THE MOUNTAIN BETWEEN US (2017) – More a Love Story than a Survival Adventure

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Idris Elba is one of my favorite actors working today, but he just can’t seem to find that movie to catapult his career to the next level.

Sure, he was in the THOR movies, as well as PROMETHEUS (2012) and PACIFIC RIM (2013), and he played the villain in STAR TREK BEYOND (2016), and co-starred with Matthew McConaughey in this year’s misfire, THE DARK TOWER (2017).  He played Nelson Mandela in MANDELA: LONG WALK TO FREEDOM (2013), and some years back he lent his talents to such horror movies as the remake of PROM NIGHT (2008) and THE UNBORN (2009).  He also supplied the voice for the evil Tiger Shere Khan in the remake of THE JUNGLE BOOK (2016).

But none of these movies have allowed Elba to fully utilize his acting chops, and they don’t come close to displaying his talents.  If you want to see Elba at his best, you need to check out the BBC TV series LUTHER (2010-2018), which is a great show, and Elba is phenomenal in it.

Today’s movie, THE MOUNTAIN BETWEEN US (2017), is also not that movie for Idris Elba, but on the other hand, it’s nowhere near as bad as critics are making it out to be.  In fact, it’s rather entertaining, thanks to amiable performances by both its leads, Elba and Kate Winslet.

THE MOUNTAIN BETWEEN US opens at a crowded airport, where surgeon Ben Bass (Idris Elba) learns that his flight has been canceled due to a storm, which he finds particularly upsetting because he is trying to get to a surgery to save a young boy. Likewise, journalist Alex Martin (Kate Winslet) receives the same news, and she’s in a rush because she’s on her way to her wedding.  When Alex overhears Ben’s situation, she approaches him with the suggestion that they charter a small plane together so they can both get to where they are going on time.

Critics have complained that this one is simply not believable, and up to a point, I agree. For example, would Alex really approach a total stranger to charter a plane together? And why?  I assume it’s to save on the cost, but that’s not really explained.  And wouldn’t the small plane still have to deal with the storm?  You’d think, right?

Anyway, they do charter a small plane, flown by a pilot named Walter (Beau Bridges) and his dog.  Well, the dog doesn’t fly the plane, but he does make the trip.  The first thing I thought when I laid eyes on Walter was, “Gee, that guy doesn’t look very healthy.  I’m not sure I’d want to get inside a plane flown by him.”  And I would have been right. Moments into their flight, Walter suffers a heart attack, and the plane slams down onto a snowy mountaintop.

Walter dies, but Ben and Alex survive, as does the dog, and they find themselves stranded on top of this snowy mountain in the wilderness, miles away from civilization. Worse yet, Walter did not submit a flight plan, and neither Ben nor Alex had let anyone know they were taking a charter plane.  In short, no one knows where they are.  There will be no rescue team looking for them.

To survive, they’re going to have to rely on each other.

THE MOUNTAIN BETWEEN US is much more a love story than a survival adventure, and that’s why it works. This is not an R-rated survival movie, filled with gritty scenes of bloody injuries and life-threatening encounters.  No, it’s a PG-13 romance about two people trying to survive in a situation where when push comes to shove, they both admit they believe they are going to die, and as such, they do not want to die alone.  Hence, the bond between them grows, and as it grows, their will to survive grows as well.

But the main reason THE MOUNTAIN BETWEEN US works is the acting of the two leads, Elba and Winslet.  They create two likable real characters, who at the end of the day, you want to see survive, and you don’t mind joining them on their plight through the mountains to find their way back to civilization.

Elba’s Dr. Ben Bass is the cautious, caring man who sees it as his job to ensure that they survive long enough to be rescued.  After the crash, he awakes first, and he immediately sees that Alex has suffered a broken leg. If he were a selfish man, he could have easily left Alex behind and gone off to save himself.

