SPIDER-MAN: HOMECOMING (2017) Is Light Comic Fun

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Right off the bat, SPIDER-MAN: HOMECOMING (2017) wins accolades for not being another origin story.

We know how Peter Parker became Spider-Man.  We don’t need to see it happen again.   The film skips this back story and as such plays like a breath of fresh air. And that’s just for starters.  SPIDER-MAN: HOMECOMING has a lot more going for it, making it yet another Marvel superhero hit.

SPIDER-MAN: HOMECOMING actually doesn’t open with Spider-Man at all, but with construction worker Adrian Toomes (Michael Keaton).  Toomes and his crew are working clean-up after the massive battle between The Avengers and alien invaders, but he’s pulled off the job by secret government higher-ups, which to Toomes, means money lost, something he needs to support his family.  Bitter, when Toomes realizes his crew still has some of the alien technology in their scrap heap, he decides to keep it, to help even the odds with the elites.

The story jumps eight years ahead where we meet high school sophomore Peter Parker (Tom Holland), ecstatic about his fighting alongside Iron Man and the other Avengers in events seen in CAPTAIN AMERICA: CIVIL WAR (2016).  In fact, Parker’s mentor is Tony Stark (Robert Downey, Jr.) himself, who serves as the voice of reason and caution for the young superhero, reminding him to keep out of trouble and help out with the local little jobs; in short, to be the friendly neighborhood Spider-Man.  Stark leaves his best buddy Happy Hogan (Jon Favreau) to keep tabs on Parker, which he does with a tracking device that informs him of Parker’s every move.

Parker finds himself terribly distracted at school, as he’s constantly waiting for that call from Tony Stark to join the Avengers.  He’d like to date Liz (Laura Harrier) but he’s always running away as Spider-Man for one reason or other.  Things grow more complicated when his best friend Ned (Jacob Batalon, in a scene-stealing performance) discovers that Peter is Spider-Man, and can hardly contain his excitement.  He wants to tell everyone they know, but Peter reminds him that that is not a good idea.

Eventually, Spider-Man crosses paths with Adrian Toomes, who’s been stealing alien weaponry and selling it on the black market.  Toomes has built himself a flying bird suit from the alien technology and flies through the skies as the Vulture.  And when Peter can’t convince Happy or Tony Stark that the danger from Toomes is very real, he suits up as Spider-Man and takes on the villain on his own.

SPIDER-MAN: HOMECOMING is basically the Spider-Man story re-told from the perspective of The Avengers.  Ever since Marvel released THE AVENGERS (2012), the superhero films which have followed have pretty much all been tie-ins with that massive Marvel hit.  As someone who loved THE AVENGERS, I like all these tie-ins, as the universe that Marvel has built around these characters is a good one, and the story that continues to evolve remains compelling.

So, pretty much every move that Peter Parker makes in this movie is dominated by his obsession with wanting to join The Avengers.  It’s a far cry from the story told in the Tobe Maguire film, SPIDER-MAN (2002).  But SPIDER-MAN: HOMECOMING still works because in spite of the AVENGERS connection it keeps to the original spirit of the character in the comics.

As such, SPIDER-MAN: HOMECOMING is an extremely light film.  The humor is on target throughout, and a bulk of this movie spends its time with Peter Parker and his high school friends, and these scenes work because both the writing and the acting are superb.

And in a strange juxtaposition, you have this light comical tale intertwined with another darker story featuring one of the better villains we’ve seen in a Marvel movie in a long time, Adrian Toomes/the Vulture, played by Michael Keaton.  It’s an odd combination, but it works.

One of the reasons it works is Toomes’ heavy-handedness makes for a superior foe for young Spider-Man.  You have all these high school scenes, and so you’re half expecting a high school student for a villain, but instead you have Toomes, a guy who is one of the more serious villains we’ve seen in a superhero movie in a long while.

