a listen to some of these quotes from GOLDFINGER, screenplay by Richard Maibaum and Paul Dehn.

As with so many of the James Bond movies, GOLDFINGER is loaded with double entendres, like this one in the exciting pre-credit sequence, where after a violent fight, Bond knocks his foe into a bathtub and then electrocutes the man by tossing in an electric fan after him.

After the man has died, Bond (Sean Connery)  says:

BOND:  Shocking! Positively shocking!

 

Later, after Goldfinger has disposed of the body of a dead foe by placing him inside a car and then having the car crushed at a junkyard, he gestures to the car and comments, setting up this Bond line:

GOLDFINGER:  Forgive me, Mr. Bond, but, uh… I must arrange to separate my gold from the late Mr. Solo.

JAMES BOND:  As you said, he had a pressing engagement.

 

And towards the end of the movie, after Bond kills Oddjob by electrocuting him:

FELIX LEITER:  You okay, James? Where’s your butler friend?

JAMES BOND:  He blew a fuse.

 

GOLDFINGER contains one of Sean Connery’s most playful performances as James Bond.  It’s the first of the Bonds that really rises above the straightforward spy thriller, following the more serious and restrained DR. NO (1962) and FROM RUSSIA WITH LOVE (1963).  The third time is the charm for Connery, as his Bond here is more confident, more relaxed, and he exudes far more sex appeal this time around than in the first two movies.

As such, he enjoys many fine little moments in this movie, like in this scene early on, when he’s seeking out Goldfinger’s hotel room.  He charms a maid into letting him use the key to open the door.  Horrified, she says:

MAID:  But that’s Mr. Goldfinger’s room!

To which Bond smiles at her and says warmly:

JAMES BOND:  I know.

 

GOLDFINGER also contains one of the earlier scenes in the series where Bond interacts with Q (Desmond Llewelyn) and discusses the various weapons and gadgets Q has prepared for him.  In GOLDFINGER, they discuss perhaps the most famous car in the Bond series, the Aston Martin DB5, specifically, the ejector seat.  Let’s listen:

Q:  Now this one I’m particularly keen about. You see the gear lever here? Now, if you take the top off, you will find a little red button. Whatever you do, don’t touch it.

JAMES BOND:  Yeah, why not?

Q:  Because you’ll release this section of the roof, and engage and then fire the passenger ejector seat. Whish!

JAMES BOND:  Ejector seat? You’re joking!

Q:  I never joke about my work, 007.

 

And of course, GOLDFINGER includes one of the most famous female characters in the series, famous mostly because of her name:  Pussy Galore.  It still amazes me today that the movie was able to pull this off and get away with having this name in the film.  But they did.

Bond’s reaction to first learning Ms. Galore’s (Honor Blackman) name is classic.  He had been drugged, and when he awakes from his stupor, he finds himself looking at a beautiful woman.

JAMES BOND:  Who are you?

PUSSY GALORE:  My name is Pussy Galore.

JAMES BOND:  I must be dreaming.

goldfinger - pussy galore

Pussy Galore (Honor Blackman) introduces herself to James Bond (Sean Connery).

 

With apologies to Blofeld, Auric Goldfinger (Gert Frobe) is arguably the most memorable villain ever to appear in the Sean Connery Bonds.  In this classic conversation, Bond and Goldfinger discuss the villain’s supposed plan to rob Fort Knox of its gold, a plan Bond thinks is ridiculous until he learns the truth behind Goldfinger’s plot:

BOND:  You’ll kill 60,000 people uselessly.

GOLDFINGER:  Hah. American motorists kill that many every two years.

BOND:  Yes, well, I’ve worked out a few statistics of my own. 15 billion dollars in gold bullion weighs 10,500 tons. Sixty men would take twelve days to load it onto 200 trucks. Now, at the most, you’re going to have two hours before the Army, Navy, Air Force, and Marines move in and make you put it back.

GOLDFINGER:  Who mentioned anything about removing it?  (Pauses to let this revelation sink into Bond’s mind.)  The julep tart enough for you?

BOND:  You plan to break into the world’s largest bank, but not to steal anything. Why?

GOLDFINGER:  Go on, Mr. Bond.

