Best Movies of 2017

1

 

founder-poster

Here’s a look at my Top 10 favorite films from 2017:

10 DETROIT –

Kathryn Bigelow’s powerful portrait of race riots in 1967 Detroit comes off as raw live footage, transporting its audience to 1967 Detroit as witnesses to the true event which happened at the Algiers Motel in Detroit. The centerpiece of the movie is a brutal and misguided police interrogation inside the hotel which leads to the deaths of three black men.  It’ll leave you squirming in your seat.

Featuring John Boyega as a young security officer at the scene who tries to work as a peacemaker, and Anthony Mackie as a former soldier recently home from Vietnam who finds himself among the interrogated.   Will Poulter delivers the most memorable performance in the movie as a racist Detroit police officer. Sure, DETROIT is a one-sided interpretation, as the police are not viewed in a positive light, but the reality is, racism still exists, and until it doesn’t, stories like this need to be told.

 

9 THE BIG SICK –

Both hilarious and moving, THE BIG SICK is based on the real-life romance between actor/writer Kumail Nanjiani and his wife Emily V. Gordon, both of whom wrote the screenplay to this movie. Filled with countless laugh-out-loud moments, the film is loaded with memorable characters and situations. Kumail Nanjiani does a nice job playing a fictionalized version of  himself, and Zoe Kazan (the granddaughter of acclaimed film director Elia Kazan) is excellent as Emily. Holly Hunter and Ray Romano steal the show as Emily’s parents.

THE BIG SICK has it all:  fine acting, perceptive writing, and solid directing by Michael Showalter.  With a lot to say about relationships, cultural differences, and the lengths people will go to make a relationship work when they’re in love, it’s one of those movies where after it ends, you just want to see it again.

 

8  STRONGER –

Jake Gyllenhaal delivers a riveting performance as Jeff Bauman, the man who lost his legs in the Boston Marathon bombing in 2013 and later became a symbol of hope for an entire city as he fought back to regain both his life and his ability to walk. STRONGER sports a superior screenplay by John Pollono, based on the book “Stronger” by Jeff Bauman and Bret Witter. The dialogue is first-rate, natural, cutting and incisive, and at times laugh-out loud funny.   Longtime Boston comic and RESCUE ME (2004-11) star Lenny Clarke delivers a scene-stealing performance as Jeff’s Uncle Bob.

STRONGER is not syrupy-sweet inspirational.  It’s nicely paced, funny and hard-hitting at the same time, and most importantly, brutally honest.

 

7 BATTLE OF THE SEXES –

Battle-of-the-Sexes-poster

Based on the true story of the historic tennis match in 1973 between Bobby Griggs and Billie Jean King.  The script by Simon Beaufoy, who also wrote SLUMDOG MILLIONAIRE (2008), covers a lot of ground, tackling gender equality, gay and lesbian relationships, compulsive gambling, sports, and life in the 1970s. It keeps a light and humorous tone throughout and does a nice job covering the actual event, the “Battle of the Sexes,” complete with real footage of then announcer Howard Cosell calling the match.

Emma Stone has followed her Oscar-winning performance in LA LA LAND (2016) with a very different but equally successful performance as Billie Jean King.  Stone is marvelous in this movie.  She captures King’s emotions, fears, and shows her grit and strength of character.  Steve Carell enjoys the liveliest scenes in the movie as Bobby Riggs, and he’s perfectly cast as the retired tennis pro.  As he so often does, Carell goes deeper with the character, and we really feel for him, especially as he battles his gambling demons.

