Luke Skywalker is Back in Action in STAR WARS: THE LAST JEDI (2017)

0

starwars_thelastjedi_poster“““““`1

At long last, Luke Skywalker speaks!

As much as I liked STAR WARS: THE FORCE AWAKENS (2015),  I was left disappointed by the fact that after characters spent the entire film searching for the elusive Luke Skywalker, he shows up for a mere half-second in the final reel and doesn’t utter a word.

Hey, it’s Luke Skywalker!  Cue end credits.

So, for me, the thing I was most looking forward to about STAR WARS: THE LAST JEDI (2017), the latest chapter in the STAR WARS saga, was seeing Luke Skywalker back in action. And since he finally gets to speak some dialogue and then some, his presence here was easily my favorite part of the movie.

STAR WARS: THE LAST JEDI picks up immediately where its predecessor, STAR WARS: THE FORCE AWAKENS (2015) left off.  And so we find the Resistance fighters led by General Leia Organa (Carrie Fisher) battling the evil First Order led by Leia’s and the now deceased Han Solo’s son Ben, who goes by the bad-guy moniker Kylo Ren (Adam Driver).  Yup, you might say the current STAR WARS battles are more of a domestic dispute!

Actually, the villain who is calling the shots is the supremely evil Snoke (Andy Serkis), as Kylo Ren works for him, but any acute viewer can spot the writing on the wall a mile away, that the real villain in this new trilogy is no doubt the conflicted Kylo Ren.

Things are not looking good for our merry band of Resistance fighters.  They are outgunned and outmanned by the superior First Order forces, even with the presence of young new heroes Finn (John Boyega) and Poe Dameron (Oscar Isaac).

And so it’s up to young Rey (Daisy Ridley) to convince the Last Jedi, Luke Skywalker (Mark Hamill) to come out of retirement and help their cause, which is no easy task since Luke is a cranky old man now, disillusioned with the world, and he wants no part in any more of its conflicts.

It takes old friend R2D2 to point out that years earlier it was another old Jedi who was asked to help the cause, Obi-Wan Kenobi, and Kenobi said yes.  And when Luke still hesitates, the spirit of Yoda arrives to set him straight.

In spite of the box office records that STAR WARS: THE LAST JEDI is currently setting, the film really is a mixed bag.

For me, the best part of this film was seeing Luke Skywalker back in action on the big screen. His scenes are clearly the best in the movie.

Just as interesting are the scenes with newcomer Rey (Daisy Ridley).  Her scenes with Luke resonate.  As she tries to convince Luke to join the Resistance, she’s also trying to learn more about who she is, and just why it is that the Force is so strong with her.

And as much as I enjoyed Luke in this movie, and most of this is due in large part ot Mark Hamill’s performance, the two most interesting characters in the film are Rey and villain Kylo Ren. As Rey searches for answers to her identity, she becomes increasingly connected to Kylo Ren, as their strength with the Force allows them to communicate with each over vast distances, and each wants to convert the other. Rey wants to turn Kylo Ren from the Dark Side, while Kylo Ren wants Rey to join him in his ambitious plot to pretty much take over the galaxy.

And Kylo Ren is also connected to Luke Skywalker, since Luke had tried to train his nephew years earlier, but failed when Ren turned to the Dark Side.

Kylo Ren is a very interesting character, with some pretty neat conflicts.  He sees himself as the next Darth Vader, but he continually falls short, and part of this is he’s the son of Han Solo and Princess Leia, and their connection is also strong with him.  Yet, to shut them down, he murdered his own father in the last movie, and this time around he promises the same fate to his uncle, Luke Skywalker.

All these parts of the movie work and work well, and the good news is these three characters do make up the bigger portion of this movie.  However, the other stories, the ones involving the Resistance led by Leia, and featuring subplots with Finn and Poe Dameron, pretty much fall flat.  They suffer largely from a “been there, done that” situation. We’ve been down this road before in previous STAR WARS films.

The First Order’s pursuit of the small Resistance fleet which takes up the entire movie is rather boring, and the smaller plot where Finn and Poe try to incapacitate the Rebel ship chasing them is rather redundant and could have appeared in any STAR WARS movie.

