CAPTAIN MARVEL (2019) – Exciting Character, Mediocre Movie

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The best part of CAPTAIN MARVEL (2019) is Brie Larson’s performance as the title character, a female superhero who kicks butt and takes guff from no man. The worst part is her origin story as told in this movie simply isn’t all that interesting. In fact, it’s all rather—dare I say it?— dull.

On the faraway planet of Hala, Vers (Brie Larson) is being trained by a member of the Kree race, Yon-Rogg (Jude Law) to combat terrorists, known as the Skrulls, but she is too emotional, and she continually fails in her training. As a result, she’s sent to see the Supreme Intelligence (Annette Bening), a being who appears differently to everyone who sees her, taking the shape of someone important in the lives of the visiting individual, but Vers doesn’t recognize the face of the Supreme Intelligence at all, and that’s because she has a problem with her memory and cannot remember her past.

When she is captured by the Skrulls terrorists, they probe her mind, which allows Vers to see images of her past, and she realizes she was once on Earth. Both she and the Skrulls make their way to Earth during the 1990s, and it’s here where she meets a young Nick Fury (Samuel L. Jackson), and together they take on the alien threat.

Meh.

Captain Marvel, as played by Brie Larson, is clearly the best part of CAPTAIN MARVEL She personifies confidence and resilience, standing up to the insults and catcalls of men, pretty much stamping them out. Of course, since this is a Marvel superhero movie, she’s also about defeating the bad guys, and she does that well too. A little too well actually. No one in this film really stands up to her all that well, and that’s because once she figures out who she is, she’s pretty much unstoppable.

Larson is relaxed and confident in the lead role, and I enjoyed watching her throughout this movie. Sadly, she’s the one bright spot in an otherwise dull vehicle. Even the girl power aspect isn’t completely successful. Empowering women is a prominent theme here, and it works, but compared to a film like BLACK PANTHER (2018), which, thanks largely to Michael B. Jordan’s performance, I thought had the most powerful message on race relations of all the films I saw in 2018, the theme here is only window dressing. It’s clear what the film is trying to say, but it just doesn’t say it with much conviction.

Likewise, the plight of the Skrulls, which ties in to today’s current immigration crisis, fails to resonate. It’s too superficial to make a serious impact.

Samuel L. Jackson returns yet again as Nick Fury, this time with a CGI face to make him look much younger, and to be honest, there was just something off-putting about his appearance. In short, it didn’t work for me.

Jude Law makes for a very boring villain, while Ben Mendelson fares better as the shapeshifting Skrull Talos. Mendelson does a nice job imbuing the character with sympathy, and I have to say Talos was my favorite character in this movie other than Captain Marvel herself

And strangely, the liveliest character in the film is a cat named Goose. That’s not saying a whole lot.

The screenplay by directors Anna Boden and Ryan Fleck, and by Geneva Robertson-Dworet contains the signature Marvel humor, which works well throughout, and there are plenty of tie-ins to other Marvel movies, specifically the upcoming AVENGERS: ENDGAME (2019). Again, no problems here.

And it was fun to have the film set in the 1990s, which set up a lot of jokes, like Blockbuster Video stores, slow running computers, and very slow downloads.

But the story as a whole really did nothing for me. It also wasn’t told all that clearly. The film suffers from a sloppy opening, and it takes a good twenty minutes or so for this one to truly get started.

I enjoyed DC’s WONDER WOMAN  (2017) more than I did CAPTAIN MARVEL. It told a better story, and did a better job presenting its lead character.

Directors Boden and Fleck struggle a bit at the helm of CAPTAIN MARVEL. In terms of visual satisfaction there aren’t any complaints here. The film looks great. But I was not impressed at how this one told its story, and that’s a combination of both the writing and the direction. I found the jumping around during the film’s early moments, between dreams, memories, reality, flashbacks, planets, times, was all over the place and made for a very distracting beginning.

I also wasn’t impressed by the pacing. There were far too many slow parts in this one.

CAPTAIN MARVEL is nowhere near as good or as fun as the Marvel films from 2018, BLACK PANTHER, AVENGERS: INFINITY WAR, and ANT-MAN AND THE WASP. It’s also not as good as the CAPTAIN AMERICA films. I did like it better than the first two THOR movies, and while Captain Marvel is certainly a far more likeable character than Doctor Strange, I preferred the Doctor’s film to this one as well.

Which is too bad because Captain Marvel is an important character, a female superhero who uses the negative experiences from her youth to empower her to be the strongest hero she can be. I liked her a lot, and I’m looking forward to seeing her again soon in the upcoming AVENGERS: ENDGAME which opens in April.

I also enjoyed the Stan Lee homage at the beginning of the movie.

And like all the Marvel superhero movies, there’s an after-credit scene, and once more there are two of these. The first one is the more important one, with a tie-in to the next AVENGERS film, while the last one is the silly one, good for a laugh only. Stay only if you want that one last chuckle.

CAPTAIN MARVEL introduces an exciting new superhero to the Marvel cinematic universe, but does it in a movie that is not on par with their better films.

