BOOKSMART (2019), the new R-rated teen comedy by first-time director Olivia Wilde, has a lot of things going for it: a fun premise, sharp comedic and oftentimes poignant writing, a talented cast, and energetic direction.
But what it doesn’t have is a strong sense of realism. While I enjoyed most of BOOKSMART, I can’t say that I believed in much of it, which is too bad because parts of this movie have a lot to say.
With BOOKSMART, director Olivia Wilde takes the coming of age stories found in films like EIGHTH GRADE (2018) and THE EDGE OF SEVENTEEN (2016) and turns them into a raunchy R-rated comedy. The good news is the film never deteriorates into mindless vulgarity, but the bad news is it never reaches the level of truth and sensitivity found in the aforementioned movies either.
In BOOKSMART, high school seniors Amy (Kaitlyn Dever) and Molly (Beanie Feldstein) on the eve of graduation realize that their classmates who goofed around through high school still got into the colleges of their choice, and so they decide if their classmates can do both, that is party and still get into top colleges, then they can as well, and so they decide to party hearty for one big night just to say they did before they graduated high school.
The film follows their attempts to find the huge class party (since they weren’t invited) which leads to one mishap after another since they’re not very good at this sort of thing, but they’re determined, and do eventually make it to the party to end all parties where they hope to finally engage in the relationships they only thought about during their four years of high school.
BOOKSMART is lively and energetic from start to finish. At times, the girls’ mishaps on their quest to find the elusive party reminded me of the situations in the HANGOVER movies, although nothing here reaches the level of insane comedy found in that series, although this film certainly tries. Director Olivia Wilde lets everything fly, even including a hilarious scene featuring Amy and Molly as animated figures.
The screenplay by Susanna Fogel, Emily Halpern, Sarah Haskins, and Katie Silberman is very funny. The best part about the humor is it takes the usual drug and sex jokes and keeps them honest and prevents them from being cliché. Indeed, the humor works best when the situations are honest. For example, one of the funniest sequences involves Amy’s long-awaited and first sexual encounter with another girl.
The party scenes are also a cut above the usual mindless shenanigans of drunk teens. But not all the humor works, as some of the situations like when the girls try to hijack a pizza delivery driver to get the address of the party, simply aren’t taken far enough to be truly funny. Still, there are a decent number of laugh out loud moments.
BOOKSMART is a female driven movie to be sure, with its woman director, four women screenwriters, and predominantly female cast. As such, this film has a lot to say about young women and their relationships. Probably the deepest part of the story is Amy’s dealings with her sexuality. The discussions regarding gender and sexual preferences are spot on. The problem is the film doesn’t go there enough. These topics take a back seat to the raunchy comedic parts of the story.
The bigger culprit though is the believability factor. The bottom line here is most of the students in this film simply didn’t seem all that real to me. Sure, the story takes place in California, and the characters here are all from an affluent west coast neighborhood, but they certainly didn’t seem like they were living in the real world. And at the end of the day, this lack of realism works against the movie and what it’s trying to say about the life of high school students, especially female high school students, in 2019.
The cast was excellent. Both Kaitlyn Dever and Beanie Feldstein stand out in the lead roles as Amy and Molly. These two did seem like real people, and I enjoyed watching this story about the two of them and their lifelong friendship. Dever has already had some notable roles in films like DETROIT (2017), THE FRONT RUNNER (2018), and BEAUTIFUL BOY (2018). Her role here only adds to her impressive resume.
Beanie Feldstein impressed in LADY BIRD (2017), playing lead character Lady Bird’s best friend Julie.
Other notable performances in the young cast include Victoria Ruesga as Ryan, Mason Gooding as Nick, Skyler Gisondo as Jared, Diana Silvers as Hope, Molly Gordon as Triple A, Eduardo Franco as Theo, Austin Crute as Alan, and Noah Galvin as George. All these actors have key moments in the movie, and they’re all very good.
The cast also includes veteran actors Will Forte and Lisa Kudrow, as well as Jason Sudeikis as the school principal.
While BOOKSMART is certainly funny, it never reaches the level of all-out hilarity it needed to be really memorable. Likewise, while its script and story do possess moments of sensitivity and insight into the teenage condition in 2019, these moments are sporadic at best. And while the dialogue is realistic and raw, unfiltered to a fault, the situations the two leads find themselves in are more often ludicrous than real. As such, while I had fun with BOOKSMART, I can’t say I believed most of it, which works against the stronger thematic elements of this comedy.
I liked BOOKSMART, but had it been a tad smarter, I would have loved it.