Winslet’s Alex Martin is the feisty journalist.  She believes sitting in the wreckage waiting to be rescued is a dumb idea, and that they need to get moving so they can save themselves.  Ben completely disagrees, and he reminds her that she would not get far in the snow with her broken leg.  But she’s not so easily deterred.  At one point, Ben laments, “Is it so difficult for you just to keep still?”

Since Elba and Winslet are pretty much the entire movie, other than the dog, the film relies heavily on their performances, and they do not disappoint.  I always enjoy Elba, and I also really enjoyed Winslet here, much more than the previous time I saw her, as a shallow Russian villain in the flawed thriller TRIPLE 9 (2016).

I also bought their romance.  Some have complained that it was not realistic, and that with a broken leg, and Ben’s cracked rib, and the fact that Alex was about to get married, and that they were starving and most likely filthy, the idea of a romance should have been the last thing on their minds.  But it worked for me because again, these are two characters who really believed they were not going to make it, and that they were going to die.  It comes down to their not wanting to die alone, and when they fall in love, it’s because they are in the moment, and they want to die in the presence and embrace of another human being.

I enjoyed the way Hany Abu-Assad directed this one.  The pacing is decent, the crash scene jarring enough, and the later sequences of peril just harrowing enough to make them satisfying.  There’s a scary encounter with a mountain lion, a slip by Ben that sends him on a dizzying slide towards a frightening precipice, and a sequence involving some thin thawing ice. And you can’t beat the mountain scenery.

Nothing that happens here is all that intense, but that’s not the emphasis of this movie. It’s about the connection that Ben and Alex make and share.  As such, the lack of intensity is easily forgiven.  The film is less about surviving the elements and more about the need for human contact in the face of death.

What I liked least about THE MOUNTAIN BETWEEN US is it tends to go on a bit near the end.  I would have preferred a tighter conclusion.

J. Mills Goodloe and Chris Weitz wrote the screenplay, based on the novel by Charles Martin.  It succeeds in that it creates two amiable characters and gives them realistic dialogue throughout.  Weitz is one of the writers who worked on the screenplay for ROGUE ONE (2016).

While it’s not going to win any awards or shatter box office records, THE MOUNTAIN BETWEEN US is much better than critics are saying it is, and as such, makes for an enjoyable visit to the movies.

—END—

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

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 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

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Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

 

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TRIPLE 9 (2016) Wastes Talented Cast

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With a cast that includes Casey Affleck, Chiwetel Ejiofor, Anthony Mackie, Woody Harrelson, Aaron Paul, Norman Reedus, and Kate Winslet, TRIPLE 9 (2016) should have been triple the fun, but it’s not.

TRIPLE 9 tells a dark tale of corrupt cops working for the Russian mob, and as such should have been a riveting action drama, but less than stellar writing and underdeveloped characters ultimately do this one in.

The bad guys include crooked cops Marcus Belmont (Anthony Mackie) and Franco Rodriguez (Clifton Collins Jr.), ex-cop Gabe Welch (Aaron Paul), and disgrunteld ex-soldiers Michael Atwood (Chiwetel Ejiofor) and Russell Welch (Norman Reedus) who also happens to be Gabe’s brother. They work for the Russian mob, and they’re at the mob’s beck and call because the head of the mob Irina Vlaslov (Kate Winslet) has Michael Atwood’s young son in her clutches, which in this case is easy to do because she happens to be the boy’s aunt!  See, the boy’s mother is Irina’s sister.

The good guys— and there’s not many of them in this movie— include Chris Allen (Casey Affleck), a cop who runs the straight and narrow because he wants to “make a difference,” (cliche, cough, cliche), and his loose canon police captain uncle Jeffrey Allen (Woody Harrelson).

Michael and his team rob a bank for Irina’s mob, but after the job, she refuses to pay them, saying there is one more job that they must do for her, and of course, Michael cannot refuse her, because she’s got his son.  The job is next to impossible, as it involves robbing a federal building loaded with swat-team style security, and so they come up with a plan to utilize “999” which is the police code for “officer down.”  They decide to kill a police officer, knowing that once that 999 code spreads over the police dispatch, every officer on the force will be racing towards the shooting scene, which will give them the time to make their impossible heist.