 

6 THE FLORIDA PROJECT –

the florida project

Amazing movie about life at a Florida motel that houses low-income and out of work families and immigrants, as seen through the eyes of a six year-old girl and her friends over the course of one summer. The kids steal this movie, led by Brooklyn Prince as a foul-mouthed six year-old girl named Moonnee. Her exchanges with the understanding yet increasingly frustrated motel manager Bobby (Willem Dafoe) are worth the price of admission alone. Also a great role for Dafoe, as Bobby knows these folks have nowhere else to live, and he has a soft spot for them, especially the children. The film truly captures the essence of childhood, from innocence to devilish endeavors, like when Moonnee is giving her friend Jancey (Valeria Cotto) a tour of the motel and tells her, “These are the rooms we’re not supposed to go in. Let’s go in any ways!”

Writer/director Sean Baker, who co-wrote the script with Chris Bergoch, imbues this movie with authenticity.  With up-close hand-held camera work, the movie has the feel of a documentary.  Baker also does a phenomenal job with the child actors here. THE FLORIDA PROJECT is a film that you definitely do not want to miss, especially in the here and now, where it’s no secret that in the United States the chasm between the haves and the have-nots continues to widen at a tragically alarming rate. The children in THE FLORIDA PROJECT remind us why it is so important that this trend be reversed.

 

5 WIND RIVER-

Taylor Sheridan is one of my favorite screenwriters working today.  He wrote SICARIO, my favorite film of 2015, and he followed that up with HELL OR HIGH WATER, one of the best films of 2016. Now comes WIND RIVER (2017), which is every bit as good as his previous two films, and this time Sheridan directs as well.

WIND RIVER (2017) takes place in Wind River, Wyoming, a beautiful expanse of land that looks like a winter paradise with its snow-covered mountains and icy rivers. But looks can be deceiving. A young woman is brutally murdered, and FBI agent Jane Banner (Elizabeth Olsen) is on the case, assisted by hunter and tracker Cory Lambert (Jeremy Renner). WIND RIVER is much more than just a straightforward thriller.  Taylor Sheridan takes us inside the minds and hearts of the Native Americans on the reservation where the murder occurred.  They are a depressed lot, feeling they have little to live for, surrounded by snow and silence. The film also points out that statistics are not kept on the disappearances of Native American women, and no one really knows how many Native American women have gone missing over the years.

With WIND RIVER, Taylor Sheridan proves to be every bit as talented behind the camera as he is writing screenplays. I can’t wait to see what he does next.

 

4 THE FOUNDER –

Fascinating story that is as entertaining as it is informative.  With Michael Keaton playing McDonald’s “founder” Ray Kroc, the slant in this movie is that Kroc worked so hard that he eventually claimed the title of “McDonalds Founder” even though he didn’t originate the model. Keaton is outstanding as Ray Kroc, seen here as a frenetic salesman who after one rough time after another, sees McDonalds as his opportunity to finally make it big after years of failure.  When he realizes that his success has suddenly given him more power than he ever thought he would have, he decides to use that power to go after everything he wants because he knows he can get it. In a lesser actor’s hands, Kroc may have lost all sympathy at this point, but as played by Michael Keaton, the role becomes a natural extension of Kroc’s personality and the circumstances he finds himself in.  In other words, it doesn’t come off as if he was a weasel in the making, just waiting for his chance to make it big, but rather, as a man who worked hard to be a success and then suddenly realized he had the clout and influence to get whatever he wanted.

Even though its subject, Ray Kroc, is a controversial figure, THE FOUNDER is not that dark a movie.  Director John Lee Hancock films this one with bright tones which capture both the 1950s and McDonalds restaurants. The screenplay by Robert D. Siegel also keeps things light.  The movie plays like an offbeat quirky drama as opposed to an ominous piece on the ruthlessness of cutthroat business tactics. With Keaton in the lead, it’s entertaining from start to finish.

 

3 WAR FOR THE PLANET OF THE APES –

The new PLANET OF THE APES series keeps getting better and better. WAR FOR THE PLANET OF THE APES (2017), the third film in the new rebooted series, is a thoroughly engrossing tale that is equal parts futuristic science fiction, epic adventure, and prisoner of war drama. All three parts work well to comprise a story that is captivating from start to finish, so much so, that this third film is clearly the best entry of the series thus far.

