Best Movies 2018

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Here’s my list of the Top 10 Movies from 2018:

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10. BOOK CLUB – I really enjoyed this comedy starring Diane Keaton, Jane Fonda, Mary Steenburgen, and Candice Bergen about four friends who decide to read 50 Shades of Grey for their monthly book club, and it changes the way they think about sex and relationships during their senior years. Also starring Andy Garcia, Don Johnson, Richard Dreyfus, and Craig T. Nelson. My favorite comedy of the year.

9. WON’T YOU BE MY NEIGHBOR?  – in a banner yeary for documentaries, this one was my favorite. Its recounting of the life of Fred Rogers, TV’s Mister Rogers from Mister Rogers’ Neighborhood, resonates deeply today, as Rogers’ message of inclusion and gentle understanding is sorely missed in today’s antagonistic and deeply divided society.

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8. ANT-MAN AND THE WASP – I enjoyed this Ant-Man sequel more than the original. Story is better, jokes and situations are funnier, and Evangeline Lily adds a lot as the Wasp and is a nice complement to Paul Rudd’s Ant-Man. Oh, and then there’s that after-credits tie-in with AVENGERS: INFINITY WAR which produced audible gasps from the audience.

7.BOY ERASED – Joel Edgerton wrote and directed this film which exposes gay conversion theory for the dangerous procedure that it is. Fine performances by Lucas Hedges, Nicole Kidman, and Russell Crowe, and by Edgerton himself as an unqualified leader of the conversion camp.

6. THE FRONT RUNNER – Sure, I’m partial to political movies, but this tale of Gary Hart’s fall from being the Democratic front runner in the 1988 presidential election to dropping out of the race entirely due to an exposed extra-marital affair pushed all the right buttons for me. The film asks relevant questions which are still being asked today. Hugh Jackman is terrific as Gary Hart, as is Vera Farmiga as his suffering wife Lee.

5. EIGHTH GRADE – Awesome film which completely captures what it is like to be an eighth grader. On target writing and directing by Bo Burnham, especially the dialogue, and a fantastic lead performance by Elsie Fisher as eighth grader Kayla Day.

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Elsie Fisher in EIGHTH GRADE (2018)

4. THE GUILTY – From Denmark, this claustrophobic intense police drama is as compelling as they come, the type of film Alfred Hitchcock would have made. All of the action takes place inside a police dispatch office as an officer relegated to the emergency dispatch receives a call from a woman being kidnapped, and he has to deal with the situation in real time. You’ll swear you’ve seen all the action scenes, but that will be your mind playing tricks on you, as the camera remains focused on the police officer throughout. Excellent movie, and lean, as it clocks in at a swift 85 minutes.

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3. AVENGERS: INFINITY WAR – It was an outstanding year for Marvel, as three of my top ten films this year come from the Marvel Universe. This was the biggie, the ultimate showdown between the Avengers and their most dangerous adversary yet, Thanos. Amazing superhero movie, with a big bold ending which is no longer a spoiler, which is, the bad guy wins in this one. One of the most emotional endings to any superhero movie, causing audible gasps and groans multiple times as the film races to its inevitable conclusion.

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2. ROMA – An extraordinary movie, ROMA was unlike any other film I saw this year. Unassuming simple tale of a maid working for a family in Mexico in 1970-71. Features some of the best camerawork of the year, all of it in mesmerizing black and white. Slow at first, but stick with it. The final 45 minutes is among the most emotional moments on film I saw all year.

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1. BLACK PANTHER –  My pick for the best movie of the year is another Marvel gem. This one takes the superhero movie to a whole other level, dealing with racial issues as well as any mainstream drama. My favorite superhero film since THE DARK KNIGHT (2018). I loved the conflict between hero Black Panther (Chadwick Boseman) and villain Erik Killmonger (Michael B. Jordan),and one of the rare times in a superhero movie where the hero admits he’s wrong and the villain is right.  Outstanding in every way, easily my favorite movie of 2018.

So, there you have it, my picks for the Best Films of 2018.

Thanks for reading!

—Michael

 

 

 

 

 

 

 

 

 

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THANKSGIVING TURKEY AWARDS 2018

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Turkey

It’s Thanksgiving here in the U.S, that holiday where people kick back and relax, reflect on what they’re thankful for, and eat lots of food, especially turkey.

With that in mind, here are some Thanksgiving Turkey Movie Awards for 2018.  Of course, the year is not over, and so these lists are not final. There’s still room for more turkeys, so to speak.

Okay, let’s get right to it!

Here are my 2018 TURKEY AWARDS:

WORST MOVIE

(And again, this list is not final. There are still five weeks left before we close out 2018.)

Right now, my least favorite film of 2018 would be PEPPERMINT, a dreadful action film starring Jennifer Garner, followed closely by THE NUN, a flat-out awful horror movie, and THE HAPPYTIME MURDERS, a very unfunny comedy that wasted a cool concept. I mean, who wouldn’t want to see a raunchy R-rated Muppet comedy? But they blew it.

