THE BIG SICK (2017) – Hilarious and Honest Take on Cross-Cultural Romance

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If you like to get emotional at the movies, then THE BIG SICK (2017) is the film for you.

It’s both hilarious and moving, a comedy that will make you laugh out loud, and a love story that will tug at your heartstrings.

THE BIG SICK is based on the real-life romance between actor/writer Kumail Nanjiani and his wife Emily V. Gordon.  The film is a fictionalized account of their courtship.

Kumail (Kumail Nanjiani) is a young stand-up comedian trying to launch his career in the comedy clubs in Chicago.  One night he strikes up a conversation with an audience member, a young woman named Emily (Zoe Kazan) and after the show he joins her for a drink.  They hit it off instantly, and the next thing you know the two are involved in a romance.

Kumail, however, comes from a strict Muslim family from Pakistan, and as such, they practice arranged marriages and fully expect Kumail to marry a Pakistani woman. It’s a recurring event at Kumail’s home for there to be a knock at the door during dinner, prompting his mom Sharmeen (Zenobia Shroff) to say, “Look who just dropped in,” as she introduces these available  young Pakistani women to her son.  But Kumail just isn’t interested in these women or the idea of an arranged marriage.  He feels trapped, because his parents feel so strongly about arranged marriages that if he were to tell them the truth, that he was in love with an American woman, they would disown them, and this is something he doesn’t want to happen.

When Emily learns that Kumail has no intention of telling his parents about her, she flips out and tells him she cannot be in a relationship with him.  They say some pretty hurtful things to each other.  Shortly thereafter, Emily becomes very sick with an infection in her lungs due to some unknown virus.  She is admitted to the hospital where doctors are forced to put her in a medically induced coma in order to save her life.

It’s at the hospital where Kumail first meets Emily’s parents, Beth (Holly Hunter) and Terry (Ray Romano), who both know about the break-up and so aren’t too keen at first about having Kumail stay at the hospital with them.  But when Kumail decides he’s not going to leave Emily’s side, Beth and Terry relent, and the three end up spending time together.  They get to know each other as they deal with the unknowns and dangers of Emily’s decreasing health.

THE BIG SICK has a phenomenal script by Kumail Nanjiani and Emily V. Gordon.  It’s witty, insightful, and refreshingly honest.  There are countless laugh-out-loud moments, like when Terry sits down with Kumail and starts asking him about 9/11.  The scene where Emily suddenly has to run out in the middle of the night to visit a diner is honest and funny.

The film does a nice job with how Kumail views his family.  He desperately wants them to approve of his American lifestyle, but they won’t, and he feels so torn by this that he can’t bring himself to tell them about Emily.  And the scenes during the second half of the movie where Kumail gets to know Emily’s parents are some of the best scenes in the movie.

The film is full of memorable characters, from Kumail and Emily themselves, to Kumail’s family, to Emily’s parents, to Kumail’s colorful comedian friends.

THE BIG SICK also sports a strong cast.  Kumail Nanjiani does a nice job playing a fictionalized version of  himself.  As depicted in the movie, Kumail is a likable character, and you want to see him achieve his dreams.

Likewise, Zoe Kazan (the granddaughter of acclaimed film director Elia Kazan) is excellent as Emily.  She’s exceedingly quirky and energetic.  She’s the spark which drives the first half of the movie.

And one of the reasons THE BIG SICK is such a strong movie is that when Emily goes into a coma and suddenly is removed from the action, the film doesn’t skip a beat. In fact, it gets better.

This is mostly because both Holly Hunter and Ray Romano nail their roles as Emily’s parents, Beth and Terry.  Hunter plays Beth as quirky as her daughter Emily, and at first she is openly hostile towards Kumail because she knows he has hurt Emily.  Terry is more open to having Kumail stay with them at the hospital, and as the three of them get to know each other, it makes for some of the better scenes in the film.  Romano and Nanjiani in particular share a bunch of humorous scenes together.

Hunter is perky and energetic, and Romano is laid back and lethargic, and you wonder how they got together in the first place.  They really do bring this troubled married couple to life.

Kumail’s parents are just as interesting. Zenobia Shroff is very good as Kumail’s mother Sharmeen, who is relentless in her pursuit to have Kumail marry a Muslim woman. Anupam Kher is also very good as Kumail’s father Azmat.  He has some particularly powerful scenes near the end when he desperately pleads with Kumail to honor and respect his mother.  Kher was also memorable as Bradley Cooper’s doctor, Dr. Cliff Patel, in SILVER LININGS PLAYBOOK (2012).

