BAD TIMES AT THE EL ROYALE (2018) – Uneven Opening Gives Way To Intense Second Half

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bad times at the el royale poster

So, are there bad times at the El Royale?

You don’t know the half of it.

BAD TIMES AT THE EL ROYALE (2018), the latest film by writer/director Drew Goddard, takes place at a run down hotel, the El Royale, which sits on the border between California and Nevada, and follows the stories of several guests who all arrive there one night, each with dark secrets. When their lives intersect, all hell breaks loose.

BAD TIMES AT THE EL ROYALE is uneven at times, especially early on, when the stories told are somewhat disjointed, but it’s one of those movies where your patience will be rewarded. It gets better as it goes along, and it finishes strong. Still, it doesn’t entirely work as a complete package. It’s more a series of moments, and it does have some powerful moments, scenes that pack a wallop. You just have to wait for them.

The film is also helped by an excellent cast, with several players delivering outstanding performances. Jeff Bridges, for example, carries the film whenever he’s onscreen, which is a lot, and Chris Hemsworth, who shows up towards the end, steals the scenes he’s in.

It’s 1968, and struggling singer Darlene Sweet (Cynthia Erivo) arrives at the El Royale to find a priest Father Daniel Flynn (Jeff Bridges) standing out front looking lost. They strike up a friendly conversation and enter the hotel together to find the lobby empty except for one other person who’s helping himself to the bar, and that’s salesman Laramie Seymour Sullivan (Jon Hamm) who tells them he can’t seem to find any hotel staff.

This opening scene, in which the three have an extended conversation, plays like something out of a dream. The hotel seems to be deserted, yet they’re talking like that’s not so strange. It’s a weird and slow scene, not the strongest sequence in which to open a movie, but like I said, things get better.

The hotel clerk, a young man named Miles Miller (Lewis Pullman) eventually shows up and apologizes for not hearing the bell, and as he does so, another guest arrives, a woman named Emily Summerspring (Dakota Johnson). Needless to say, none of these folks are simple hotel guests. They have all arrived with an agenda, a story, and through a creative series of flashbacks, we learn what they are all doing there. Yet, the flashbacks are only a small part of the story, as most of the film takes place at the hotel when these characters’ stories intersect, and the less said about their stories, the better. I wouldn’t want to ruin the fun.

And BAD TIMES AT THE EL ROYALE is a lot of fun, in a dark violent sort of way.

Drew Goddard has written a very creative script, which is no surprise, because he’s done this before.  Goddard wrote the screenplays for such films as THE CABIN IN THE WOODS (2012), which he also directed, THE MARTIAN (2015), and one of my all time favorites, CLOVERFIELD (2008). He’s also written a lot for television, lending his writing talents to such shows as BUFFY THE VAMPIRE SLAYER (2002-2003), LOST (2005-2008), and Marvel’s DAREDEVIL (2015-2018), a show in which he also serves as the series creator.

With BAD TIMES AT THE EL ROYALE, as both the writer and director, Goddard has created an enjoyable puzzle of a movie. The characters’ stories intertwine seamlessly, helped along by Goddard’s effective use of flashbacks, both from years past and just minutes before. The film shows several events more than once, as seen through different characters’ eyes.

There’s even a Hitchcock MacGuffin, a roll of film containing footage of an unnamed prominent figure, now dead, in a compromising situation. It’s an item everyone wants because of its value.

As I said, the cast is at the top of their game.

The two characters who get the most screen time are singer Darlene Sweet and Father Flynn. Cynthia Erivo is very good as Sweet, and of all the characters in the story, she’s the most straightforward. Her past isn’t so much about a secret, but about a decision to buck the system, to reject the sexual advances of her producer who promised he could make her a star. She decides to make it on her own. Her story really resonates today.

Jeff Bridges is superb as Father Flynn, who does have a secret to hide. Now, since Bridges has had a long and remarkable career, I hesitate to say that this is one of his best performances, because he’s had a lot of those, but let’s put it this way: he’s really, really good. For me, even more than the story, Bridges’ performance is the best part of this movie, and is what I enjoyed most. Bridges’ best scenes are when he talks about and deals with his bout with Alzheimer’s.

