Best Horror Movies of 2017

1

A-Cure-for-Wellness-2017-Poster-

Here’s a look at my Top 5 Horror movies of 2017.

But first, four honorable mentions, movies that didn’t make my Top 5 list but that I enjoyed all the same:  SPLIT, ANNABELLE: CREATION, ALIEN:  COVENANT, and PERSONAL SHOPPER.

And now, my top 5:

5 IT

IT (2017), the latest film adaptation of a Stephen King novel, does what King stories do best: it creates believable characters, puts them in harm’s way, and then makes you squirm as they fight for their lives. IT is a very good movie that actually works better as a drama about a group of friends dealing with the threats in their lives than as a straight horror movie because it’s not really that scary.  Its scariest scene might be its first scene, where young Georgie first encounters Pennywise in the sewer.  This is a frightening sequence, a great way to start the film, and while Pennywise does have some decent moments later, none are quite as potent as this first one.

Bill Skarsgard’s performance as Pennywise here in the 2017 version was good enough to make me forget about Tim Curry while I watched this movie.  Taken as a whole, I thought this new version was better than the 1990 TV rendition. The driving force behind this 2017 movie is Bill and his friends, both the way they are written and the way they are acted.

The child actors are all excellent, and they’re the part of the story that for me, works best in this film adaptation of IT.

 

4 THE BELKO EXPERIMENT

belko_experiment larger poster

How low can humanity go? For instance, would you willingly commit murder to save the lives of those around you? That’s one of the questions asked in THE BELKO EXPERIMENT (2017), a new horror movie by director Greg McLean and screenwriter James Gunn, the man who wrote the insanely entertaining Marvel superhero movie GUARDIANS OF THE GALAXY (2014).

THE BELKO EXPERIMENT is a quick efficient thriller that grabs you within the first few minutes and never lets you go, a hard-hitting actioner that remains intense from beginning to end. Director Greg McLean makes this one lean and mean.  It clocks in at a mere 88 minutes. There’s no fat here.

THE BELKO EXPERIMENT isn’t going to win any awards for being a deep and thought-provoking drama, but it is a heck of a thriller, an intense horror movie that makes its point.  It’s also quite violent, although it is not a gore-for-gore’s sake movie. In terms of intensity, it reminded me a lot of AMC’s THE WALKING DEAD, only without the zombies. And while there’s nothing in this film as painfully disturbing as the infamous Neegan scene in THE WALKING DEAD, the film does capture the horror people feel at being helpless in a situation in which they have no control.

 

3 IT COMES AT NIGHT

itcomesatnightposter

IT COMES AT NIGHT (2017) is everything that the rebooted THE MUMMY (2017) is not. It’s simple in its execution, it’s believable, it’s frightening, and its depiction of horror on the big screen is as pure as it gets.  The only thing the two films have in common is they opened on the same weekend.

IT COMES AT NIGHT takes place during a time when some unknown disease has crippled the world, thrusting people into heavy-duty survival mode.  We follow two families sharing one house as they try to survive in this apocalyptic world, never knowing how much to trust each other. IT COMES AT NIGHT is an example of movie making at its finest.  Writer/director Trey Edward Shults has taken a simple straightforward story and made it compelling and frightening, without gimmicks or special effects. A walk into the surrounding woods at night is a sweat-inducing experience.  The camera stays in close with the characters, who we get to know and care for. Solid cast, led by Joel Edgerton. Riley Keough is also memorable. And Kelvin Harrison Jr. stands out as Travis, the innocent young man who has to see and live through these horrors.

If you like your horror pure and simple, without convoluted stories or  overblown special effects or gratuitous blood and gore, if you simply like to be scared, and to watch a story about characters you care about thrown into a situation which puts them in extreme danger, then IT COMES AT NIGHT is the movie for you.

 

2 A CURE FOR WELLNESS

A CURE FOR WELLNESS is an interesting hybrid— at times, it’s highbrow artistry, imbuing the screen with unsettling and bizarre images, while at others it’s a straightforward mystery melodrama, eventually morphing into an atmospheric horror tale reminiscent of the old style Hammer Films.