Toomes is also the perfect antithesis to Tony Stark.  In Stark, you have the rich playboy running around playing superhero, while Toomes is the working class man who worked all his life but couldn’t make good for his family, and so he takes an opportunity, albeit an illegal one, to provide tons of money for his family.  It’s thinking that reminded me of Bryan Cranston’s Walter White in TV’s classic BREAKING BAD (2008-2013).

SPIDER-MAN: HOMECOMING is blessed with a solid cast.  Tom Holland actually debuted as Spider-Man in CAPTAIN AMERICA: CIVIL WAR (2016), and it was an awesome debut. Holland continues his success here.  His Peter Parker is young, very young, which is perfect because he comes off as a genuine high school student.  His scenes with his friends are among the best in the movie.  And his wise-cracking Spider-Man is still a hoot to watch, although truth be told, I don’t think he has any moments in this movie as out-of-this-world amazing as the fight sequence in CAPTAIN AMERICA: CIVIL WAR.

As Peter’s best friend Ned, Jacob Batalon really stands out.  He enjoys a bunch of scene stealing moments, the high school geek whose dream comes true when he finds himself actually working with Spider-Man, someone who knows the Avengers.

Laura Harrier is fine as Peter’s eventual girlfriend Liz, but it’s Zendaya who really stands out here as one of their quirky friends, Michelle.  She’s not in the movie much, but when she is, you can’t help but notice her.  She enjoys many fine little moments.

Robert Downey Jr. has a decent amount of scenes here as Tony Stark, but ultimately, even though he’s always fun to watch, he doesn’t get to do a whole lot.  Don’t look for Iron Man to rush in to save the day.  This is Spider-Man’s movie.

Jon Favreau has plenty of screen time as Happy Hogan, as he’s left in charge of keeping an eye on Peter.  Favreau is always fun in this recurring role, which goes all the way back to IRON MAN (2008), and he’s enjoyable yet again here.  Favreau is a talented guy.  He also directed IRON MAN (2008) as well as a lot of other movies, including THE JUNGLE BOOK (2016) and CHEF (2014), in which he also starred.

Chris Evans also shows up as Captain America, in a very humorous bit featuring promotional videos shown at the high school.  Want to teach the merits of physical education?  Pop in a promotional video featuring Captain America!  These videos provide some funny moments.

And Gwyneth Paltrow even makes a brief appearance as Pepper Pots.

But it’s Michael Keaton who really stands out here as Adrian Toomes/the Vulture. First of all, Keaton is a phenomenal actor who keeps getting better with age.  What I liked most about his performance as Toomes is that he makes the guy real.  Toomes is not out to take over the world or the universe. He’s not a shadowy villain without a clear-cut agenda.  He’s a real person with a real goal: after years of playing by the rules and not getting anywhere, he’s broken the rules to better support his family.

And Keaton is more than up to the task of making this guy believable. He also provides a real hardness to the character.  When he says he’s going to kill Spider-Man, you believe him.  In a way, it’s a performance that almost seems out-of-place here, because the rest of the film is so light and comical, while Keaton is dead serious in his scenes.  But it does work and works well, because ultimately it gives young Spider-Man a true test of his mettle.

Keaton gets one of the best sequences in the movie, when Toomey confronts Spider-Man near the end, and he speaks about what they have in common, that they’re both common folks who need to change the rules in order to succeed in life.  At one point, Toomey says, “I know you know what I mean.” It’s a line that resonates, both from Keaton’s delivery and from the knowledge we have of Peter’s life with his Aunt May, as they struggle to make ends meet, making Toomey’s line true.

And speaking of Aunt May, Marisa Tomei is quite effective as the younger sexier aunt of young Peter Parker. So much so that Tony Stark even quips about how hot she is.

SPIDER-MAN: HOMECOMING was directed by Jon Watts, who comes off as an old pro here.  The film fits in with the rest of the Marvel movies seamlessly, in spite of the fact that this is the first superhero flick that Watts directed.