Jon Hamm is also very good as Laramie Seymour Sullivan, although his character ultimately has less of an impact than Bridges’ or Erivo’s. For me, the best part of Hamm’s performance was he was playing someone very different from Don Draper on MAD MEN (2007-2015).

Dakota Johnson is fine as Emily Summerspring, but even better is Cailee Spaeny who plays her younger sister Rose, and Lewis Pullman as hotel clerk Miles Miller.  There’s something almost hypnotic about Spaeny’s performance as Rose, a sort of flower child who becomes obsessed with Chris Hemsworth’s Billy Lee, a relationship that leads her to violence and murder. And Pullman starts off as a meek hotel clerk, but his secrets are painful and deep, and his performance gets better as the film goes along.

Speaking of Chris Hemsworth, he has a field day as Billy Lee, this 1960s anti-establishment leader who sees himself as a cross between Abbie Hoffman and Jesus Christ. Throw in a little Charles Manson and you get the idea. Hemsworth fills the character with creepy charisma.

It’s on full display in the scene where he uses an allegory to share his views on war, having Rose fight another young girl while he stands back and watches, asking his followers to observe how he has made them fight while he remains far away from the scuffle and profits from it.

Hemsworth and Bridges are the two best parts of this movie, and their confrontation during the film’s climax is a major highlight.

That climactic scene where Billy Lee holds the characters hostage and uses a Roulette board to play a deadly execution game is a nail-biter and by far the most intense sequence in the film.

However, one major knock against the script, as fun as it was, and as much as I liked it, is it’s not all that believable.  Other than the Alzheimer’s subplot and Darlene Sweet’s plight with her sexual predator producer, there’s not a lot of realism here, and for the most part, I didn’t believe what was going on. For me, this usually spells doom for a movie, but that’s not the case here. I enjoyed all the clever touches used to tell this story, and combined with the phenomenal acting, it made up for the lack of believability.

BAD TIMES AT THE EL ROYALE begins slowly, but it gets better, providing some potent moments while it builds to a satisfying and intense final act.

These are some bad times you don’t really want to miss.

—END—

 

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AVENGERS: INFINITY WAR (2018) – Epic Marvel Superhero Movie Plays Like Season Finale

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Awesome.

That’s the first word that comes to mind after seeing AVENGERS: INFINITY WAR (2018), the third AVENGERS film and nineteenth movie overall to take place in the Marvel Cinematic Universe.  Yup, Marvel has been on quite the run, and it shows no signs of slowing down with its latest entry.

The story AVENGERS: INFINITY WAR tells is simple and easy to rally behind, making it an action-packed thrill ride with enough emotional ups and downs between light moments and dark ones you’re sure to leave the theater not only entertained but moved as well.

Thanos (Josh Brolin) is busy collecting the Infinity Stones, supernatural items which have been featured in several of the earlier Marvel movies. Thanos wants all six because once he has them, he will have the power to destroy the universe.  Now, Thanos does not want to destroy the universe. Nope, he just wants to trim it down a bit.  Systematically, randomly, and without mercy, he simply wants to wipe out half of civilization, so that the other half can thrive and lead better lives. What a thoughtful guy! As he says, the greatest decisions take the greatest sacrifices, and he’s the one to make such bold decisions and carry them out.

Standing in Thanos’ way are the Avengers, Earth’s mightest superheroes. They scramble to not only prevent Thanos from getting all the stones but also to destroy the madman once and for all. The trouble is, the Avengers as we know them don’t really exist any more.  They broke up, as shown in events from CAPTAIN AMERICA: CIVIL WAR (2016). When Bruce Banner/the Hulk (Mark Ruffalo) learns the news, his response is “What do you mean, broke up? Like a band? Like the Beatles?”

