THE MOUNTAIN BETWEEN US (2017) – More a Love Story than a Survival Adventure

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Idris Elba is one of my favorite actors working today, but he just can’t seem to find that movie to catapult his career to the next level.

Sure, he was in the THOR movies, as well as PROMETHEUS (2012) and PACIFIC RIM (2013), and he played the villain in STAR TREK BEYOND (2016), and co-starred with Matthew McConaughey in this year’s misfire, THE DARK TOWER (2017).  He played Nelson Mandela in MANDELA: LONG WALK TO FREEDOM (2013), and some years back he lent his talents to such horror movies as the remake of PROM NIGHT (2008) and THE UNBORN (2009).  He also supplied the voice for the evil Tiger Shere Khan in the remake of THE JUNGLE BOOK (2016).

But none of these movies have allowed Elba to fully utilize his acting chops, and they don’t come close to displaying his talents.  If you want to see Elba at his best, you need to check out the BBC TV series LUTHER (2010-2018), which is a great show, and Elba is phenomenal in it.

Today’s movie, THE MOUNTAIN BETWEEN US (2017), is also not that movie for Idris Elba, but on the other hand, it’s nowhere near as bad as critics are making it out to be.  In fact, it’s rather entertaining, thanks to amiable performances by both its leads, Elba and Kate Winslet.

THE MOUNTAIN BETWEEN US opens at a crowded airport, where surgeon Ben Bass (Idris Elba) learns that his flight has been canceled due to a storm, which he finds particularly upsetting because he is trying to get to a surgery to save a young boy. Likewise, journalist Alex Martin (Kate Winslet) receives the same news, and she’s in a rush because she’s on her way to her wedding.  When Alex overhears Ben’s situation, she approaches him with the suggestion that they charter a small plane together so they can both get to where they are going on time.

Critics have complained that this one is simply not believable, and up to a point, I agree. For example, would Alex really approach a total stranger to charter a plane together? And why?  I assume it’s to save on the cost, but that’s not really explained.  And wouldn’t the small plane still have to deal with the storm?  You’d think, right?

Anyway, they do charter a small plane, flown by a pilot named Walter (Beau Bridges) and his dog.  Well, the dog doesn’t fly the plane, but he does make the trip.  The first thing I thought when I laid eyes on Walter was, “Gee, that guy doesn’t look very healthy.  I’m not sure I’d want to get inside a plane flown by him.”  And I would have been right. Moments into their flight, Walter suffers a heart attack, and the plane slams down onto a snowy mountaintop.

Walter dies, but Ben and Alex survive, as does the dog, and they find themselves stranded on top of this snowy mountain in the wilderness, miles away from civilization. Worse yet, Walter did not submit a flight plan, and neither Ben nor Alex had let anyone know they were taking a charter plane.  In short, no one knows where they are.  There will be no rescue team looking for them.

To survive, they’re going to have to rely on each other.

THE MOUNTAIN BETWEEN US is much more a love story than a survival adventure, and that’s why it works. This is not an R-rated survival movie, filled with gritty scenes of bloody injuries and life-threatening encounters.  No, it’s a PG-13 romance about two people trying to survive in a situation where when push comes to shove, they both admit they believe they are going to die, and as such, they do not want to die alone.  Hence, the bond between them grows, and as it grows, their will to survive grows as well.

But the main reason THE MOUNTAIN BETWEEN US works is the acting of the two leads, Elba and Winslet.  They create two likable real characters, who at the end of the day, you want to see survive, and you don’t mind joining them on their plight through the mountains to find their way back to civilization.

Elba’s Dr. Ben Bass is the cautious, caring man who sees it as his job to ensure that they survive long enough to be rescued.  After the crash, he awakes first, and he immediately sees that Alex has suffered a broken leg. If he were a selfish man, he could have easily left Alex behind and gone off to save himself.

Winslet’s Alex Martin is the feisty journalist.  She believes sitting in the wreckage waiting to be rescued is a dumb idea, and that they need to get moving so they can save themselves.  Ben completely disagrees, and he reminds her that she would not get far in the snow with her broken leg.  But she’s not so easily deterred.  At one point, Ben laments, “Is it so difficult for you just to keep still?”

Since Elba and Winslet are pretty much the entire movie, other than the dog, the film relies heavily on their performances, and they do not disappoint.  I always enjoy Elba, and I also really enjoyed Winslet here, much more than the previous time I saw her, as a shallow Russian villain in the flawed thriller TRIPLE 9 (2016).

