PHANTOM THREAD (2017) puts an exclamation point on the idea that you have to work hard to make a relationship last.
Make that two exclamation points.
In 1950s London, dressmaker Reynolds Woodcock (Daniel Day-Lewis) is at the top of the food chain for dressmakers. He designs dresses for the most important people in England, from the wealthy to celebrities to royalty. They all come to the House of Woodcock for quality dresses. Reynolds is firmly set in his ways, loves his routine, and avoids all distractions in order to remain completely focused on his work.
He lives with his sister Cyril (Lesley Manville) who sees to it that his routine is not disturbed any way. He is also a confirmed bachelor, and we witness early on a scene over breakfast, where his current young girlfriend laments that she no longer has his attention. He admits that she is right, and Cyril promptly dismisses the young woman to live somewhere else. Thus is the daily life of Reynolds and Cyril.
But when Reynolds meets Alma (Vicky Krieps) and brings her home, things are different. Alma is a strong-willed woman who, when inevitably asked by Cyril to leave, refuses. Alma loves Reynolds, she loves his work, and she’s not ready to leave him. And when she realizes the main problem with Reynolds is that he doesn’t need her, she takes it upon herself to remedy that situation. She takes a drastic action, with the intention of seeing to it that when all is said and done, Reynolds will indeed need her, and she will be there for him.
And it works. But for how long?
PHANTOM THREAD is one strange love story. It takes several twists and turns where you’re simply not sure where the story is going to go, how certain characters are going to react, and in doing so it’ll make you uncomfortable as you are going along for the ride. But by the time it is over and you see how it ultimately turns out, you kinda nod your head and acknowledge “I kinda liked how that all turned out.”
Writer/director Paul Thomas Anderson sets the tone early on with meticulous scenes of Reynolds at work. The dressmaker is so focused on his craft watching him work is akin to watching an artist painting a portrait or a master chef in the kitchen. The attention to detail is second to none.
The entire film looks great, from the sets to the costumes, Anderson brings 1950s London to life.
But the strongest part of PHANTOM THREAD are the performances.
Daniel Day Lewis is masterful as Reynolds Woodcock. He brings this eccentric character to life, and better yet despite Reynolds being a complicated person, Lewis makes him someone who the audience understands. You pretty much know throughout what Reynolds is thinking and feeling.
And while I also enjoyed Vicky Krieps as Alma, her take on the character is less clear, and this may be a fault of the writing more than Krieps’ acting, because as Alma, she’s fantastic. Alma is this quiet unassuming young woman who Reynolds meets waiting tables at a restaurant, and when she comes home with him, she seems to absolutely love him. She’s also very strong-willed in her own quiet way, and as such, she is not intimated by Reynold’s eccentricities or Cyril’s cold orders. She more than holds her own.
But what’s less clear is when things go south, and Alma decides it’s time for action, is she still in love with Reynolds, or is she fed up with him? Now, the movie eventually makes this crystal clear, but for a time, her intentions are murky, and that’s because unlike Reynolds who the audience knows very well, Alma is less understood until later in the movie.
Lesley Manville is wonderful as the icy cold Cyril, and in Manville’s hands she’s more than simply a one note cold-hearted enabler of her brother. She’s a three-dimensional character with her own thoughts and goals. In fact, one of the better sequences of the film comes when she admits to Reynolds that she’s “rather fond of Alma” and shortly thereafter shifts loyalties much to the surprise of her brother.
Both Daniel Day-Lewis and Lesley Manville have received Oscar nominations, Lewis for Best Performance by an Actor in a Leading Role, and Manville for Best Performance by an Actress in a Supporting Role. Both are deserving.
Paul Thomas Anderson has also been nominated for Best Director, and the film itself is up for Best Picture.
That being said, I can’t say I really enjoyed PHANTOM THREAD all that much. I loved the costumes, the cinematography, and Daniel Day-Lewis’ exquisite performance as Reynolds Woodcock. But the love story didn’t exactly work for me.
For a long time, close to two-thirds of this movie, while I knew where Reynolds was coming from, I was far less clear about Alma’s motives and intentions. Did she really love Reynolds? What would she do when he pushed her away like all his other girlfriends? These questions are not answered until late in the film, and when they are answered, the film is better for it, but as a result of this ambiguity the movie is rather uneven.
It’s also a rather bizarre love story. If you have to go to the lengths which Alma does to get your lover to pay attention to you, is it really worth it? In this case, the answer seems to be yes, but it seems so far removed from reality that admittedly I had trouble completely buying into this plot point.
Also, for a love story, it’s not really that emotional of a movie. In fact, it does a far better job of getting you to think than getting you to feel. It’s the thinking person’s love story. To be honest, I’m not sure that’s the best formula for a movie romance.
At the end of the day, PHANTOM THREAD is a meticulously crafted period piece romance that also happens to be a very unusual love story. It leans heavily on Daniel Day-Lewis’ brilliant performance as Reynolds Woodcock, much more so than on Vicky Krieps’ Alma, the result being an uneven tale that gets better when it finally decides to let its audience into the minds of both its lead characters.