THE HORROR JAR: Peter Cushing As Van Helsing

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Dr. Van Helsing (Peter Cushing) goes to work in HORROR OF DRACULA (1958)

Welcome back to THE HORROR JAR, the column where we look at lists pertaining to horror movies.

Up today a look at the number of times Peter Cushing played Van Helsing in the movies. While Cushing played Baron Frankenstein more— he wreaked havoc as Victor Frankenstein six times in the movies— his portrayal of Dracula’s arch nemesis is right behind, as he wielded crucifixes and wooden stakes five times.

Here’s a look:

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Van Helsing (Peter Cushing) taking on Dracula in the famous finale of HORROR OF DRACULA (1958)

HORROR OF DRACULA (1958)

Director: Terence Fisher. Screenplay: Jimmy Sangster

Known outside the United States simply as DRACULA, this is arguably Hammer Films’ greatest horror movie. It followed immediately upon the heels of Hammer’s first international hit, THE CURSE OF FRANKENSTEIN (1957), which starred Peter Cushing as Baron Victor Frankenstein and Christopher Lee as the Creature.

Both actors were reunited in HORROR OF DRACULA, with Lee portraying Dracula, and Cushing playing Van Helsing. Yet the film was tailored more for Cushing than for Lee, which made sense, since Cushing had been Britain’s number one TV star for nearly a decade, while Lee was a relative newcomer.  Cushing had the most screen time and was as awesome as ever, yet it was Lee with his ability to do more with less who arguably stole the show with one of the most chilling portrayals of Dracula ever.

Still, for Peter Cushing fans, his first turn as Van Helsing is pretty special. He played the character unlike the way Bram Stoker had written him in the novel DRACULA.  Gone was the wise elderly professor and in his place was a young dashing action hero, expertly played by Cushing. And with Christopher Lee shocking the heck out of the audience throughout the movie, a believable credible Van Helsing was needed. You had to believe that someone could stop Dracula, and Peter Cushing made this happen. It’s no surprise then, that the film’s conclusion, when these two heavyweights meet for the first time in Dracula’s castle, is the most exciting Dracula ending ever filmed.

HORROR OF DRACULA was also the birth of James Bernard’s iconic Dracula music score.

 

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Van Helsing (Peter Cushing) hot on the trail of vampires in THE BRIDES OF DRACULA (1960).

THE BRIDES OF DRACULA (1960)

Director: Terence Fisher   Screenplay: Jimmy Sangster, Peter Bryan, Edward Percy

Peter Cushing was right back at it again two year later when he reprised the role in THE BRIDES OF DRACULA (1960). Unfortunately, Christopher Lee did not share his co-star’s enthusiasm and refused to return to play Dracula, in fear of being typecast. Lee would change his mind several years later.

Anyway,  as a result, THE BRIDES OF DRACULA does not feature Dracula. Instead, it’s a brand new story with a brand new vampire, Baron Meinster (David Peel). While Dracula’s omission may have harmed this one at the box office, that’s one of the few negatives one can find about this classic vampire movie.

Terence Fisher, Hammer’s best director, was at the top of his game here, and for most Hammer fans, this is the best looking and most atmospheric Dracula movie of them all. In fact, for many Hammer Films fans, BRIDES is their all time favorite Hammer Film!

Peter Cushing returns as Van Helsing, and once more his performance is spot-on, without equal. Again, he plays Van Helsing as an energetic, tireless hero, this time sparring with Baron Meinster. Their battles in an old windmill, while not as memorable as the conclusion of HORROR OF DRACULA, are still pretty intense and make for quite the notable ending.

There’s also the added bonus of Van Helsing’s relationship with the beautiful Marianne (Yvonne Monlaur). In a neat piece of drama, while Marianne is engaged to be married to vampire Baron Meinster, at the end of the movie, she ends up in Van Helsing’s arms, not the vampire’s.  The future Mrs. Van Helsing, perhaps?

