WIND RIVER (2017) – Taylor Sheridan’s First-Rate Thriller Satisfies on Every Level

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Taylor Sheridan is one of my favorite screenwriters working today.  He wrote SICARIO, my favorite film of 2015, and he followed that up with HELL OR HIGH WATER, one of the best films of 2016.

Now comes WIND RIVER (2017), which is every bit as good as his previous two films, and this time Sheridan directs as well.

WIND RIVER (2017) takes place in Wind River, Wyoming, a beautiful expanse of land that looks like a winter paradise with its snow-covered mountains and icy rivers. But looks can be deceiving.

Hunter and tracker Cory Lambert (Jeremy Renner) discovers the dead body of a young woman in the snow, miles from anyone’s home or farm. Cory recognizes the young woman as Natalie (Kelsey Asbille), who used to be best friends with his own daughter, herself deceased.

FBI agent Jane Banner (Elizabeth Olsen) arrives on the scene and quickly determines that the girl’s death is a homicide.  As she begins her investigation, she asks Cory for help,  not only with transporting her through the snowy terrain via his snowmobile, but also with tracking down the girl’s killer, a request he agrees to without hesitation.

They then spend the rest of the movie trying to find out who killed Natalie and why.

WIND RIVER is much more than just a straightforward thriller.  For starters, it takes place on a Native American reservation.  As he did with the plight of economy starved Texans in HELL OR HIGH WATER, writer Taylor Sheridan takes us inside the minds and hearts of the Native Americans on the reservation.  They are a depressed lot, feeling they have little to live for, surrounded by snow and silence.

But as Cory tells Natalie’s brother Chip (Martin Sensmeier), whose life has been pretty much one problem after another, he’s had opportunities, from jobs to the military, and instead he chose his current situation:  he chose drugs over these other things.  Cory tries to tell Chip that it’s never too late to turn things around, especially in light of what happened to his sister.

Cory is good friends with Natalie’s and Chip’s father, Martin (Gil Birmingham), and they unfortunately share a bond, in that both their daughters have died.  Martin makes it clear that he wants Cory to track down and kill whoever murdered his daughter. The two actors Renner and Birmingham share some of the better scenes in the movie.

Cory himself is haunted by his own daughter’s death.  She, too, was murdered, her body also found in the wilderness.  Cory tells Jane that if she ever has kids, she can never blink.  Never.  Because no matter how carefully you plan, it’s not enough. It’s a solemn warning, one that resonates with parents.

The film also points out that statistics are not kept on the disappearances of Native American women, and no one really knows how many Native American women have gone missing over the years.

Jeremy Renner is excellent as Cory Lambert.  He has some truly emotional scenes, both when talking about the loss of his own daughter, and also when he reaches out to his friend Martin over the loss of Martin’s daughter. Renner is also very believable as a hunter and a tracker. It’s a rock solid performance.

Likewise, Elizabeth Olsen is just as good as FBI agent Jane Banner. She’s sent to Wind River alone, as she just happened to be the closest FBI agent in the area when the call came in about the discovery of the body, and she quickly realizes she’s in over her head, but she retains her professionalism and does the best job she can do, which is actually pretty darn good, considering the circumstances.  I like Olsen a lot, and this is one of her better roles.

While she and Renner have both starred in the Marvel superhero films, Renner as Hawkeye and Olsen as Scarlett Witch, they both do much better work here and share strong onscreen chemistry together, which says something for characters who aren’t involved in a sexual or romantic relationship.  I also enjoyed Olsen’s performance here better than her roles in GODZILLA (2014), OLD BOY (2013), and the horror film SILENT HOUSE (2011).  She was good in all these films, but she’s better here.

Veteran actor Graham Greene is on hand as police chief Ben, and like Renner and Olsen, he’s solid throughout.  In fact, he may have been my favorite character in this one, and he certainly gets most of the better lines in the movie. At one point Jane asks him if they should call for back-up, and he tells her “this isn’t the land of back-up, but the land of you’re on your own.”  Ben’s a likable character, and he patiently is there every step of the way during the investigation. with Cory and Jane.