So, the group of arguing superheroes has disbanded, and when the fight begins, they are not together.  They also are in need of help, which arrives with the Guardians of the Galaxy, and also Black Panther (Chadwick Boseman) and the warriors from Wakanda. Together, the fight is on.

But AVENGERS: INFINTIY WAR is much more than just a superhero war movie.

Start with the villain, Thanos, who with his nearly unstoppable powers may be the best Marvel movie villain yet. Thanos is not some cliché madman who wants to take over the universe. No, he wants to prune it, the way we care for trees and gardens in the spring. Remove dead branches and weeds, and prepare for new life. Trouble here is, Thanos wants to remove things— beings— that are very much alive. But his motivations are based on real issues, like overcrowding and population explosion. As he says during one point in the film, the universe and its resources are finite, and it can’t sustain unlimited growth forever, and that’s where he comes in. As he sees it, he’s there to give people a better life, and this isn’t some lie to cover for some other darker more ludicrous plan. It’s really what Thanos intends  to do, and for those reasons.

If there’s one drawback to AVENGERS: INFINITY WAR it’s that if you haven’t seen the previous films in the Marvel movie universe, you no doubt won’t be as moved because you won’t know the background to the characters. You wouldn’t understand the depth of Iron Man’s and Captain America’s rift if you haven’t seen CAPTAIN AMERICA: CIVIL WAR (2016).  You wouldn’t appreciate the relationship between Thor and Loki if you hadn’t seen the THOR movies, nor the full humor of the Guardians of the Galaxy if you hadn’t seen their movies, nor the dynamic between Iron Man and young Spider-Man if you hadn’t seen SPIDER-MAN: HOMECOMING (2017). And on I could go.

That being said, it’s not an issue of following the story, because AVENGERS: INFINITY WAR handles its storytelling smoothly.  You could see this movie without having seen any of the others and easily follow what is going on and enjoy the story. You just wouldn’t get the same emotional impact if you hadn’t seen these characters before.

The brilliant part of these Marvel movies is they have introduced these characters and told their stories patiently over the years through a series of high quality movies, and there have been so many of them that they really play out like a TV series. You watch AVENGERS: INFINITY WAR and you’ve seen all the other Marvel movies, this film plays like a season finale.

AVENGERS: INFINITY WAR has what all the other Marvel movies had before it, a phenomenal cast, superior writing, and superb direction. Just look at the cast here: Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Don Cheadle, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Zoe Saldana, Tom Hiddleston, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Idris Elba, Danai Gurira, Peter Dinklage, Benedict Wong, Dave Bautista, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Benicio Del Toro, Chris Pratt, William Hurt, and Josh Brolin.

Wow.

Double wow.

At the center of this story is Tony Stark/Iron Man, played by Robert Downey, Jr. The recent run of Marvel movies began with IRON MAN (2008), the film which introduced Downey, Jr. as Tony Stark, a role he has made his own over the years.  This marks the ninth time he has played Tony Stark in a movie.

Once more, Robert Downey Jr. excels in his scenes as Tony Stark, and his climactic confrontation with Thanos is one of the many highlights of the film, mostly because we have followed this character since IRON MAN and to see his story arc come to a head with this battle with Thanos is a high impact moment.

Likewise, Captain America/Steve Rogers (Chris Evans) is the other main Avengers character, and as we saw in CAPTAIN AMERICA: CIVIL WAR, he has become the leader of one faction of superheroes, separate from Tony Stark and his followers, since they experienced a major disagreement over their relationship with the U.S. government. Like Robert Downey Jr., Chris Evans has also played Captain America nine times in the movies, and also like Downey Jr., his performances have been exceptional.

Now known as simply “The Captain,” and sans his mask and shield and now sporting a beard, he assembles his group along with Black Panther and the warriors from Wakanda to defend the Earth from Thanos. In their greatest battle, Captain America and Iron Man are not together.

Also successfully reprising their roles are Chris Hemsworth as Thor, Mark Ruffalo as Bruce Banner/The Hulk, and Chadwick Boseman as Black Panther. The Guardians of the Galaxy are also on hand, and Chris Pratt and company lend plenty of fun moments to the fray.  And you can’t forget Tom Holland as Spider-Man.