Adeel Akhtar also stands out as Kumail’s brother Naveed, who is constantly sparring with his brother, trying to get him to see things his parents’ way, arguing for instance that Kumail needs to show his parents’ respect by growing a beard.

The film really showcases the cultural differences between this Pakistani family and their Americanized son.  Kumail’s pain really comes through, as you can see that he wants no part of his family’s beliefs, but he does want to be part of his family.  They are important to him.  He wants them to accept him the way he is, but because of their strong cultural ties and religious beliefs, it’s something they are not prepared to do.

Then there’s the whole stand-up comic scene in Chicago, which is also an integral part of this story.  Kumail has a colorful group of comedian friends, including his hopeless roommate Chris (Kurt Braunohler) whose Charlie Brown luck and awful comedy is the butt of many of his friends’ jokes.  For instance, he has the misfortune of calling on Emily’s parents in the audience, and he asks them what brings them to Chicago, to which Holly Hunter’s Beth replies, “Our daughter is in a coma.”  The audience goes silent, and Chris fumbles and hesitates, before awkwardly addressing someone else:  “So, what brings you to Chicago?”

THE BIG SICK has it all:  fine acting, perceptive writing, and solid directing by Michael Showalter.  It’s one of those movies where after it ends, you just want to see it again.

It’s funny, poignant, and refreshingly honest. It has a lot to say about relationships, cultural differences, and the lengths people will go to make a relationship work when they’re in love.

I loved THE BIG SICK.  It’s one of my favorite films of the year.

—END—

 

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THEIR FINEST (2017) – World War II Comedy Romance is Movie Making at its Finest

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Even though THEIR FINEST (2017) is mostly a comedy romance about the making of a propaganda movie about Dunkirk, what it does best as a World War II period piece is capture what life was like in Great Britain during the war, when men of age were off fighting, and left to pick up the slack at home were women, the elderly, and the injured.

It’s certainly the film’s strongest attribute.

It’s 1940, and the Nazis are bombing England relentlessly.  In this harsh environment, Catrin Cole (Gemma Arterton) shares an apartment with her struggling artist husband Ellis (Jack Huston).  Catrin lands a new job as a scriptwriter for a studio that makes propaganda movies for the war effort.  She’s hired to assist screenwriter Tom Buckley (Sam Claflin) with her specific duties being to write female dialogue.

The studio decides to do a movie on the Dunkirk rescue, and they base it on the story of twin sisters who took their father’s boat without his permission in order to rescue British soldiers.  Aging has-been actor Ambrose Hilliard (Bill Nighy) is hired to play the role of the drunken father, in the film changed to a buffoonish drunken uncle.  At first, Hilliard is not interested but eventually changes his mind when he’s reminded by his agent Sophie (Helen McCrory) that he’s no longer a young leading man and needs to take advantage of the roles now being offered him to keep his career alive.

When the Secretary of War (Jeremy Irons) informs them that Churchill plans to use their film as a tool to inspire Americans to join the war effort, the film takes on a whole new meaning and suddenly it becomes a major production.

I really enjoyed THEIR FINEST.  It’s full of fine acting performances, features spirited direction by Danish director Lone Scherfig, and has a literate script by Gaby Chiappe, based on the novel Their Finest Hour by Lissa Evans.

Gemma Arterton is wonderful as Catrin Cole. She plays Catrin as an independent intelligent woman who’s not afraid to ask for more money for her work when she knows she has to support her artist husband.  Arterton enjoys nice chemistry with Sam Claflin who plays fellow writer Tom Buckley.  Catrin and Tom grow closer together, even though Catrin tries her best to ignore her feelings since she’s married, but eventually fate intervenes.

Arterton has appeared in a wide variety of roles, but of the movies I’ve seen her in previously, QUANTUM OF SOLACE (2008), HANSEL & GRETEL: WITCH HUNTERS (2013), and RUNNER RUNNER (2013) this is by far the best role I’ve seen her play.  She’s smart, sincere, and sexy.

Sam Claflin also does a nice job as fellow writer Tom Buckley, who recognizes Catrin’s talent and eventually falls in love with her. Claflin played the young filmmaker in the underrated Hammer thriller THE QUIET ONES (2014).  Claflin has also appeared in THE HUNGER GAMES movies, THE HUNTSMAN films, and PIRATES OF THE CARIBBEAN:  ON STRANGER TIDES (2011).