 

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Once again, it’s Dracula (Christopher Lee) vs. Van Helsing (Peter Cushing) in DRACULA A.D. 1972 (1972)

DRACULA A.D. 1972 (1972)

Director: Alan Gibson   Screenplay: Don Houghton

It would be a long time coming before Peter Cushing would play Van Helsing again, twelve years to be exact, and he wouldn’t even be playing the original character but a descendant of the original Van Helsing living in London in 1972, in Hammer Films’ Dracula update DRACULA A.D. 1972 which brought Dracula into the here and now.

The story goes that after the immense success of the TV movie THE NIGHT STALKER (1971) which told the story of a superhuman vampire terrorizing present-day Las Vegas, Hammer decided to get in on the action and bring Dracula into the 1970s as well.

A lot had happened since Christopher Lee had declined to play Dracula again back in 1960. He finally reprised the role in DRACULA: PRINCE OF DARKNESS (1966), Hammer’s direct sequel to HORROR OF DRACULA, a superior thriller that sadly did not feature Peter Cushing in the cast. And then Lee played the character again in DRACULA HAS RISEN FROM THE GRAVE (1968) which smashed box office records for Hammer and became their biggest money maker ever. Dracula had become Hammer’s bread and butter. Lee reprised the role in TASTE THE BLOOD OF DRACULA (1969) and again in THE SCARS OF DRACULA (1970).

With DRACULA A.D. 1972, Hammer finally decided it was time to bring Peter Cushing back into the Dracula series. Unfortunately, the “bringing Dracula into the 1970s” bit did not work out well at all, and the film was a monumental flop at the box office.

The good news is DRACULA A.D. 1972 has only gotten better with age. In 1972, what was considered bad dialogue and sloppy 1970s direction, today is viewed with fond nostalgia, and rather than being met with groans, the campy dialogue is greeted nowadays with loud approving laughter.

And you certainly can’t fault Lee or Cushing for the initial failure of DRACULA A.D. 1972. As expected, both actors deliver topnotch performances, especially Cushing as the original Van Helsing’s descendant, Professor Lorrimer Van Helsing. In 1972, Cushing was closer in age to the way Stoker had originally written the role, but nonetheless he still played the Professor as an action-oriented hero. His scenes where he works with Scotland Yard Inspector Murray (Michael Coles) are some of the best in the movie.

Cushing also gets a lot of memorable lines in this one. In fact, you could make the argument, though no one does, that his best ever Van Helsing performance is right here in DRACULA A.D. 1972. The only part that doesn’t work as well is the climactic confrontation between Van Helsing and Dracula, as it does not contain anywhere near the same energy level as the conclusion to HORROR OF DRACULA.

 

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Van Helsing (Peter Cushing) armed with a crucifix and a silver bullet in THE SATANIC RITES OF DRACULA (1973).

THE SATANIC RITES OF DRACULA (1973)

Director: Alan Gibson   Screenplay: Don Houghton

Hammer wasted no time and dove right into production with their next Dracula movie, THE SATANIC RITES OF DRACULA (1973), which reunited the same creative team from DRACULA A.D. 1972, with Alan Gibson once again directing, Don Houghton writing the screenplay, and with Christopher Lee again playing Dracula, and Peter Cushing once more playing Professor Lorrimer Van Helsing. Even Michael Coles reprised his role as Scotland Yard Inspector Murray.

THE SATANIC RITES OF DRACULA is pretty much a direct sequel to DRACULA A.D. 1972, as the events once again take place in present day London. At the time, THE SATANIC RITES OF DRACULA was considered the superior movie of the two, but the trouble was, back in 1973 so few people saw it, because DRACULA A.D. 1972 had performed so poorly at the box office Hammer was unable to release SATANIC RITES in the United States.

It would take five years for the movie to make it to the U.S., as it was finally released in 1978 with the awful title COUNT DRACULA AND HIS VAMPIRE BRIDES. Ugh!

THE SATANIC RITES OF DRACULA took a page out of James Bond, and had Dracula acting as a sort of James Bond villain hell bent on taking over the world, complete with motorcycle driving henchmen! It was up to Inspector Murray and Professor Van Helsing to stop him!