Gil Birmingham, who was excellent in a supporting role in HELL OR HIGH WATER, where he played Jeff Bridges’ Texas Ranger partner, is superb once again here in another supporting role as Natalie’s grieving father Martin.  The scene where Cory talks to Martin about how to deal with the loss of his daughter is one of the best scenes in the movie.

And Kelsey Asbille does a fine job in a key flashback as Natalie. Likewise, Martin Sensmeier is very good as Natalie’s troubled brother Chip.

The acting is superb all around.  Jon Bernthal also shows up for a key sequence, and he doesn’t disappoint.

With WIND RIVER, Taylor Sheridan demonstrates once again the he is a superior screenwriter.  He writes more than just straightforward thrillers. There are layers to his stories and themes that serve not only to educate but also to substantiate the characters’ actions and motivations.

In WIND RIVER, Cory is only too happy to assist Jane because of the unfinished business over the murder of his own daughter.  He’s still haunted by the fact that he wasn’t able to protect his daughter nor was he able to find out who killed her.  These layers establish emotions, and these emotions drive the story forward and give it much more impact.

Sheridan also writes phenomenal dialogue, period.  His characters come to life, and they’re believable, as are the situations they find themselves in.  There’s a great scene where Jane and Ben are at the coroner’s office, and the coroner informs them that he can’t list murder as the cause of death for Natalie because she died from the cold temperatures.  At first, Jane thinks the coroner is stonewalling her, but he tells her point-blank that it’s clear she’s been raped and murdered, but officially he can’t list her death as a homicide if that’s not how she died, to which Jane responds that unless he lists it as a homicide, her superiors are going to tell her to go home.  And then Ben basically pulls her aside and tells her that the coroner is a good man who’s just doing his job, and she should cut him some slack. It’s a refreshingly honest scene.

Sheridan also directed WIND RIVER, and he proves to be every bit as talented behind the camera as he is writing screenplays.  The photography is beautiful and captures the grandeur of the snowy mountains of Wyoming.  And WIND RIVER is a chilling thriller as well.

There is a sequence near the end that is every bit as suspenseful and nerve-racking as some of the nail-biting sequences in SICARIO.   WIND RIVER does not disappoint on any level.

And while this isn’t Sheridan’s directorial debut— he directed the horror movie VILE (2011)— it’s still an impressive piece of work, combined with the fact that he wrote the screenplay.  Sheridan is also an actor, and in fact the first time I saw Sheridan was on the TV show SONS OF ANARCHY where he played Deputy Hale.

WIND RIVER is Taylor Sheridan’s third straight superior screenplay, and it’s a thriller you certainly do not want to miss.

I can’t wait to see what he writes next.

—END—

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

 

 

 

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Superhero Movies 2016 – Worst to First

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Here’s a look at the superhero movies from 2016, ranked from worst to first:

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7. BATMAN V SUPERMAN:  DAWN OF JUSTICE – By far, the worst superhero movie of 2016. The script by Chris Terrio and David S. Goyer doesn’t work. In spite of the fact that Batman and Superman do not trust or like each other, a big part of the plot revolves around Lex Luthor’s plans to pit them against each other.  Why?  They’re enemies already!  Also, the big moment where Batman and Superman change their tunes about each other is both unbelievable and anticlimactic.

Both Ben Affleck as Batman and Henry Cavill as Superman are fine, but the story they are in is not.  Also unimpressed with the action scenes by director Zach Snyder.  Best Part:  Gal Gadot as Wonder Woman.  Worst Part:  Jesse Eisenberg as Lex Luthor.

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6. THE LEGEND OF TARZAN- Tecnically, not really a superhero movie, but growing up I always considered Tarzan a superhero of the jungle.

THE LEGEND OF TARZAN is a serious good-looking production by director David Yates that suffers from one fundamental problem:  it’s boring.

Alexander Skarsgard is terribly uncharismatic as Tarzan, Margot Robbie somehow doesn’t wow as Jane, and Christoph Waltz thinks he’s still playing Bond baddie Blofeld, hamming it up as villain Leon Rom.  The liveliest lines go to Samuel L. Jackson as Tarzan ally George Washington Williams.  The movie would have been better served had it given this oomph to Tarzan.

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5.SUICIDE SQUAD –  The DC superhero movies continue to struggle, but that being said, I liked SUICIDE SQUAD.  Somewhat.