The pacing is good, the special effects decent, and the battle scenes are entertaining.  The sequence at the Washington Monument is probably the best action sequence in the film, and the scenes where Peter Parker has to scale the monument and realizes it’s higher than anything he’s climbed before is so effective it’s nearly vertigo-inducing.

SPIDER-MAN: HOMECOMING was written by six screenwriters, some of whom have extensive comedic credits, which comes as no surprise, since humor is a strength here.

There’s also an upbeat music score by Michael Giacchino, who’s written a ton of scores over the years, including the superior score to last year’s stand-alone STAR WARS movie, ROGUE ONE (2016).

While SPIDER-MAN: HOMECOMING is available in 3D, I saw a 2D print and liked it just fine.

And yes, there are after credits scenes, two to be exact.  The one at the very end after all the credits does provide a laugh-out-loud moment, so it’s probably worth waiting for.

All in all, I really liked SPIDER-MAN: HOMECOMING.  Is it as good as Marvel’s best?  No.  Is it as good as this year’s earlier superhero hit from DC, WONDER WOMAN (2017)?  Not quite.  But I liked it better than the previous two Marvel entries, GUARDIANS OF THE GALAXY, VOL. 2 (2017), and DOCTOR STRANGE (2016).

It’s light, it’s fun, and it features a gritty hard performance by Michael Keaton as one of the better Marvel movie villains yet, the Vulture, whose plans to better his family life are destroying a neighborhood, making him the perfect foe for our friendly neighborhood Spider-Man.

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Superhero Movies 2016 – Worst to First

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Here’s a look at the superhero movies from 2016, ranked from worst to first:

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7. BATMAN V SUPERMAN:  DAWN OF JUSTICE – By far, the worst superhero movie of 2016. The script by Chris Terrio and David S. Goyer doesn’t work. In spite of the fact that Batman and Superman do not trust or like each other, a big part of the plot revolves around Lex Luthor’s plans to pit them against each other.  Why?  They’re enemies already!  Also, the big moment where Batman and Superman change their tunes about each other is both unbelievable and anticlimactic.

Both Ben Affleck as Batman and Henry Cavill as Superman are fine, but the story they are in is not.  Also unimpressed with the action scenes by director Zach Snyder.  Best Part:  Gal Gadot as Wonder Woman.  Worst Part:  Jesse Eisenberg as Lex Luthor.

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6. THE LEGEND OF TARZAN- Tecnically, not really a superhero movie, but growing up I always considered Tarzan a superhero of the jungle.

THE LEGEND OF TARZAN is a serious good-looking production by director David Yates that suffers from one fundamental problem:  it’s boring.

Alexander Skarsgard is terribly uncharismatic as Tarzan, Margot Robbie somehow doesn’t wow as Jane, and Christoph Waltz thinks he’s still playing Bond baddie Blofeld, hamming it up as villain Leon Rom.  The liveliest lines go to Samuel L. Jackson as Tarzan ally George Washington Williams.  The movie would have been better served had it given this oomph to Tarzan.

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5.SUICIDE SQUAD –  The DC superhero movies continue to struggle, but that being said, I liked SUICIDE SQUAD.  Somewhat.

Whereas she didn’t wow in THE LEGEND OF TARZAN, Margot Robbie more than makes up for it here as Harley Quinn.  Robbie’s electrifying, sexy performance as the bad-girl-turned-good-maybe easily steals this movie.  It’s easy to understand from Robbie’s performance how Quinn is the Joker’s girlfriend.

While I’m not a Will Smith fan, he’s really good here as Deadshot, and his and Robbie’s performances were the main reasons I enjoyed this movie.  The rest of the cast is simply average.  The plot less so.  The screenplay by director David Ayer has all this build up to this squad of misfits only to see them square off against one of their own, a supernatural witch, no less.  This one simply lacks vision.

Also, Jared Leto’s Joker is ultimately a disappointment, partly because of his performance, but mostly because the role is under written.