And Bill Nighy delivers a scene-stealing performance as aged actor Ambrose Hilliard who is so full of himself that when he first reads the script for the Dunkirk movie he believes he’s being offered the role of the young hero, not the drunken uncle. Nighy gets the best lines in the film, and he also enjoys some of its best scenes.

In a movie-within-a-movie scene, where Catrin rewrites the uncle as a more heroic character, Nighy plays the uncle’s dying moment on the boat.  He hallucinates and thinks the two soldiers with him are his sons, who were lost in the previous war, World War I.  It’s a brilliant moment.  The scene works in the fictional movie, and it works in the main film because Nighy nails Hilliard’s delivering the performance of his life.

And the most poignant moment in the film comes near the end, after Catrin has endured tragedy, and it’s Hilliard who’s there by her side to keep her from falling, and he tells her that they only have these opportunities because the young men are all at war, but that doesn’t mean that they shouldn’t take full advantage of these opportunities, which sums up the main theme of the movie.

Jack Huston is also very good as Catrin’s husband Tom, struggling with both his artistic career and sense of worth since an injury has kept him from fighting in the war.

Helen McCrory stands out as Sophie Smith, whose husband was Hilliard’s agent until he was killed by a Nazi bomb.  Sophie decides to take over her husband’s practice, and once she does, Hilliard’s career never looks back.  It’s a very strong performance by McCrory, and like Arterton and Claflin, she shares nice onscreen chemistry with Bill Nighy.

Likewise, Jake Lacy is memorable as Carl Lundbeck, an American war hero who is added to the cast to make the film more appealing to Americans, which causes some headaches as well as some comic relief because he has no acting experience whatsoever.  Lacy ‘s performance reminded me of something a young Christopher Reeve might have done.

The rest of the cast is solid and enjoyable.  There’s not a weak link to be found.

I loved the script by Gaby Chiappe. It works on several levels.  The most fun and rewarding level is the film within a film concept, and by far the liveliest scenes are the behind the scenes workings of the writers and film crew trying to get this film off the ground.  And the finished product, a Technicolor production entitled THE NANCY STARLING, which we catch glimpses of as Catrin sits in an audience of enthusiastic filmgoers, generates lots of emotion.

The movie also works as a wartime romance, as well as a World War II period piece drama. And just when I wasn’t so sure the romance part was working, the film delivers a menacing blow and at that point reaches a whole other level.

I also enjoyed the direction by Lone Scherfig.  The film looks great, and she captures the period of World War II England, bombed on a regular basis, perfectly.

There’s even a nod to Alfred Hitchcock..

The title, THEIR FINEST, comes from a speech by Winston Churchill, where he described England’s resistance to the Nazis as “their finest hour.”

THEIR FINEST is a wonderful movie.  In addition to being a love story and a comedy, it’s also a thoughtful and poignant look at the role women played in England during the war.

It’s movie making at its finest.

—END—

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

 

Quirky MAGGIE’S PLAN (2016) Has A lot to Say About Relationships

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MAGGIE’S PLAN (2016), a new comedy drama by writer/director Rebecca Miller, has a lot to say about relationships, so much so that its story is richer in its poignacy than in its comedy.

Maggie (Greta Gerwig) is a young a career advisor for art and design students, and when the movie opens, she laments that she can never seem to remain in a relationship for more than six months.  She tells her friend Tony (Bill Hader) of her plan to have a baby and raise it on her own without the help of a father.  She has a plan because that’s what Maggie does- plan for everything. She’s arranged for one of their college friends, Guy (Travis Fimmel) to provide his sperm so she can artificially inseminate herself.  Tony is none too happy about this because he remembers Guy as a weird math major in college, but Maggie assures him that Guy is fine, as he is now a successful pickle entrepeneur.

Maggie’s plan gets derailed when she meets John Harding (Ethan Hawke) an adjunct professor at the college, and the two hit it off immediately, especially since John is having a difficult time with his marriage, having to deal with his domineering wife Georgette (Julianne Moore) who’s a professor at Columbia University.  John feels trapped in the marriage, as Georgette is so focused on her career, he has to take a back seat with his, plus raise their two children pretty much on his own, and as such he cannot write the novel he’s always wanted to write.

Besides falling in love with John, Maggie also sees herself as being able to rescue him from his manipulating wife.  Since John has fallen in love with Maggie as well, he divorces Georgette and marries Maggie.  They have a daughter, John can now work on his novel, and they can enjoy their perfect life together, except that things are not perfect.

John soon finds himself focusing only on his novel, pretty much ignoring Maggie and their family, and before you can say “Jack Torrance,” Maggie finds herself wondering if perhaps her marriage to John has been a mistake.

