Luke Skywalker is Back in Action in STAR WARS: THE LAST JEDI (2017)

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At long last, Luke Skywalker speaks!

As much as I liked STAR WARS: THE FORCE AWAKENS (2015),  I was left disappointed by the fact that after characters spent the entire film searching for the elusive Luke Skywalker, he shows up for a mere half-second in the final reel and doesn’t utter a word.

Hey, it’s Luke Skywalker!  Cue end credits.

So, for me, the thing I was most looking forward to about STAR WARS: THE LAST JEDI (2017), the latest chapter in the STAR WARS saga, was seeing Luke Skywalker back in action. And since he finally gets to speak some dialogue and then some, his presence here was easily my favorite part of the movie.

STAR WARS: THE LAST JEDI picks up immediately where its predecessor, STAR WARS: THE FORCE AWAKENS (2015) left off.  And so we find the Resistance fighters led by General Leia Organa (Carrie Fisher) battling the evil First Order led by Leia’s and the now deceased Han Solo’s son Ben, who goes by the bad-guy moniker Kylo Ren (Adam Driver).  Yup, you might say the current STAR WARS battles are more of a domestic dispute!

Actually, the villain who is calling the shots is the supremely evil Snoke (Andy Serkis), as Kylo Ren works for him, but any acute viewer can spot the writing on the wall a mile away, that the real villain in this new trilogy is no doubt the conflicted Kylo Ren.

Things are not looking good for our merry band of Resistance fighters.  They are outgunned and outmanned by the superior First Order forces, even with the presence of young new heroes Finn (John Boyega) and Poe Dameron (Oscar Isaac).

And so it’s up to young Rey (Daisy Ridley) to convince the Last Jedi, Luke Skywalker (Mark Hamill) to come out of retirement and help their cause, which is no easy task since Luke is a cranky old man now, disillusioned with the world, and he wants no part in any more of its conflicts.

It takes old friend R2D2 to point out that years earlier it was another old Jedi who was asked to help the cause, Obi-Wan Kenobi, and Kenobi said yes.  And when Luke still hesitates, the spirit of Yoda arrives to set him straight.

In spite of the box office records that STAR WARS: THE LAST JEDI is currently setting, the film really is a mixed bag.

For me, the best part of this film was seeing Luke Skywalker back in action on the big screen. His scenes are clearly the best in the movie.

Just as interesting are the scenes with newcomer Rey (Daisy Ridley).  Her scenes with Luke resonate.  As she tries to convince Luke to join the Resistance, she’s also trying to learn more about who she is, and just why it is that the Force is so strong with her.

And as much as I enjoyed Luke in this movie, and most of this is due in large part ot Mark Hamill’s performance, the two most interesting characters in the film are Rey and villain Kylo Ren. As Rey searches for answers to her identity, she becomes increasingly connected to Kylo Ren, as their strength with the Force allows them to communicate with each over vast distances, and each wants to convert the other. Rey wants to turn Kylo Ren from the Dark Side, while Kylo Ren wants Rey to join him in his ambitious plot to pretty much take over the galaxy.

And Kylo Ren is also connected to Luke Skywalker, since Luke had tried to train his nephew years earlier, but failed when Ren turned to the Dark Side.

Kylo Ren is a very interesting character, with some pretty neat conflicts.  He sees himself as the next Darth Vader, but he continually falls short, and part of this is he’s the son of Han Solo and Princess Leia, and their connection is also strong with him.  Yet, to shut them down, he murdered his own father in the last movie, and this time around he promises the same fate to his uncle, Luke Skywalker.

All these parts of the movie work and work well, and the good news is these three characters do make up the bigger portion of this movie.  However, the other stories, the ones involving the Resistance led by Leia, and featuring subplots with Finn and Poe Dameron, pretty much fall flat.  They suffer largely from a “been there, done that” situation. We’ve been down this road before in previous STAR WARS films.

The First Order’s pursuit of the small Resistance fleet which takes up the entire movie is rather boring, and the smaller plot where Finn and Poe try to incapacitate the Rebel ship chasing them is rather redundant and could have appeared in any STAR WARS movie.