Strangely, today, DRACULA A.D.1972 is considered the superior movie, as its campiness has aged well, while the convoluted James Bond style plot of SATANIC RITES has not.

Peter Cushing also has fewer memorable scenes as Van Helsing in this one. One of the more memorable sequences does involve Van Helsing confronting Dracula in his high rise office, a scene in which Lee payed Bela Lugosi homage by using a Hungarian accent, but even this scene is somewhat jarring, seeing Dracula seated behind a desk a la Ernest Stavro Blofeld. The only thing missing is his holding a cat, or in this case, perhaps a bat!

The ending to SATANIC RITES is actually very, very good, and in a neat touch, as if to symbolize that the series had finally ended, after Dracula disintegrates into dust, once more the only thing remaining of him is his ring, a homage to the ending to HORROR OF DRACULA. In that movie, Van Helsing left the ring on the floor, and the piece of jewelry proved instrumental in reviving Dracula in DRACULA: PRINCE OF DARKNESS. At the end of SATANIC RITES, Cushing’s Van Helsing picks up the ring. Most likely for safe keeping.

The series had ended.

Only, it hadn’t.

 

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Peter Cushing plays Van Helsing for the last time in THE LEGEND OF THE 7 GOLDEN VAMPIRES (1974).

THE LEGEND OF THE 7 GOLDEN VAMPIRES (1974)

Director: Roy Ward Baker   Screenplay: Don Houghton

While Christopher Lee had finally had enough and called it quits after playing Dracula seven times for Hammer, the studio decided it still had one more Dracula picture left.

The gimmick this time was it would be their first martial arts Dracula movie. Yep, Dracula’s spirit enters a Chinese warlord, and he returns to China to lead their infamous seven golden vampires.

Hot on Dracula’s trail it’s, you got it! Van Helsing! And Peter Cushing agreed to play the role again, and since this story takes place in 1904, Cushing once again plays the original Van Helsing, a role he hadn’t played since THE BRIDES OF DRACULA in 1960.

As Dracula movies go, THE LEGEND OF THE 7 GOLDEN VAMPIRES is— well, interesting. It did not perform well at the box office, and unlike DRACULA A.D. 1972 hasn’t really developed a cult following, mostly because it’s just so— different. Kung fu fights in a Dracula movie?

I actually like this movie a lot, and I think most of it works well. It’s actually quite the handsome production, well-directed by Roy Ward Baker. It also features one of James Bernard’s best renditions of his famous Dracula score.

And of course you have Peter Cushing playing Van Helsing, sadly for the very last time. Also sad is that he’s missing from most of the action scenes here. While Cushing always played Van Helsing as a physical hero, he wasn’t quite up for the martial arts scenes. That being said, I’ll give you three guesses as to who finally destroys Dracula in this movie, and the first two don’t count

THE LEGEND OF THE 7 GOLDEN VAMPIRES is actually a lot of fun, and today it provides a nice showcase for Peter Cushing’s final movie portrayal of one of his most iconic roles, Dr. Van Helsing.

Okay, there you have it. A look at Peter Cushing’s five movie portrayals of Van Helsing. Now go have some fun and watch some of these!

Hope you enjoyed today’s column and that you’ll join me again next time for another HORROR JAR column where we’ll look at more horror movie lists.

As always, thanks for reading!

—Michaell

 

 

 

 

 

 

 

 

 

 

SHOCK SCENES: DRACULA’S DEMISE- A Look at the Hammer DRACULA Endings- Part 2

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SHOCK SCENES:  DRACULA’S DEMISE- A Look at the Hammer Dracula Endings

Part 2

By

Michael Arruda

Welcome to Part 2 of our look at the endings to the Hammer DRACULA series, where we examine how Dracula met his demise in the various Hammer Dracula movies. In Part 1, we looked at the endings to HORROR OF DRACULA (1958) and THE BRIDES OF DRACULA (1960).  Now, it’s on to Part 2.

And remember, if you haven’t seen these films, there are major spoilers here, so proceed with caution.

