I was really looking forward to seeing US (2019).
Written and directed by Jordan Peele, the man who gave us GET OUT (2017), one of my favorite movies from that year, US boasted creepy trailers and advanced critical acclaim.
Imagine my disappointment when the end credits rolled and I found myself realizing I had just sat through— a dud.
Yep, I didn’t like US all that much. Didn’t like it at all.
The film opens creepily enough. It’s 1986, and a young girl is with her family at a beach boardwalk amusement park. The girl walks away and enters a house of mirrors on her own, where she has a bizarre and frightening experience. The film switches to present day where the girl Adelaide (Lupita Nyong’o) is now an adult with her own family: husband Gabe (Winston Duke), teenage daughter Zora (Shahadi Wright Joseph) and younger son Jason (Evan Alex).
They’re a normal enough family and early on they’re fun to watch. On vacation, they decide to go to the same beach boardwalk where Adelaide had her traumatic experience as a kid. How weird is that? I don’t think I’d take my kids to a place that held such haunting memories for me, but anyway, throughout the vacation Adelaide can’t help but feel that something bad is going to happen to her family. Of course she feels this! She’s at the same place where she had her childhood trauma! Duh!
Her fears become reality when at night four mysterious figures show up outside their door, figures that look like another family. Young Jason nails it when he says “They’re us.” Because that’s who they are, strange zombielike doppelgängers of the four family members.
And it’s at this point in the film, where it introduces its horrific elements, where it should take off and soar, where for me, it simply all unravels, and I lost interest.
Not for reasons usually associated with a bad horror movie.
For starters, US is a very ambitious movie, in terms of theme and symbolic images. It plays like a college thesis. There’s a lot going on, but for me, its undoing is a lack of believability and ultimately a lack of emotion. It’s a rare thing for me to like a movie that doesn’t move me emotionally, and US didn’t move me one iota, mostly because the threat never seemed real to me, and so I never was full on board with the plight of these characters.
Sure, I appreciated what the film was saying, I understood why it was saying it, but I didn’t believe the way it was saying it. Basically, there are two versions of this family, and as the film later shows, two versions of a lot of families, and when the alternate Adelaide responds to the question of who is she with the answer, “We’re Americans,” you get the point of the two Americas. The alternate Americans are dressed in red, not a friendly color these days. I get the symbolism.
But the story as told in US made little sense to me. The story of these people’s origins never resonated with me as anything other than a symbolic treatise on our modern-day culture. As such, it distracted me from the proceedings and took away from the horror elements. The entire time the family was fighting for their lives I felt disconnected from them because their story played out less like the events in a movie and more like the pages of a college thesis paper.
So, there’s a lot to digest here, and for people who like to analyze movies, US is the film for them. For people who enjoy horror movies, I’d wager to guess those folks might be a little disappointed. Don’t get me wrong. I’m not arguing that the only good horror movie is a dumb horror movie. I love smart movies. But US tries too hard to be intellectual at the expense of being emotional.
The acting is excellent. Lupita Nyong’o excels as both Adelaide and the very chilling alternate version of her. Elizabeth Moss is equally as good as family friend Kitty and her evil doppelgänger.
Winston Duke is fun to watch as the relaxed amiable dad Gabe, although his “twin” is less effective as he lumbers around like a zombie and isn’t as frightening as some of the others. Duke and Nyong’o, who both co-starred in BLACK PANTHER (2018), make for a realistic couple, one of the few parts of this movie I found believable.
Shahadi Wright Joseph is very good as daughter Zora, as is Evan Alex as son Jason.
One of the reasons I liked GET OUT so much was it was both a scary horror movie and an incisive commentary on race. Here, Jordan Peele is working with a much broader canvas. He’s covering much more ground, but while US is a more ambitious film than GET OUT, it doesn’t work nearly as well. For starters, its story just seemed way too convoluted to be credible.
And since it wasn’t believable, I didn’t feel for the characters, and as a result ultimately didn’t care all that much for the movie.
And while there are plenty of creepy parts, I didn’t find US all that scary either.
I predict that I may like US more with subsequent viewings, because there is a lot to absorb. But my initial reaction to it was akin to reading a poem ripe with figurative language that told a story so unreal it distracted from its metaphors. In short, the ambitious US never convinced me that what it was saying was real.