 

WORST ACTING PERFORMANCE

This is difficult because acting is not something that is lacking in today’s movies. Actors today perform at a level that I think generally speaking is much higher than actors in the past.  They convey emotions that come off as authentic more often than actors from  yesteryear. While there have been great actors in every generation, I think in terms of numbers, more actors today deliver performances that are spot on than ever before.

So, how to choose a poor performance when there really isn’t any? I’m going to cheat a bit. I’m going to go with the three main “actors” in Clint Eastwood’s THE 15:17 TO PARIS, and this is cheating because these three guys aren’t actors. Eastwood chose to cast the three real life men who thwarted a terrorist attack on a Paris train to play themselves in his retelling of this heroic tale. Decades from now, Eastwood’s decision may be deemed as genius, but right now, that’s not the case for the simple reason that those young men aren’t actors and as such were out-of-place in a movie, even playing themselves. As a result, their scenes were incredibly boring and lifeless.

 

WORST SCREENPLAY

THE HAPPYTIME MURDERS – This screenplay by Todd Berger couldn’t be less funny if it tried. They should have hired Fozzy Bear. Waka! Waka!

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There’s not much that’s happy in THE HAPPYTIME MURDERS (2018)

 

WORST DIRECTOR

Brian Henson, THE HAPPYTIME MURDERS. Henson has made real Muppet movies.  He should have known better and pulled off a far more successful movie. He dropped the ball with this one.

 

WORST HORROR MOVIE

THE NUN. Nun of this movie is worth your time.

 

WORST SEQUEL

INSIDIOUS: THE LAST KEY, followed by OCEAN’S 8, JURASSIC PARK: FALLEN KINGDOM, THE EQUALIZER 2, and MAMA MIA: HERE WE GO AGAIN! Not a good year for sequels. Then again, when is it ever a good year for sequels?

 

WORST SUPERHERO MOVIE

DEADPOOL 2 – now this is not really a bad movie. It’s simply the superhero film I liked the least in 2018.

So far.

 

And now for the THANKSGIVING AWARDS portion of the column. Movies I’m thankful for this year:

 

MARVEL

Three of the best films of the year so far have been Marvel Superhero movies: BLACK PANTHER, AVENGERS: INFINITY WAR, and ANT-MAN AND THE WASP. Yup, it’s been a marvelous year for superheroes!

 

DOCUMENTARIES

With WON’T YOU BE MY NEIGHBOR? the documentary on the life of Mister Rogers leading the pack, 2018 has been a stellar year for documentaries.

 

MOVIES ABOUT WOMEN

It’s been a great year so far for movies starring women, written and directed by women, and that are telling stories about women.  Some of these movies include BOOK CLUB, EIGHTH GRADE, ANT-MAN AND THE WASP, ANNIHILATION, and LEAVE NO TRACE.

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BOOK CLUB (2018) is one of my favorite movies of the year so far, thanks largely to its female cast which includes Diane Keaton, Jane Fonda, Candice Bergen, and Mary Steenburgen.

 

BEST HORROR MOVIE

A QUIET PLACE – smart horror at its best, even if its ending isn’t nearly as intelligent as the rest of the movie. The horror genre is alive and well.

 

BEST SUPERHERO MOVIE

BLACK PANTHER – this Marvel superhero movie transcends the genre and is so good it has no business being a superhero film. Marvel continues its run of incredibly entertaining movies.

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CLASSIC ACTORS

Veteran movie actors have graced the screen throughout 2018, including Diane Keaton, Jane Fonda, Andy Garcia, Mary Steenburgen, Candice Bergen, Bruce Dern, Robert Redford, Jodie Foster, Ben Kingsley, Jamie Lee Curtis, Meryl Streep, and Cher.

 

BEST MOVIE

Sorry, but you’ll just have to wait until the end of the year for this revelation.

 

So, these are just a few of the movies I’m thankful for this year, along with some cinematic turkeys.

Thanks for reading, and wishing you a happy holiday season!

Gobble! Gobble!

—Michael

 

 

 

 

 

 

 

 

 

BOOK CLUB (2018) – Boasts Considerable Star Power with Fonda, Keaton, Bergen, and Steenburgen

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Diane Keaton, Jane Fonda, Candice Bergen, and Mary Steenburgen in BOOK CLUB (2018)

First of all, even if this movie had been bad, I still would have been impressed with its star power.

I mean, you have Jane Fonda, Diane Keaton, Candice Bergen, and Mary Steenburgen sharing equal time as the four lead characters in BOOK CLUB (2018), a charming tale of four lifelong friends who still get together once a month for their book club meetings and who decide to spice up their lives by reading Fifty Shades of Grey.

But I’ll cut to the chase and get to the good news, which is BOOK CLUB is not a bad movie. In fact, it’s quite the opposite.  It’s a really good movie.