 

DRACULA-PRINCE OF DARKNESS (1966)

Although THE BRIDES OF DRACULA (1960) was a sequel to HORROR OF DRACULA (1958), it didn’t feature Christopher Lee.  DRACULA-PRINCE OF DARKNESS did.

And that’s because Lee had avoided reprising the role of Dracula like the plague to avoid being typecast, but after years of unrelenting Hammer pressure, he finally gave in and agreed to play the role again, providing fans a chance to be terrified once more by their favorite blood-sucking vampire.

DRACULA-PRINCE OF DARKNESS was released eight years after HORROR and the story takes place ten years after the events of the first movie.  It was once again directed by Hammer’s top director, Terence Fisher.  DRACULA-PRINCE OF DARKNESS probably comes closest to any of the other sequels to duplicating the feel of the original, although it certainly lacks its potency.

Dracula is absent for the entire first half of the movie, as the film uses this time to build up the dramatic rebirth of Dracula.  This in itself is a good idea, but the problem is, once resurrected, he’s only in the film for about 20 minutes before meeting his demise once again.  To me, Hammer would have been better served not to destroy Dracula at the end of every movie.  After all, he had survived hundreds of years before Van Helsing finally caught up with him and destroyed him, so wouldn’t it make sense if he survived that long again?  Wouldn’t it make him scarier if it really were that difficult to stop him?  Of course it would!  Plus, when Van Helsing defeated him, it made sense because Van Helsing was a brilliant scientist, a one-of-a-kind adversary for Dracula, but in the subsequent movies Dracula’s opponents  are less and less impressive, yet they still destroy him.  But I digress.

The ending to DRACULA-PRINCE OF DARKNESS is actually very memorable, but not quite as powerful or as visually impressive as the ending in HORROR.  Once more, Dracula is chased back to his castle, this time by the knowledgable Father Sandor (Andrew Keir) and the dashing young Englishman Charles Kent (Francis Matthews) as they try to rescue Kent’s wife Diana (Suzan Farmer) from Dracula.

As Dracula’s coffin lay on ice by the castle, having fallen there from the back of the horse-drawn coach at the end of the exciting chase, Charles attempts to drive a stake through Dracula’s heart before the sun goes down, but he’s too late.  Dracula bursts from his coffin and engages Charles in a physical battle on the ice.  Diana urges Father Sandor to shoot Dracula, but he tells her it would do no good, because as we all know, bullets cannot harm vampires.  But Diana grabs the rifle anyway and fires a shot, which rips a hole in the ice, which gives Father Sandor an idea:  according to vampire lore, vampires cannot cross running water (who knew!) and in this movie, they can’t swim, either!  How convenient!

So, Father Sandor shoots around the ice, allowing Charles to escape but trapping Dracula on the quickly sinking slab.  Dracula tries to hold on, but slides screaming into the underwater grave beneath the ice of Castle Dracula.  While it doesn’t contain the eye-popping special effects from the HORROR OF DRACULA ending, it’s still a pretty unique and impressive ending to a Dracula movie.  And director Terence Fisher gives it style, as the last part of Dracula to fall into the ice is his cape in a dramatic last shot.  We even get to see Dracula submerged in his icy grave as the end credits roll!

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Dracula (Christopher Lee) slips into his watery grave in DRACULA-PRINCE OF DARKNESS (1966).

It would also prove quite convenient for resurrecting Dracula.  After all, Dracula was reduced to ashes which blew away in the breeze in HORROR OF DRACULA.  It took half of DRACULA-PRINCE OF DARKNESS to set the events in motion for his resurrection.  It would be much easier in the next film.  And there would be a next film because DRACULA-PRINCE OF DARKNESS made lots of money at the box office.  There would be no turning back now for Christopher Lee and Hammer.

As Dracula movie endings go, the conclusion to DRACULA-PRINCE OF DARKNESS is very, very good.  Definitely worth a look.