I found myself only interested in the story which featured the triangle of Rey, Kylo Ren, and Luke Skywalker.

Written and directed by Rian Johnson, known for his science fiction thriller LOOPER (2012) starring Bruce Willis and Joseph Gordon-Levitt, a film I liked a lot, STAR WARS: THE LAST JEDI looks as amazing as you would expect.  The special effects are all top-notch, and it does contain some decent scenes.  When Luke and Kylo Ren finally face each other, the moment is up there with some of the most dramatic and memorable scenes in the series.

But running at 152 minutes, making it the longest STAR WARS movie, it does tend to be a bit overlong and does struggle somewhat with the pacing.  Let’s put it this way.  It felt like 152 minutes.

It was great seeing Mark Hamill back on the big screen as Luke Skywalker.  Hamill is a very good actor who has been missed in the movies over the years, as his career took a different path which saw him do more voice-over roles in animated features.  For those of us who grew up watching young Luke Skywalker take on the Death Star and eventually become a Jedi to confront his own father Darth Vader, it’s a special experience to watch him here as an older man once again drawn into another conflict, but this time as the older, wiser force. If there’s any downside here, it’s that the film doesn’t include enough Luke Skywalker.

That being said, both Daisy Ridley as Rey and Adam Driver as Kylo Ren are strong enough performers that they appear more than up to the task to take on the next movie on their own. I like Daisy Ridley a lot, and I enjoyed her here every bit as much as I enjoyed Mark Hamill as Luke Skywalker.

I was lukewarm to Adam Driver as Kylo Ren in the previous movie, but he really has grown into the role, and he’s much more of a formidable presence here.  Even better, his inner conflict does not appear forced, and so he’s that rare villain who isn’t just flat-out dark and evil. It’s a neat performance.  He also gets rid of his silly mask in this movie, and that’s definitely a plus.

The rest of the actors are all okay. Of course, Carrie Fisher passed away shortly after filming her scenes for this one.  She’s fine here as Leia, but honestly, the character doesn’t fare as well as Luke Skywalker does in this movie or as Han Solo did in the last.  She’s simply not as interesting a character, nor does she have a whole lot to do in either film.  Still, it was sad to watch her in this film, knowing that in real life, she’s gone, and the character will not appear again.

Both John Boyega as Finn and Oscar Isaac as Poe Dameron are fine in their roles, but they’re stuck in storylines that aren’t so interesting.

Andy Serkis is on hand doing what does best, performing as a CGI/motion capture character, this time playing the villain Snoke, and when he’s on-screen he’s sufficiently menacing, but he’s not onscreen all that much.  I enjoyed Kelly Marie Tran as newcomer Rose Tico, who helps Finn here, and it was also fun to see Domhnall Gleeson return as General Hux, who constantly operates in the shadow of the bigger evil villains.

And the amazing John Williams returns once again to score yet another STAR WARS movie, and once more, the music is excellent.

The screenplay by director Johnson is okay.  Again, the Luke/Rey/Kylo Ren arc is the best part, while the rest seems like a rehash of previous STAR WARS movies.

Also, in general, the whole conflict in these “star wars” just isn’t all that interesting.  In fact, it’s pretty darn boring because the writing in these films has never been good enough to spark interest in its larger universe.  The best stories have been the small ones, the conflict between Luke and Darth Vader, Vader’s conflict between the Dark Side and the good, and here the conflicts with Rey, Kylo Ren, and Luke.

Whenever the stories revert to the larger conflict at hand, which is what a lot of the second trilogy did and is largely why those three films were so lifeless, the tales fall flat. I don’t really care about the Rebellion, or the Resistance, or the politics of these worlds because, again, the writing has never been good enough to make me care.

So, every time characters and events in STAR WARS: THE LAST JEDI dealt with the ongoing conflict between the First Order and the Resistance, I yawned, but when it focused on the very specific conflicts between Rey, Kylo Ren, and Luke Skywalker, I was all in.

STAR WARS: THE LAST JEDI will not be the last STAR WARS movie, but with Rey and Kylo Ren poised as the future of the STAR WARS universe, it may be the last one to look so keenly on its past.