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4. DOCTOR STRANGE – The first of the superhero movies on this list that I consider excellent.  It’s no surprise that all four of the top superhero movies from 2016 come out of the Marvel Universe, the studio that continues to churn out one superhero hit after another.

Certainly the most imaginative superhero movie of the year.  Not only does it tell a captivating story, but it’s also a visual treat. Benedict Cumberbatch is excellent as Doctor Strange, the obnoxious neurosurgeon turned superhero after a devastating injury ruins his career and sends him in search of healing through the Far East mystic arts.  What he finds is new life as a superhero.

As usual with the Marvel movies, it struggles with its villain, as Mads Mikkelsen really doesn’t get to do a whole lot as bad guy Kaecilius.

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3. X-MEN:  APOCALYPSE –  My sleeper pick on the list.  Critically panned and not really loved by fans, X-MEN: APOCALYPSE nonetheless entertained me from start to finish.

The main reason I enjoyed this one?  The performances by James McAvoy as Professor Xavier, and Michael Fassbender as Magneto. Since taking over these roles when the series rebooted with X-MEN:  FIRST CLASS (2011), McAvoy and Fassbender have made them their own.  It’s difficult to dislike a movie when these two talented actors are helming it.

Of course, Jennifer Lawrence is here, too, as Raven/Mystique, but in all honesty I’ve enjoyed Lawrence in most of her other movies more than here in the X-MEN series.

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2. DEADPOOL (CKF) – For many, DEADPOOL was the best superhero movie of 2016.  For me, it was second best.  That being said, it was certainly the most unusual superhero movie of the year.

Foul-mouthed Deadpool— played by Ryan Reynolds in a role he was born to play— lets loose with an abundance of raunchy language not even George Carlin, Richard Pryor, or Eddie Murphy combined could match.  As such, this R rated superhero movie is not for everyone, but if you don’t mind raunchy language, you are in for quite a treat.

The liveliest superhero movie of the year, as well as the funniest.

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1. CAPTAIN AMERICA: CIVIL WAR – My pick for the best superhero movie of 2016 is easily Marvel’s CAPTAIN AMERICA:  CIVIL WAR.  This one plays more like THE AVENGERS 2.5. Its story about a rift between Captain America and Iron Man is much more believable and emotionally satisfying than the rift between Batman and Superman in BATMAN V SUPERMAN: DAWN OF JUSTICE.

This one is so good, that even though it’s the third Captain America movie, it belongs in the conversation as one of the best superhero movies ever made.Brothers Anthony and Joe Russo direct this one with high energy and lots of style, and the screenplay by Christopher Markus and Stephen McFeely is a genuine crowd pleaser.

Also features a phenomenal cast which has no business being in a superhero movie. You’ve got Chris Evans as Captain America, Robert Downey Jr. as Tony Stark/Iron Man, Scarlett Johansson as Black Widow, Anthony Mackie as the Falcon, Don Cheadle as War Machine, Jeremy Renner as Hawkeye, Chadwick Boseman as Black Panther, Paul Bettany as Vision, Elizabeth Olsen as Scarlet Witch, Paul Rudd as Ant-Man, and Sebastian Stan as the Winter Soldier.  And with all these folks doing their things and doing them well, the movie is almost stolen by young Tom Holland in his debut as Spider-Man.

An awesome movie.  Marvel has been churning out one quality superhero movie after another going back to IRON MAN (2008), and they show no signs of slowing down.  I’m looking forward to their upcoming releases in 2017, starting with LOGAN on March 3.

And there you have it, my list of the superhero movies from 2016.

Until next time, thanks for reading!

—Michael

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.  Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

Marvel’s CAPTAIN AMERICA: CIVIL WAR (2016) – Epic Superhero Adventure One of Year’s Best

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For nearly a decade, starting with IRON MAN (2008), Marvel has been churning out quality superhero movies year after year, and their latest installment, CAPTAIN AMERICA:  CIVIL WAR (2016) continues this trend.

It’s the best superhero movie of the year so far.