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DRACULA HAS RISEN FROM THE GRAVE (1968)

The third Christopher Lee Dracula film for Hammer was the aptly titled DRACULA HAS RISEN FROM THE GRAVE (1968).  Terence Fisher did not direct this movie, making it the first Hammer Dracula film that he did not direct.  In fact, Fisher wouldn’t direct any future Hammer Dracula films.  While he helmed HORROR OF DRACULA, THE BRIDES OF DRACULA, and DRACULA-PRINCE OF DARKNESS, from here on out Dracula would be in the hands of other directors.

For DRACULA HAS RISEN FROM THE GRAVE, it was Freddie Francis, a respected camera-man who also directed many horror movies.  While I’m not as big a fan of Francis’ work as I am Fisher’s, Francis struck gold here with DRACULA HAS RISEN FROM THE GRAVE.  In terms of style, it doesn’t come close to the Fisher Dracula films, but it boasts a strong script by Anthony Hinds in spite of it being a simple revenge story.

DRACULA HAS RISEN FROM THE GRAVE was so successful at the box office that it remains today Hammer Film’s biggest all-time money maker.  Dracula was Hammer’s bread and butter, and because of this, there would be four more Christopher Lee Dracula movies over the next five years.

Dracula (Christopher Lee) shows up much quicker this time around than he did in DRACULA-PRINCE OF DARKNESS.  A pair of priests go to Castle Dracula to perform an exorcism to keep Dracula’s spirit confined forever, but one of the priests, a cowardly sort, loses his way (literally and figuratively) and slips and falls on some ice, banging his head, cracking the ice where we see Dracula resting below.  The blood from the priest’s head wound seeps below the ice and makes its way to Dracula’s lips, reviving him.

While I do like DRACULA HAS RISEN FROM THE GRAVE a lot, its ending isn’t the strongest part of the movie.  It’s okay, but it certainly falls several notches below the endings in the previous movies.  This time the hero is young atheist Paul (Barry Andrews) who’s trying to rescue his girlfriend Maria (Veronica Carlson) from Dracula.

Dracula forces Maria to remove the cross by the door to his castle, placed there by the priests at the beginning of the movie. She throws it off a cliff, where it lands upright, which is about as realistic as having Dracula spend an entire movie chasing down Maria in the first place to get her to remove the cross from his front door when he could have hypnotized anyone from his neighborhood to do it in about a minute’s time.

Paul arrives, he scuffles with Dracula, and they both fall off the cliff.  Paul is fortunate enough to grab onto some bushes, breaking his fall, but Dracula is not so lucky, as he lands directly onto— you guessed it!— the cross sticking out of the ground.  Yup, Dracula is impaled on a cross.  Sure, it’s somewhate dramatic, although like I said, it’s rather far-fetched.  There’s lots of blood dripping from Dracula’s wound and eyes as the cowardly priest, who had been turned into Dracula’s slave, redeems himself by reciting a prayer to help destroy Dracula once again, and he is destroyed, this time being reduced— not to ashes– but to gallons of blood.

Dracula Has Risen From The Grave ending

Dracula (Christopher Lee) gets a bad case of heartburn in DRACULA HAS RISEN FROM THE GRAVE (1968).

Not a bad ending, but also not one of the best. Still, the rest of DRACULA HAS RISEN FROM THE GRAVE is excellent, and this one may be the most satisfying and entertaining sequel of the entire series.

Okay, that’s it for now.  Join me next time for Part 3, when we look at the endings to the next films in the Hammer Dracula series, including TASTE THE BLOOD OF DRACULA (1969).

See you then!

—Michael

 

 

 

 

 

 

LEADING LADIES: VERONICA CARLSON

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Veronica Carlson

LEADING LADIES:  Veronica Carlson

By Michael Arruda

Welcome back to LEADING LADIES, the column where we look at leading ladies in horror movies, especially from years gone by.

Today we look at the career of Veronica Carlson, the Hammer starlet who burst onto the scene in the Hammer Dracula movie, DRACULA HAS RISEN FROM THE GRAVE (1968) and would go on to add her beauty and elegance to several more Hammer Films before leaving the business altogether for two decades.  She returned to films in the 1990s and has since appeared in a few low budget movies.