I also bought their romance.  Some have complained that it was not realistic, and that with a broken leg, and Ben’s cracked rib, and the fact that Alex was about to get married, and that they were starving and most likely filthy, the idea of a romance should have been the last thing on their minds.  But it worked for me because again, these are two characters who really believed they were not going to make it, and that they were going to die.  It comes down to their not wanting to die alone, and when they fall in love, it’s because they are in the moment, and they want to die in the presence and embrace of another human being.

I enjoyed the way Hany Abu-Assad directed this one.  The pacing is decent, the crash scene jarring enough, and the later sequences of peril just harrowing enough to make them satisfying.  There’s a scary encounter with a mountain lion, a slip by Ben that sends him on a dizzying slide towards a frightening precipice, and a sequence involving some thin thawing ice. And you can’t beat the mountain scenery.

Nothing that happens here is all that intense, but that’s not the emphasis of this movie. It’s about the connection that Ben and Alex make and share.  As such, the lack of intensity is easily forgiven.  The film is less about surviving the elements and more about the need for human contact in the face of death.

What I liked least about THE MOUNTAIN BETWEEN US is it tends to go on a bit near the end.  I would have preferred a tighter conclusion.

J. Mills Goodloe and Chris Weitz wrote the screenplay, based on the novel by Charles Martin.  It succeeds in that it creates two amiable characters and gives them realistic dialogue throughout.  Weitz is one of the writers who worked on the screenplay for ROGUE ONE (2016).

While it’s not going to win any awards or shatter box office records, THE MOUNTAIN BETWEEN US is much better than critics are saying it is, and as such, makes for an enjoyable visit to the movies.

—END—

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

 

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THE BIG SICK (2017) – Hilarious and Honest Take on Cross-Cultural Romance

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If you like to get emotional at the movies, then THE BIG SICK (2017) is the film for you.

It’s both hilarious and moving, a comedy that will make you laugh out loud, and a love story that will tug at your heartstrings.

THE BIG SICK is based on the real-life romance between actor/writer Kumail Nanjiani and his wife Emily V. Gordon.  The film is a fictionalized account of their courtship.

Kumail (Kumail Nanjiani) is a young stand-up comedian trying to launch his career in the comedy clubs in Chicago.  One night he strikes up a conversation with an audience member, a young woman named Emily (Zoe Kazan) and after the show he joins her for a drink.  They hit it off instantly, and the next thing you know the two are involved in a romance.

Kumail, however, comes from a strict Muslim family from Pakistan, and as such, they practice arranged marriages and fully expect Kumail to marry a Pakistani woman. It’s a recurring event at Kumail’s home for there to be a knock at the door during dinner, prompting his mom Sharmeen (Zenobia Shroff) to say, “Look who just dropped in,” as she introduces these available  young Pakistani women to her son.  But Kumail just isn’t interested in these women or the idea of an arranged marriage.  He feels trapped, because his parents feel so strongly about arranged marriages that if he were to tell them the truth, that he was in love with an American woman, they would disown them, and this is something he doesn’t want to happen.

When Emily learns that Kumail has no intention of telling his parents about her, she flips out and tells him she cannot be in a relationship with him.  They say some pretty hurtful things to each other.  Shortly thereafter, Emily becomes very sick with an infection in her lungs due to some unknown virus.  She is admitted to the hospital where doctors are forced to put her in a medically induced coma in order to save her life.

It’s at the hospital where Kumail first meets Emily’s parents, Beth (Holly Hunter) and Terry (Ray Romano), who both know about the break-up and so aren’t too keen at first about having Kumail stay at the hospital with them.  But when Kumail decides he’s not going to leave Emily’s side, Beth and Terry relent, and the three end up spending time together.  They get to know each other as they deal with the unknowns and dangers of Emily’s decreasing health.

THE BIG SICK has a phenomenal script by Kumail Nanjiani and Emily V. Gordon.  It’s witty, insightful, and refreshingly honest.  There are countless laugh-out-loud moments, like when Terry sits down with Kumail and starts asking him about 9/11.  The scene where Emily suddenly has to run out in the middle of the night to visit a diner is honest and funny.

The film does a nice job with how Kumail views his family.  He desperately wants them to approve of his American lifestyle, but they won’t, and he feels so torn by this that he can’t bring himself to tell them about Emily.  And the scenes during the second half of the movie where Kumail gets to know Emily’s parents are some of the best scenes in the movie.

The film is full of memorable characters, from Kumail and Emily themselves, to Kumail’s family, to Emily’s parents, to Kumail’s colorful comedian friends.