I found myself only interested in the story which featured the triangle of Rey, Kylo Ren, and Luke Skywalker.

Written and directed by Rian Johnson, known for his science fiction thriller LOOPER (2012) starring Bruce Willis and Joseph Gordon-Levitt, a film I liked a lot, STAR WARS: THE LAST JEDI looks as amazing as you would expect.  The special effects are all top-notch, and it does contain some decent scenes.  When Luke and Kylo Ren finally face each other, the moment is up there with some of the most dramatic and memorable scenes in the series.

But running at 152 minutes, making it the longest STAR WARS movie, it does tend to be a bit overlong and does struggle somewhat with the pacing.  Let’s put it this way.  It felt like 152 minutes.

It was great seeing Mark Hamill back on the big screen as Luke Skywalker.  Hamill is a very good actor who has been missed in the movies over the years, as his career took a different path which saw him do more voice-over roles in animated features.  For those of us who grew up watching young Luke Skywalker take on the Death Star and eventually become a Jedi to confront his own father Darth Vader, it’s a special experience to watch him here as an older man once again drawn into another conflict, but this time as the older, wiser force. If there’s any downside here, it’s that the film doesn’t include enough Luke Skywalker.

That being said, both Daisy Ridley as Rey and Adam Driver as Kylo Ren are strong enough performers that they appear more than up to the task to take on the next movie on their own. I like Daisy Ridley a lot, and I enjoyed her here every bit as much as I enjoyed Mark Hamill as Luke Skywalker.

I was lukewarm to Adam Driver as Kylo Ren in the previous movie, but he really has grown into the role, and he’s much more of a formidable presence here.  Even better, his inner conflict does not appear forced, and so he’s that rare villain who isn’t just flat-out dark and evil. It’s a neat performance.  He also gets rid of his silly mask in this movie, and that’s definitely a plus.

The rest of the actors are all okay. Of course, Carrie Fisher passed away shortly after filming her scenes for this one.  She’s fine here as Leia, but honestly, the character doesn’t fare as well as Luke Skywalker does in this movie or as Han Solo did in the last.  She’s simply not as interesting a character, nor does she have a whole lot to do in either film.  Still, it was sad to watch her in this film, knowing that in real life, she’s gone, and the character will not appear again.

Both John Boyega as Finn and Oscar Isaac as Poe Dameron are fine in their roles, but they’re stuck in storylines that aren’t so interesting.

Andy Serkis is on hand doing what does best, performing as a CGI/motion capture character, this time playing the villain Snoke, and when he’s on-screen he’s sufficiently menacing, but he’s not onscreen all that much.  I enjoyed Kelly Marie Tran as newcomer Rose Tico, who helps Finn here, and it was also fun to see Domhnall Gleeson return as General Hux, who constantly operates in the shadow of the bigger evil villains.

And the amazing John Williams returns once again to score yet another STAR WARS movie, and once more, the music is excellent.

The screenplay by director Johnson is okay.  Again, the Luke/Rey/Kylo Ren arc is the best part, while the rest seems like a rehash of previous STAR WARS movies.

Also, in general, the whole conflict in these “star wars” just isn’t all that interesting.  In fact, it’s pretty darn boring because the writing in these films has never been good enough to spark interest in its larger universe.  The best stories have been the small ones, the conflict between Luke and Darth Vader, Vader’s conflict between the Dark Side and the good, and here the conflicts with Rey, Kylo Ren, and Luke.

Whenever the stories revert to the larger conflict at hand, which is what a lot of the second trilogy did and is largely why those three films were so lifeless, the tales fall flat. I don’t really care about the Rebellion, or the Resistance, or the politics of these worlds because, again, the writing has never been good enough to make me care.

So, every time characters and events in STAR WARS: THE LAST JEDI dealt with the ongoing conflict between the First Order and the Resistance, I yawned, but when it focused on the very specific conflicts between Rey, Kylo Ren, and Luke Skywalker, I was all in.