—END—

 

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

 

Advertisements

Movie Lists: The STAR WARS movies

0

 

Empire Strikes Back poster

Welcome back to the MOVIE LIST column, where we look at lists pertaining to the movies.

Up today, the STAR WARS franchise.  Yep, with the latest STAR WARS film STAR WARS: THE LAST JEDI (2017) set to hit theaters today, December 14, 2017, here’s a look at how the previous films in the series rank:

  1. THE EMPIRE STRIKES BACK (1980)

For my money, this first STAR WARS sequel is the best of the lot.  Following upon the heels of the original, EMPIRE is darker, bolder, and more innovative and exciting than its predecessor. All three leads- Mark Hamill, Harrison Ford, and Carrie Fisher grew into their roles here, and much more is revealed about one of the screen’s greatest villains, Darth Vader (David Prowse, with James Earl Jones providing the voice).  John Williams’ iconic Darth Vader theme, the Imperial March, is introduced here, making it hard to believe it didn’t exist in the first movie.

In a brilliant stroke, to keep things fresh, George Lucas stepped out of the director’s chair in favor of Irvin Kershner, something Lucas would stumble over in the second trilogy with his ill-fated decision to direct all three films.  EMPIRE also has the best script in the series, written by Leigh Brackett and Lawrence Kasdan.  Before ROGUE ONE came along, EMPIRE had the darkest ending in the series, with its now infamous reveal about the relationship between Luke Skywalker and Darth Vader.  Also the film that introduced Yoda.

Star Wars poster

2. STAR WARS (1977)

The movie that started it all.  I still remember when this one first hit the theaters, back in the summer of 1977.  When I saw this on the big screen that summer at the age of 13, I was blown away. Having grown up watching STAR TREK and LOST IN SPACE on TV, I had never seen such amazing special effects before.

Instantly drawn into the story of Luke Skywalker, Princess Leia, and Han Solo, I was along for the ride from the get-go, and I still haven’t forgotten the awe and wonder I felt entering the strange alien worlds and spaceship of this ultra imaginative movie.  Also featured my all-time favorite actor, Peter Cushing, playing the villain, Grand Moff Tarkin, which gave me the second opportunity to see Cushing on the big screen, the first being the inferior Amicus adventure AT THE EARTH’S CORE (1976).

Rousing iconic score by John Williams, and brilliant directing by George Lucas make this one a classic for the ages.  It’s now called STAR WARS: EPISODE IV: A NEW HOPE to fit in with the entire trilogy, but back in the day when it first came out, it was just STAR WARS, and rightly so.

3. STAR WARS: THE FORCE AWAKENS (2015)

After a sub par and inferior second trilogy, STAR WARS returned to the top with this energetic and exciting new entry by writer/director J.J. Abrams, who earlier achieved similar success with his excellent STAR TREK reboots.  The spirit of STAR WARS seemed to be missing in the previous trilogy, but it’s back and stronger than ever here.

With the return of familiar characters like Han Solo, Chewbacca, and Princess Leia, and newcomers like Rey (Daisy Ridley) and Finn (John Boyega), this sequel which takes place thirty years after the events of RETURN OF THE JEDI, completely recaptures the magic of the original STAR WARS movies.  My only gripe is that Luke Skywalker (Mark Hamill) doesn’t appear until the very end.

rogue one poster

4. ROGUE ONE – A STAR WARS STORY (2016)

The first stand-alone STAR WARS movie was a mixed bag for me the first time around.  I thought the film did a poor job with character development which was a major deal here since the film contains nearly all new characters.  But I liked this one much better upon a second viewing.  Its story, the tale of how the rebels stole the Death Star plans used by Luke Skywalker and the rebels in the original STAR WARS film, is a good one, and it even addresses the long-standing joke of how inept the Empire must have been to have built the Death Star with a glaring weakness that the rebels could expose so easily.  ROGUE ONE makes it clear that this supposed weakness was not by accident.

Excellent storytelling gets better as the movie goes along as it moves towards its powerhouse finale, the darkest by far in the entire series.  Also notable for its sometimes impressive CGI re-creation of Peter Cushing playing Grand Moff Tarkin.  On the big screen, I thought he looked cartoonish, but at home on my TV screen he looked a bit more genuine.