Diane (Diane Keaton), Vivian (Jane Fonda), Sharon (Candice Bergen) and Carol (Mary Steenburgen) are all feeling old. They decide to shake things up a bit by reading the novel Fifty Shades of Grey by E.L. James for their monthly book read, and soon their conversations turn to sex. It’s a subject that’s on all their minds, but at their age, they simply don’t feel comfortable talking about it or even thinking about it. Reading the novel changes all that for them.

Carol tries to spice up her love life with her husband Bruce (Craig T. Nelson) who has only just recently retired and just doesn’t seem himself lately. The sequence where Carol secretly slips some Viagra into his drink and their subsequent argument in their car which leads to them being pulled over by the police is one of the funnier bits in the film.

Vivian becomes reacquainted with an old boyfriend Arthur (Don Johnson), while Diane, whose husband had recently passed away, meets a pilot Mitchell (Andy Garcia) who’s very much interested in her. And Sharon, a federal judge who believes she’s way past the age of dating, is egged on by her friends to get back into the game, especially when she learns her ex-husband is marrying a young woman who’s the same age as their son. Sharon enters the world of online dating, which leads her to meet a friendly accountant George (Richard Dreyfuss).

All of these stories work well, which is no surprise when you consider the quality of the actors involved here.  But BOOK CLUB is more than just fine acting.  It also has a very good screenplay by Bill Holderman, who directed, and Erin Simms.  It’s witty and honest, and the comedy here isn’t ridiculous or silly, but sincere and heartfelt.  And you definitely will laugh while watching this one.

But having four amazing actresses in the movie certainly doesn’t hurt, and all four are well worth the price of admission.

First of all, Jane Fonda looks absolutely amazing. She’s 81 years old, but you wouldn’t know it by looking at her. She looks twenty years younger.

I’ve had a crush on Diane Keaton ever since ANNIE HALL (1976) and after seeing BOOK CLUB I think I still have a crush on her. She exudes intellectual sexiness. Her story in BOOK CLUB is probably the one that is most developed of the four.  The sequence where she first meets Mitchell on a plane is laugh out loud funny,

Once they start dating, they have strong feelings for each other, but Diane feels like she needs to be committed to her two adult daughters, and she feels if she were involved in a relationship so soon after their father’s death it would hurt them, but Mitchell makes the case that it’s okay for her to be happy.  Keaton and Andy Garcia share some of the movie’s best scenes together, and they enjoy a strong onscreen chemistry.

One part of Diane’s story that didn’t work for me was her relationship with her two adult daughters.  They treat Diane like she’s 90 years old, as they worry about her living alone and want her to move to Arizona to live with them.  This seemed unrealistic to me since Diane seemed quite capable of living on her own.

Mary Steenburgen and Craig T. Nelson succeed as the long married couple Carol and Bruce who in spite of their recent difficulties really do still love each other, and this comes out beautifully in their performances.

Candice Bergen’s scenes are also very funny as she tries to navigate the world of online dating, like when she inadvertently takes a photo of herself with her computer camera while she’s wearing a facial mask. Her scenes with Richard Dreyfuss are also quite good.

In addition to Jane Fonda, Diane Keaton, Candice Bergen, and Mary Steenburgen there’s also a very strong supporting cast.

Andy Garcia is excellent as Mitchell, the pilot who falls easily in love with Diane.  It’s probably the best Garcia performance I’ve seen in years.

Craig T. Nelson is equally as good as Carol’s husband Bruce. One of his best scenes is when he explains his recent moods to Carol, saying that his retirement left him very scared about what there was left to do in his life, and it shook him badly, which is another good example of the sincerity of the screenplay.

Don Johnson enjoys quality screen time as Arthur, and Richard Dreyfuss makes the most of his very brief screen time as accountant George.

I really enjoyed BOOK CLUB, from the acting of all involved, to the funny and sincere script, to the cinematography, as there are some very picturesque shots of the skyline around Mitchell’s home in Arizona.

The film also does well with its theme, that we are not meant to be alone.  It’s Jane Fonda’s Vivian, probably the most successful of the four, who continually tries to make the argument to the contrary, citing that she knows how all relationships end, and so she is perfectly happy to ignore them and live her life without them. But when she meets Arthur again, she realizes that in spite of all her success as an independent woman, she’s missing something in her life.

For Diane, it’s the validation that it’s okay to be happy, that she doesn’t have to stay in mourning over the death of her husband in order to respect her daughters’ feelings.

Sharon learns that it’s never too late to start dating, and Carol discovers that being married to the same man for years upon years doesn’t have to take away from their sex life.  It just takes communication.

I laughed a lot during BOOK CLUB, as did the decent sized audience I saw it with.

BOOK CLUB is a witty look at four successful senior women who start off having some fun talking about sex for the first time in a while and then find themselves using these conversations as a springboard to re-connect with members of the opposite sex, something they didn’t think was still possible for women their age.

It tells an uplifting and very funny story that will have you laughing throughout in this very amiable comedy by Bill Holderman featuring four powerhouse actresses, Jane Fonda, Diane Keaton, Candice Bergen, and Mary Steenburgen.

That’s some impressive star power.

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