STAR WARS: THE LAST JEDI will not be the last STAR WARS movie, but with Rey and Kylo Ren poised as the future of the STAR WARS universe, it may be the last one to look so keenly on its past.

—END—

 

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

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Movie Lists: The STAR WARS movies

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Empire Strikes Back poster

Welcome back to the MOVIE LIST column, where we look at lists pertaining to the movies.

Up today, the STAR WARS franchise.  Yep, with the latest STAR WARS film STAR WARS: THE LAST JEDI (2017) set to hit theaters today, December 14, 2017, here’s a look at how the previous films in the series rank:

  1. THE EMPIRE STRIKES BACK (1980)

For my money, this first STAR WARS sequel is the best of the lot.  Following upon the heels of the original, EMPIRE is darker, bolder, and more innovative and exciting than its predecessor. All three leads- Mark Hamill, Harrison Ford, and Carrie Fisher grew into their roles here, and much more is revealed about one of the screen’s greatest villains, Darth Vader (David Prowse, with James Earl Jones providing the voice).  John Williams’ iconic Darth Vader theme, the Imperial March, is introduced here, making it hard to believe it didn’t exist in the first movie.

In a brilliant stroke, to keep things fresh, George Lucas stepped out of the director’s chair in favor of Irvin Kershner, something Lucas would stumble over in the second trilogy with his ill-fated decision to direct all three films.  EMPIRE also has the best script in the series, written by Leigh Brackett and Lawrence Kasdan.  Before ROGUE ONE came along, EMPIRE had the darkest ending in the series, with its now infamous reveal about the relationship between Luke Skywalker and Darth Vader.  Also the film that introduced Yoda.

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2. STAR WARS (1977)

The movie that started it all.  I still remember when this one first hit the theaters, back in the summer of 1977.  When I saw this on the big screen that summer at the age of 13, I was blown away. Having grown up watching STAR TREK and LOST IN SPACE on TV, I had never seen such amazing special effects before.

Instantly drawn into the story of Luke Skywalker, Princess Leia, and Han Solo, I was along for the ride from the get-go, and I still haven’t forgotten the awe and wonder I felt entering the strange alien worlds and spaceship of this ultra imaginative movie.  Also featured my all-time favorite actor, Peter Cushing, playing the villain, Grand Moff Tarkin, which gave me the second opportunity to see Cushing on the big screen, the first being the inferior Amicus adventure AT THE EARTH’S CORE (1976).

Rousing iconic score by John Williams, and brilliant directing by George Lucas make this one a classic for the ages.  It’s now called STAR WARS: EPISODE IV: A NEW HOPE to fit in with the entire trilogy, but back in the day when it first came out, it was just STAR WARS, and rightly so.

3. STAR WARS: THE FORCE AWAKENS (2015)

After a sub par and inferior second trilogy, STAR WARS returned to the top with this energetic and exciting new entry by writer/director J.J. Abrams, who earlier achieved similar success with his excellent STAR TREK reboots.  The spirit of STAR WARS seemed to be missing in the previous trilogy, but it’s back and stronger than ever here.

With the return of familiar characters like Han Solo, Chewbacca, and Princess Leia, and newcomers like Rey (Daisy Ridley) and Finn (John Boyega), this sequel which takes place thirty years after the events of RETURN OF THE JEDI, completely recaptures the magic of the original STAR WARS movies.  My only gripe is that Luke Skywalker (Mark Hamill) doesn’t appear until the very end.

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4. ROGUE ONE – A STAR WARS STORY (2016)

The first stand-alone STAR WARS movie was a mixed bag for me the first time around.  I thought the film did a poor job with character development which was a major deal here since the film contains nearly all new characters.  But I liked this one much better upon a second viewing.  Its story, the tale of how the rebels stole the Death Star plans used by Luke Skywalker and the rebels in the original STAR WARS film, is a good one, and it even addresses the long-standing joke of how inept the Empire must have been to have built the Death Star with a glaring weakness that the rebels could expose so easily.  ROGUE ONE makes it clear that this supposed weakness was not by accident.