 

5. STAR WARS: EPISODE III: REVENGE OF THE SITH (2005)

I am really not a fan of this second series, but I do like the third and final film in which we learn how Anakin Skywalker becomes Darth Vader.  Part of the problem with this series is it’s a prequel. Another part is that it simply takes too long to tell its story.  The three movie arc was unnecessary.  Had REVENGE OF THE SITH been a standalone film, it would have been better received.

Other problems with this series: a lack of imagination and fun.  They are about as cold and lifeless as one can get in a supposed adventurous science fiction fantasy tale.  They also feature a stoic unimaginative actor in the lead as young Anakin, Hayden Christensen.

But I do like this third film, mostly because it succeeds in convincingly telling its tale of just why Anakin Skywalker chose the Dark Side in the first place.  In short, the Jedi were jerks to him, while the Emperor filled his head with flattery.  Most of the film is uneven, but the final reel is the best part and well worth the wait.

 

6. STAR WARS: EPISODE II: ATTACK OF THE CLONES (2002)

Completely unnecessary movie in the STAR WARS canon, notable mostly for Christopher Lee’s presence as Count Dooku, and Natalie Portman’s portrayal of the increasingly tragic Padme.

 

7. RETURN OF THE JEDI (1983)

I know, a lot of people love this one, but I’ve disliked it since I first saw it at the theater.  Following the masterful EMPIRE STRIKES BACK, JEDI is clunky in its story telling, struggles with pacing, and doesn’t come close to capturing the awe and magic of the first two movies.  When the film should have been reaching new heights in its tale of light vs. dark, it instead reverts to cutesiness, introducing us to huggable Ewoks, who do nothing but take away valuable screen time from Luke and Darth Vader.

star-wars-phantom-menace-darth maul

Darth Maul, one of the few good things about THE PHANTOM MENACE (1999).

8. STAR WARS: EPISODE I: THE PHANTOM MENACE (1999)

My least favorite of the series.  Did we really need an entire movie about Anakin Skywalker’s life as a little boy?  In a word, no.

Notable for Liam Neeson’s presence as Qui-Gon Jinn, and the very cool villain Darth Maul.  Yep, Qui-Gon and Darth Maul are by far the two best characters in this movie, and they are both promptly killed off.  Shows you how good this movie is.

And there you have it.  A quick take on the STAR WARS movies.  I’ll be sure to update this list shortly to include the latest movie, STAR WARS: THE LAST JEDI (2017).

Until then, thanks for reading!

—Michael

Science Fiction Movies 2016 – Worst to First

1

Here’s a look back at the major science fiction movies from 2016.  There has been a resurgence of late of quality science fiction films, but that being said, 2016 didn’t have a lot to offer audiences in the sci-fi genre.  In fact, of the more than 50 films I saw in 2016, only five were science fiction.

Here’s a break down of how they fared, from worst to first:

passengers

5. PASSENGERS – this big budget pairing of superstars Jennifer Lawrence and Chris Pratt was my least favorite science fiction film from 2016.  That being said, it’s really not that bad a movie.  I would rate it slightly less than average.  Probably not worth a trip to the theater, but something you might consider catching at home on a streaming service or on DVD or Blu-ray.

The biggest culprit is a story that just didn’t work.  It’s about a massive spaceship carrying thousands of passengers in sleep stasis to a new colony planet where they hope to begin a new life.  When there’s a malfunction, and a man Jim Preston (Chris Pratt) is accidentally awoken, he finds himself alone and realizes with 90 years still left to the voyage, he won’t get off the ship alive.  His decision to awake fellow passenger Aurora Lane (Jennifer Lawrence)— in effect giving her a death sentence— and the subsequent love story  which follows sets up the burning question:  what will happen if Aurora finds out that unlike Jim she didn’t awake by accident?

The resolution to this question is both unsatisfying and unbelievable.  PASSENGERS is a good-looking science fiction movie hindered by a muddled storyline.  Plus Lawrence and Pratt share very little chemistry as desperate space lovers.