Yeah, I know, I loved DEADPOOL (2016), and I still do, but by the length of Ant-Man’s pinky fingernail, I prefer CIVIL WAR.  There are just so many good things about this movie that lift it to the top of the class.

And yes, I realize the Tobey Maguire SPIDERMAN movies and the X-MEN films pre-date IRON MAN, but for me, Jon Favreau’s IRON MAN was the movie that jettisoned the recent explosion of high quality Marvel superhero films.

The only thing problematic at this point in these Marvel movies is there have been so many films in the series, it’s often a challenge to keep track of the multiple storylines and characters.  The writers need to keep this in mind and do a better job explaining plot points from previous films.  For example, I don’t want to spend precious minutes in the theater trying to remember just how it was that Vision got hold of Loki’s technology.  When I do that, I miss what’s going on in the movie.  Other than this, these films are clicking on all cylinders.

CAPTAIN AMERICA: CIVIL WAR is about the rift that occurs between Captain America and Iron Man over the future of the Avengers, a rift that leads to an all out war between the two factions. The governments of the world have grown tired of the destructive collateral damage inflicted by the Avengers every time they go about saving the world.  They’re weary of all the death and destruction, and so they want the Avengers to sign an agreement saying they will no longer act unilaterally, that they will only act when instructed by the United Nations to do so.

Tony Stark aka Iron Man (Robert Downey, Jr.) has been riding an emotional roller coaster lately.  His girlfriend Pepper Pots has left him, and he’s recently been feeling extremely guilty over the deaths he has inadvertently caused in the line of duty.  In his mind, the Avengers are a bunch of loose cannons, and some restrictions would be a good thing.  Put the responsibility on someone else’s shoulders, for once.

Captain America (Chris Evans) has the exact opposite reaction to the agreement.  His best friend Bucky, aka the Winter Soldier (Sebastian Stan) is blamed for an international assassination and terrorist attack. Since Captain America believes Bucky was framed, he wants to investigate on his own without the sanction of the United Nations, which wants Bucky arrested.  In Captain America’s mind, if the Avengers give up their freedoms now, it will only get worse later.

And thus the battle lines are drawn.  The Avengers are suddenly divided.  It’s Team Captain America vs. Team Iron Man, and these two sides do more than just verbally spat.  They engage in an all out war, in a battle sequence that is as good as any other in the entire Marvel movie series.

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There’s a lot to like about CAPTAIN AMERICA:  CIVIL WAR.

Let’s start with the cast.  A lot of these folks have been playing these characters for a while now, and so they have really grown into these roles.  Chris Evans has always played the all-American superhero Captain America to near-perfection, in both the previous CAPTAIN AMERICA movies and in THE AVENGERS series.  He’s even a tad better here as his all-American image takes a hit— up to a point.  When he goes rogue, on the surface it seems like something Captain America wouldn’t do, but then again, there are certainly those who embody American patriotism who would shudder at the thought of reporting to the United Nations.  Sure, in this movie the Captain is also rebelling against the U.S. government, but in the current political climate even that decision doesn’t seem far-fetched.

And while technically this is a CAPTAIN AMERICA movie, it does play more like THE AVENGERS 2 1/2.  As such, Iron Man plays just as big a role in this one as Captain America does.  Robert Downey Jr. has been phenomenal as Tony Stark/Iron Man ever since he first played the role in IRON MAN (2008).  This marks the sixth time Downey Jr. has played the character, following the three IRON MAN movies and the two AVENGERS films.  I, for one, have not grown tired watching Downey Jr. play the role.

His Tony Stark is a wise-cracking playboy badass who is actually more interesting and fun to watch than when he wears his Iron Man suit.  That being said, Downey Jr.’s Stark, like Chris Evans’ Captain America, goes through some changes here.  He has developed a conscience in his “old age,” as he is feeling increasingly guilty over the innocent deaths he has caused in the line of duty.  Since he’s usually such a rebel, the fact that he’s the one who wants to side with the government, goes against type.  Combined with Captain America’s similar unexpected reaction, it makes for some fresh and compelling storytelling.