Excellent storytelling gets better as the movie goes along as it moves towards its powerhouse finale, the darkest by far in the entire series.  Also notable for its sometimes impressive CGI re-creation of Peter Cushing playing Grand Moff Tarkin.  On the big screen, I thought he looked cartoonish, but at home on my TV screen he looked a bit more genuine.

 

5. STAR WARS: EPISODE III: REVENGE OF THE SITH (2005)

I am really not a fan of this second series, but I do like the third and final film in which we learn how Anakin Skywalker becomes Darth Vader.  Part of the problem with this series is it’s a prequel. Another part is that it simply takes too long to tell its story.  The three movie arc was unnecessary.  Had REVENGE OF THE SITH been a standalone film, it would have been better received.

Other problems with this series: a lack of imagination and fun.  They are about as cold and lifeless as one can get in a supposed adventurous science fiction fantasy tale.  They also feature a stoic unimaginative actor in the lead as young Anakin, Hayden Christensen.

But I do like this third film, mostly because it succeeds in convincingly telling its tale of just why Anakin Skywalker chose the Dark Side in the first place.  In short, the Jedi were jerks to him, while the Emperor filled his head with flattery.  Most of the film is uneven, but the final reel is the best part and well worth the wait.

 

6. STAR WARS: EPISODE II: ATTACK OF THE CLONES (2002)

Completely unnecessary movie in the STAR WARS canon, notable mostly for Christopher Lee’s presence as Count Dooku, and Natalie Portman’s portrayal of the increasingly tragic Padme.

 

7. RETURN OF THE JEDI (1983)

I know, a lot of people love this one, but I’ve disliked it since I first saw it at the theater.  Following the masterful EMPIRE STRIKES BACK, JEDI is clunky in its story telling, struggles with pacing, and doesn’t come close to capturing the awe and magic of the first two movies.  When the film should have been reaching new heights in its tale of light vs. dark, it instead reverts to cutesiness, introducing us to huggable Ewoks, who do nothing but take away valuable screen time from Luke and Darth Vader.

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Darth Maul, one of the few good things about THE PHANTOM MENACE (1999).

8. STAR WARS: EPISODE I: THE PHANTOM MENACE (1999)

My least favorite of the series.  Did we really need an entire movie about Anakin Skywalker’s life as a little boy?  In a word, no.

Notable for Liam Neeson’s presence as Qui-Gon Jinn, and the very cool villain Darth Maul.  Yep, Qui-Gon and Darth Maul are by far the two best characters in this movie, and they are both promptly killed off.  Shows you how good this movie is.

And there you have it.  A quick take on the STAR WARS movies.  I’ll be sure to update this list shortly to include the latest movie, STAR WARS: THE LAST JEDI (2017).

Until then, thanks for reading!

—Michael

MEMORABLE MOVIE QUOTES: STAR WARS (1977)

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Welcome back to MEMORABLE MOVIE QUOTES, that column where we look at memorable quotes from some really cool movies.  Up today, on the heels of the hype of the latest STAR WARS movie and first stand alone film in the series, ROGUE ONE:  A STAR WARS STORY (2016), we look at quotes from the movie that started it all, STAR WARS (1977).

Those of us old enough to have seen STAR WARS when it first exploded across theaters back in 1977 remember fondly that back then it was simply known as STAR WARS and not STAR WARS:  EPISODE IV –  A NEW HOPE.

Ah, the good old days, when the Force was young!

So, without further hesitation, here are some cool quotes from the original STAR WARS, screenplay by George Lucas.

To begin with, there are a lot of classic quotes from STAR WARS, enough to fill several columns, and so today we’ll just be looking at some of them.  I’d rather write multiple columns in order to give all the quotes their due rather than jampack them all into one crowded piece.  Hmm.  I just might have to do that.

A lot of my favorite quotes from STAR WARS come from Han Solo (Harrison Ford), the wise-cracking pilot of the Millennium Falcon, such as in this sequence where Luke Skywalker (Mark Hamill) and Han discover that Princess Leia (Carrie Fisher) is being held prisoner on the Death Star, and Luke tries to convince Han to help him rescue her.  Let’s listen:

LUKE SKYWALKER:  They’re gonna execute her! Look, a few minutes ago you said you didn’t want to just wait here to be captured. Now all you want to do is stay?