 

rogue-one-poster

4. ROGUE ONE:  A STAR WARS STORY –  while legions of fans call this the best STAR WARS movie ever! I simply found it to be a decent stand alone film in the series.  It starts off slow but gets better with an exciting ending that is one of the best endings of the entire series.

ROGUE ONE is a stand alone film in the series, meaning it’s the first film in the STAR WARS franchise not to be part of a trilogy.  It tells the intriguing story of the daring mission to steal those Death Star plans which would ultimately give Luke Skywalker the ability to destroy the evil Empire’s ultimate weapon way back in the very first STAR WARS (1977).  It’s a good story, but the film struggles to tell it at first, as we are introduced to a bunch of new characters early on with a minimum of character development.  As such, during the film’s first half, I didn’t care for any of these new characters.

Things eventually get better, and the ending is superb.  I really liked Felicity Jones as Jyn Erso, but the rest of the cast didn’t really wow me.  Nor did the much hyped CGI-motion capture hybrid of Grand Moff Tarkin, which tried to recreate the late great Peter Cushing in one of his later roles.  Mixed results here, as this Tarkin looks just like Cushing if you imagine him as a cartoon.  I enjoyed STAR WARS:  THE FORCE AWAKENS (2015) better.

 

morgan

3. MORGAN – Little seen and critically panned sci-fi actioner, but I really liked this one.  It’s the story of an artificially intelligent being named Morgan (Anya Taylor-Joy) who kills one of the scientists working with her.  As a result, the company which financed the project to create Morgan sends in an agent Lee Weathers (Kate Mara) to investigate whether or not Morgan needs to be terminated.

The scientists who created and now care for Morgan argue in her favor, even though she killed one of their own.  They believe she has attained life and as such cannot be terminated at the whim of a company.  While the film does explore what it means to be an artificial life form, the story is not on the same level as the deeper and better written EX MACHINA (2015).

But where MORGAN does succeed is as an action thriller.  As such, MORGAN features two strong performances, one by Kate Mara as the driven investigator who will stop at nothing to reach her conclusions, and the other by Anya Taylor-Joy as the introspective and potentially dangerous Morgan.  The climactic fight scene between agent Lee Weathers and Morgan is expertly edited, as intense and violent a fight as you’ll see in an action movie, especially between two women.

 

star_trek_beyond_poster

2.STAR TREK BEYOND- As a lifelong STAR TREK fan, I’ve enjoyed this rebooted movie series a lot, as it explores an alternate timeline involving the characters from the original STAR TREK series.

This third film in this rebooted series is as enjoyable as the two films which came before it. By far, the best part of these movies is its cast, which continue to do a bang up job at capturing the personas of the original cast from the first STAR TREK TV show.  Chris Pine shines as Captain Kirk, and I thought he played the role a bit more like William Shatner here in this third film than he did in the previous two.

Zachary Quinto continues to nail Mr. Spock by delivering a performance that Leonard Nimoy would no doubt be proud of.  But most impressive is Karl Urban as Doctor McCoy.  He has gotten better with each successive movie, and he was excellent to begin with.  He truly captures what DeForest Kelly did with the character in the original series.  Urban’s performance is uncanny.

 

And now we’ve reached my pick for the best science fiction movie from 2016.  We started with PASSENGERS, which I found slightly less than average, and the next three movies were all solid, flirting with average to better than average.

But my pick for the #1 science fiction movie of the year is the only science fiction film from 2016 that I considered excellent.  It’s a far superior science fiction movie than the other four films in this list.

And that movie is:

 

arrival

1. ARRIVAL – the one true science fiction movie from 2016.  When mysterious space ships suddenly appear all over the Earth, suspended silently above ground like enormous storm clouds, the governments from around the world scramble to decipher what these aliens want.

The U.S. government sends in linguistics professor Louise Banks (Amy Adams) to communicate with the aliens.  Banks not only has to try to learn the aliens’ language, but she also has to figure out a way to teach them ours.

What she, along with physicist Ian Donnelly (Jeremy Renner) ultimately learn changes the way we think about time and space.

