THE HORROR JAR: Genre Films Where PETER CUSHING Did NOT Play A Doctor/Scientist/Professor

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Peter Cushing - The Skull

Peter Cushing and the Skull in THE SKULL (1965), a horror film in which Cushing did not play a doctor.

 

Welcome back to THE HORROR JAR, that column where we look at lists of odds and ends pertaining to horror movies.

Up today, my all time favorite horror movie actor, Peter Cushing.

When you think of Peter Cushing, his two most famous roles immediately come to mind, Baron Frankenstein and Dr. Van Helsing, two characters who were also both doctors.  In fact, a lot of Cushing’s roles in horror movies were of medical doctors, professors, or scientists.  So much so, that I thought:  when did he not play a doctor?

Turns out— many times.

Here’s a look at those roles, the times Peter Cushing starred in a horror or science fiction film but did not play a doctor or scientist.

THE HOUND OF THE BASKERVILLES (1959) – Sherlock Holmes.  Technically not a horror film, but that being said, Hammer Films added plenty of horror elements to their rendition of the Sir Arthur Conan Doyle tale.  Directed by Terence Fisher, with Cushing as Sherlock Holmes and Christopher Lee as Sir Henry Baskerville.  Superior little movie, atmospheric and full of thrills, with Cushing’s energetic Holmes leading the way.

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Cushing as Holmes in THE HOUND OF THE BASKERVILLES (1959).

 

NIGHT CREATURES (1962) – Rev. Dr. Blyss – even though the character is identified in the credits as “Dr. Blyss” he’s really the vicar of the small village of Dymchurch— check that, he’s actually the infamous pirate Captain Clegg, hiding out, posing as the vicar, while secretly smuggling rum in this rousing adventure/horror tale by Hammer Films.  Cushing at his energetic best.

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Peter Cushing delivers one of his best performances, as Captain Clegg/Dr. Blyss in NIGHT CREATURES (1962).

 

SHE (1965) – Major Holly – lost cities, a supernatural woman, and lots of action in this fantasy adventure by Hammer Films.

THE SKULL (1965) – Christopher Maitland – plays a private collector interested in the occult who purchases the skull of the Marquis de Sade with deadly results.  Christopher Lee co-stars as Cushing’s rival in this fine horror film by Hammer’s rival, Amicus Productions.

TORTURE GARDEN (1967) – Lancelot Canning – another film by Amicus, this one an anthology film featuring five horror stories based on the works of Robert Bloch.  Cushing appears in the fourth segment, “The Man Who Collected Poe,” once more playing a collector of the macabre.  Jack Palance co-stars with Cushing in this segment.

THE BLOOD BEAST TERROR (1968) – Inspector Quennell-  One of Peter Cushing’s worst movies.  In fact, Cushing himself considered it his worst.  Produced by Tigon Films, a company that tried to join Hammer and Amicus as a voice in British horror but ultimately failed.  The monster is a woman who turns into a giant moth that preys on men’s blood, and Cushing plays the police inspector (in a role originally written for Basil Rathbone) who tries to stop her.

SCREAM AND SCREAM AGAIN (1970) – Major Heinrich Benedek – pretty much just a cameo in this film, famous for being the first time Peter Cushing, Christopher Lee, and Vincent Price all starred together in the same movie.  A bizarre flick, perfect for 1970, but ultimately a disappointment as Cushing and Lee only appear briefly, while Price gets a bit more screen time.

THE VAMPIRE LOVERS (1970) – General von Spielsdorf – Cushing finally appears in a vampire movie where he’s not a doctor or a professor!  This time he’s a general, but he’s still hunting vampires in this atmospheric and very sensual vampire film from Hammer, starring Ingrid Pitt as the vampire Carmilla.  The first of Hammer’s “Karnstein” vampire trilogy.

THE HOUSE THAT DRIPPED BLOOD (1971) – Philip Grayson – Another anthology film by Amicus.  Cushing stars in the second segment “Waxworks” and plays a retired stockbroker who runs afoul of a nefarious wax museum.  Director Peter Duffell once said in an interview that Peter Cushing’s entire segment in this film was simply a contrivance to place his head on a platter, which remains one of the more shocking images from the film.

TWINS OF EVIL (1971) – Gustav Weil – Cushing is excellent (as he always is) in this vampire film from Hammer, playing a different kind of vampire hunter.  He leads the Brotherhood, a fanatical group of men seeking out witches in the countryside, a group that is every bit as deadly as the vampires.  As such, when the vampire threat becomes known, and the Brotherhood turn their attention to the undead, it makes for a much more interesting dynamic than the typical vampire vs. heroes.  It’s one of Cushing’s most conflicted roles.  There’s a scene where he laments that he only wanted to do the right thing, that really resonates, because for most of the film, he’s been doing the very worst things.  The third “Karnstein” vampire film.

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Peter Cushing as the fanatical Gustav Weil in TWINS OF EVIL (1971).

 

I, MONSTER (1971) – Utterson – plays a lawyer in this version of the Dr. Jekyll and Mr. Hyde tale by Amicus, which changed the names of Jekyll and Hyde to Marlowe and Blake, played here by Christopher Lee.