Whereas she didn’t wow in THE LEGEND OF TARZAN, Margot Robbie more than makes up for it here as Harley Quinn.  Robbie’s electrifying, sexy performance as the bad-girl-turned-good-maybe easily steals this movie.  It’s easy to understand from Robbie’s performance how Quinn is the Joker’s girlfriend.

While I’m not a Will Smith fan, he’s really good here as Deadshot, and his and Robbie’s performances were the main reasons I enjoyed this movie.  The rest of the cast is simply average.  The plot less so.  The screenplay by director David Ayer has all this build up to this squad of misfits only to see them square off against one of their own, a supernatural witch, no less.  This one simply lacks vision.

Also, Jared Leto’s Joker is ultimately a disappointment, partly because of his performance, but mostly because the role is under written.

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4. DOCTOR STRANGE – The first of the superhero movies on this list that I consider excellent.  It’s no surprise that all four of the top superhero movies from 2016 come out of the Marvel Universe, the studio that continues to churn out one superhero hit after another.

Certainly the most imaginative superhero movie of the year.  Not only does it tell a captivating story, but it’s also a visual treat. Benedict Cumberbatch is excellent as Doctor Strange, the obnoxious neurosurgeon turned superhero after a devastating injury ruins his career and sends him in search of healing through the Far East mystic arts.  What he finds is new life as a superhero.

As usual with the Marvel movies, it struggles with its villain, as Mads Mikkelsen really doesn’t get to do a whole lot as bad guy Kaecilius.

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3. X-MEN:  APOCALYPSE –  My sleeper pick on the list.  Critically panned and not really loved by fans, X-MEN: APOCALYPSE nonetheless entertained me from start to finish.

The main reason I enjoyed this one?  The performances by James McAvoy as Professor Xavier, and Michael Fassbender as Magneto. Since taking over these roles when the series rebooted with X-MEN:  FIRST CLASS (2011), McAvoy and Fassbender have made them their own.  It’s difficult to dislike a movie when these two talented actors are helming it.

Of course, Jennifer Lawrence is here, too, as Raven/Mystique, but in all honesty I’ve enjoyed Lawrence in most of her other movies more than here in the X-MEN series.

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2. DEADPOOL (CKF) – For many, DEADPOOL was the best superhero movie of 2016.  For me, it was second best.  That being said, it was certainly the most unusual superhero movie of the year.

Foul-mouthed Deadpool— played by Ryan Reynolds in a role he was born to play— lets loose with an abundance of raunchy language not even George Carlin, Richard Pryor, or Eddie Murphy combined could match.  As such, this R rated superhero movie is not for everyone, but if you don’t mind raunchy language, you are in for quite a treat.

The liveliest superhero movie of the year, as well as the funniest.

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1. CAPTAIN AMERICA: CIVIL WAR – My pick for the best superhero movie of 2016 is easily Marvel’s CAPTAIN AMERICA:  CIVIL WAR.  This one plays more like THE AVENGERS 2.5. Its story about a rift between Captain America and Iron Man is much more believable and emotionally satisfying than the rift between Batman and Superman in BATMAN V SUPERMAN: DAWN OF JUSTICE.

This one is so good, that even though it’s the third Captain America movie, it belongs in the conversation as one of the best superhero movies ever made.Brothers Anthony and Joe Russo direct this one with high energy and lots of style, and the screenplay by Christopher Markus and Stephen McFeely is a genuine crowd pleaser.

Also features a phenomenal cast which has no business being in a superhero movie. You’ve got Chris Evans as Captain America, Robert Downey Jr. as Tony Stark/Iron Man, Scarlett Johansson as Black Widow, Anthony Mackie as the Falcon, Don Cheadle as War Machine, Jeremy Renner as Hawkeye, Chadwick Boseman as Black Panther, Paul Bettany as Vision, Elizabeth Olsen as Scarlet Witch, Paul Rudd as Ant-Man, and Sebastian Stan as the Winter Soldier.  And with all these folks doing their things and doing them well, the movie is almost stolen by young Tom Holland in his debut as Spider-Man.