While I loved the character, I can’t place the movie in Marvel’s upper echelon of superhero films. It’s one of their lesser entries for sure.

—END—

 

 

 

 

 

 

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Best Movies 2018

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Here’s my list of the Top 10 Movies from 2018:

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10. BOOK CLUB – I really enjoyed this comedy starring Diane Keaton, Jane Fonda, Mary Steenburgen, and Candice Bergen about four friends who decide to read 50 Shades of Grey for their monthly book club, and it changes the way they think about sex and relationships during their senior years. Also starring Andy Garcia, Don Johnson, Richard Dreyfus, and Craig T. Nelson. My favorite comedy of the year.

9. WON’T YOU BE MY NEIGHBOR?  – in a banner yeary for documentaries, this one was my favorite. Its recounting of the life of Fred Rogers, TV’s Mister Rogers from Mister Rogers’ Neighborhood, resonates deeply today, as Rogers’ message of inclusion and gentle understanding is sorely missed in today’s antagonistic and deeply divided society.

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8. ANT-MAN AND THE WASP – I enjoyed this Ant-Man sequel more than the original. Story is better, jokes and situations are funnier, and Evangeline Lily adds a lot as the Wasp and is a nice complement to Paul Rudd’s Ant-Man. Oh, and then there’s that after-credits tie-in with AVENGERS: INFINITY WAR which produced audible gasps from the audience.

7.BOY ERASED – Joel Edgerton wrote and directed this film which exposes gay conversion theory for the dangerous procedure that it is. Fine performances by Lucas Hedges, Nicole Kidman, and Russell Crowe, and by Edgerton himself as an unqualified leader of the conversion camp.

6. THE FRONT RUNNER – Sure, I’m partial to political movies, but this tale of Gary Hart’s fall from being the Democratic front runner in the 1988 presidential election to dropping out of the race entirely due to an exposed extra-marital affair pushed all the right buttons for me. The film asks relevant questions which are still being asked today. Hugh Jackman is terrific as Gary Hart, as is Vera Farmiga as his suffering wife Lee.

5. EIGHTH GRADE – Awesome film which completely captures what it is like to be an eighth grader. On target writing and directing by Bo Burnham, especially the dialogue, and a fantastic lead performance by Elsie Fisher as eighth grader Kayla Day.

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Elsie Fisher in EIGHTH GRADE (2018)

4. THE GUILTY – From Denmark, this claustrophobic intense police drama is as compelling as they come, the type of film Alfred Hitchcock would have made. All of the action takes place inside a police dispatch office as an officer relegated to the emergency dispatch receives a call from a woman being kidnapped, and he has to deal with the situation in real time. You’ll swear you’ve seen all the action scenes, but that will be your mind playing tricks on you, as the camera remains focused on the police officer throughout. Excellent movie, and lean, as it clocks in at a swift 85 minutes.

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3. AVENGERS: INFINITY WAR – It was an outstanding year for Marvel, as three of my top ten films this year come from the Marvel Universe. This was the biggie, the ultimate showdown between the Avengers and their most dangerous adversary yet, Thanos. Amazing superhero movie, with a big bold ending which is no longer a spoiler, which is, the bad guy wins in this one. One of the most emotional endings to any superhero movie, causing audible gasps and groans multiple times as the film races to its inevitable conclusion.

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2. ROMA – An extraordinary movie, ROMA was unlike any other film I saw this year. Unassuming simple tale of a maid working for a family in Mexico in 1970-71. Features some of the best camerawork of the year, all of it in mesmerizing black and white. Slow at first, but stick with it. The final 45 minutes is among the most emotional moments on film I saw all year.

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1. BLACK PANTHER –  My pick for the best movie of the year is another Marvel gem. This one takes the superhero movie to a whole other level, dealing with racial issues as well as any mainstream drama. My favorite superhero film since THE DARK KNIGHT (2018). I loved the conflict between hero Black Panther (Chadwick Boseman) and villain Erik Killmonger (Michael B. Jordan),and one of the rare times in a superhero movie where the hero admits he’s wrong and the villain is right.  Outstanding in every way, easily my favorite movie of 2018.

So, there you have it, my picks for the Best Films of 2018.

Thanks for reading!

—Michael

 

 

 

 

 

 

 

 

 

SPIDER-MAN: INTO THE SPIDER-VERSE (2018) – Animated Spidey Feature Decent, Not Outstanding

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So, I went to see SPIDER-MAN: INTO THE SPIDER-VERSE (2018), a new animated Marvel superhero movie, because the initial reviews were off the charts wild.

Best animated movie of the year! Best Spider-Man movie ever!

That’s some high praise, and so while I don’t usually catch animated films at the theater (I save those for Netflix) I decided to see this one to judge for myself: best Spider-Man movie ever?

I’ll save you the suspense: Nope!

While I enjoyed  SPIDER-MAN: INTO THE SPIDER-VERSE, to call it the best Spider-Man movie ever is an overstatement.  SPIDER-MAN: HOMECOMING (2017) with Tom Holland was a better movie, as was Tobey Maguire’s SPIDER-MAN (2002) way back when.