THE BIG SICK also sports a strong cast.  Kumail Nanjiani does a nice job playing a fictionalized version of  himself.  As depicted in the movie, Kumail is a likable character, and you want to see him achieve his dreams.

Likewise, Zoe Kazan (the granddaughter of acclaimed film director Elia Kazan) is excellent as Emily.  She’s exceedingly quirky and energetic.  She’s the spark which drives the first half of the movie.

And one of the reasons THE BIG SICK is such a strong movie is that when Emily goes into a coma and suddenly is removed from the action, the film doesn’t skip a beat. In fact, it gets better.

This is mostly because both Holly Hunter and Ray Romano nail their roles as Emily’s parents, Beth and Terry.  Hunter plays Beth as quirky as her daughter Emily, and at first she is openly hostile towards Kumail because she knows he has hurt Emily.  Terry is more open to having Kumail stay with them at the hospital, and as the three of them get to know each other, it makes for some of the better scenes in the film.  Romano and Nanjiani in particular share a bunch of humorous scenes together.

Hunter is perky and energetic, and Romano is laid back and lethargic, and you wonder how they got together in the first place.  They really do bring this troubled married couple to life.

Kumail’s parents are just as interesting. Zenobia Shroff is very good as Kumail’s mother Sharmeen, who is relentless in her pursuit to have Kumail marry a Muslim woman. Anupam Kher is also very good as Kumail’s father Azmat.  He has some particularly powerful scenes near the end when he desperately pleads with Kumail to honor and respect his mother.  Kher was also memorable as Bradley Cooper’s doctor, Dr. Cliff Patel, in SILVER LININGS PLAYBOOK (2012).

Adeel Akhtar also stands out as Kumail’s brother Naveed, who is constantly sparring with his brother, trying to get him to see things his parents’ way, arguing for instance that Kumail needs to show his parents’ respect by growing a beard.

The film really showcases the cultural differences between this Pakistani family and their Americanized son.  Kumail’s pain really comes through, as you can see that he wants no part of his family’s beliefs, but he does want to be part of his family.  They are important to him.  He wants them to accept him the way he is, but because of their strong cultural ties and religious beliefs, it’s something they are not prepared to do.

Then there’s the whole stand-up comic scene in Chicago, which is also an integral part of this story.  Kumail has a colorful group of comedian friends, including his hopeless roommate Chris (Kurt Braunohler) whose Charlie Brown luck and awful comedy is the butt of many of his friends’ jokes.  For instance, he has the misfortune of calling on Emily’s parents in the audience, and he asks them what brings them to Chicago, to which Holly Hunter’s Beth replies, “Our daughter is in a coma.”  The audience goes silent, and Chris fumbles and hesitates, before awkwardly addressing someone else:  “So, what brings you to Chicago?”

THE BIG SICK has it all:  fine acting, perceptive writing, and solid directing by Michael Showalter.  It’s one of those movies where after it ends, you just want to see it again.

It’s funny, poignant, and refreshingly honest. It has a lot to say about relationships, cultural differences, and the lengths people will go to make a relationship work when they’re in love.

I loved THE BIG SICK.  It’s one of my favorite films of the year.

—END—

 

THEIR FINEST (2017) – World War II Comedy Romance is Movie Making at its Finest

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Their Finest poster

Even though THEIR FINEST (2017) is mostly a comedy romance about the making of a propaganda movie about Dunkirk, what it does best as a World War II period piece is capture what life was like in Great Britain during the war, when men of age were off fighting, and left to pick up the slack at home were women, the elderly, and the injured.

It’s certainly the film’s strongest attribute.

It’s 1940, and the Nazis are bombing England relentlessly.  In this harsh environment, Catrin Cole (Gemma Arterton) shares an apartment with her struggling artist husband Ellis (Jack Huston).  Catrin lands a new job as a scriptwriter for a studio that makes propaganda movies for the war effort.  She’s hired to assist screenwriter Tom Buckley (Sam Claflin) with her specific duties being to write female dialogue.

The studio decides to do a movie on the Dunkirk rescue, and they base it on the story of twin sisters who took their father’s boat without his permission in order to rescue British soldiers.  Aging has-been actor Ambrose Hilliard (Bill Nighy) is hired to play the role of the drunken father, in the film changed to a buffoonish drunken uncle.  At first, Hilliard is not interested but eventually changes his mind when he’s reminded by his agent Sophie (Helen McCrory) that he’s no longer a young leading man and needs to take advantage of the roles now being offered him to keep his career alive.