An awesome movie.  Marvel has been churning out one quality superhero movie after another going back to IRON MAN (2008), and they show no signs of slowing down.  I’m looking forward to their upcoming releases in 2017, starting with LOGAN on March 3.

And there you have it, my list of the superhero movies from 2016.

Until next time, thanks for reading!

—Michael

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.  Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

Science Fiction Movies 2016 – Worst to First

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Here’s a look back at the major science fiction movies from 2016.  There has been a resurgence of late of quality science fiction films, but that being said, 2016 didn’t have a lot to offer audiences in the sci-fi genre.  In fact, of the more than 50 films I saw in 2016, only five were science fiction.

Here’s a break down of how they fared, from worst to first:

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5. PASSENGERS – this big budget pairing of superstars Jennifer Lawrence and Chris Pratt was my least favorite science fiction film from 2016.  That being said, it’s really not that bad a movie.  I would rate it slightly less than average.  Probably not worth a trip to the theater, but something you might consider catching at home on a streaming service or on DVD or Blu-ray.

The biggest culprit is a story that just didn’t work.  It’s about a massive spaceship carrying thousands of passengers in sleep stasis to a new colony planet where they hope to begin a new life.  When there’s a malfunction, and a man Jim Preston (Chris Pratt) is accidentally awoken, he finds himself alone and realizes with 90 years still left to the voyage, he won’t get off the ship alive.  His decision to awake fellow passenger Aurora Lane (Jennifer Lawrence)— in effect giving her a death sentence— and the subsequent love story  which follows sets up the burning question:  what will happen if Aurora finds out that unlike Jim she didn’t awake by accident?

The resolution to this question is both unsatisfying and unbelievable.  PASSENGERS is a good-looking science fiction movie hindered by a muddled storyline.  Plus Lawrence and Pratt share very little chemistry as desperate space lovers.

 

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4. ROGUE ONE:  A STAR WARS STORY –  while legions of fans call this the best STAR WARS movie ever! I simply found it to be a decent stand alone film in the series.  It starts off slow but gets better with an exciting ending that is one of the best endings of the entire series.

ROGUE ONE is a stand alone film in the series, meaning it’s the first film in the STAR WARS franchise not to be part of a trilogy.  It tells the intriguing story of the daring mission to steal those Death Star plans which would ultimately give Luke Skywalker the ability to destroy the evil Empire’s ultimate weapon way back in the very first STAR WARS (1977).  It’s a good story, but the film struggles to tell it at first, as we are introduced to a bunch of new characters early on with a minimum of character development.  As such, during the film’s first half, I didn’t care for any of these new characters.

Things eventually get better, and the ending is superb.  I really liked Felicity Jones as Jyn Erso, but the rest of the cast didn’t really wow me.  Nor did the much hyped CGI-motion capture hybrid of Grand Moff Tarkin, which tried to recreate the late great Peter Cushing in one of his later roles.  Mixed results here, as this Tarkin looks just like Cushing if you imagine him as a cartoon.  I enjoyed STAR WARS:  THE FORCE AWAKENS (2015) better.

 

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3. MORGAN – Little seen and critically panned sci-fi actioner, but I really liked this one.  It’s the story of an artificially intelligent being named Morgan (Anya Taylor-Joy) who kills one of the scientists working with her.  As a result, the company which financed the project to create Morgan sends in an agent Lee Weathers (Kate Mara) to investigate whether or not Morgan needs to be terminated.

The scientists who created and now care for Morgan argue in her favor, even though she killed one of their own.  They believe she has attained life and as such cannot be terminated at the whim of a company.  While the film does explore what it means to be an artificial life form, the story is not on the same level as the deeper and better written EX MACHINA (2015).

But where MORGAN does succeed is as an action thriller.  As such, MORGAN features two strong performances, one by Kate Mara as the driven investigator who will stop at nothing to reach her conclusions, and the other by Anya Taylor-Joy as the introspective and potentially dangerous Morgan.  The climactic fight scene between agent Lee Weathers and Morgan is expertly edited, as intense and violent a fight as you’ll see in an action movie, especially between two women.

 

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2.STAR TREK BEYOND- As a lifelong STAR TREK fan, I’ve enjoyed this rebooted movie series a lot, as it explores an alternate timeline involving the characters from the original STAR TREK series.