Director Matt Reeves, who also directed DAWN OF THE PLANET OF THE APES (2014), is one of the more talented directors working today. Andy Serkis returns as Caesar in another impressive CGI motion-capture performance. Woody Harrelson plays the human villain, an evil Colonel. Contains superior special effects. The apes look phenomenal. They’re so good it’s easy to forget that nearly every character in this movie is a CGI creation.  With lots of nods to the original series, WAR is an extremely satisfying chapter in the APES saga. One of the best, if not the best, genre film of the year.

 

2 GOOD TIME –

goodtime_poster

One of the more intense, energetic, and insane thrillers of the year, GOOD TIME is the story of two brothers, Connie (Robert Pattinson) and mentally challenged Nick (Benny Safdie) who rob a bank and then botch the escape.   Connie eludes the police, but Nick is arrested. Connie spends the rest of the movie trying to break his brother out of the hospital in which he is being held, and what follows is a roller coaster ride of a night as Connie faces one obstacle after another, and the film treats its audience to one twist after another.

GOOD TIME was expertly directed by brothers Benny Safdie and Josh Safdie.  Benny also plays Nick in the film, while Josh co-wrote the screenplay with Ronald Bronstein.  It’s an excellent script with realistic dialogue and vibrant, living characters.  Nearly every character who appears in this movie is interesting, a testament both to the acting and to the superior writing.

Brilliant performance by Robert Pattinson as big brother Connie.  This is his best performance yet, and he gives Connie a depth not often found in a character like this. There’s also an absolutely frenzied and very effective music score by Daniel Lopatin that really adds a lot to the movie.  It reminded me of something John Carpenter would have written.

GOOD TIME doesn’t stop.  It’s one of the more frenetic movies of the year, and certainly one of the most satisfying.  It’s a ride you definitely do not want to miss.

 

1 DUNKIRK –

dunkirk-movie-poster

Forget everything you know about traditional storytelling. DUNKIRK (2017), the World War II movie by writer/director Christopher Nolan, changes the rules and then some. In an interview, Nolan described the soldiers’ experiences at Dunkirk in three parts: those on the beach were there a week, the rescue on the water took a day, and the planes in the air had fuel for one hour.  To tell this story,  Nolan separates it into these three parts- the week on the beach, the day at sea, and the crucial hour in the air, but he does this in a nonlinear fashion, meaning all three events are shown happening concurrently and interspersed with each other.  Surprisingly, the result isn’t confusing. Instead, this bold use of time generates heightened tension and maximum suspense.

DUNKIRK tells the amazing story of the rescue of 338,000 British soldiers from the French port town of Dunkirk in events which transpired from May 26 – June 4, 1940.  The soldiers were surrounded by German forces and the only escape was by sea, which was covered by German planes.  In effect, there was no escape. However, in what turned out to be a stroke of genius, instead of sending the navy, the British authorities sent out a call for civilian ships to go to Dunkirk, which they did, and they miraculously rescued the soldiers.  Had the British soldiers been captured, Germany would have advanced, most likely on their way to a successful invasion of Great Britain.  But the soldiers escaped to fight another day, and Churchill turned the event on its head, claiming a moral victory and using it to espouse the spirit of resistance.

Superb cast, albeit mostly unknowns, deliver first-rate performances.  Veteran actors Mark Rylance, Kenneth Branagh, and Tom Hardy are also outstanding.  The editing during the climactic sequence is second to none.  It’s one of the more suspenseful last acts to a movie I’ve seen in a while. Nolan also makes full use of sound.  When the planes attack, the sound effects are loud and harsh.

DUNKIRK tells this improbable story in mind-bending fashion, thanks to the innovative efforts of Christopher Nolan, one of the most talented writer/directors working today.

It’s my pick for the best movie of 2017.

Thanks for reading!

—END—

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

Advertisements