BOND:  Mr. Ling, the Red Chinese at the factory, he’s a specialist in nuclear fission… but of course! His government’s given you a bomb.

GOLDFINGER:  I prefer to call it an “atomic device.” It’s small, but particularly dirty.

BOND:  A dirty bomb? Cobalt and iodine?

GOLDFINGER:  Precisely.

BOND:  Well, if you explode it in Fort Knox, the… the entire gold supply of the United States would be radioactive for… fifty-seven years.

GOLDFINGER:  Fifty-eight, to be exact.

BOND:  I apologize, Goldfinger. It’s an inspired deal! They get what they want, economic chaos in the West. And the value of your gold increases many times.

GOLDFINGER:  I conservatively estimate, ten times.

BOND:  Brilliant.

goldfinger - connery

James Bond (Sean Connery) mulls over Goldfinger’s plot.

James Bond’s favorite CIA Agent Felix Leiter (Cec Linder) also appears in GOLDFINGER, and he and Bond share this humorous exchange near the end of the film:

BOND:  Special plane, lunch at the White House… how come?

FELIX:  The President wants to thank you personally.

BOND:  Oh, it was nothing, really.

FELIX:  I know that, but he doesn’t.

BOND:  I suppose I’ll be able to get a drink there.

FELIX:  I told the stewardess liquor for three.

BOND:  Who are the other two?

FELIX:  Oh, there are no other two.

 

And of course Goldfinger gets the most famous line in the movie, and perhaps the most famous line in the entire series.  It certainly belongs in the conversation.  Bond is strapped to a table, and a deadly laser beam is aimed at his body, sparking this question and Goldfinger’s infamous answer:

BOND:  Do you expect me to talk?

GOLDFINGER:  No, Mr. Bond.  I expect you to die!

goldfinger-laser

“No, Mr. Bond.  I expect you to die!”

And there you have it.  Some memorable quotes from the classic James Bond movie GOLDFINGER.  Hope you enjoyed them.

Join me again next time when we’ll look at more quotes from another cool movie.

Thanks for reading!

—Michael

 

IN THE SPOOKLIGHT: ROBINSON CRUSOE ON MARS (1964)

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Here’s my latest IN THE SPOOKLIGHT column on the science fiction flick ROBINSON CRUSOE ON MARS (1964).

Thanks for reading!

—Michael

 

robinson_crusoe_on_mars_poster

IN THE SPOOKLIGHT

BY

MICHAEL ARRUDA

We venture into the realm of science fiction today IN THE SPOOKLIGHT as we pay a visit to ROBINSON CRUSOE ON MARS (1964).

ROBINSON CRUSOE ON MARS is not the best science fiction movie to come out of the 1960s, but it is certainly one of the best intentioned. Think THE MARTIAN (2015) with a smaller budget and less science.  A lot less science!

Two astronauts on a mission to Mars, Colonel Dan McReady (Adam West) and Christopher Draper (Paul Mantee) run into trouble with an asteroid and are forced to jettison from their ship in escape pods which land on Mars.  Draper survives, along with a monkey, but McReady is killed.

With only the monkey for companionship, Draper has to find ways to survive on the desolate planet while at the same time trying to find a way to get home.

One of the first things Draper does once he steps out of his escape pod is take off his space helmet.  Hmm.  Not a good idea!  But  like I said, the science isn’t exactly strong in this movie.  Draper discovers that he can indeed breathe on Mars, but only for brief periods of time, so he still he needs his oxygen supply, which obviously is limited.  But  lucky for Draper, he discovers certain rocks on the planet that provide him with air!  How about that!  Air from rocks!  Just hold up a stone to your nose and mouth and breathe in!  Hmm. This is starting to sound like GILLIGAN’S ISLAND ON MARS!  Gee, Professor, how does the air come from these rocks?   Well, Gilligan, the oxygen inside these stones is released when—.  

Y—eah.  Riiiiight.

Draper also has a limited food supply, but not to worry, he soon discovers an edible plant that looks an awful lot like a sausage.  Even better, there are plenty of these for him to eat.  But then again, he needs water.  He can’t survive without water.  But alas!  He discovers an underground cave that is full of water!  Drinkable water to boot!

He sure is lucky.  Maybe this should be called BUGS BUNNY ON MARS.