This third film in this rebooted series is as enjoyable as the two films which came before it. By far, the best part of these movies is its cast, which continue to do a bang up job at capturing the personas of the original cast from the first STAR TREK TV show.  Chris Pine shines as Captain Kirk, and I thought he played the role a bit more like William Shatner here in this third film than he did in the previous two.

Zachary Quinto continues to nail Mr. Spock by delivering a performance that Leonard Nimoy would no doubt be proud of.  But most impressive is Karl Urban as Doctor McCoy.  He has gotten better with each successive movie, and he was excellent to begin with.  He truly captures what DeForest Kelly did with the character in the original series.  Urban’s performance is uncanny.

 

And now we’ve reached my pick for the best science fiction movie from 2016.  We started with PASSENGERS, which I found slightly less than average, and the next three movies were all solid, flirting with average to better than average.

But my pick for the #1 science fiction movie of the year is the only science fiction film from 2016 that I considered excellent.  It’s a far superior science fiction movie than the other four films in this list.

And that movie is:

 

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1. ARRIVAL – the one true science fiction movie from 2016.  When mysterious space ships suddenly appear all over the Earth, suspended silently above ground like enormous storm clouds, the governments from around the world scramble to decipher what these aliens want.

The U.S. government sends in linguistics professor Louise Banks (Amy Adams) to communicate with the aliens.  Banks not only has to try to learn the aliens’ language, but she also has to figure out a way to teach them ours.

What she, along with physicist Ian Donnelly (Jeremy Renner) ultimately learn changes the way we think about time and space.

ARRIVAL is fun science fiction movie with a thought-provoking script by Eric Heisserer.  It’s not perfect. I found the ending not quite as satisfying or mind-blowing as the ending to INTERSTELLAR (2014).  But Amy Adams is excellent in the lead role, and the film really belongs to her.

Without much serious competition, ARRIVAL is easily the best science fiction movie I saw in 2016.

Until next time, thanks for reading!

— Michael

 

 

 

 

 

ARRIVAL (2016) – Thought-Provoking Science Fiction Tale

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ARRIVAL (2016) is a thought-provoking science fiction film that joins the ranks of other recent science fiction hits, films like INTERSTELLAR (2014), THE MARTIAN (2015), GRAVITY (2013), and DISTRICT 9 (2009).  That being said, it doesn’t quite reach the same impressive blow-your-mind heights of Christopher Nolan’s INTERSTELLAR, but it does come close.

Alien ships have suddenly descended upon Earth, but these aren’t the war-like machines from H.G. Wells’ WAR OF THE WORLDS.  On the contrary, these humongous ships simply hover peacefully above ground with no sign of activity inside or out.  At first authorities all over the world aren’t even sure they are occupied.

But occupied they are, as a door to each ship opens every few hours, allowing authorities around the world access to them, and everyone has the same question:  what are they doing here?

The militaries of the world especially want to know because they’re fearful the aliens might be planning an invasion.  And so in the U.S., the military surrounds the ship, and lead officer Colonel Weber (Forest Whitaker) assembles a team to make contact with the aliens led by linguist Dr. Louise Banks (Amy Adams) and scientist Ian Donnelly (Jeremy Renner).

And this really is Amy Adam’s movie, because the film revolves around her character, Louise Banks.  It’s Louise who faces the daunting task of trying to communicate with the aliens, of trying both to teach the aliens our language and learn theirs.  By far, these scenes are the best in the movie, very thought-provoking, and highly captivating.

Banks also has been dealing with a personal crisis, as she had recently lost her teenage daughter to cancer.  Throughout the film, Banks sees flashes of moments with her daughter, as there seems to be some connection between their past and the aliens she’s now communicating with, but what it is, she has no idea.  Moreover, she’s exhausted and knows that these episodes could simply be the result of too little sleep.

ARRIVAL was directed by Denis Villeneuve, who directed SICARIO (2016), which was my favorite movie last year.  One of the main reasons I wanted to see ARRIVAL was because Villeneuve was directing it.  And he doesn’t disappoint.

There are some very memorable scenes in this movie.  The image of the huge ships hovering just above land are very cinematic, although not entirely original.  DISTRICT 9 used similar images to great effect as well.