The theme of SPIDER-MAN: INTO THE SPIDER-VERSE is that Spider-Man is not the only game in town. We are all superheroes. We all have value. It’s a message of inclusion that resonates, not only because these days promoting messages like this seem to be an uphill battle, but also because it was an ongoing theme in the work of Marvel giant Stan Lee, who just recently passed away.

Speaking of Stan Lee, he lent his voice to this one before he passed away, and so yes, there is yet another Stan Lee cameo in this movie, albeit an animated one.

When the movie opens, Spider-Man boasts that he’s the one and only Spider-Man. But then young Miles Morales is bitten by a radioactive spider, and soon he finds that he too possesses Spider-Man’s abilities. Then, when Wilson Fisk’s secret weapon opens up portals to different dimensions, other versions of Spider-Man enter our present reality. Together, they have to fight Wilson Fisk and also find a way to return the other Spider-Beings back to their proper realities.

As stories go, it’s ambitious but handled in a way that made me cognizant that I was watching an animated feature. The pace was nonstop, which for some folks is a good thing, but for me I just wanted it to slow down a bit. It simply never resonated as well with me as it would have had it been a live action flick.

Regarding the boast that it’s the best animated film of the year, while I haven’t seen enough animated films to comment on the suggestion, I will say that the animation didn’t impress me. Again, maybe I’m showing my age.  Things moved so fast, especially the action scenes, that I found them difficult to follow. The animation also appeared blurry at times, and I felt as if I were watching a 3D movie without 3D glasses.

I actually enjoyed the personal story of Miles Morales more than the Spider-Man plot and the battles with Wilson Fisk. Miles is in a deeply troubled relationship with his dad Jefferson Davis, who wants the best for his son but can never seem to say the right thing, constantly coming down too hard on the teen. To further complicate matters, Miles relates much better to his uncle Aaron, his dad’s brother who is viewed by Miles’ dad as not being a very good role model, and for good reason. This story works well and for me was the best part of the movie.

The voice work is pretty impressive throughout.  Shameik Moore is excellent as young Miles, making the teen likable and sympathetic.

Mahershala Ali knocks it out of the park as Uncle Aaron, which comes as no surprise. Ali is one of my favorite actors working today, and he show here that he can even dominate a movie just by using his voice.

Also lending their talents to this one are Hailee Steinfeld as Gwen Stacy, Brian Tyree Henry as Jefferson Davis Morales, Lily Tomlin as Aunt May, Jake Johnson as Peter B. Parker, Nicholas Cage as Spider-Man Noir, Liev Schreiber as Wilson Fisk, and Chris Pine as Peter Parker.

SPIDER-MAN: INTO THE SPIDER-VERSE was directed by Bob Persichetti, Peter Ramsey, and Rodney Rothman. Rothman also co-wrote the screenplay with Phil Lord.

And like most other Marvel superhero movies, there is an after-credits scene, and you have to wait until the very end to see it. As after credit scenes go, I found this one a head scratcher. Don’t expect to see Thanos turning anyone to dust.

SPIDER-MAN: INTO THE SPIDER-VERSE is a decent enough Spider-Man movie, and is sufficiently satisfying to make it a solid animated film.

But the best Spider-Man movie ever?

Not even close.

—END—

 

VENOM (2018) -Tom Hardy Carries Lighthearted Superhero Flick

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VENOM (2018), the latest Marvel superhero movie, stars Tom Hardy and is a fairly entertaining superhero flick even if it doesn’t always play out like one.

It’s not for a lack of trying, with its witty one-liners and slick action scenes, but at the end of the day this tale of a man dealing with a symbiotic alien life form known as Venom feels more like a 1980s John Carpenter or David Cronenberg movie, only not as dark.

Eddie Brock (Tom Hardy) is an investigative TV news reporter, and for his latest assignment he’s been asked to interview the controversial scientist and businessman Carlton Drake (Riz Ahmed) but it’s supposed to be a soft interview. No difficult questions. But Eddie isn’t having it, because he believes Drake is a bad man, and so he takes off the kids’ gloves and asks Drake the tough questions. As a result, Drake cuts the interview short.

Not only that, but the next thing he knows, Eddie is fired, his girlfriend Anne (Michelle Williams) breaks off their engagement and leaves him, and he pretty much hits rock bottom. But his instincts about Drake were right. He is a bad man. He’s been conducting experiments with alien life forms that need human hosts to survive. Trouble is, the human hosts keep dying, and Drake keeps bringing in more and more unknowing “host” people who continue to die.

When Eddie decides to investigate Drake’s lab, he finds himself face to face with one of these life forms, and for reasons not clearly explained, when it enters Eddie’s body, unlike so many other hosts, he doesn’t die.

This life form is Venom, and it turns out he doesn’t like Drake all that much either, and so he and Eddie work together to take down the villainous scientist.

Yup, it’s all kinda stupid when you think about it, so don’t think about it too much.