If this plot sounds rather serious and sad, that’s because it is.  However, that’s not to say the film isn’t funny.  It has its moments.  There’s a light tone throughout, and the characters are quirky enough to keep things lively.  Just don’t expect to be laughing out loud.

The best part of MAGGIE’S PLAN are the characters and what their story has to say about relationships.  The acting’s not so bad, either!

I thoroughly enjoyed Greta Gerwig as Maggie.She makes Maggie such a sincere and well meaning character, you can’t help but like her.  She also possesses an adorable innocence about her.  At one point, Georgette questions Maggie’s personality and wonders if there isn’t something just plain stupid about her, but Maggie isn’t stupid.  She just wants to do right by people.  The trouble is, the more she tries, the worst things get.

Take her first plan, for instance, where her geeky math friend Guy agrees to provide her with his sperm.  The two characters are each so quirky you can’t help but chuckle when they’re on screen together, but the story keeps you from laughing out loud because it’s obvious that Guy likes Maggie a lot and wants to be more involved with her, yet he’s too awkward to do anything about it.  When he asks Maggie how much involvement she expects from him, she answers, “I was going to say none.”  She then offers to change her mind if he feels otherwise about it, but all Guy can muster is “None.  Yeah.  That’s great.”

Within seconds of seeing Maggie and John married on screen, it’s clear that there is trouble in paradise.  Gerwig does a terrific job showing us Maggie’s internalizations, and when she realizes that their marriage is doomed, that perhaps John really does belong back with Georgette, and she approaches the icy Georgette with a proposition, it doesn’t come off as manipulative or calculating, but completely sincere. Of course, Georgette doesn’t agree.

Yet, later, when the two characters find themselves liking each other, it plays out in a perfectly natural fashion.

Julianne Moore has an absolute field day as Georgette.  She’s never been icier.  As you would expect, Moore lifts the role above the cliche as she makes this seemingly cold-hearted character someone you actually like.

Only Ethan Hawke struggles to connect as professor-wannabe-author John, and he stands out because nearly every other character in the film does connect.  Part of it is John is something of a self-absorbed cold fish.  I understand why both Georgette and Maggie want to be with him.  For Maggie, she’s initially enthralled by his intellect and she feels she can save him from his wife and empower him in his life.  Georgette loves him because he defers to her dominance and supports her every move.  Yet, she’s smart enough to realize later in the movie that she was too selfish with him and should have been thinking about his needs.

But as a character, John is wishy-washy and noncommital, seemingly changing his mind every time the wind blows.   He’s a difficult character to like.  Yet Hawke does make him sympathetic-finally near the end- when he correctly realizes he’s being manipulated and doesn’t like it all that much.

The supporting cast is a good one and provides the film with its quirkiest characters and moments. Bill Hader and Maya Rudolph as Maggie’s husband and wife friends Tony and Felicia come closest to being straight out funny.  Tony is brutally blunt, and generally has Maggie’s best interests in mind, even though she doesn’t always want to hear it.  Maya Rudolph’s Felicia calmly and  drolly puts up with her husband’s outspoken antics, and she’s more than capable and comfortable putting him in his place.Both Hader and Rudolph are alumns of SATURDAY NIGHT LIVE.

Travis Fimmel is charming in an oddball geeky sort of way as Guy, Maggie’s math genius turned pickle entrepeneur who’s ready to donate his sperm to her, and like Maggie, his character exudes raw honesty to the point where he seems a bit dumb, although like Maggie, he’s anything but.

The screenplay by director Rebecca Miller, based on a story by Karen Rinaldi, works more as a quirky drama than a comedy because the story is seeped with honesty and pain.  The characters in this movie are not calculating and cold-hearted, although Maggie likes to plan and Georgette has ice in her veins, but both characters come off as three dimensional and genuine.

Even when some scenes enter into comedy, laughter is difficult to come by because of the sincere tones of sadness underneath.

That’s not to say there aren’t funny moments in the movie.  The sequence where Maggie tries to inseminate herself is nicely paced as it goes from slightly awkward to full blown embarrassing.

And in a near perfect moment, it’s both ironic and telling that the liveliest and perhaps only laugh-out-loud moment in the movie comes when John and Georgette find themselves stranded together in a lodge in snowy Canada.  It’s ironic because Maggie is the liveliest character in the film, yet for the movie’s liveliest moment, she’s absent, and it’s telling because it’s what’s true about Maggie’s life:  she’s always trying to help, but things tend to work best when she’s simply out of the way.