But the scene where the aliens first appear to Louise and Ian is a good one, very creepy and suspenseful.  And the ensuing scenes where Louise and Ian work to communicate with the aliens are fascinating to watch.

The film does try to generate suspense in other areas, as some of the other countries, specifically China and Russia, are less patient with the aliens than the United States and threaten to blow up the alien ships before sufficient contact is made, making Louise’s job a race against time, but the best scenes in this film are the the thought-provoking science fiction ones.

The screenplay by Eric Heisserer is decent.  Heisserer wrote the scripts for a bunch of recent horror movies, including the reboot of  A NIGHTMARE ON ELM STREET (2009), the reimagining/prequel THE THING (2011), and LIGHTS OUT (2016).  I wasn’t crazy about any of these movies, but I liked ARRIVAL a lot, so this is easily Heisserer’s best screenplay to date.

I enjoyed the story and the characterizations, but what I didn’t like as much was the ending.  For its big payoff, the moment audiences eagerly await throughout the film, which is the answer to the all important question:  just what are the aliens doing here?  I thought was less than satisfying.

I totally get it from Louise’s perspective.  I understand what she learns and why it’s so mind-blowing.  From her point of view, it’s really cool.  But from the aliens’ point of view, it’s less so. I couldn’t help but wonder after learning the reason for the aliens’ visit if their actions made complete sense. I’m not so sure.  The ending to Christopher Nolan’s INTERSTELLAR worked better for me.

The acting here is first-rate.  I’m a huge fan of Amy Adams, and once again she delivers a terrific performance.  Dr. Louise Banks is the central character in the movie, and Adams is more than up to the task of carrying this film on her shoulders.  She’s believable as the brilliant linguist and as the grieving mother, haunted by images of her deceased daughter’s childhood.

Jeremy Renner is equally as good as scientist Ian Donnelly, although his character is secondary to Adams’ Banks.  The two also work well together and share some sexual chemistry which keeps the progression of the story believable.

The supporting cast is decent as well.  I thought Michael Stuhlbarg was particularly good as CIA agent Halpern.

There’s been a resurgence of quality science fiction movies in recent years, and this is a good thing.  You can go ahead and add ARRIVAL to that list.  While not quite the grand slam that was Christopher Nolan’s INTERSTELLAR, it’s still an above average science fiction movie.

All in all, ARRIVAL is a satisfying science fiction tale about an encounter with an alien race that may or may not be trying to teach us something.

—END—

 

 

 

 

 

YOUR MOVIE LISTS: THE AVENGERS MOVIES

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YOUR MOVIE LISTS:  Marvel’s THE AVENGERS Movies avengers-age-of-ultron

By Michael Arruda

Welcome to another edition of YOUR MOVIE LISTS, the column where you’ll find lists of odds and ends about movies.  Today we’re looking at Marvel’s THE AVENGERS Movies.

 

Wait a minute.  Isn’t AVENGERS: AGE OF ULTRON (2015) which opens in theaters on May 1 only the second AVENGERS movie?  Technically, yes, AVENGERS: AGE OF ULTRON is only the first sequel to THE AVENGERS (2012)  but anyone who’s seen THE AVENGERS knows there are a lot of superheroes in this movie, and each of them have appeared in prior films leading up to these AVENGERS adventures.

Here’s a look at these movies:

IRON MAN (2008) – The film that started the AVENGERS journey.  Phenomenal movie, probably my third favorite superhero movie of all time, behind THE DARK KNIGHT (2008) and THE AVENGERS (2012).  This is the film that introduced us to Robert Downey Jr. as Tony Stark aka Iron Man, one of the most entertaining and fascinating superhero personas ever.  Directed by Jon Favreau, this is a worthy film to kick off the franchise.  Also introduced Samuel L. Jackson as Nick Fury, as well as first appearance by Clark Gregg as Agent Coulson.

THE INCREDIBLE HULK (2008) – Edward Norton makes for a credible and intense Bruce Banner aka The Hulk, and Tim Roth is even better as the main baddie.  Excellent movie, much better than Marvel’s previous HULK (2003).