One day, Draper’s peace of mind is interrupted when spaceships descend upon his Martian neighborhood, spaceships that deposit a bunch of humanoid slaves on the ground so they can mine Martian ore.  One of these slaves escapes and befriends Draper.  Draper promptly names his new friend Friday, after the character in the Daniel Defoe novel ROBINSON CRUSOE.  Together, they continue the fight for survival.

Now, I poke fun here at ROBINSON CRUSOE ON MARS because the science in this film is laughable, but that’s about it.  The rest of the movie is surprisingly good.  Sure, it has low budget special effects, but its color cinematography is nothing to laugh about.  There are actually some nifty looking and very colorful scenes of the Martian landscape.  So, visually the film is fun to look at.

And Paul Mantee, who spends most of the film alone and thus talks to himself throughout, is very good and makes for a likeable hero who you really root for and want to see survive.  He pretty much carries the movie and does it with ease.  He remains entertaining throughout.

Robinson-Crusoe-on-Mars -paul mantee

Paul Mantee in ROBINSON CRUSOE ON MARS.

The real culprit in this one is the writing which comes off as science fantasy.  There’s nary a realistic bone in this one’s body.

The screenplay was written by Ib Melchior and John C. Higgins, based of course on Daniel Defoe’s novel.   Melchoir is no stranger to genre movies.  He penned the screenplays to THE ANGRY RED PLANET (1959), REPTILICUS (1961), JOURNEY TO THE SEVENTH PLANET (1962), THE TIME TRAVELERS (1964), and PLANET OF THE VAMPIRES (1965).  Plus he also wrote the screenplay for the American version of the second Godzilla movie, GODZILLA RAIDS AGAIN! (1955).

Higgins’ genre credits include the all-star low budget shocker THE BLACK SLEEP (1956) which starred Basil Rathbone, Lon Chaney Jr., John Carradine, and Bela Lugosi, and DAUGHTERS OF SATAN (1972), starring Tom Selleck, which was Higgins’ final screen credit.

The special effects are cheesy and cheap, yet somehow they don’t look all that bad.  You may notice that the alien spaceships here resemble the Martian machines from George Pal’s classic production of THE WAR OF THE WORLDS (1953).  That’s because they are the Martian machines from George Pal’s THE WAR OF THE WORLDS!  The ships are leftover models from that movie, and director Byron Haskin had access to them because he also directed THE WAR OF THE WORLDS.  Producer George Pal’s name is always so closely attached to the 1953 classic, it’s easy to forget that he didn’t direct it, that it was in fact Byron Haskin calling the shots.

robinson crusoe ships

While the spaceship effects throughout the movie are cartoonish and certainly do not hold up today— they were subpar even by 1960s standards- they’re still fun.  And the ship zooming through space in the film’s opening is clearly reminiscent of the way the starship Enterprise zipped across TV screens in the opening credits of the original STAR TREK television show, and it pre-dated STAR TREK by two years.

There are also some pretty cool looking fireballs which streak across the Martian landscape whenever they feel like it.  And that Martian landscape is as colorful as it gets.  Think STAR TREK and LOST IN SPACE sets, and you’ll have an idea of what to expect from this one, in terms of its production values.  Low budget, but respectable.

ROBINSON CRUSOE ON MARS is also notable for featuring a pre-BATMAN Adam West in the cast, even if it is only for a few minutes.  West became typecast so quickly, that seeing him play someone other than Batman is a rare treat indeed.

ROBINSON CRUSOE ON MARS is not the most realistic science fiction movie you’ll ever see, but it is certainly one of the more entertaining.

Doing any stargazing this summer?  If you point your telescope at Mars and look closely, and you see a man sucking air from a rock and eating plants shaped liked sausages, that’ll be ROBINSON CRUSOE ON MARS.  I hear he’s mighty lonely up there.  Why don’t you drop by and pay him a visit?

Just watch out for low flying fireballs.

–END—

—If you enjoyed this column, you might enjoy my IN THE SPOOKLIGHT book, a collection of 115 IN THE SPOOKLIGHT columns, available as an EBook at neconebooks.com, and also as a print-on-demand edition.  Check out the “About” section of this blog for ordering details.—