Subtlety reigns throughout MAGGIE’S PLAN, and as such, you won’t find yourself laughing too much.  But that won’t stop you from enjoying this low-key tale of a love triangle that never seems to go as planned.

—END—

 

 

 

 

MISSING REELS By Farran Smith Nehme Is Lighthearted Cinematic Fun

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What I’m Reading – Missing Reels  By Farran Smith Nehme

Book Review by MICHAEL ARRUDAMissing-Reels - cover

 

I don’t usually read romances, even of the screwball comedy variety, but being a film buff, I decided to check out Missing Reels  by Farran Smith Nehme, a lighthearted story about a young woman living in New York City who happens to be a huge fan of silent films.  She discovers that she’s living next door to a former silent film actress who starred in a now lost silent movie directed by a controversial German director.

It’s New York City in the late 1980s, and young Ceinwein (pronounced KINE-wen) lives in an apartment with her two gay roommates, Jim and Talmadge and works a minimum wage job at a vintage clothes shop.  There she meets Matthew, an Englishman who’s a postdoc working with a Math professor at NYU.  He’s at the store shopping with his Italian girlfriend, but when Matthew shows an interest in Ceinwein, romance blooms.

Around the same time, Ceinwein engages her elderly neighbor Miriam in a conversation and learns that she once starred in a long lost silent movie.  As a silent film fanatic, Ceinwein takes it upon herself to search for this long lost movie, thinking that if she can discover a copy, Miriam would be thrilled to see it again, but this is a misplaced assumption since Miriam’s feelings toward the film and the man who directed it are much more complicated than Ceinwein ever imagined.

The search for this elusive silent movie serves as a backdrop for the romance, as Ceinwein enlists Matthew’s aid in tracking down the missing film.  The deeper Ceinwein looks, the more complicated her relationships become with both Matthew and Miriam.

I really enjoyed Missing Reels, mostly because the story centers more on Ceinwein’s quest to find the missing film than on her romance with Matthew.  I found the whole search for the movie, THE MYSTERIES OF UDOLPHO, fascinating and enjoyed the story the most whenever Ceinwein was actively looking for it.  It made for a satisfying detective story.

The numerous conversations throughout the novel about movies, old movies in particular, were engaging and thoroughly entertaining.

One of the reasons I wasn’t crazy about the love story is that I didn’t particularly like Matthew’s character.  When we first meet him, he’s with his Italian girlfriend, yet he’s romancing Ceinwein almost immediately after, with no mention to Ceinwein that his other relationship is over.  I thought he gave off a bad vibe from the get-go, and frankly I had a difficult time understanding what Ceinwein saw in him.

Likewise, the elderly Miriam is continuously rude to Ceinwein and is not supportive in her search for the missing movie in the least.  I couldn’t help but wonder why Ceinwein was so interested in finding the movie for this lady.  It seems to me she was more interested in finding the film for herself.

Unlike Matthew and Miriam, Ceinwein is an affable character, and I enjoyed reading about her.   She’s witty and funny, and she’s confident yet vulnerable, traits that make her very attractive.

I also liked her roommates, Jim and Talmadge, and whenever they’re in the story, the book livens up quite a bit.

The story takes place in the 1980s presumably to include an aging silent film star as one of its main characters.  Plus, others who worked on THE MYSTERIES OF UDOLPHO are still alive in the story, making them available for Ceinwein to interview.  This would not have been the case if the story had a contemporary 2015 setting.  Other than this, the 1980s time period adds little value to the tale, nor does the novel do much to recapture the feeling of that decade.

Missing Reels is an enjoyable light read, especially for fans of old movies.  Ceinwein’s search for the missing silent film and the discussions that go along with it provide satisfying material for the hardcore movie enthusiast.  Plus, a lot of the snappy dialogue between Ceinwein and Matthew is reminiscent of the dialogue in the old black and white comedies, films featuring the likes of Cary Grant and Katherine Hepburn, and William Powell and Myrna Loye.

And for those of you who like love stories, Missing Reels satisfies as well, as Ceinwein is head over heels in love with Matthew, a man who by his own admission is not interested in leaving his Italian girlfriend, but as is the case with so many classic movie romances, the strong-willed heroine will not be denied.

A novel that hearkens back to the romantic comedies of yesteryear, Missing Reels provides both a lighthearted love story and a compelling account of one film buff’s quest to locate a long lost silent movie in one tightly written package that doesn’t miss a beat.

—Michael