HAN SOLO:  Marching into a detention area is not what I had in mind.

LUKE SKYWALKER: But they’re gonna kill her!

HAN SOLO:  Better her than me!

 

But Luke won’t give up:

LUKE SKYWALKER:  She’s rich.

HAN SOLO:  Rich?

LUKE SKYWALKER:  Rich, powerful. Listen, if you were to rescue her, the reward would be…

HAN SOLO:  What?

LUKE SKYWALKER:  Well, more wealth than you can imagine!

HAN SOLO:  I don’t know, I can imagine quite a bit.

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Later, when they actually do attempt to rescue the princess, Han finds himself on the wrong end of a communication device.  After he and Chewy had taken out the Stormtroopers guarding Princess Leia, the intercom beeps and an official wants to know what exactly is going on there.  Han has no choice but to answer:

HAN SOLO:  Uh, everything’s under control. Situation normal.

VOICE:  What happened?

HAN SOLO:  Uh, we had a slight weapons malfunction, but uh… everything’s perfectly all right now. We’re fine. We’re all fine here now, thank you. How are you?

 

Han Solo even gets philosophical when Luke questions him about his lack of belief in the Force:

LUKE SKYWALKER:  You don’t believe in the Force, do you?

HAN SOLO:  Kid, I’ve flown from one side of this galaxy to the other, and I’ve seen a lot of strange stuff, but I’ve never seen anything to make me believe that there’s one all-powerful Force controlling everything.  ‘Cause no mystical energy field controls my destiny. It’s all a lot of simple tricks and nonsense.

 

Speaking of the Force, another character with lots of memorable lines in STAR WARS is Ben Obi-Wan Kenobi (Alec Guinness).  In this now classic exchange with a troop of Stormtroopers, Ben uses the Force, the now infamous Jedi mind trick, to circumvent the Stormtroopers’ checkpoint.  Let’s have a listen to the Jedi Master:

STORMTROOPER:  Let me see your identification.

BEN OBI-WAN KENOBI (waves his hand):  You don’t need to see his identification.

STORMTROOPER:  We don’t need to see his identification.

BEN OBI-WAN KENOBI:  These aren’t the droids you’re looking for.

STORMTROOPER:  These aren’t the droids we’re looking for.

Which led to years later, a hilarious T-shirt photo of a Stormtrooper sitting forlornly with his head buried in his hands with the caption:  “Those were the droids you were looking for!”

 

Ben Kenobi also has one of the more ominous lines in the movie and perhaps the entire series when the Millenium Falcon approaches the Death Star for the first time, and Han announces they’re approaching a small moon, to which Ben says gravely,

BEN OBI-WAN KENOBI:  That’s no moon. It’s a space station.

 

And later, when he finally meets Darth Vader in a duel to the death, he has this exchange with his former pupil:

DARTH VADER:  Your powers are weak, old man.

BEN OBI-WAN KENOBI:  You can’t win, Darth. If you strike me down, I shall become more powerful than you could possibly imagine.

I remember my reaction when I first saw this scene in 1977.  I thought, what is he talking about?  And after Darth Vader struck him down, I thought, Well, that was wishful thinking on his part.  But then, miraculously, his dead body is not present, and I immediately changed my tune.  Hmm.  Maybe he had something there.  And of course, Kenobi’s “spirit” is on hand for the next two STAR WARS movies, THE EMPIRE STRIKES BACK (1980), and THE RETURN OF THE JEDI (1983).

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One character I haven’t mentioned is the main character in STAR WARS, Luke Skywalker.  Luke has his share of memorable lines as well, like in this banter with Han Solo and Princess Leia:

PRINCESS LEIA:  It’s not over yet.

HAN SOLO:  It is for me, sister. Look, I ain’t in this for your revolution, and I’m not in it for you, Princess. I expect to be well paid. I’m in it for the money.