They choose Marcus’ new partner Chris to be their victim, thus setting the stage for the big conflict in this movie.

TRIPLE 9 suffers from some pretty weak writing across the board.    The screenplay is by Matt Cook, and it’s his first feature film writing credit.  It shows.

Let’s start with characters.  All of these guys have the potential to be very interesting, but none of them— not one– is developed enough for us to care about them.  Part of the problem is that there are too many characters in this movie.  Perhaps things would have been better had screenwriter Cook taken just two of these guys and built the story around them.

Take the two main characters for example.  You have Michael Atwood, played by Chiwetel Ejiofor, as the leader of the baddies, who should be the guy we love to hate, or perhaps feel bad about, but I felt absolutely nothing for this guy.  We’re supposed to feel bad for him bad for him because the mob has his son, but we never see him as a dad with his son.  They have some scenes together, but they’re meaningless.  On the contrary, the little kid seems to be having more fun with his aunt Irina.  Plus, we’re given no background to establish what kind of relationship Michael had with the boy’s mother.  Everything is all so peripheral.  And on the tough guy bad guy front, Michael is a failure as very few things he does here work.

Likewise, Casey Affleck’s Chris Allen is a walking cliche.  He goes around brooding, obviously unhappy with a lot of his fellow police officers (no wonder they want to kill him!) and the brief scenes where we see him with his family are pointless.  We just never get to know him.

Anthony Mackie’s Marcus Belmont is even less developed than these two.  Clifton Collins Jr. fares slightly better as Franco Rodriguez.  At least he comes off as slightly creepy.

Woody Harrelson’s performance as Jeffrey Allen is all over the place.  At times, he acts like the top cop in the precinct, but more often than not he’s a loose wire, often sounding and acting like the corrupt cops he’s trying to weed out.

And then there’s Kate Winslet.  What was she doing in this movie?  Irina Vlaslov comes off like a cross between Cruella Deville and Brigitte Nielsen’s Ludmilla from ROCKY IV (1985) only without any personality.  I never took this character seriously.

The two best peformances in this movie belong to the two TV stars, Aaron Paul (BREAKING BAD) and Norman Reedus (THE WALKING DEAD).

Reedus delivers the best performance in the movie, hands down, with Paul right behind him, but the reason they don’t lift this movie is they’re not in it much at all.  Had this film been built around these guys, these characters, the filmmakers might have had something.  Reedus is icy cool as big brother Russell Welch, and in his brief screen time, he manages to do something that no one else other than Paul does in this film:  he actually makes you care about his character a little bit.  Incredibly, in the brief time Reedus is in this movie, he gives Russell some depth, a feeling that there’s more to this guy than just a shallow mercenary.

Paul does the same with younger brother Gabe Welch.  Of all the villains, it’s Gabe who’s the most messed up, the one who struggles the most to keep it all together, and Paul does a great job with this character.  Unfortunately, the movie spends very little time on these guys.

Director John Hillcoat actually does a pretty good job here.  The opening robbery sequence is indeed rather riveting, and the climactic “999” scene is also very good, but there’s just so much in the middle that doesn’t work that by the time we get to that “999” scene, I didn’t really care about any of it.

For example, there’s the weak depiction of the Russian mob.  How do we know this Russian mob is so deadly?  Because we’re privy to quick shots of bloodied whimpering bodies in the trunks of cars.  It’s certainly not because we’re privy to what the mob is up to.  The plot is centered around the big heist at the end, and yet very little time is spent on what they are actually stealing or why the mob wants it so badly.

The film also never really delivers true suspense.

There’s just not a lot that works in TRIPLE 9.  It wastes its very talented cast, its story is contrived, its characters undeveloped, and its execution is uneven.

Instead of calling in a 999, perhaps the folks in this movie should have dialed 911.