The hardest thing for me to wrap my head around in HOTEL ARTEMIS (2018), the new futuristic action movie by writer/director Drew Pearce, is Jodie Foster playing “a little old lady.”
But other than this— and Foster nails the role by the way—I liked HOTEL ARTEMIS just fine.
It’s 2028 Los Angeles, and the people are rioting because an evil company has shut down the city’s water supply. It seems that in 2028 if you’re poor you’re not getting access to water. At the same time, a bank heist goes awry, and two brothers make their way to the Hotel Artemis, a secret hospital that treats criminals run by the Nurse (Jodie Foster) and her right hand man Everest (Dave Bautista). The two brothers, like everyone else inside, are given code names, generally the names of the rooms in which they are treated. In this case it’s Waikiki (Sterling K. Brown) and his younger brother Honolulu (Brian Tyree Henry).
It’s a volatile place, as the riots are exploding on the outside, and inside everyone is a dangerous criminal. To make matters more complicated, one of the patients Nice (Sofia Boutella) is an assassin and is there to take out a target, and the mob king of Los Angeles, the Wolf King (Jeff Goldblum) is also on his way there seeking treatment.
All of this sets the stage for an action-packed conclusion that, while hardly original, is generally satisfying.
HOTEL ARTEMIS is the type of futuristic action tale that John Carpenter would have directed in his heyday, and while not as creative as a John Carpenter movie, it’s still a heck of a lot of fun. It reminded me a bit of ESCAPE FROM NEW YORK (1981).
Drew Pearce makes his directorial debut here with HOTEL ARTEMIS, and while it’s not a spectacular debut, it’s still an impressive one. I liked the pace, the dark look of the film, and the action scenes were decent enough. The story also builds to an exciting climax, and the characters, while not really all that developed, are lively enough to keep the audience interested.
Judging by the extremely small audience I saw this one with— there were perhaps six of us in the theater— I’m guessing it’s struggling at the box office, which is too bad, because I thought it was a lot of fun. It seems to have been largely overshadowed by the well-received horror movie HEREDITARY (2018), but truth be told, I enjoyed HOTEL ARTEMIS more.
The story is pretty straightforward and rather simplistic, and the dialogue isn’t going to win any awards, but I thought it had its moments. Writer/director Drew Pearce previously wrote the screenplay for IRON MAN 3 (2013), a film I liked, and that screenplay was probably a tad better than this one.
The strongest thing HOTEL ARTEMIS has going for it is its cast. I loved Jodie Foster in her “little old lady role” as The Nurse. She gets the best lines in the film, and her performance is spot on.
I also liked the chemistry she shared with Dave Bautista’s Everest, and I thought their scenes together were the best in the movie. I’ve enjoyed Bautista in nearly every movie I’ve seen him in, from his villainous Hinx in the James Bond flick SPECTRE (2015) to his brief bit in BLADE RUNNER 2049 (2017) to of course his very memorable portrayal of Drax in the GUARDIANS OF THE GALAXY movies. Bautista is definitely one of the highlights of HOTEL ARTEMIS. His soft-spoken style provides perfect balance to his sculptured behemoth physique.
But the best performance in the movie belongs to Sterling K. Brown who plays the main protagonist Waikiki, the brother with all the plans, whose life keeps being stalled by his careless younger brother, but since they’re brothers Waikiki refuses to leave him behind. We just saw Brown as part of the cast of BLACK PANTHER (2017), and he’s currently on the TV show THIS IS US (2016-2018). I especially remember Brown for his portrayal of Christopher Darden on AMERICAN CRIME STORY (2016). Brown is excellent here.
Sofia Boutella dazzles as sexy assassin Nice, just as she had done in STAR TREK: BEYOND (2016), ATOMIC BLONDE (2017) and the dreadful THE MUMMY (2017). While her role as Jaylah in STAR TREK: BEYOND remains my personal favorite, she’s pretty darn good here and is right up there with Brown, Foster, and Bautista.
Speaking of STAR TREK, Zachary Quinto, who plays Mr. Spock in the rebooted movie series, is also in the cast, but it’s a thankless role as the Wolf King’s son Crosby Franklin. The character is pretty useless, and strangely it’s pretty much a waste of Quinto’s talent.
And I thought Jeff Goldblum was miscast at the Wolf King. He doesn’t appear until halfway through the movie, and after so much build up as to how powerful, cold-hearted, and villainous this guy was, I hardly expected to see him look like Jeff Goldblum. An intellectual Wolf King? I expected someone like Harvey Keitel, Robert De Niro, or even Jeffrey Dean Morgan. But Goldblum? Didn’t really work for me.
In a smaller role, Charlie Day enjoys some fine moments as a big-mouthed arms dealer with the code name Acapulco.
HOTEL ARTEMIS plays like a 1980s John Carpenter movie only without Carpenter’s flair for the cinematic. Still, writer/director Drew Pearce does a commendable job here and has made a film that in spite of its straightforward, simple, and even predictable storyline, is still a heck of a lot of fun, especially if you enjoy your action films dark.
It also has an effective music score by Cliff Martinez that adds to the atmosphere of riot-ravaged Los Angeles. And while his score is not as memorable as his work on THE NEON DEMON (2016) or DRIVE (2011), it’s still pretty darn good.
HOTEL ARTEMIS is also Jodie Foster’s first screen role since ELYSIUM (2013), and I enjoyed her performance in HOTEL ARTEMIS much more than in that 2013 Matt Damon sci-fi flick.
If you’re in the mood for a fun action-packed popcorn movie, and if you don’t mind your action dark and gloomy, check out HOTEL ARTEMIS.
You’ll definitely enjoy your stay.