PRINCESS LEIA:  You needn’t worry about your reward. If money is all that you love, then that’s what you’ll receive. (To LUKE)  Your friend is quite the mercenary. I wonder if he really cares about anything. Or anybody.

(She exits.)

LUKE SKYWALKER:  I care.  (To HAN)  So, what do you think of her, Han?

HAN SOLO:  I’m tryin’ not to, kid.

LUKE SKYWALKER:  Good.

HAN SOLO:  Still, she’s got a lot of spirit. I don’t know, whaddya think? You think a princess and a guy like me—.

LUKE SKYWALKER:  No.

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Then there’s this lively exchange as Luke arrives to rescue the princess:

LUKE SKYWALKER:  I’m Luke Skywalker. I’m here to rescue you.

PRINCESS LEIA:  You’re who?

LUKE SKYWALKER:  I’m here to rescue you. I’ve got your R2 unit. I’m here with Ben Kenobi.

PRINCESS LEIA:  Ben Kenobi? Where is he?

LUKE SKYWALKER:  Come on!

 

And then there’s these prophetic lines, when Luke finally decides he’s ready to follow Obi-Wan Kenobi:

LUKE SKYWALKER:  I want to come with you to Alderaan. There’s nothing for me here now. I want to learn the ways of the Force and become a Jedi like my father.

Luke also gets to utter the line, along with many other characters in subesequent movies, which would become a STAR WARS catch phrase:

LUKE SKYWALKER:  I have a very bad feeling about this.

 

Of course, the most famous catch phrase and line to come out of STAR WARS is the now iconic “May the Force be with you.”

So, that’s it for now.  I’m sure I will follow this up at some point with another column on more memorable quotes from STAR WARS, especially when in this edition we heard nary a word from one Darth Vader.

Thanks for reading, and join me again next time when we look at more memorable quotes from another classic movie.

—Michael

 

 

 

 

 

STAR WARS: THE FORCE AWAKENS (2015) Brings Home The Memories

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star wars force awakens poster

STAR WARS:  THE FORCE AWAKENS (2015)

Movie Review

By Michael Arruda

If there’s one thing that STAR WARS:  THE FORCE AWAKENS does well, it’s that it hearkens back to the original trilogy and if you liked those movies, you’re sure to enjoy this one as well.  Of course, it does a few other things well, too.

STAR WARS: THE FORCE AWAKENS takes place 30 years after the events in RETURN OF THE JEDI (1983).  As the familiar golden words on the screen at the beginning of the movie explain, Luke Skywalker has disappeared, and both the evil First Order and the feisty Rebels are looking for him.  A map exists which shows the hiding place of Luke.  Whoever finds the map will find Luke, and so the race is on.  That in a nutshell is the plot of STAR WARS: THE FORCE AWAKENS.

When the movie opens, a rebel pilot Poe Dameron (Oscar Isaac) possesses the map, but he’s captured by the First Order, the baddies in this one who look and act exactly like the Evil Empire in the first trilogy.  Before he’s captured, Poe slips the map to his droid BB-8 and tells it to run.  [Sound familiar?  Princess Leia did the same thing with R2D2 in the original STAR WARS (1977).  There are lot of homage moments like this in the THE FORCE AWAKENS.  For the most part, I enjoyed them.  However, this ploy also works against the film’s originality.  More on this later.]

Poe is captured and interrogated by one of the leaders of the First Order, a Darth Vader wannabe, Kylo Ren (Adam Driver), but with the help of a former Storm trooper Finn (John Boyega) Poe escapes.

Meanwhile, a young woman Rey (Daisy Ridley) crosses paths with BB-8 and befriends the droid.  When the First Order arrives in search of BB-8 and the map, Rey and the droid are helped by Finn.  They receive further assistance when old friends Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew) arrive, and they bring the three back to the Rebels, now led by former Princess and now General Leia (Carrie Fisher).

The battle lines are drawn.  Both sides are searching for Luke Skywalker, while at the same time the Rebels are forced to defend the galaxy against another powerful planet-destroying weapon possessed by the First Order, a weapon that makes the Death Star in the original STAR WARS seem puny in comparison.  Of course.

