SERGIO (2020), a Netflix original movie, tells the story of Sergio Vieira de Mello, the Brazilian born United Nations diplomat who at the height of his career went to Iraq after the U.S. invasion in 2003 to monitor elections, an effort that unfortunately met with tragic results.
SERGIO stars Wagner Moura in the lead role as Sergio de Mello. Moura, who starred in the Netflix series NARCOS (2015-2017) as Colombian drug lord Pablo Escobar, is a charismatic actor who was outstanding as Escobar. He’s similarly effective here as Sergio de Mello. He carries this movie, and his performance is one of the main reasons to see it. He plays De Mello as a career diplomat who was very good at what he did, brokering peace deals between hostile parties, and who puts his career above all else, even at the expense of missing valuable time with his two sons.
Directed by Greg Barker, a filmmaker known for his documentaries, SERGIO doesn’t tell its story in linear fashion. It jumps back and forth through time, showing different key points of de Mello’s life and career. It’s a style that ultimately works, even as the pacing sometimes lags.
When de Mello brings his team into Iraq, he is met with resistance by the United States, especially from U.S. diplomat Paul Bremer (Bradley Whitford) who warns Sergio not to stray from U.S wishes, that he’s there to support the positions of the United States. Of course, de Mello disagrees, arguing that the United Nations is an independent organization and as such is not beholden to any one country.
When a massive bomb strikes the United Nations headquarters in Iraq, de Mello finds himself trapped underneath all the rubble, and it’s here where most of the story unfolds, as he thinks back to events which brought him to this moment in time. A big part of his story is his romance with Carolina Larriera (Ana de Armas). The film chronicles how they met and shows how they eventually end up working together for the U.N., and she is there that day at the U.N. headquarters when the bomb goes off.
Ana de Armas and Wagner Moura share a wonderful chemistry together. Even though SERGIO is intended as an historical drama, really, its love story is one of the best parts of the movie. De Armas and Moura electrify the screen when they’re together, and their love story only adds to the sadness of the tragedy in Iraq.
Ana de Armas is a really good actress who has appeared in such movies as KNIVES OUT (2019), BLADE RUNNER 2049 (2017), and HANDS OF STONE (2016). She’s also slated to star in the next James Bond movie, NO TIME TO DIE (2020). For me, up until now, de Armas’ most prominent role was as the holographic Joi in BLADE RUNNER 2049, but I think she’s even better here in SERGIO.
Brian F. O’Byrne adds fine support as Sergio’s friend and right hand man Gil Loescher, who also is trapped with Sergio under the rubble of the bombed building. And Bradley Whitford in a small role is sufficiently annoying as U.S. diplomat Paul Bremer who comes off as the bully on the block, in effect saying do what the U.S. wants or else. His most telling line is when he tells Sergio “welcome to the big leagues” implying that Sergio is out of his league in Iraq and only the U.S. knows how to handle such a difficult situation.
Craig Borten wrote the screenplay, based on the book Chasing the Flame: One Man’s Fight to Save The World by Samantha Power, and for the most part it does a really good job of fleshing out Sergio’s story. After you have watched this movie, you will have an understanding and an appreciation of who Sergio de Mello was and what he meant to the world. The film also touches upon what the absence of de Mello has meant to the world since that time. Borten also co-wrote the screenplay to DALLAS BUYERS CLUB (2013), a script which earned him an Oscar nomination.
The major drawback of SERGIO is at times with its talky scenes it plays much more like a television show than a movie. It doesn’t really have a cinematic feel to it, and while it is a Netflix original, it was intended to play at the theaters as well, plans which were changed because of COVID-19. Last week I reviewed the Netflix original movie EXTRACTION (2020), and that film definitely had a cinematic feel which would have been right at home on the big screen. I can’t say the same for SERGIO.
And at times the pacing slows down somewhat. But these are minor issues. Overall, SERGIO is one of the better films I’ve seen this year.
It enjoys some really powerful emotional moments. One of the best is when Sergio talks to a woman in Timor in a private meeting. It’s such an authentic yet quiet moment. It is one of the most moving sequencs in the film. The scenes in Iraq also work, recalling that chaotic volatile time. And all the scenes between Moura and Ana de Armas are lively and romantic, and really lift the story to a type of love story that I wasn’t expecting. Their scenes together are all exceptional.
SERGIO is a moving drama that tells the important story of Sergio de Mello, a story that is even more relevant today as the world continues to shift away from the value of diplomacy. Sergio’s life and sacrifice is a testament to the power of what one can achieve through diplomacy, and sadly to what happens when those efforts are stamped out by acts of violence.