When the Secretary of War (Jeremy Irons) informs them that Churchill plans to use their film as a tool to inspire Americans to join the war effort, the film takes on a whole new meaning and suddenly it becomes a major production.

I really enjoyed THEIR FINEST.  It’s full of fine acting performances, features spirited direction by Danish director Lone Scherfig, and has a literate script by Gaby Chiappe, based on the novel Their Finest Hour by Lissa Evans.

Gemma Arterton is wonderful as Catrin Cole. She plays Catrin as an independent intelligent woman who’s not afraid to ask for more money for her work when she knows she has to support her artist husband.  Arterton enjoys nice chemistry with Sam Claflin who plays fellow writer Tom Buckley.  Catrin and Tom grow closer together, even though Catrin tries her best to ignore her feelings since she’s married, but eventually fate intervenes.

Arterton has appeared in a wide variety of roles, but of the movies I’ve seen her in previously, QUANTUM OF SOLACE (2008), HANSEL & GRETEL: WITCH HUNTERS (2013), and RUNNER RUNNER (2013) this is by far the best role I’ve seen her play.  She’s smart, sincere, and sexy.

Sam Claflin also does a nice job as fellow writer Tom Buckley, who recognizes Catrin’s talent and eventually falls in love with her. Claflin played the young filmmaker in the underrated Hammer thriller THE QUIET ONES (2014).  Claflin has also appeared in THE HUNGER GAMES movies, THE HUNTSMAN films, and PIRATES OF THE CARIBBEAN:  ON STRANGER TIDES (2011).

And Bill Nighy delivers a scene-stealing performance as aged actor Ambrose Hilliard who is so full of himself that when he first reads the script for the Dunkirk movie he believes he’s being offered the role of the young hero, not the drunken uncle. Nighy gets the best lines in the film, and he also enjoys some of its best scenes.

In a movie-within-a-movie scene, where Catrin rewrites the uncle as a more heroic character, Nighy plays the uncle’s dying moment on the boat.  He hallucinates and thinks the two soldiers with him are his sons, who were lost in the previous war, World War I.  It’s a brilliant moment.  The scene works in the fictional movie, and it works in the main film because Nighy nails Hilliard’s delivering the performance of his life.

And the most poignant moment in the film comes near the end, after Catrin has endured tragedy, and it’s Hilliard who’s there by her side to keep her from falling, and he tells her that they only have these opportunities because the young men are all at war, but that doesn’t mean that they shouldn’t take full advantage of these opportunities, which sums up the main theme of the movie.

Jack Huston is also very good as Catrin’s husband Tom, struggling with both his artistic career and sense of worth since an injury has kept him from fighting in the war.

Helen McCrory stands out as Sophie Smith, whose husband was Hilliard’s agent until he was killed by a Nazi bomb.  Sophie decides to take over her husband’s practice, and once she does, Hilliard’s career never looks back.  It’s a very strong performance by McCrory, and like Arterton and Claflin, she shares nice onscreen chemistry with Bill Nighy.

Likewise, Jake Lacy is memorable as Carl Lundbeck, an American war hero who is added to the cast to make the film more appealing to Americans, which causes some headaches as well as some comic relief because he has no acting experience whatsoever.  Lacy ‘s performance reminded me of something a young Christopher Reeve might have done.

The rest of the cast is solid and enjoyable.  There’s not a weak link to be found.

I loved the script by Gaby Chiappe. It works on several levels.  The most fun and rewarding level is the film within a film concept, and by far the liveliest scenes are the behind the scenes workings of the writers and film crew trying to get this film off the ground.  And the finished product, a Technicolor production entitled THE NANCY STARLING, which we catch glimpses of as Catrin sits in an audience of enthusiastic filmgoers, generates lots of emotion.

The movie also works as a wartime romance, as well as a World War II period piece drama. And just when I wasn’t so sure the romance part was working, the film delivers a menacing blow and at that point reaches a whole other level.

I also enjoyed the direction by Lone Scherfig.  The film looks great, and she captures the period of World War II England, bombed on a regular basis, perfectly.

There’s even a nod to Alfred Hitchcock..

The title, THEIR FINEST, comes from a speech by Winston Churchill, where he described England’s resistance to the Nazis as “their finest hour.”

THEIR FINEST is a wonderful movie.  In addition to being a love story and a comedy, it’s also a thoughtful and poignant look at the role women played in England during the war.

It’s movie making at its finest.

—END—

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.