STAR WARS: THE FORCE AWAKENS is clearly an homage to the original trilogy, especially to the first film in the series, STAR WARS. I had a love/hate relationship with this.

For the most part, the homage style works.  I absolutely loved how director J.J. Abrams re-introduced all the original characters.  Everyone- Han Solo, Princess Leia, Luke Skywalker, Chewbacca, C3PO, R2D2- receives a dramatic entrance.  Heck, even the Millennium Falcon gets a heroes-welcome first scene.  This all works for me and provides the fans with plenty of loud ovation moments.  It reminded me a lot of when I saw STAR TREK: THE MOTION PICTURE (1979) years ago at the movies, the way that film gave each main character a dramatic entrance, as that was the first time those folks were appearing on the large screen.

However, where this style faltered was in the construct of the story’s plot. In STAR WARS: THE FORCE AWAKENS, once again the First Order is in possession of a planet destroying weapon, and once more the Rebels detect a weakness in its construction, and so they come up with a plan to sneak in and destroy it.  This plot point is right out of both STAR WARS and RETURN OF THE JEDI.  You would think that at this point the bad guys would have come up with a different weapon or would have eliminated these weaknesses.  They haven’t won yet.

While this may sound like nitpicking, a different plot point in these movies would be most welcome.  It’s like when Lex Luthor shows up as the villain in all the SUPERMAN movies.  Nothing against Lex, but can we have a different villain once in a while?

Likewise, I realize that it’s the STAR WARS universe and the expectation is that things are somewhat similar.  I have no problem with the style and the looks being similar, but in terms of plot they need to shake things up a bit.  Not all film series have to do this.  Take the ROCKY series for example.  You expect those films to end with a climactic boxing match.  That makes sense.  Rocky is a boxer.  But the STAR WARS films take place in outer space and have entire galaxies as their canvas.  The plot points should be endless.

I really enjoyed the cast in STAR WARS: THE FORCE AWAKENS, and the film combines both the old and the new seamlessly.

Of the original cast members, Han Solo (Harrison Ford) gets the most screen time, and since Han has always been one of the most interesting and compelling characters in the STAR WARS universe, this is a good thing.  Harrison Ford is once again excellent as Han Solo, and he shows that at 73 he hasn’t lost much in terms of his charisma and acting chops.

Carrie Fisher as General Leia is in the film less, and based on her few scenes, this is also a good thing.  Of course, we don’t see a lot of Luke, since a key plot point of the film is that he’s disappeared, but since his name is in the credits, it’s a good bet he will show up at some point.

That being said, this was another plot point of STAR WARS: THE FORCE AWAKENS that I did not enjoy.  Luke Skywalker is the single most important character from the original series, and now we have a new STAR WARS movie which hearkens back to the original, and as a key plot point, the film chooses to have it so that Skywalker has vanished?  I don’t know about that.  To borrow a title from that other science fiction series, I would have preferred that this movie not played out like STAR WARS:  THE SEARCH FOR LUKE, which is a roundabout way of saying I wanted more Luke in this movie.

Of course, what truly helps this movie is that the new cast members are for the most part excellent.  Daisy Ridley nearly steals the movie as Rey, the new heroine who promises to be the next big character as this series progresses.  She’s that good.  Other than Harrison Ford’s return as Han Solo, Ridley was my favorite part of this movie.

John Boyega is nearly as good as Finn, the former Storm trooper now turned rebel hero.  He’s likeable, humorous, and gutsy, and he fits in perfectly in the STAR WARS universe.

I didn’t think Oscar Isaac fared as well as super duper pilot Poe Dameron.  He’s likable enough, but he’s more one-dimensional than the other two characters.  Perhaps he will be developed more later.  We saw Isaac earlier this year in the science fiction film EX MACHINA (2015).  His co-star in that film, Domhnall Gleeson, also stars here in STAR WARS: THE FORCE AWAKENS as one of the villains, General Hux.