But she’s best known for her roles in the Hammer movies, and if you’ve seen her, you know the reason why.  Sure, she was stunningly beautiful back in the day— she was a former model, after all— but she was also a decent actor.  It’s really too bad she didn’t make more movies.

In DRACULA HAS RISEN FROM THE GRAVE Carlson plays Maria, a young woman who ends up being Dracula’s most sought after victim.  In this, the third film in the Hammer Dracula series, Dracula (Christopher Lee) seeks revenge against the Monsignor (Rupert Davies) who had exorcised his castle, and he does this by pursuing the Monsignor’s niece, Maria (Veronica Carlson).

Carlson is absolutely beautiful in this movie.  She shares most of her screen time with her goofy intellectual boyfriend Paul (Barry Andrews) who eventually gets to be the hero in this one, and she’s very convincing as a young lover infatuated with her handsome boyfriend.  She’s also sufficiently frightened and mesmerized by Dracula.

Carlson followed up this performance with the female lead in FRANKENSTEIN MUST BE DESTROYED (1969), Hammer’s darkest Frankenstein movie.  She plays Anna, engaged to a young doctor Karl (Simon Ward), and all is well until these two young lovers are blackmailed by Baron Frankenstein (Peter Cushing) into helping him with his latest creation.  This film also contains the most controversial scene in the entire series, where the Baron rapes Anna, a scene that Peter Cushing is on record as saying he did not want to do.

Anna (Veronica Carlson) tormented by Baron Frankenstein (Peter Cushing)

Anna (Veronica Carlson) tormented by Baron Frankenstein (Peter Cushing) in FRANKENSTEIN MUST BE DESTROYED (1969).

FRANKENSTEIN MUST BE DESTROYED is a lurid, brutal movie, and Veronica Carlson is up to the task at playing the tormented victim of Baron Frankenstein.  One of her best scenes finds her dragging a dead body which has been unearthed by a busted water main in her courtyard, and she has to do this while she’s pummeled by a forceful water spray, because if she doesn’t hide the body and the authorities discover it, she’ll either be arrested or worse, have to face the wrath of Baron Frankenstein.  It’s a chilling suspenseful scene.

Carlson also appeared in the next Hammer Frankenstein movie, THE HORROR OF FRANKENSTEIN (1970), the only film in the series not to star Peter Cushing as Baron Frankenstein. THE HORROR OF FRANKENSTEIN was Hammer’s failed attempt to re-boot the series with Ralph Bates playing a younger Baron Frankenstein in what amounted to be a remake of sorts of their first Frankenstein movie, THE CURSE OF FRANKENSTEIN (1957). THE HORROR OF FRANKENSTEIN was directed by longtime Hammer screenwriter Jimmy Sangster, and unfortunately, he proved to be a better writer than a director. THE HORROR OF FRANKENSTEIN is the worst film in the series with very little to offer other than a fine cast, which included Ralph Bates and Veronica Carlson.  Carlson is quite good yet again, but she’s simply not enough to save this movie.

Veronica Carlson would star with Peter Cushing one more time in THE GHOUL (1974), a mediocre horror movie about an attic holding a sinister secret. This one also co-starred a young John Hurt.

Carlson may return to the big screen here in 2015.  She’s listed in the credits of a still unreleased horror movie called THE RECTORY.  It would be nice to see her on the big screen again, even now at 70 years old.

Here’s a partial list of Carlson’s 21screen credits, concentrating mostly on her horror films:

SMASHING TIME (1967) – Movie Actress At Premiere- Carlson’s first screen credit, a bit part in a musical comedy starring Michael York and Lynn Redgrave.

DRACULA HAS RISEN FROM THE GRAVE (1968) – Maria- Carlson impresses in her first starring role in this third Christopher Lee Hammer Dracula movie, the studio’s most profitable horror movie ever.  A box office smash.

FRANKENSTEIN MUST BE DESTROYED (1969) – Anna – tormented and terrorized by Peter Cushing’s evil Baron Frankenstein.  Probably Carlson’s most riveting performance.

CROSSPLOT (1969) – Dinah- small role in this thriller starring Roger Moore which also features Moore’s future Bond boss “M” Bernard Lee as well as Hammer supporting actor Francis Matthews.