Scarlett Johansson returns as Black Widow, and she is every bit as good as she’s been the previous four times she’s played the role.  Likewise, Jeremy Renner as Hawkeye, Anthony Mackie as the Falcon, Don Cheadle as War Machine, Paul Bettany as Vision, Elizabeth Olsen as Scarlet Witch, and Paul Rudd as Ant-Man, all return to reprise their roles.

Ant-Man is an incredibly entetaining character, and Rudd takes advantage of nearly every moment he’s in the movie.  Likewise, I enjoyed Elizabeth Olsen even more here as Scarlet Witch than the previous two times she played the role.  She has a lot more to do in this movie, and for the first time you really get to know her character.

If all these actors and characters weren’t enough, there are also two impressive debuts in CAPTAIN AMERICA:  CIVIL WAR.  Chadwick Boseman is impressive as Black Panther.  Boseman, you might remember, played Jackie Robinson in 42 (2013).

But even better than Boseman is young Tom Holland as Spider-Man.  Holland is so impressive as the smart-alecky Spidey that he just might have nailed the best performance in the entire movie.  He’s that good.  And in an interesting bit of casting, Marisa Tomei plays Peter Parker’s Aunt May, a considerable younger version of the character.  But I really liked Tomei in the role, and with with Holland’s Peter Parker really looking like a high school student, the younger Aunt May made perfect sense here.

One character I’m not nuts about is the Winter Soldier (Sebastian Stan).  While Stan is fine in the role, the character does little for me.  Thankfully, even though the plot revolves around Captain American’s buddy, he’s really not in the film all that much.

The Marvel superhero movies always seem to struggle with their villains.  The bad guy in this one, Zemo (Daniel Bruhl) is meh, but it’s less of an issue in this movie since the Avengers are fighting each other.  You might even argue that this film has the best conflict in the Marvel series since they are indeed fighting one another.

Speaking of that fight, screenwriters Christopher Markus and Stephen McFeely got the conflict right, something that the writers of the recent BATMAN V SUPERMAN: DAWN OF JUSTICE (2016) failed to do.  In that flick, the rift between Batman and Superman seemed forced and contrived.  In this movie, I bought the divide between Captain America and Iron Man hook, line, and sinker.  Plus, the movie takes the time to develop the supporting characters’ beliefs, and so when they choose sides, it also makes perfect sense.

CIVIL WAR clocks in at 146 minutes, and as a testament to the terrific job done by directors Anthony and Joe Russo, those 146 minutes flew by.  I did not feel as if I were sitting in the theater for a long time at all.  The film caught my interest early on and held it to the very end.

In the tradition of the Marvel supehero movies, there are two post credit scenes in CIVIL WAR, one in the middle of the end credits and one at the very end, so if you’re into that sort of thing, you’ll want to stay till the last credit rolls.  I always stay.  Why not, right?

Directors Anthony and Joe Russo also handle the action sequences with ease.  The chase scene involving Captain America, the Falcon, the Winter Soldier, and Black Panther is a keeper, and as I said earlier, the sequence where Team Captain America takes on Team Iron Man is among the most exciting and entertaining sequences of the entire Marvel supehero series.

CIVIL WAR is also a nice balance of light and dark.  As always with these Marvel movies, the humor is spot-on.  There are several laugh-out loud sequences, especially the obligatory Stan Lee cameo, which caused the theater to erupt with laughter.

It’s also quite dark, as the film truly captures the angst both Iron Man and Captain America, as well as the rest of the Avengers, feel at the prospect of going up against each other and really going all out to hurt each other.   This authenticity of emotion is something I never felt in the recent BATMAN V. SUPERMAN.

CAPTAIN AMERICA: CIVIL WAR is one movie you do not want to miss, especially if you’re a Marvel supehero fan.  With apologies to DEADPOOL which I liked almost as much, it’s the best superhero film of the year so far.

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