And this is another place where I thought STAR WARS: THE FORCE AWAKENS had some problems.  I just wasn’t all that impressed with the villains in this one.  The main villain, Kylo Ren (Adam Driver) just didn’t do anything for me.  I found him whiny and wishy-washy, about as effective a villain as Loki in the Marvel superhero movies.

With his mask, he’s supposed to be a younger Darth Vader type, and in fact he is related to the character— another thing that strains disbelief in this film- everyone seems to be related to each other.  Is the universe really that small?— and some have cited his inner struggle— he’s not yet completely sold on the Dark side—as a compelling character trait.  I just found it weak and juvenile.  Choose a side and get on with it.  Hamlet, he wasn’t.

Plus, he takes off his mask at will.  What’s up with that?  What is the mask’s purpose, then?  A fashion statement?  To make him look scary?  Darth Vader wore his mask because without it he would die.  Kylo Ren wears his mask because he’s afraid to be evil without it, I guess.  I have to admit, whenever he took off his mask, I thought of Rick Moranis as Dark Helmet  in Mel Brooks’ SPACEBALLS (1987) and wanted to laugh.

The other villain in the film, Supreme Leader Snoke (Andy Serkis)— how’s that for a presumptuous name?  He’s the Supreme Leader because name says so, not because of anything he does in the movie!— is reduced to appearing as a holographic image a la the Emperor in the original series.  He gets to say ominous lines to Kylo Ren, but that’s about it.

Snoke is played by Andy Serkis, who is the top guy in the movies when it comes to motion capture performances, as he has hit homeruns with his performances as Gollum in THE LORD OF THE RINGS series, as Caesar in the new PLANET OF THE APES series, and he even made for a decent King Kong in Peter Jackson’s 2005 remake of KING KONG.  But here he’s reduced to a stationary holographic image.

Nuff said.

Chewbacca, C3PO, and R2D2 all enjoy fine moments, and the new droid BB8 is also very enjoyable.  One more new cast member who makes an impression is Max Kanata (Lupita Nyong’o).  Kanata is a CGI created creature with wide eyes who enjoys some key scenes, and Nyong’o makes the most of her brief screen time.

For the most part, I enjoyed the directorial work of J.J. Abrams here.  He has made a crowd pleaser, and STAR WARS fans should walk away from the theater satisfied.  It’s clearly a homage and it works.  It brought me back to the time when I watched the original three films at the theater, and this was a lot of fun.  STAR WARS: THE FORCE AWAKENS is a much more satisfying STAR WARS vehicle than the previous three films, the prequel trilogy of the 90s and early 200s.

And the film looks great.  Again, it hearkens back to the original series, and really captures the original look of the first STAR WARS.  And while there were some cool scenes, I can’t say that they blew me away, since nearly everything that happens in this movie was very familiar.

The screenplay by director Abrams, Lawrence Kasdan who also wrote both THE EMPIRE STRIKES BACK and RETURN OF THE JEDI, and Michael Arndt successfully creates nostalgia but falters somewhat when it comes to original storytelling.  At times, STAR WARS: THE FORCE AWAKENS almost plays like a straight re-boot of the original STAR WARS.  I would have preferred it had this new film taken a far more original route.  Is it asking too much that the evil First Order develop a new way of doing things rather than creating yet another planet destroying weapon with a glaring weakness?  Is it asking too much that the good guys face some other conflict instead of trying to destroy another Death Star?  There are far too many exciting plot points for a STAR WARS movie not to seek them out.

John Williams once again wrote the music score, and once more it’s a phenomenal soundtrack.

STAR WARS: THE FORCE AWAKENS is a rousing tour de force, full of STAR WARS nostalgia and a genuine crowd-pleaser, but it lacks originality and as such offers nothing new, other than new younger characters who face the same adversities our original characters faced in the original trilogy.  So, yes, STAR WARS: THE FORCE AWAKENS  also plays like STAR WARS:  THE NEXT GENERATION.

While it’s all unabashedly fun, it’s also completely predictable.

May the Force Be With You.  Again.

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