PUSSYCAT, PUSSYCAT, I LOVE YOU (1970) – Liz – comedy starring Ian McShane with a screenplay co-written by Woody Allen.

THE HORROR OF FRANKENSTEIN (1970) – Elizabeth Heiss – stars in her second Frankenstein film for Hammer, the only one without Peter Cushing.  Ralph Bates is OK as the devilish Baron Frankenstein, but Darth Vader himself David Prowse plays a pretty ineffective monster.

OLD DRACULA (1974) – Ritva – awful horror comedy starring David Niven as Count Dracula, released the same year as Mel Brooks’ YOUNG FRANKENSTEIN, no doubt trying to cash in on that film’s success.  Also stars fellow Hammer actress Linda Hayden and Carlson’s FRANKENSTEIN MUST BE DESTROYED co-star Freddie Jones.

THE GHOUL (1975) – Daphne – Mediocre horror film starring Peter Cushing as a man with a sinister secret.  Also stars John Hurt.  Carlson’s last film appearance for 19 years.

BLACK EASTER (1994) – Veronica Carlson returns to horror movies in this B movie terror tale.

FREAKSHOW (1995) – Grace Harmsworth – Carlson in another B movie, this one an anthology, also starring Leatherface himself Gunnar Hansen from THE TEXAS CHAINSAW MASSACRE (1974).  Reportedly Carlson’s segment is the best.

THE RECTORY – An as-of-yet unreleased horror movie evidently in production at present with Veronica Carlson’s name in the credits.

I was fortunate enough to meet Veronica Carlson at a horror movie convention in the late 1990s.  It was one for the ages, as it was the same convention where I met Christopher Lee, Ingrid Pitt, and Michael Ripper.

Veronica Carlson will be forever remembered for her notable performances in two of Hammer’s best shockers, DRACULA HAS RISEN FROM THE GRAVE, and FRANKENSTEIN MUST BE DESTROYED.

Hopefully we’ll see her on the big screen again.

Veronica Carlson was born on September 18, 1944, in Yorkshire, England, UK.   At present she is 70 years old and living in the U.S. where she enjoys a successful painting career.

Thanks for reading!

—Michael

IN THE SPOOKLIGHT: DRACULA HAS RISEN FROM THE GRAVE (1968)

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Dracula Has Risen From The Grave - posterThis reprint of a column which originally ran in the HWA Newsletter in February 2008 on the third Christopher Lee Hammer Dracula flick, DRACULA HAS RISEN FROM THE GRAVE (1968) is up now in the current February 2014 edition of the HWA Newsletter.

And don’t forget, my book IN THE SPOOKLIGHT, a collection of 115 horror movie columns, is available from NECON EBooks as an EBook at www.neconebooks.com, and as a print edition at https://www.createspace.com/4293038.

Thanks for reading!

—Michael

 

 

  IN THE SPOOKLIGHT

BY

MICHAEL ARRUDA

 

            Have you heard the news? 

            Dracula Has Risen From the Grave.

            I love that title.

            DRACULA HAS RISEN FROM THE GRAVE (1968), Hammer Films’ third entry in their famous Dracula series, was so successful at the box office, it sent Hammer on a crazed vampire movie spree between 1968 -1973 where they made an unprecedented 11 vampire films in five years, including four more Dracula films with Christopher Lee, three vampire movies with Peter Cushing, including TWINS OF EVIL (1971) and THE LEGEND OF THE SEVEN GOLDEN VAMPIRES (1973), and four without either star, including the very popular CAPTAIN KRONOS: VAMPIRE HUNTER (1973).

            Vampires never had it so good.

            DRACULA HAS RISEN FROM THE GRAVE is a revenge tale, as most of the Hammer Draculas were.  Seems Drac had nothing better to do than get back at people.  You’d think that a guy who was immortal— well, anyway.  A monsignor (Rupert Davies) and a village priest (Ewan Hooper) attempt to stamp out the evil of Count Dracula once and for all by reading a prayer of exorcism and sealing the castle door with a cross.  The cowardly village priest flees in fright but slips and falls, smashing his head on some ice.  Underneath this ice rests Dracula (Christopher Lee), frozen there since the end of the previous installment in the series, DRACULA- PRINCE OF DARKNESS (1966).  Blood seeps through the ice onto Dracula’s lips, reviving him, and presto!  The count has risen from his icy grave!