And as I said, Josh Brolin, with his cool, calm demeanor and nearly unlimited strength, makes for one of Marvel’s best villains as Thanos.

There are so many fun moments in this one. Star-Lord’s (Chris Pratt) interactions with Thor are hilarious, as is the rapid fire pop culture discussion between Star-Lord and Spider-Man. Drax (Dave Bautista) is his usual honest self, and he gets to partake in several laugh-out loud moments. Likewise, there are fine moments between Tony Stark, Peter Parker, and Dr. Strange, poignant moments between Scarlet Witch (Elizabeth Olsen) and Vision (Paul Bettany) and an emotional scene where Black Widow (Scarlett Johansson) and Okoye (Danai Gurira) leap to Scarlet Witch’s defense.

AVENGERS: INFINITY WAR has a superior script by Christopher Markus and Stephen McFeely. It tells a solid story, does a remarkable job giving this huge ensemble plenty to do and many of their own signature moments, and contains fine dialogue throughout. And this is no surprise since both these guys have written several of the previous Marvel movies, including one of the best, CAPTAIN AMERICA: CIVIL WAR (2016).

Brothers Anthony and Joe Russo do a fine directing job. The movie starts off with a thrilling pre-credit sequence showing Thanos tangling with Thor, Loki, and the Hulk, and pretty much decimating Asgard, which sets the stage perfectly for the rest of the movie. The audience learns immediately that Thanos is a formidable foe.

The film is paced nicely as its 149 minute running time flies by.  It also looks great, as the various worlds here are full of eye-popping color and look amazing.  The battle scenes are pretty much all exciting and authentic.

This is the Russo brothers’ first AVENGERS movie, taking over the directorial duties from Joss Whedon. The Russos had previously directed CAPTAIN AMERICA: THE WINTER SOLDIER (2014) and CAPTAIN AMERICA: CIVIL WAR (2016).

There are so many memorable moments in this movie they are too numerous to list. But since I can’t contain myself, here are a few more: it was fun to see the characters from BLACK PANTHER back doing their thing here in this movie. Doctor Strange is actually more likable here than he was in his own movie. Loki has one of his best on-screen sequences yet. Gamora (Zoe Saldana) also has some powerfully emotional scenes, as does the wise cracking Rocket (Bradley Cooper), who Thor constantly refers to as the “Rabbit.” And on and on I could go.

And then there’s the ending.

What. A. Bold. Ending.

Okay, I’m partial to dark endings, but this is exactly the type of ending which so many movies which feature such powerful villains should have but all too often don’t because filmmakers shy away from them. I absolutely loved the ending to AVENGERS: INFINITY WAR. It will leave you breathless, speechless, and without saliva. Any other ending would not have seemed as real. It hearkened back to the ending of the best STAR WARS movie, THE EMPIRE STRIKES BACK (1980).

And of course, we know there is yet another untitled AVENGERS movie to follow, and so we know there is more to this story to be told, even though this ending is as dark as they can get, and the film is better for it.

Like the other Marvel movies, there is an after-end-credit scene, so if you want to see it, be sure to sit through the credits. There’s also another hilarious Stan Lee cameo, and these just seem to get better and better.

I absolutely loved AVENGERS: INFINITY WAR, and as a testament to how good these Marvel films have become, while I loved this film, it’s not my favorite Marvel film of the year so far, as that distinction still belongs to BLACK PANTHER (2018) which is so good it’s in a league by itself.

That being said, you can’t go wrong with AVENGERS: INFINITY WAR which is pretty much nonstop adventure and excitement throughout. Its story about a group of admirable, off-beat, and oftentimes oddball characters who are usually at odds with each other, united to protect life across the universe from a madman who wants to destroy half the population because he wants to save the other half, and has the power to do it, is a winner and a crowd pleaser.