A young business executive named Lockhart (Dane DeHaan) is sent by his company to the Swiss Alps to retrieve the company’s CEO from a wellness center.  The spa is a beautiful castle in the Alps, the seemingly perfect location for people to get away from it all.  When Lockhart arrives, he finds it inhabited by elderly people who are there seeking a “cure” for their problems, people who have spent their lives working and as a result their bodies are broken and sick.  The spa, with its purifying water, offers a cure to these maladies and promises to restore its occupants to full health.

Lockhart isn’t interested in any of this and just wants his boss back.  The head of the center Dr. Volmer (Jason Isaacs)  tells Lockhart that Mr. Pembroke is in the middle of a treatment, but if Lockhart returns later that evening he will be able to see him.  But Lockhart is involved in a car accident and finds himself recuperating as a patient at the spa, and that’s when all the trouble starts.

A CURE FOR WELLNESS is full of powerful images that are both bizarre and unsettling. The film throws a lot at you and gives you much more to chew on than your average thriller. It’s also a compelling mystery. And as the film becomes more of a straightforward melodrama towards the end, it takes on the look inside this elegant castle of the period piece Hammer Films of yesteryear.  A CURE FOR WELLNESS is a thought-provoking and very chilling movie experience.

 

1 GET OUT

get out poster

The best part of GET OUT is that it is so unlike most other horror movies today. It uses as its canvas a true-to-life story about the awkwardness and difficulties of a mixed race relationship which serves as a springboard to a genuine tale of horror.  In the world of horror movies, it’s a breath of fresh air.

In GET OUT, an African-American young man Chris Washington (Daniel Kaluuya) travels with his white girlfriend Rose Armitage (Allison Williams) to meet her parents for the first time.  Even though Rose promises that her parents are not racist, Chris still has reservations about the weekend.  He knows how difficult these things can be. In this case, he has no idea.

Written and directed by first time director Jordan Peele, known more for his work as a comedic actor, GET OUT strikes a nice balance between drama, horror, and even some comedy.  The script is excellent.  The dialogue is spot on, especially for Chris, as he processes what is going on, at first taking everything in stride, then becoming somewhat suspicious, and eventually getting into full steam red flag mode.

And the film doesn’t skimp on the horror.  When we finally learn what is going on, it’s a decent reveal and is a natural progression on everything that has come before it.  It doesn’t come out of left field. GET OUT is a refreshing horror movie, one that moves away from the standard horror movie tropes we so often see, and I for one was happy for it.

It’s my pick for the Best Horror Movie of 2017.

Thanks for reading!

—Michael

 

 

 

 

 

 

 

 

 

Advertisements

IT (2017) – Creepy Tale Showcases Young Talent

2

it_2017_poster

IT (2017), the latest film adaptation of a Stephen King novel, does what King stories do best: it creates believable characters, puts them in harm’s way, and then makes you squirm as they fight for their lives.

IT takes place in the late 1980s in the town of Derry, Maine.  A young boy named Georgie (Jackson Robert Scott) is outside playing in the rain when he encounters what appears to be a clown in the sewer.  The clown, Pennywise (Bill Skarsgard) speaks to him, and since Georgie is only a child, he doesn’t find it overly strange that there’s a clown talking to him from a sewer, which is too bad, because Pennywise attacks and kills the young child.

The story jumps ahead one year, to 1989, and follows Georgie’s older brother Bill (Jaeden Lieberher) and his group of “loser” friends as they deal with bullies and parents who are either useless or harmful. It is not a good town in which to be a kid.

There’s Eddie (Jack Dylan Grazer), a young hypochondriac who can’t stop talking about germs and illnesses, Richie (Finn Wolfhard), who can’t stop talking, period, Stanley (Wyatt Oleff), Mike (Chosen Jacobs), and the new kid in the neighborhood, overweight Ben (Jeremy Ray Taylor).

And then there’s Beverly (Sophia Lillis), the one girl in the group, who they all secretly have a crush on.

All of these kids are severely bullied.  The main bully in town is Henry (Nicholas Hamilton) and he and his friends pretty much terrorize Bill and his friends on a regular basis.

The adults in their lives aren’t any better.  The worst is Beverly’s father, who sexually abuses her.

It’s these constant threats which draw these kids together.  Bill is obsessed with finding out what happened to his younger brother, and as he and his friends investigate, they learn that the town of Derry has a history of people disappearing, especially children. Soon afterwards, they start having strange visions and dreams of the evil clown Pennywise, and they realize that the threat in their town, the thing that is preying on children, is in fact Pennywise.  And since the adults in town are useless, they decide that it is up to them to seek out and destroy this evil.