ARRIVAL is fun science fiction movie with a thought-provoking script by Eric Heisserer.  It’s not perfect. I found the ending not quite as satisfying or mind-blowing as the ending to INTERSTELLAR (2014).  But Amy Adams is excellent in the lead role, and the film really belongs to her.

Without much serious competition, ARRIVAL is easily the best science fiction movie I saw in 2016.

Until next time, thanks for reading!

— Michael

 

 

 

 

 

ROGUE ONE: A STAR WARS STORY (2016) – Threadbare Characters Hinder Visually Exciting Tale

1

rogue-one-poster

There’s been more hype surrounding ROGUE ONE:  A STAR WARS STORY (2016) than a Cantina Band galactic tour.

I have a bad feeling about this.

ROGUE ONE:  A STAR WARS STORY is the first stand alone STAR WARS movie, which means it’s the first film in the series not to be part of a trilogy.  It tells the intriguing tale of how the rebels stole those Death Star plans which they used to blow up the massive weapon at the end of the original STAR WARS movie.  It also provides information to dispel that old joke about how stupid the Empire must have been to leave so fatal a flaw in their Death Star plans.  We learn in this movie that the flaw was no accident.

Since this is stand alone movie, it is chock full of new characters, and the film spends very little time introducing them, so hold onto your hats.  There are plenty of new faces here.  Here we go:

In the opening moments of ROGUE ONE, we see Galen Erso (Mads Mikkelsen) coerced by main baddie Orson Krennic (Ben Mendelsohn) to work for the Empire, a coercion that includes the murder of Galen’s wife, and the attempted abduction of his young daughter Jyn, but the girl escapes and is eventually rescued by Saw Gerrera (Forest Whitaker).

The action jumps to several  years later where we meet the adult Jyn Erso (Felicity Jones), and we find her briefly in a prison cell before she is rescued by the rebel forces.  Back at the rebel base, the rebel leaders are very interested in Jyn’s father, since supposedly he has helped the Empire design and build their new ultimate weapon, the Death Star.

But what the rebels want Jyn to do is find her old friend Saw Gerrera because Saw’s forces have apprehended a pilot Bodhi Rook (Riz Ahmed) who has information vital to the rebellion.  In return for her help, the rebels promise Jyn her freedom.

Leading the mission is pilot Cassian Andor (Diego Luna) and a droid K-2SO (Alan Tudyk), but before they leave, we’re privy to Cassian’s private instuctions from the rebel leaders, which is to find and kill their targets, including Jin’s father.  On Saw’s planet, they are assisted by a blind warrior Chirrut Imwe (Donnie Yen) who worships the Force and seems to wish he were a Jedi, and his friend Baze Malbus (Wen Jiang).

Once they find Saw, he privately shows Jyn a holographic message from her father where he explains that he purposely built a flaw into the Death Star plans, which if exploited, could destroy the entire weapon.  One explosion in the right place would set off a series of blasts that would destroy the Death Star.

Of course, the rebels don’t trust Jyn’s father and so they don’t believe the message. However, Cassian believes in Jin, and along with a small group of rebels, including K-2SO, Chirrut, Baze, and the rescued pilot Bodhi,  offers to help her seek out and steal those Death Star plans.  They name their ship Rogue One and head off on their own to steal the plans.

I had mixed feelings about ROGUE ONE:  A STAR WARS STORY.  For me, this movie took forever to get going before ultimately reaching a very satisfying conclusion.  If it were a weather forecast, it would be like a sunny day  without a cloud in the sky before suddenly and quickly becoming very stormy, and before you know it you’re stuck in a full blown deadly hurricane.  ROGUE ONE plays out like that.  For two thirds of this movie, I wasn’t overly impressed, and then just around the time where they name their mission “Rogue One” things pick up and pick up fast.  The last third of this film is really good and goes to some dark places that work very well.  While I wasn’t nuts about the beginning, I liked the ending to this one A LOT.

The biggest problem I had with the beginning was a lack of character development.  We meet a bunch of new characters, but I didn’t feel I knew much of anything about them. I just wasn’t invested in what was going on.  I don’t think the movie did a good job creating these characters at all.  In fact, dare I say it?  But during the first half of this movie, I was kinda bored.  I was enjoying the visual aspects of the film, but the story was putting me to sleep.