And if you’re a Marvel superhero movie fan and have seen all the movies, you get the added bonus of this film playing out like a season finale.

As such, I can’t wait for “next season’s” premiere, and that will happen with the next AVENGERS movie, due out in 2019.

Let the countdown begin.

—END—

 

 

 

 

 

THOR: RAGNAROK (2017) – Colorful Superhero Adventure is the Best of the Thor Movies

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It’s no secret that I love the Marvel superhero movies.

And while I have enjoyed the THOR movies, I’ve preferred the IRON MAN and CAPTAIN AMERICA films.  They’ve had more life, and I just haven’t been a fan of the THOR plots which have taken place in the doom and gloom of Asgard, Thor’s home world.

Until now.

THOR: RAGNAROK (2017) sheds its seriousness within its first few seconds, and immediately becomes as playful and humorous as a GUARDIANS OF THE GALAXY movie.

A lot happens in THOR: RAGNAROK, so the less said about the plot the better.  The very evil Hela (Cate Blanchett), the first-born of Odin (Anthony Hopkins), which makes her Thor’s older sister, sets her sights on conquering Asgard in order to make it her own, and it’s up to Thor (Chris Hemsworth) to stop her.  But this is a fight that Thor cannot win alone, and so he enlists the aid of the Hulk (Mark Ruffalo), the warrior Valkyrie (Tessa Thompson), Heimdall (Idris Elba), his estranged oftentimes evil brother Loki (Tom Hiddleston), and even Doctor Strange (Benedict Cumberbatch).

The result is an action-packed often hilarious adventure that entertains from start to finish.

The best part of THOR: RAGNAROK is its lively script by Eric Pearson, Craig Kyle, and Christopher Yost.  Evidently, the writers were influenced and inspired by the John Carpenter action comedy BIG TROUBLE IN LITTLE CHINA (1986), a flick that is not among my favorite Carpenter movies, as it’s downright silly at times, but that being said it’s still colorful and entertaining, and it stars Kurt Russell.

Now, I can easily see this influence.  In fact, even before I knew of this connection, while watching the movie, I felt that this THOR film was playing out as if it had been directed by John Carpenter.  And Chris Hemsworth’s Thor in this film reminded me of Kurt Russell’s Jack Burton character in BIG TROUBLE, from the over-the-top dialogue like “because this is what heroes do,” to the moments where the bravado and boasts come back to hit our hero in the face.  In short, it’s fun to see Thor not take himself too seriously.

The dialogue is fun throughout, the situations exciting and comical, and the characters are all well-written and fleshed out.

Also, like most Marvel superhero movies, THOR: RAGNAROK boasts a cast that has no business being in a superhero movie.  The combination of superior acting and strong writing creates both lively characters and compelling situations.

Chris Hemsworth can pretty much play Thor in his sleep these days.  He owns the role. And while previous THOR films haven’t been among my favorite Marvel movies, it’s not because of Hemsworth.  He’s always been excellent as Thor.  And he’s just as good if not better here.  He dials things up a few notches on the humor meter, which isn’t completely surprising, since he’s always given Thor humorous moments. Not only is he funny here, but he’s completely believable as a hero strong enough to tangle with the Hulk.

Speaking of the Hulk, the giant green guy is the “guest Avenger” in this film, and Mark Ruffalo is back once again playing the character.  This time around we see more of the Hulk and much less of his alter ego, Bruce Banner. This is also the first time that Ruffalo is voicing the Hulk.  In previous movies, it’s been Hulk veteran Lou Ferrigno providing the voice.  Ruffalo does just fine, and I actually preferred his voice this time around.

As I said, Tom Hiddleston is back as Loki, Thor’s villainous brother who continually shows up in these Marvel movies like a bad penny.  Now, I’ve never been a fan of Loki in these movies, so it’s saying something about THOR: RAGNAROK that this is the first time I’ve really enjoyed Loki.  Hiddleston seems to be having a good time playing him, and we get to see Loki taking stock of his character, as he joins forces with his brother to take on his evil sister.  It’s fun to see Loki fight for the common good while still not shedding his darker side.