The best part of VENOM is clearly Tom Hardy. He pretty much carries the first half of the  movie, which can be slow at times, and he does this by making Eddie less a jerk and more a lovable loser. Hardy also provides the voice of Venom, and  when the two join forces in the film’s second half, things are far more entertaining.

Where does this stack up among Tom Hardy performances? Well, truth be told, I liked Hardy better as Bane in THE DARK KNIGHT RISES (2012) and as Max in MAD MAX: FURY ROAD (2015). And I enjoyed him more in THE REVENANT (2015) and DUNKIRK (2017), so it’s not the most amazing role he’s ever taken, but that doesn’t mean he’s not very good here. He is.

I’m also a big fan of Michelle Williams, but sadly her role here as Eddie’s love interest Anne isn’t much of a role.

Riz Ahmed is okay as the villainous Carlton Drake, but like so many other Marvel movie villains before him, he’s rather boring. As good as these Marvel movies have been, the majority of them haven’t had villains who have been on par with the heroes. Ahmed was much more memorable as Bodhi Rook in ROGUE ONE: A STAR WARS STORY (2016).

I did enjoy Reid Scott as Anne’s new boyfriend Dr. Dan Lewis. He wasn’t the typical cliché annoying new boyfriend. In fact, he likes Eddie a lot, having been a fan of his TV work.

And Jenny Slate is also up to par as Dr. Dora Skirth, one of Drake’s scientists who develops a conscience.

VENOM was directed by Ruben Fleischer, and he does an okay job.  The look of the film is dark and edgy, yet the tone and the script are light and funny. It’s an odd mixture at times.

Part of this, I think, is that VENOM was originally going to be an R rated superhero movie, but plans changed and it was released as a PG-13 vehicle. It may have worked better as more of an adult tale.

The action scenes are okay, but none of them blew me away, and the special effects which created Venom were also just okay.  Nothing here really stood out, other than Hardy’s performance.

Fleischer also directed ZOMBIELAND (2009), a zombie horror comedy that had more bite— heh heh— than VENOM, as well as GANGSTER SQUAD 2013), a good-looking gangster film which ultimately didn’t have much of an impact.

The screenplay by Jeff Pinkner, Scott Rosenberg, and Kelly Marcel mixes goofy humor with its darker tale and the result as you might expect is a mixed bag. It also leaves some key points unexplained, like why Eddie doesn’t die once Venom enters his body. Also, Venom says he likes Eddie because back on his home planet he was kind of a loser as well, which is a funny line, but the trouble is Venom doesn’t really act like much of a loser here, so that revelation didn’t exactly ring true for me.

All this being said, I had fun watching VENOM and was glad I went to see it.

Where does it rank with the recent Marvel films? Well, clearly it’s not as good as the Marvel heavyweights which came out earlier this year, BLACK PANTHER (2018) and AVENGERS: INFINITY WAR (2018). Nor is it on the same level as DEADPOOL (2016).

But for what it is, a lighthearted superhero caper starring Tom Hardy, it does what it sets out to do. It entertains.

As long as you’re not expecting comic book genius, you should enjoy it just fine.

—END—

 

ANT-MAN AND THE WASP (2018) – Light, Fun, Another Marvel Hit

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Evangeline Lily and Paul Rudd in ANT-MAN AND THE WASP (2018)

ANT-MAN AND THE WASP (2018), the latest entry in the Marvel Cinematic Universe, is a comedic vehicle that will have you chuckling throughout, which is just what Marvel fans needed after the devastating AVENGERS: INFINITY WAR (2018) earlier this year.

After breaking the law by teaming up with Captain America in CAPTAIN AMERICA: CIVIL WAR (2016), Scott Lang/Ant Man (Paul Rudd) finds himself under house arrest. He sees his young daughter Cassie (Abby Ryder Forston), and he’s visited by his business partner Luis (Michael Pena), but he cannot leave his house, which explains his absence from AVENGERS: INFINITY WAR. Speaking of which, the events in this movie take place just before the events in INFINITY WAR.

Scott’s also not supposed to have any contact with Hope Van Dyne (Evangeline Lily) or her father Dr. Hank Pym (Michael Douglas) since they designed the Ant Man suit which he wore when he fought against Iron Man and half the Avengers when he joined Team Captain America. Hope and Hank are considered fugitives from justice. And Scott wants no part of seeing them since his house arrest ends in a matter of days.

But that all changes when Hope and Hank extract Scott from his house, telling him they need his help to find Hope’s mother Janet (Michelle Pfeiffer) who was lost years ago in the subatomic realm and considered dead, but since Scott had been reduced to a subatomic level and returned, Hank now believes it’s possible his wife is still alive. Scott reluctantly agrees to help them.

But along the way they find resistance from a shady business contact Sonny Burch (Walter Goggins) and a mysterious being with super powers greater than their own, both of whom want to steal Hank’s technology.

So, as you can see, the plot here is nothing heavy.  Ant Man is not trying to save the world, and after AVENGERS: INFINITY WAR, that’s fine with me.

How does ANT-MAN AND THE WASP compare to the first ANT MAN movie?  It’s as good if not better.