            Dracula makes the priest his slave and vows revenge against the monsignor for placing the cross on his castle door.  Of course, one wonders why Dracula just doesn’t order his new slave to take down the cross himself.  It would have saved him a heck of a lot of trouble!

            Lucky for Dracula, the monsignor has a beautiful niece, Maria (Veronica Carlson) and so the Count gets to throw in a few hickeys as part of his revenge plot.  It’s up to the monsignor and Maria’s atheist boyfriend Paul (Barry Andrews) to save the day. 

            DRACULA HAS RISEN FROM THE GRAVE actually has a better than average script, so screenwriter John Elder deserves credit for penning a very enjoyable story, with very likeable characters.

            Director Freddie Francis scores well here.  It may be his best directing effort for Hammer.  He crafts several exciting scenes, including not one but two rooftop chases, and an extremely memorable “stake in the heart” sequence in which Dracula actually rips the stake from his own heart. I told you it was memorable.

            The performances are all first-rate.  Character actor Michael Ripper delivers one of his best performances, as Max, the baker and tavern owner.  Say what you want about Christopher Lee, today famous more for his longevity than for his acting ability, but he makes a terrific Dracula.  You cannot take that away from him, and with another actor in the role, the Hammer Dracula films just wouldn’t have been as good.  Lee captures the essence of undead evil in a way that causes you to remember his performance long after you’ve seen it.

            DRACULA HAS RISEN FROM THE GRAVE also boasts amazing sets.  They look like they’re from a major Hollywood studio. 

            DRACULA HAS RISEN FROM THE GRAVE is a keeper, a natural crowd pleaser. 

From its opening moments with a bloody corpse stuffed inside a church bell, to its bloody finale outside Castle Dracula, it won’t let you down. 

            But a word of warning- this winter, watch your step on the ice.  Should you slip and fall, you-know-who might be resting underneath.

—END—

 

PICTURE OF THE DAY: DRACULA HAS RISEN FROM THE GRAVE (1968)

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Cushing joins DRACULA HAS RISEN FROM THE GRAVE castPICTURE OF THE DAY:  DRACULA HAS RISEN FROM THE GRAVE (1968)

 

 

Here’s a behind-the-scenes shot from DRACULA HAS RISEN FROM THE GRAVE (1968), the third film in the Hammer DRACULA series, at least if you count the ones starring Christopher Lee.  [Lee skipped THE BRIDES OF DRACULA (1960)].

 

In the picture that’s Peter Cushing, Veronica Carlson, Christopher Lee, and Barbara Ewing.

 

Wait a minute.  Peter Cushing didn’t star in DRACULA HAS RISEN FROM THE GRAVE.  What’s he doing there?  Just stopping by for a visit?  Well, yes, but he also had a reason.

 

This is a photo from when Cushing visited the set of DRACULA HAS RISEN FROM THE GRAVE to help celebrate Hammer Films receiving the Queen’s Award for Industry in 1968.  It sure would be nice if some video existed of this event.  Anyone out there seen such footage?

 

I wonder what Cushing is reading here?  The award, perhaps?  It looks like a paperback novel!

 

And that looks like an envelope and a tube on the table in front of him, perhaps the containers of the award itself

 

DRACULA HAS RISEN FROM THE GRAVE has always been one of my favorite Christopher Lee Dracula movies.  It’s probably my second favorite behind the first one, HORROR OF DRACULA (1958).

 

That being said, this photo made me wish Cushing had been in the film as Van Helsing, as it would have made the movie that much better.

 

This image comes courtesy of   http://norberthellacopter.tumblr.com/post/63904710599/chilitemple-peter-cushing-joins-christopher.

 

Enjoy!

 

—Michael