Cate Blanchett is icy cold as Hela.  She’s the first major female villain to appear in one of these Marvel superhero films, and that’s long overdue.  In general, the Marvel movies tend to stumble with their villains, who are usually the weak link in the stories.  Not so here. Blanchett’s Hela is a formidable foe for Thor and friends, and she’s both sexy and evil when she’s on screen.

Even better than Blanchett is Tessa Thompson as Valkyrie.  Her tough warrior heroine would give Wonder Woman a run for her money.  She was one of my favorite characters in the movie.

Jeff Goldblum chews up the scenery in a scene-stealing performance as the Grandmaster, and his arena of death is right out of a John Carpenter movie.  I half-expected to see Snake Plissken show up.

It was good to see Idris Elba get more significant screen time as Heimdall, and Karl Urban also provides solid support as Skurge, a character who finds himself drafted by Hela to be her local enforcer.

I could keep going, as there are still more solid supporting players here, including Anthony Hopkins as Thor’s father Odin, who’s more enjoyable here in his brief screen time than he was in the previous two movies, and Benedict Cumberbatch, who’s on hand briefly as Doctor Strange.

Director Taika Waititi has made a colorful, action-packed superhero tale which fits in perfectly with the Marvel universe.  It’s closer in tone to a GUARDIANS OF THE GALAXY movie than a THOR movie, but that’s okay.  From its opening scene where Thor battles a giant villain and things don’t go as planned, to Thor’s first meeting with the Hulk and their subsequent banter, it gets the humor right.

The action sequences also do not disappoint.  The battle in the Grandmaster’s arena is a good one, as is the climactic showdown with Hela.

For most of the movie Thor is without his hammer, and he sees this as a disadvantage, and he questions his strength without it, but his father Odin tells him otherwise, which provides Thor with a telling and powerful moment later in the film.

But other than this, there’s not a lot of seriousness here. THOR: RAGNAROK is all fun and games, and this is a good thing.  It’s the perfect Marvel vehicle.

It’s easily the best of the THOR movies.

—END—

 

YOUR MOVIE LISTS: THE AVENGERS MOVIES

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YOUR MOVIE LISTS:  Marvel’s THE AVENGERS Movies avengers-age-of-ultron

By Michael Arruda

Welcome to another edition of YOUR MOVIE LISTS, the column where you’ll find lists of odds and ends about movies.  Today we’re looking at Marvel’s THE AVENGERS Movies.

 

Wait a minute.  Isn’t AVENGERS: AGE OF ULTRON (2015) which opens in theaters on May 1 only the second AVENGERS movie?  Technically, yes, AVENGERS: AGE OF ULTRON is only the first sequel to THE AVENGERS (2012)  but anyone who’s seen THE AVENGERS knows there are a lot of superheroes in this movie, and each of them have appeared in prior films leading up to these AVENGERS adventures.

Here’s a look at these movies:

IRON MAN (2008) – The film that started the AVENGERS journey.  Phenomenal movie, probably my third favorite superhero movie of all time, behind THE DARK KNIGHT (2008) and THE AVENGERS (2012).  This is the film that introduced us to Robert Downey Jr. as Tony Stark aka Iron Man, one of the most entertaining and fascinating superhero personas ever.  Directed by Jon Favreau, this is a worthy film to kick off the franchise.  Also introduced Samuel L. Jackson as Nick Fury, as well as first appearance by Clark Gregg as Agent Coulson.

THE INCREDIBLE HULK (2008) – Edward Norton makes for a credible and intense Bruce Banner aka The Hulk, and Tim Roth is even better as the main baddie.  Excellent movie, much better than Marvel’s previous HULK (2003).

IRON MAN 2 (2010) – Robert Downey Jr. is back as Tony Stark/Iron Man, as is director Jon Favreau, but this sequel is inferior to the first film and never really hits its stride.  Most notable for introducing Scarlett Johansson as Black Widow.  Both Samuel L. Jackson as Nick Fury and Clark Gregg as Agent Coulson return for this sequel.

