Science Fiction Movies 2016 – Worst to First

1

Here’s a look back at the major science fiction movies from 2016.  There has been a resurgence of late of quality science fiction films, but that being said, 2016 didn’t have a lot to offer audiences in the sci-fi genre.  In fact, of the more than 50 films I saw in 2016, only five were science fiction.

Here’s a break down of how they fared, from worst to first:

passengers

5. PASSENGERS – this big budget pairing of superstars Jennifer Lawrence and Chris Pratt was my least favorite science fiction film from 2016.  That being said, it’s really not that bad a movie.  I would rate it slightly less than average.  Probably not worth a trip to the theater, but something you might consider catching at home on a streaming service or on DVD or Blu-ray.

The biggest culprit is a story that just didn’t work.  It’s about a massive spaceship carrying thousands of passengers in sleep stasis to a new colony planet where they hope to begin a new life.  When there’s a malfunction, and a man Jim Preston (Chris Pratt) is accidentally awoken, he finds himself alone and realizes with 90 years still left to the voyage, he won’t get off the ship alive.  His decision to awake fellow passenger Aurora Lane (Jennifer Lawrence)— in effect giving her a death sentence— and the subsequent love story  which follows sets up the burning question:  what will happen if Aurora finds out that unlike Jim she didn’t awake by accident?

The resolution to this question is both unsatisfying and unbelievable.  PASSENGERS is a good-looking science fiction movie hindered by a muddled storyline.  Plus Lawrence and Pratt share very little chemistry as desperate space lovers.

 

rogue-one-poster

4. ROGUE ONE:  A STAR WARS STORY –  while legions of fans call this the best STAR WARS movie ever! I simply found it to be a decent stand alone film in the series.  It starts off slow but gets better with an exciting ending that is one of the best endings of the entire series.

ROGUE ONE is a stand alone film in the series, meaning it’s the first film in the STAR WARS franchise not to be part of a trilogy.  It tells the intriguing story of the daring mission to steal those Death Star plans which would ultimately give Luke Skywalker the ability to destroy the evil Empire’s ultimate weapon way back in the very first STAR WARS (1977).  It’s a good story, but the film struggles to tell it at first, as we are introduced to a bunch of new characters early on with a minimum of character development.  As such, during the film’s first half, I didn’t care for any of these new characters.

Things eventually get better, and the ending is superb.  I really liked Felicity Jones as Jyn Erso, but the rest of the cast didn’t really wow me.  Nor did the much hyped CGI-motion capture hybrid of Grand Moff Tarkin, which tried to recreate the late great Peter Cushing in one of his later roles.  Mixed results here, as this Tarkin looks just like Cushing if you imagine him as a cartoon.  I enjoyed STAR WARS:  THE FORCE AWAKENS (2015) better.

 

morgan

3. MORGAN – Little seen and critically panned sci-fi actioner, but I really liked this one.  It’s the story of an artificially intelligent being named Morgan (Anya Taylor-Joy) who kills one of the scientists working with her.  As a result, the company which financed the project to create Morgan sends in an agent Lee Weathers (Kate Mara) to investigate whether or not Morgan needs to be terminated.

The scientists who created and now care for Morgan argue in her favor, even though she killed one of their own.  They believe she has attained life and as such cannot be terminated at the whim of a company.  While the film does explore what it means to be an artificial life form, the story is not on the same level as the deeper and better written EX MACHINA (2015).

But where MORGAN does succeed is as an action thriller.  As such, MORGAN features two strong performances, one by Kate Mara as the driven investigator who will stop at nothing to reach her conclusions, and the other by Anya Taylor-Joy as the introspective and potentially dangerous Morgan.  The climactic fight scene between agent Lee Weathers and Morgan is expertly edited, as intense and violent a fight as you’ll see in an action movie, especially between two women.

 

star_trek_beyond_poster

2.STAR TREK BEYOND- As a lifelong STAR TREK fan, I’ve enjoyed this rebooted movie series a lot, as it explores an alternate timeline involving the characters from the original STAR TREK series.

This third film in this rebooted series is as enjoyable as the two films which came before it. By far, the best part of these movies is its cast, which continue to do a bang up job at capturing the personas of the original cast from the first STAR TREK TV show.  Chris Pine shines as Captain Kirk, and I thought he played the role a bit more like William Shatner here in this third film than he did in the previous two.