IT is a very good movie that actually works better as a drama about a group of friends dealing with the threats in their lives than as a straight horror movie because it’s not really that scary.

Directed by Andy Muschietti, who also directed MAMA (2013), a horror movie from a few years back that I liked a lot, IT does have a decent number of horror scenes which work well, but its scariest scene might be its first scene, where young Georgie first encounters Pennywise in the sewer.  This is a frightening sequence, a great way to start the film, and while Pennywise does have some decent moments later, none are quite as potent as this first one.

Chase Palmer, Cary Fukunaga, and Gary Dauberman wrote the screenplay, based on the novel by Stephen King.  Of the three, Dauberman has the most extensive credits.  He wrote ANNABELLE (2014) and ANNABELLE: CREATION (2017), the second film being much better than the first.

The dialogue here in IT is excellent, as are the characters.

This is the second time IT has been filmed. It was a four-hour mini-series in 1990 starring Richard Thomas, John Ritter, Harry Anderson, and Annette O’Toole. It was well received at the time, but it is somewhat dated today.  It’s most memorable for Tim Curry’s performance as Pennywise.

Bill Skarsgard’s performance as Pennywise here in the 2017 version was good enough to make me forget about Tim Curry while I watched this movie.  Taken as a whole, I thought this new version was better than the 1990 TV rendition.

The driving force behind this 2017 movie is Bill and his friends, both the way they are written and the way they are acted.

The child actors are all excellent, and they’re in the part of the story that for me, works best in this film adaptation of IT.  These kids are bullied and abused, and what happens to them in their everyday lives is every bit as disturbing as what happens to them when they encounter Pennywise.  As a creature that preys on children, Pennywise is symbolic of the everyday evils these kids face in the real world.

When these kids bond and their friendships grow stronger, that’s the part of the film that works best, the relationships between this group of kids.  And these child actors are more than up to the task of making it all work, and work well.

Jaeden Lieberher is excellent as Bill.  A few years back, Lieberher stood out in ST. VINCENT, a comedy with Bill Murray that I liked a lot.  Lieberher is just as good here. He plays Bill as a sensitive boy who in the quest to learn what happened to his little brother becomes resilient and strong-willed, the perfect leader of this group.

Sophia Lillis is also excellent as Beverly. Like Lieberher, she makes her character sensitive yet strong.  These kids have been beaten back in life at a young age by those around them, and yet they somehow find the strength through each other to seek out and take on the evil Pennywise.  Like the rest of the young actors in this one, Lillis is also incredibly believable in this role.

I also enjoyed Jeremy Ray Taylor as the newest kid in town, Ben Hanscom.  Finn Wolfhard makes a funny wisecracking Richie Tozier, even if he did look like he just rode his bike off the set of STRANGER THINGS.  I also really liked Jack Dylan Grazer as the young hypochondriac who can’t stop talking about germs and illnesses.  And I thought Nicholas Hamilton made Henry Bowers a very disturbing psychotic bully.

I absolutely loved Bill Skarsgard’s performance as Pennywise, but his best scene is his first one.  Don’t get me wrong.  It’s not as if Pennywise disappears from the movie, because he’s in a decent number of scenes, but he doesn’t do enough in these scenes to give them the full impact they should have had.

Another thing I didn’t really like about this movie is I thought that it trivialized some of the awful things happening to the kids, especially the storyline with Beverly and her father. He’s obviously abusing her, and their scenes together are creepy, but this is serious stuff, and it deserves more serious treatment than a couple of quick scenes in a horror movie.

Likewise, bullying is a serious matter, and while the bullying scenes in IT are certainly brutal and effective in that they show how cruel and sadistic these older boys were towards Bill and his buddies, there was just something lacking in these scenes, something less authentic.  Part of the problem is they were similar to a whole host of other bully scenes in other movies.  The scenes with Bill and his friends are crisp, refreshing, and real.  The bully scenes are not.

IT is a creepy drama about a group of kids who are terrorized by the adults in their lives, by their peers, and by a menacing supernatural entity known as Pennywise. It’s sure to satisfy both Stephen Kings fans and horror fans alike.

About the only people who should stay clear of this one are those of you who live in mortal fear of clowns.  Yup, that wouldn’t be a good combination.

—END—

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.