But then the ending gets much better and actually forgets that it’s supposed to be a kid-friendly STAR WARS movie and becomes a much more adult story about war, and the film is much better for this switch in tone.

Another thing I didn’t like about ROGUE ONE was its villains.  The main villain here was Orson Krennic (Ben Mendelsohn) and I wasn’t impressed with him at all.  I found him very dull and boring.

Even the presence of Darth Vader (voiced once again by James Earl Jones and sadly sounding noticeably older) in a few scenes doesn’t really help things all that much.  Of course, the big news here is the return of Grand Moff Tarkin, a combination CGI creation and motion capture performance using actor Guy Henry combined with CGI effects to recreate Peter Cushing’s original appearance from the 1977 movie.

Initial word of mouth had been singing high praises about this effect, but I wasn’t all that impressed, honestly.  Maybe it’s because I’m such a huge Peter Cushing fan.  I mean, Tarkin here certainly resembles Peter Cushing, but he also resembles an animated Peter Cushing.  Plus the voice was wrong.  If you’re going to go to such great lengths to make the character look like Cushing, shouldn’t you go the distance and make him sound like Cushing?  Maybe I’m nitpicking here, but I wasn’t all that impressed by this CGI Tarkin.

I also wasn’t that interested in the power struggle here between Tarkin and Orson Krennic. I couldn’t care less that the two of them didn’t like each other and were vying for superiority over the other.  We already know who’s manning the Death Star in STAR WARS so this storyline did nothing for me.

The performances were fine, but for most of this movie I didn’t really get to know these characters all that well.  I liked Felicity Jones as Jyn, but I don’t think she made as much of an impact as Daisy Ridley did last year as Rey in STAR WARS:  THE FORCE AWAKENS (2015).  Like the rest of the cast and the entire movie, Jones gets better as the movie goes along.

I could take or leave Diego Luna as Cassian Andor.

I actually enjoyed some of the supporting characters more here.  I enjoyed both Donnie Yen as Chirrut Imwe and Wen Jiang as Baze Malbus throughout the movie.  I always enjoy Mads Mikkelsen, from TV’s HANNIBAL, and we just saw him as the villain in DOCTOR STRANGE (2016).  I also really enjoyed him as the Bond villain Le Chiffre in the first Daniel Craig Bond film CASINO ROYALE (2006).  Mikkelsen is fine here as  Galen Erson, even if ultimately the role doesn’t allow him to truly showcase his talents.

ROGUE ONE was directed by Gareth Edwards, and I have to admit I’m not a huge fan of his work.  He directed the Bryan Cranston GODZILLA (2014) which I thought was just okay, and he directed MONSTERS (2010) a stylish horror film that in spite of its title didn’t really feature too many monsters.  Edward’s films are always visually interesting, but I find he tends to struggle to tell a story. ROGUE ONE struggled to draw me in, and I wasn’t all that interested until the final third of the movie.

Visually there is a lot to like about ROGUE ONE.  I enjoyed the various worlds we visit, and some of the shots in this film were very cinematic.  I liked the sequence near the end of the film where Jyn and Cassian have to climb the massive tower.  It was suspenseful and visually exciting.

That being said, I saw ROGUE ONE in 3D, and I can’t say that the 3D effects really added all that much to the film.

Tony Gilroy and Chris Weitz wrote the screenplay, and it’s OK.  The actual story is very good, and my favorite part just might have been the plot point of Galen Erso purposely building a flaw into the design of the Death Star, which finally explains what had always seemed like a big glaring plot hole in the original STAR WARS.  But the characterizations were weak, and for most of this movie I didn’t feel like I really knew these characters, and that’s not a good thing.

ROGUE ONE: A STAR WARS STORY is visually pleasing throughout, and while hardcore STAR WARS fans might not mind the threadbare character development during the first half of this movie, it left me feeling cold and disinterested in what was going on, until the end, when things pick up big time for one very exciting and near perfect conclusion that ranks as one of the most memorable STAR WARS endings yet.

—END—