Zachary Quinto continues to nail Mr. Spock by delivering a performance that Leonard Nimoy would no doubt be proud of.  But most impressive is Karl Urban as Doctor McCoy.  He has gotten better with each successive movie, and he was excellent to begin with.  He truly captures what DeForest Kelly did with the character in the original series.  Urban’s performance is uncanny.

 

And now we’ve reached my pick for the best science fiction movie from 2016.  We started with PASSENGERS, which I found slightly less than average, and the next three movies were all solid, flirting with average to better than average.

But my pick for the #1 science fiction movie of the year is the only science fiction film from 2016 that I considered excellent.  It’s a far superior science fiction movie than the other four films in this list.

And that movie is:

 

arrival

1. ARRIVAL – the one true science fiction movie from 2016.  When mysterious space ships suddenly appear all over the Earth, suspended silently above ground like enormous storm clouds, the governments from around the world scramble to decipher what these aliens want.

The U.S. government sends in linguistics professor Louise Banks (Amy Adams) to communicate with the aliens.  Banks not only has to try to learn the aliens’ language, but she also has to figure out a way to teach them ours.

What she, along with physicist Ian Donnelly (Jeremy Renner) ultimately learn changes the way we think about time and space.

ARRIVAL is fun science fiction movie with a thought-provoking script by Eric Heisserer.  It’s not perfect. I found the ending not quite as satisfying or mind-blowing as the ending to INTERSTELLAR (2014).  But Amy Adams is excellent in the lead role, and the film really belongs to her.

Without much serious competition, ARRIVAL is easily the best science fiction movie I saw in 2016.

Until next time, thanks for reading!

— Michael

 

 

 

 

 

PASSENGERS (2016) – Odd Love Story Set in Space

1

passengers

When watching PASSENGERS (2016), the new science fiction movie starring Jennifer Lawrence and Chris Pratt, I was reminded of a line from an old James Bond movie.

In THUNDERBALL (1965), after racing along at high speeds with an uncomfortable James Bond in the passenger seat, Fiona (Luciana Paluzzi) tells Bond (Sean Connery), “Some men just don’t like to be driven.”  To which Bond replies, “No, some men don’t like to be taken for a ride.”

On the long space voyage which makes up the story of PASSENGERS, I  felt I had been taken for a ride.

First and foremost, there’s not a lot to PASSENGERS.  It’s basically a love story— and a strange one at that— set on a spaceship in the future, and the setting is about as deep as the science fiction gets in this movie.  There’s not much beyond that.

In the future, the spaceship Avalon is enroute to a distant planet called rhe Homestead Colony which promises a brand new start for its occupants and crew.  It’s a 120 year voyage, and so everyone on board is in sleep stasis.  When the 120 years are up, they’ll awake and their new life will begin.

That’s the plan anyway, but as we all know, the best laid plans—.  Anyway, the Avalon unfortunately collides with some meteors, and one humongous meteor in particular, and as a result some of the ship’s systems are damaged.  This damage causes one of the sleep pods to malfunction, and its occupant Jim Preston (Chris Pratt) awakens 90 years too early.  Preston realizes that this is a death sentence.  He’ll be dead before they reach the Homestead Colony.

Preston, a mechanic by trade, uses this time to study up on the ship to try to find a way to either get himself back to sleep or to awake the crew so he can get some help.  He fails at both.  His only contact is a robot bartender Arthur (Michael Sheen) who at least provides him with a daily dose of conversation, and of course, alcohol.

But this isn’t enough.  After nearly a year on the ship, Jim reaches his low point and contemplates suicide, but he loses his nerve, and at that moment he happens to set eyes on a beautiful woman Aurora Lane (Jennifer Lawrence) sleeping in her cryogenic chamber.  He reads up on her and learns that she is an author, and basically he falls in love with her.

Around this time, Jim also discovers a way of opening her sleep chamber, and so he now faces a dilemma:  he desperately wants companionship, but he knows if he wakes her up, he’s also delivering a death sentence to her as well.  But, in what is supposed to be the big plot twist in the movie— although it’s a deeply flawed twist because every single trailer shows the two characters awake on board the ship so the audience knows exactly what Jim is going to do— Jim wakes her up.