One of the strengths of the Marvel movies has always been that they have very strong scripts, and the screenplay here by Chris McKenna, Erik Sommers, Paul Rudd, Andrew Barrer, and Gabriel Ferrari is no exception.  It goes all in on the comedy and is light and funny throughout. Writers Barrer and Ferrari are new to the Marvel Universe, while Rudd worked on the screenplay to the first ANT-MAN (2015), and McKenna and Sommers were on the team that wrote the highly regarded SPIDER-MAN: HOMECOMING (2017).

The other strength of these Marvel movies is the impressive casts they always assemble.

Paul Rudd returns as Ant Man, and he’s about as likable a superhero as you’re going to find in a movie, mostly because he’s an unlikely superhero. He doesn’t see himself as much of a hero. In fact, he knows he usually messes things up pretty bad.  Rudd is fun to watch because of both his easy-going personality and his sharp comedic timing.

Rudd’s scenes with Abby Ryder Forston, who plays Scott’s daughter Cassie, are precious. The scene where she says she wants to be his partner is a keeper. And Forston also gets plenty of comedic moments as well.

Rudd enjoys fine chemistry with both Evangeline Lilly and Michael Douglas.  Lily is perfect as Hope/Wasp, as she’s both bitter and in love with Scott, and their scenes together have the necessary sexual tension and honed humor. Lily also makes for an impressive bad-ass superhero.

Michael Douglas gets plenty of opportunities to shine as Dr. Hank Pym. When he’s not chastising Scott or saying lines like “are we going to get out of here or are you two going to stare at each other all day?” to Scott and Hope when they become preoccupied with each other rather than escaping, he’s devoted to finding his wife.

And it was fun to see Michelle Pfeiffer back on the big screen in a superhero movie, something she hadn’t done since her phenomenal performance as Catwoman in BATMAN RETURNS (1992). Pfeiffer’s not in this one much, but she appears early on in a flashback as the first Wasp, thanks to some CGI/motion capture effects, looking years younger.

The rest of the cast is largely there for comedic relief.

Michael Pena has a field day as Scott’s business partner Luis, and as the movie goes along, he becomes more involved in the plot. Luis, along with associates Dave (T.I.) and Kurt (David Dastmalchian), form a team who when helping Scott are about as useful as the Three Stooges.

Likewise, Walter Goggins, who’s played some very serious villains in his day, in films like DJANGO UNCHAINED (2012) and THE HATEFUL EIGHT (2015), plays baddie Sonny Burch strictly for laughs. The scene where Sonny and his goons capture Luis, Dave, and Kurt and plan to use “truth serum” on them is hilarious.

Judy Greer returns as Scott’s ex-wife Maggie, and Bobby Cannavale returns as her new husband Paxton, and their scenes are comic as well this time around. And Randall Park plays lawman Jimmy Woo, also, you got it, for laughs.

The emphasis on humor would be bad if the film wasn’t funny, but it is, very much so, and all these actors excel in their roles. The result is a highly entertaining two hours which fly by incredibly quickly.

About the only two folks in the film not playing things for laughs are Hannah John-Kamen as the mysterious Ghost, and Laurence Fishburne as Hank’s former colleague Dr. Bill Foster. Hanna John-Kamen is okay as Ghost, but the character, in spite of an interesting background story, isn’t developed all that well.

Laurence Fishburne fares better as Dr. Bill Foster. He’s a man who’s often at odds with Hank Pym, but he’s trying to do the right thing. The scene where he puts his foot down with Ghost when she suggests they go after Scott’s daughter for leverage really resonates. When he tells her in no uncertain terms that going after children is wrong and that he will not be a part of using a child to get what he wants, it’s a telling moment.

ANT-MAN AND THE WASP was directed by Peyton Reed, who also directed the first ANT-MAN movie. He handled both films very well, and I think he outdid himself with this second film, as he pretty much got everything right with this one. The humor works, the action scenes are edited well and fun to watch, and the pacing is perfect. The special effects are also spot-on.

If there’s any flaw it’s I would have liked more Wasp.  I really enjoyed Evangeline Lilly as Wasp and would have loved to have seen her in even more scenes as the bad-ass superhero.

And while comedy ruled the day in ANT-MAN AND THE WASP, the events from AVENGERS: INFINITY WAR which have not happened yet loom like a cloud over the proceedings, which makes this story even better.

In the Marvel movie tradition, there are two after-credit scenes. The first is the big one, the one you definitely do not want to miss, while the second, at the very end of the credits, reverts back to the comedic.

ANT-MAN AND THE WASP is yet another high quality superhero movie from Marvel, as the studio continues its amazing run of entertaining movies, and it shows no sign of slowing down. In fact, the studio is having an extraordinarily exceptional year, as all three of their releases so far in 2018, BLACK PANTHER, AVENGER: INFINITY WAR, and ANT-MAN AND THE WASP, are among the best films of the year.

And since Ant-Man wasn’t involved in the devastating conclusion to AVENGERS: INFINITY WAR, he’s suddenly a very important superhero going forward. Be sure to catch him in this light adventure now, because the next time we see him in the next AVENGERS movie, things no doubt will be a bit darker.