IRON MAN 2 (2010) – Robert Downey Jr. is back as Tony Stark/Iron Man, as is director Jon Favreau, but this sequel is inferior to the first film and never really hits its stride.  Most notable for introducing Scarlett Johansson as Black Widow.  Both Samuel L. Jackson as Nick Fury and Clark Gregg as Agent Coulson return for this sequel.

 

CAPTAIN AMERICA:  THE FIRST AVENGER (2011) – Chris Evans is perfectly cast as Captain America in this handsomely filmed origin tale of the World War II superhero.  Nice IRON MAN tie-in as story features Tony Stark’s dad Howard Stark (Dominic Cooper).  Samuel L. Jackson returns as Nick Fury.  Well-made adventure, solid from beginning to end.

THOR (2011) – Uneven but colorful film by director Kenneth Branagh.  The best part of this Thor origin story is Chris Hemsworth as Thor.  He’s phenomenal and provides this one with its best moments.  The scenes on Earth work better than the scenes on Asgard.  On hand once more are Samuel L. Jackson as Nick Fury and Clark Gregg as Agent Coulson.  The first appearance by Jeremy Renner as Hawkeye.

THE AVENGERS (2012) – The biggie.  Arguably the best superhero movie ever made, although I give a slight nod to Christopher Nolan’s Batman masterpiece THE DARK KNIGHT.  This epic film by writer/director Joss Whedon brings together Iron Man, Captain America, Thor, the Hulk, Black Widow, and Hawkeye as they battle Thor’s troublemaker brother Loki.  Fantastic cast includes Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, and Jeremy Renner, each doing their thing, each incredibly entertaining, especially since they don’t get along for anything and sound more like a bickering family than a group of superfriends.

Mark Ruffalo takes over the role of Bruce Banner/the Hulk from Edward Norton and does a fine job, immediately making the role his own.  Also features Samuel J. Jackson as Nick Fury and Clark Gregg as Agent Coulson.

If there’s one weakness, it’s that Loki is a somewhat lame villain.  The Avengers deserve a worthier foe.

Still, THE AVENGERS is grand entertainment from beginning to end, by far the best of the Marvel superhero movies.

IRON MAN 3 (2013) – Robert Downey Jr.’s third turn as Iron Man is better than the second film but not as good as the first.  The twist involving the villain Mandarin may not be for everybody, but all in all this is a very entertaining superhero film, a worthy installment in the IRON MAN franchise.  Gwyneth Paltrow, who has played Tony Stark’s love interest Pepper Potts in all three IRON MAN films, probably enjoys her best moments in this third film.

THOR:  THE DARK WORLD (2013) – Chris Hemsworth as Thor is once again the best part of this THOR sequel.  As in the first movie, the scenes on Earth are compelling while the fantasy-injected scenes on Asgard in spite of their dazzling look fail to resonate.  The villains here are Dark Elves.  They should have stuck to baking cookies.

CAPTAIN AMERICA:  THE WINTER SOLDIER (2014) – This Captain America sequel is even better than the first.  This time Captain America (Chris Evans) teams with Black Widow (Scarlett Johansson) and the Falcon (Anthony Mackie) as he becomes a fugitive from the law while investigating the “murder” of Nick Fury (Samuel L. Jackson).  Darker entry than the first film, this Captain America sequel is yet another high quality well-made Marvel superhero movie.

AVENGERS:  AGE OF ULTRON (2015) – With writer/director Joss Whedon back at the helm, all your favorite Avengers return for this action packed sequel where Iron Man, Captain America, Thor, the Hulk, Black Widow, and Hawkeye take on the all-powerful Ultron, voiced with nasty conviction by James Spader.  Topnotch cast includes Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Jeremy Renner, and Samuel L. Jackson as Nick Fury.  Also introduces Aaron Taylor-Johnson as Quicksilver and Elizabeth Olsen as Scarlet Witch.

Okay, that about wraps things up here and brings us up to date, but the story is not yet finished, not by a long shot.  Marvel has more adventures planned.  It looks like another Captain America film will be out in 2016 followed by another Thor movie in 2017.  And of course, the Avengers will be back in their own third movie, so as of right now, all is well with the Marvel universe, and since these movies continue to provide quality entertainment, that’s fine with me.

Thanks for reading!

—Michael