Which then sets up this bizarre love story between these two characters, with the tension being, will she find out that he woke her up, and if she does, how will she react?

Excuse me.  But you’re also on board a malfunctioning spaceship.  Perhaps that should be something else you should be concerned with?

PASSENGERS is a rather bizarre movie in terms of its plot, and ultimately I did not find this movie all that satisfying.

First, its love story just doesn’t work.  From the get-go, as we watch these two characters get to know each other, we know that Jim has manipulated the situation.  He woke her up from cryogenic sleep.  He basically stole her life away.  Now, for such a story to work, and it can work, the writing and acting have to be so strong that in spite of this awful and very selfish decision on Jim’s part, we still want to see him and Aurora get together.  But, alas, neither the writing nor the acting reaches this level.  Nothing that happens between Jim and Aurora made me forget what Jim did or made me believe that Aurora could forgive him and move on.

The writing here is simply not very good.  The screenplay by Jon Spaihts, constructs an odd story and never takes it to places where it overcomes its oddities.    Had Jim and Aurora both awoken naturally, then the film could have concentrated solely on their efforts to learn what happened and to survive, and if they fell in love along the way, that would have seemed perfectly natural and been accepted.  The plot point of Jim waking Aurora on his own never really works and only serves to be a distraction from what otherwise could be a riveting tale.

Spaihts co-wrote the science fiction movie PROMETHEUS (2012) and this year’s Marvel adventure DOCTOR STRANGE (2016).  PASSENGERS is a solo effort, and the script here isn’t as good as those two other movies.

Chris Pratt is OK as Jim, the down to earth mechanic.  Pratt does his usual charming handsome hunk shtick, and it’s somewhat enjoyable here.  His decision to wake Aurora kind of gets in the way of this likable persona, and Pratt never seems to rise to the occasion to take the character to the dark places necessary to give the guy some depth.  Jim is too shallow a character to make such a grave decision and then be supported for it.

I’m a big fan of Jennifer Lawrence, but I have to be honest here, I was not impressed with her performance in this movie.  I never warmed up to Aurora, and I never really believed in the love story here.  I mean, I can believe that two attractive people, the only two people on a spaceship, would lust after each other, but fall in love?  They didn’t seem to have anything in common.

Furthermore, I didn’t find any chemistry between Lawrence and Pratt. Not what you’re looking for when you’re telling a love story.

Michael Sheen is fairly amusing as the robot bartender Arthur, but ultimately, he’s such a shallow boring character he’s pretty much useless.

Also, for reasons I have yet to figure out, the way these bar scenes are shot, they are clearly reminiscent of the bar scenes in Stanley Kubrick’s THE SHINING (1980).  I kept waiting for some deeper dark connection, especially between Pratt’s Jim and Jack Nicholson’s Jack Torrance, but I never found one.

And Andy Garcia, in spite of 5th billing, does his best STAR WARS:  THE FORCE AWAKENS (2015) Luke Skywalker impersonation as he shows up in the final few seconds and utters no dialogue!  Nice job Andy!

Fourth billing went to Laurence Fishburne, who plays a character who does have dialogue, but ultimately is as useless as bartender Arthur and Andy Garcia.

PASSENGERS was directed by Morten Tyldum, and one thing I’ll say about this movie is it looks good!  I especially liked the ship, the Avalon.  It’s cool-looking, and the scenes where we see it barreling through space are very cinematic.  It’s too bad the story here didn’t rival the visuals.

I saw PASSENGERS in 3D, and while I’m growing tired of saying this nearly every single time I see a 3D movie, it still has to be said, especially for those folks watching what they spend, because, as you know, a ticket for a 3D movie costs more than a ticket for a 2D movie.  So, anyway, here’s my repetitious statement which I make after nearly every 3D movie I see:  it looks good at first, but after a while, you hardly notice, and the 3D certainly does not add anything to the movie.

Tyldum’s previous movie was THE IMITATION GAME (2014), a great movie that is far superior to PASSENGERS.

There’s been a steady stream of high quality science fiction movies hitting theaters in recent years.  PASSENGERS is not one of them.  It’s simply a love story in space, and an odd one at that.

No need to be a passenger on this voyage.  Save your ticket money for another destination instead.

—END—