Yup, the next time we see him he’ll be going up against Thanos.  Gulp!

—END—

 

 

 

 

 

 

DEADPOOL 2 (2018) – Raunchy Jokes Aren’t Enough the Second Time Around

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The jokes work.

The story doesn’t.

That’s pretty much my take on DEADPOOL 2 (2018), the sequel to Marvel’s R-rated superhero romp DEADPOOL (2016) which starred Ryan Reynolds as the hilariously foul-mouthed Deadpool. Reynolds is back again in the sequel, as vulgar and comical as ever, breaking the fourth wall more often than he breaks bad guys’ heads.

Yep, there’s plenty of Deadpool and his trademark humor in DEADPOOL 2, but the story he finds himself in this time around is a complete snooze. But judging by the large audience which laughed out loud throughout, I doubt people are going to mind.

Deadpool (Ryan Reynolds) is living the dream with his girlfriend Vanessa (Morena Baccarin) and they are even planning to have a baby together, but a visit to their apartment by murderous thugs seeking revenge against Deadpool leaves Vanessa dead and alters Deadpool’s course for the rest of the movie.

And for Deadpool that means seeking redemption by protecting a young mutant boy named Russell (Julian Dennison) who has become the target of Cable (Josh Brolin), who’s come back from the future a la the Terminator to kill the young boy in order to stop him from committing a crime that hasn’t happened yet.

And that’s pretty much it for storyline in this one. Sure, there are plenty more characters involved, some interesting and fun, others less so, but the bottom line is that’s about it for plot here, folks. The rest is jokes, jokes, and more jokes. And frankly for me, that just wasn’t enough.

Once more, Ryan Reynolds has a field day playing Deadpool, and the script gives him enough gags to get him through the whole movie and then some. If you’re simply into watching Deadpool make funnies, and don’t care about plot, you’ll enjoy this one. Reynolds is a hoot.  He doesn’t disappoint.

Josh Brolin is okay as Cable, but his performance is not on the same level as what we just saw him do in AVENGERS: INFINITY WAR (2018) as Thanos. Brolin delivered a powerful performance as the CGI enhanced Thanos, but here  he’s playing a character that is far less impressive.

DEADPOOL 2 also introduces the X-Force, a band of mutants who Deadpool recruits to be his superhero team.  This team was actually kind of a disappointment as they don’t do a whole lot nor are they in this one very much. The one notable X-Force member is Domino (Zazie Beetz). Her superpower is good luck, and thanks to Beetz’ performance, luck is something she doesn’t need.  She’s very good on her own.

There’s some star power here as actors like Brad Pitt, Matt Damon, Terry Crews, and Bill Skarsgard have cameos and small roles, which is all part of the fun.

T. J. Miller, an actor who I always enjoy, sadly has his screen time as bartender Weasel reduced in this one.

The script by Rhett Reese and Paul Wernick, who both wrote the first DEADPOOL, and Ryan Reynolds, scores high with the jokes but low with the story. The end credit scenes to this one alone are worth the price of admission. They’re hilarious.

DEADPOOL 2 was directed by David Leitch, who also directed ATOMIC BLONDE (2017). Leitch’s stuntman background enabled him to shoot one of the best fight sequences I’d seen in a while in ATOMIC BLONDE. I thought the fight sequences here in DEADPOOL 2 were less impressive and much more standard.

For me, and maybe it’s because it was released on the heels of AVENGERS: INFINITY WAR and BLACK PANTHER (2018), two Marvel superhero films that instantly rank as two of the best in the franchise, DEADPOOL 2 simply didn’t work.

And the reason, as I said, is its plot, which is not only mediocre, but flat-out boring. I wasn’t interested in any of it. Did I care about young Russell? No. And hence I didn’t care about Deadpool’s mission to save him. Did I care about Deadpool’s relationship with the X-Men? Not really, because this movie didn’t really make me care, as the relationship was simply a set-up for jokes. Did I care about Cable? No. The film didn’t really develop this character, and so his words and plight rang hollow.

Did I care about X-Force? Yes. They were an interesting lot. Unfortunately, they’re in the film for all of ten minutes.

So, while I laughed at the jokes, and had fun with Ryan Reynolds constantly breaking the fourth wall as Deadpool, I didn’t really care about any of it.

The first DEADPOOL got both of these items right. It was nonstop hilarious, and it had a compelling storyline.  I was into the film from the very first scene. In DEADPOOL 2, in spite of the humor, my mind was wandering throughout because no one on-screen other than Deadpool himself held my interest.

Bottom line? If you love the Deadpool character and Ryan Reynolds’ take on him, you’ll probably enjoy this movie. But be prepared for a plot that is as lifeless as it is dull.

And that’s a problem because if the story puts you to sleep, well, it’s hard to laugh at all those jokes if you’re not awake to enjoy them.

—END—

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.crossroadpress.com. Print version:  $18.00. Includes postage! Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.crossroadpress.com.  Print version:  $18.00.  Includes postage. Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Print version:  $18.00.  Includes postage. Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

AVENGERS: INFINITY WAR (2018) – Epic Marvel Superhero Movie Plays Like Season Finale

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Awesome.