 

CAPTAIN AMERICA:  THE FIRST AVENGER (2011) – Chris Evans is perfectly cast as Captain America in this handsomely filmed origin tale of the World War II superhero.  Nice IRON MAN tie-in as story features Tony Stark’s dad Howard Stark (Dominic Cooper).  Samuel L. Jackson returns as Nick Fury.  Well-made adventure, solid from beginning to end.

THOR (2011) – Uneven but colorful film by director Kenneth Branagh.  The best part of this Thor origin story is Chris Hemsworth as Thor.  He’s phenomenal and provides this one with its best moments.  The scenes on Earth work better than the scenes on Asgard.  On hand once more are Samuel L. Jackson as Nick Fury and Clark Gregg as Agent Coulson.  The first appearance by Jeremy Renner as Hawkeye.

THE AVENGERS (2012) – The biggie.  Arguably the best superhero movie ever made, although I give a slight nod to Christopher Nolan’s Batman masterpiece THE DARK KNIGHT.  This epic film by writer/director Joss Whedon brings together Iron Man, Captain America, Thor, the Hulk, Black Widow, and Hawkeye as they battle Thor’s troublemaker brother Loki.  Fantastic cast includes Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, and Jeremy Renner, each doing their thing, each incredibly entertaining, especially since they don’t get along for anything and sound more like a bickering family than a group of superfriends.

Mark Ruffalo takes over the role of Bruce Banner/the Hulk from Edward Norton and does a fine job, immediately making the role his own.  Also features Samuel J. Jackson as Nick Fury and Clark Gregg as Agent Coulson.

If there’s one weakness, it’s that Loki is a somewhat lame villain.  The Avengers deserve a worthier foe.

Still, THE AVENGERS is grand entertainment from beginning to end, by far the best of the Marvel superhero movies.

IRON MAN 3 (2013) – Robert Downey Jr.’s third turn as Iron Man is better than the second film but not as good as the first.  The twist involving the villain Mandarin may not be for everybody, but all in all this is a very entertaining superhero film, a worthy installment in the IRON MAN franchise.  Gwyneth Paltrow, who has played Tony Stark’s love interest Pepper Potts in all three IRON MAN films, probably enjoys her best moments in this third film.

THOR:  THE DARK WORLD (2013) – Chris Hemsworth as Thor is once again the best part of this THOR sequel.  As in the first movie, the scenes on Earth are compelling while the fantasy-injected scenes on Asgard in spite of their dazzling look fail to resonate.  The villains here are Dark Elves.  They should have stuck to baking cookies.

CAPTAIN AMERICA:  THE WINTER SOLDIER (2014) – This Captain America sequel is even better than the first.  This time Captain America (Chris Evans) teams with Black Widow (Scarlett Johansson) and the Falcon (Anthony Mackie) as he becomes a fugitive from the law while investigating the “murder” of Nick Fury (Samuel L. Jackson).  Darker entry than the first film, this Captain America sequel is yet another high quality well-made Marvel superhero movie.

AVENGERS:  AGE OF ULTRON (2015) – With writer/director Joss Whedon back at the helm, all your favorite Avengers return for this action packed sequel where Iron Man, Captain America, Thor, the Hulk, Black Widow, and Hawkeye take on the all-powerful Ultron, voiced with nasty conviction by James Spader.  Topnotch cast includes Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, and Samuel L. Jackson as Nick Fury.  Also introduces Aaron Taylor-Johnson as Quicksilver and Elizabeth Olsen as Scarlet Witch.

Okay, that about wraps things up here and brings us up to date, but the story is not yet finished, not by a long shot.  Marvel has more adventures planned.  It looks like another Captain America film will be out in 2016 followed by another Thor movie in 2017.  And of course, the Avengers will be back in their own third movie, so as of right now, all is well with the Marvel universe, and since these movies continue to provide quality entertainment, that’s fine with me.

Thanks for reading!

—Michael