That’s the first word that comes to mind after seeing AVENGERS: INFINITY WAR (2018), the third AVENGERS film and nineteenth movie overall to take place in the Marvel Cinematic Universe.  Yup, Marvel has been on quite the run, and it shows no signs of slowing down with its latest entry.

The story AVENGERS: INFINITY WAR tells is simple and easy to rally behind, making it an action-packed thrill ride with enough emotional ups and downs between light moments and dark ones you’re sure to leave the theater not only entertained but moved as well.

Thanos (Josh Brolin) is busy collecting the Infinity Stones, supernatural items which have been featured in several of the earlier Marvel movies. Thanos wants all six because once he has them, he will have the power to destroy the universe.  Now, Thanos does not want to destroy the universe. Nope, he just wants to trim it down a bit.  Systematically, randomly, and without mercy, he simply wants to wipe out half of civilization, so that the other half can thrive and lead better lives. What a thoughtful guy! As he says, the greatest decisions take the greatest sacrifices, and he’s the one to make such bold decisions and carry them out.

Standing in Thanos’ way are the Avengers, Earth’s mightest superheroes. They scramble to not only prevent Thanos from getting all the stones but also to destroy the madman once and for all. The trouble is, the Avengers as we know them don’t really exist any more.  They broke up, as shown in events from CAPTAIN AMERICA: CIVIL WAR (2016). When Bruce Banner/the Hulk (Mark Ruffalo) learns the news, his response is “What do you mean, broke up? Like a band? Like the Beatles?”

So, the group of arguing superheroes has disbanded, and when the fight begins, they are not together.  They also are in need of help, which arrives with the Guardians of the Galaxy, and also Black Panther (Chadwick Boseman) and the warriors from Wakanda. Together, the fight is on.

But AVENGERS: INFINTIY WAR is much more than just a superhero war movie.

Start with the villain, Thanos, who with his nearly unstoppable powers may be the best Marvel movie villain yet. Thanos is not some cliché madman who wants to take over the universe. No, he wants to prune it, the way we care for trees and gardens in the spring. Remove dead branches and weeds, and prepare for new life. Trouble here is, Thanos wants to remove things— beings— that are very much alive. But his motivations are based on real issues, like overcrowding and population explosion. As he says during one point in the film, the universe and its resources are finite, and it can’t sustain unlimited growth forever, and that’s where he comes in. As he sees it, he’s there to give people a better life, and this isn’t some lie to cover for some other darker more ludicrous plan. It’s really what Thanos intends  to do, and for those reasons.

If there’s one drawback to AVENGERS: INFINITY WAR it’s that if you haven’t seen the previous films in the Marvel movie universe, you no doubt won’t be as moved because you won’t know the background to the characters. You wouldn’t understand the depth of Iron Man’s and Captain America’s rift if you haven’t seen CAPTAIN AMERICA: CIVIL WAR (2016).  You wouldn’t appreciate the relationship between Thor and Loki if you hadn’t seen the THOR movies, nor the full humor of the Guardians of the Galaxy if you hadn’t seen their movies, nor the dynamic between Iron Man and young Spider-Man if you hadn’t seen SPIDER-MAN: HOMECOMING (2017). And on I could go.

That being said, it’s not an issue of following the story, because AVENGERS: INFINITY WAR handles its storytelling smoothly.  You could see this movie without having seen any of the others and easily follow what is going on and enjoy the story. You just wouldn’t get the same emotional impact if you hadn’t seen these characters before.

The brilliant part of these Marvel movies is they have introduced these characters and told their stories patiently over the years through a series of high quality movies, and there have been so many of them that they really play out like a TV series. You watch AVENGERS: INFINITY WAR and you’ve seen all the other Marvel movies, this film plays like a season finale.

AVENGERS: INFINITY WAR has what all the other Marvel movies had before it, a phenomenal cast, superior writing, and superb direction. Just look at the cast here: Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Don Cheadle, Benedict Cumberbatch, Tom Holland, Chadwick Boseman, Zoe Saldana, Tom Hiddleston, Paul Bettany, Elizabeth Olsen, Anthony Mackie, Sebastian Stan, Idris Elba, Danai Gurira, Peter Dinklage, Benedict Wong, Dave Bautista, Vin Diesel, Bradley Cooper, Gwyneth Paltrow, Benicio Del Toro, Chris Pratt, William Hurt, and Josh Brolin.

Wow.

Double wow.

At the center of this story is Tony Stark/Iron Man, played by Robert Downey, Jr. The recent run of Marvel movies began with IRON MAN (2008), the film which introduced Downey, Jr. as Tony Stark, a role he has made his own over the years.  This marks the ninth time he has played Tony Stark in a movie.

Once more, Robert Downey Jr. excels in his scenes as Tony Stark, and his climactic confrontation with Thanos is one of the many highlights of the film, mostly because we have followed this character since IRON MAN and to see his story arc come to a head with this battle with Thanos is a high impact moment.

Likewise, Captain America/Steve Rogers (Chris Evans) is the other main Avengers character, and as we saw in CAPTAIN AMERICA: CIVIL WAR, he has become the leader of one faction of superheroes, separate from Tony Stark and his followers, since they experienced a major disagreement over their relationship with the U.S. government. Like Robert Downey Jr., Chris Evans has also played Captain America nine times in the movies, and also like Downey Jr., his performances have been exceptional.

Now known as simply “The Captain,” and sans his mask and shield and now sporting a beard, he assembles his group along with Black Panther and the warriors from Wakanda to defend the Earth from Thanos. In their greatest battle, Captain America and Iron Man are not together.

Also successfully reprising their roles are Chris Hemsworth as Thor, Mark Ruffalo as Bruce Banner/The Hulk, and Chadwick Boseman as Black Panther. The Guardians of the Galaxy are also on hand, and Chris Pratt and company lend plenty of fun moments to the fray.  And you can’t forget Tom Holland as Spider-Man.

And as I said, Josh Brolin, with his cool, calm demeanor and nearly unlimited strength, makes for one of Marvel’s best villains as Thanos.

There are so many fun moments in this one. Star-Lord’s (Chris Pratt) interactions with Thor are hilarious, as is the rapid fire pop culture discussion between Star-Lord and Spider-Man. Drax (Dave Bautista) is his usual honest self, and he gets to partake in several laugh-out loud moments. Likewise, there are fine moments between Tony Stark, Peter Parker, and Dr. Strange, poignant moments between Scarlet Witch (Elizabeth Olsen) and Vision (Paul Bettany) and an emotional scene where Black Widow (Scarlett Johansson) and Okoye (Danai Gurira) leap to Scarlet Witch’s defense.

AVENGERS: INFINITY WAR has a superior script by Christopher Markus and Stephen McFeely. It tells a solid story, does a remarkable job giving this huge ensemble plenty to do and many of their own signature moments, and contains fine dialogue throughout. And this is no surprise since both these guys have written several of the previous Marvel movies, including one of the best, CAPTAIN AMERICA: CIVIL WAR (2016).

Brothers Anthony and Joe Russo do a fine directing job. The movie starts off with a thrilling pre-credit sequence showing Thanos tangling with Thor, Loki, and the Hulk, and pretty much decimating Asgard, which sets the stage perfectly for the rest of the movie. The audience learns immediately that Thanos is a formidable foe.

The film is paced nicely as its 149 minute running time flies by.  It also looks great, as the various worlds here are full of eye-popping color and look amazing.  The battle scenes are pretty much all exciting and authentic.

This is the Russo brothers’ first AVENGERS movie, taking over the directorial duties from Joss Whedon. The Russos had previously directed CAPTAIN AMERICA: THE WINTER SOLDIER (2014) and CAPTAIN AMERICA: CIVIL WAR (2016).

There are so many memorable moments in this movie they are too numerous to list. But since I can’t contain myself, here are a few more: it was fun to see the characters from BLACK PANTHER back doing their thing here in this movie. Doctor Strange is actually more likable here than he was in his own movie. Loki has one of his best on-screen sequences yet. Gamora (Zoe Saldana) also has some powerfully emotional scenes, as does the wise cracking Rocket (Bradley Cooper), who Thor constantly refers to as the “Rabbit.” And on and on I could go.

And then there’s the ending.

What. A. Bold. Ending.

Okay, I’m partial to dark endings, but this is exactly the type of ending which so many movies which feature such powerful villains should have but all too often don’t because filmmakers shy away from them. I absolutely loved the ending to AVENGERS: INFINITY WAR. It will leave you breathless, speechless, and without saliva. Any other ending would not have seemed as real. It hearkened back to the ending of the best STAR WARS movie, THE EMPIRE STRIKES BACK (1980).

And of course, we know there is yet another untitled AVENGERS movie to follow, and so we know there is more to this story to be told, even though this ending is as dark as they can get, and the film is better for it.

Like the other Marvel movies, there is an after-end-credit scene, so if you want to see it, be sure to sit through the credits. There’s also another hilarious Stan Lee cameo, and these just seem to get better and better.

I absolutely loved AVENGERS: INFINITY WAR, and as a testament to how good these Marvel films have become, while I loved this film, it’s not my favorite Marvel film of the year so far, as that distinction still belongs to BLACK PANTHER (2018) which is so good it’s in a league by itself.

That being said, you can’t go wrong with AVENGERS: INFINITY WAR which is pretty much nonstop adventure and excitement throughout. Its story about a group of admirable, off-beat, and oftentimes oddball characters who are usually at odds with each other, united to protect life across the universe from a madman who wants to destroy half the population because he wants to save the other half, and has the power to do it, is a winner and a crowd pleaser.

And if you’re a Marvel superhero movie fan and have seen all the movies, you get the added bonus of this film playing out like a season finale.

As such, I can’t wait for “next season’s” premiere, and that will happen with the next AVENGERS movie, due out in 2019.

Let the countdown begin.

—END—