TALES FROM THE CRYPT (1972) – Arthur Edward Grimsdyke – famous Cushing role in yet another anthology film by Amicus.  Cushing appears in the third segment, “Poetic Justice” where he plays an elderly junk dealer who is terrorized into suicide by his neighbors, but a year later, and this is why the role is famous, he returns from the grave.

DR. PHIBES RISES AGAIN (1972) – Captain – cameo in this Vincent Price sequel.  Blink and you’ll miss him.

ASYLUM (1972) – Smith – appears in the segment “The Weird Tailor” in this anthology film by Amicus.

FEAR IN THE NIGHT (1972) – The Headmaster – plays a sinister headmaster, in this thriller written and directed by Jimmy Sangster, and also starring Joan Collins and Ralph Bates.

FROM BEYOND THE GRAVE (1974) – The Proprietor – plays the owner of an antique shop, and the man in the wraparound story in this Amicus anthology horror vehicle.

MADHOUSE (1974) – Herbert Flay – plays a screenwriter in this one, and best friend to Vincent Price’s horror actor Paul Toombes.  Toombes is having a rough go of it, as the character he played in the movies- Dr. Death – seems to be committing murders in real life.  A really interesting movie, not a total success, but definitely worth a look, mostly because Price and Cushing share equal and ample screen time in this one.

TENDRE DRACULA – Macgregor – bizarre ill-conceived French horror comedy, notable for featuring Cushing’s one and only performance as a vampire.

LAND OF THE MINOTAUR (1976) – Baron Corofax – plays the villain to Donald Pleasence’s heroic priest in this tale of devil worship and demons.

STAR WARS (1977) – Grand Moff Tarkin – aside from his work in Hammer Films, the role which Cushing is most known for.  As Tarkin, he’s the one character in the STAR WARS universe who bossed Darth Vader around and lived to tell about it.

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Peter Cushing as Grand Moff Tarkin in STAR WARS (1977).

 

SHOCK WAVES (1977) – SS Commander – Nazi zombies attack!    Nuff said.  With John Carradine.

THE UNCANNY (1977) – Wilbur – Cushing plays a writer who learns that cats are a little more “active” than he first imagined in yet another horror anthology film.

MYSTERY ON MONSTER ISLAND (1981) – William T. Kolderup – plays the “richest man in America” in this bizarre horror comedy.

HOUSE OF THE LONG SHADOWS (1983) – Sebastian Grisbane – famous teaming of Peter Cushing, Christopher Lee, Vincent Price, and John Carradine in the same movie for the first (and only) time ever, this really isn’t a very good movie.  It tries hard, and ultimately isn’t all bad, but could have been so much better.  Price and Lee fare the best.

SHERLOCK HOLMES AND THE MASKS OF DEATH (1984) – Sherlock Holmes – Holmes comes out of retirement to solve a case.   Again, not horror, per se, but since this film was directed by Roy Ward Baker, written by Anthony Hinds, and of course starred Peter Cushing, there is a definite Hammer Films feel about this movie.  John Mills plays Dr. Watson.

There you have it.  A list of genre films starring Peter Cushing where he did not play a doctor, scientist or professor.  Perhaps next time we’ll have a look at those films where he did don a lab coat or carry a medical bag.

That’s it for now.  Thanks for reading!

—Michael

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

MEMORABLE MOVIE QUOTES: STAR WARS (1977)

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Welcome back to MEMORABLE MOVIE QUOTES, that column where we look at memorable quotes from some really cool movies.  Up today, on the heels of the hype of the latest STAR WARS movie and first stand alone film in the series, ROGUE ONE:  A STAR WARS STORY (2016), we look at quotes from the movie that started it all, STAR WARS (1977).

Those of us old enough to have seen STAR WARS when it first exploded across theaters back in 1977 remember fondly that back then it was simply known as STAR WARS and not STAR WARS:  EPISODE IV –  A NEW HOPE.

Ah, the good old days, when the Force was young!

So, without further hesitation, here are some cool quotes from the original STAR WARS, screenplay by George Lucas.

To begin with, there are a lot of classic quotes from STAR WARS, enough to fill several columns, and so today we’ll just be looking at some of them.  I’d rather write multiple columns in order to give all the quotes their due rather than jampack them all into one crowded piece.  Hmm.  I just might have to do that.

A lot of my favorite quotes from STAR WARS come from Han Solo (Harrison Ford), the wise-cracking pilot of the Millennium Falcon, such as in this sequence where Luke Skywalker (Mark Hamill) and Han discover that Princess Leia (Carrie Fisher) is being held prisoner on the Death Star, and Luke tries to convince Han to help him rescue her.  Let’s listen:

LUKE SKYWALKER:  They’re gonna execute her! Look, a few minutes ago you said you didn’t want to just wait here to be captured. Now all you want to do is stay?

HAN SOLO:  Marching into a detention area is not what I had in mind.

LUKE SKYWALKER: But they’re gonna kill her!

HAN SOLO:  Better her than me!

 

But Luke won’t give up:

LUKE SKYWALKER:  She’s rich.

HAN SOLO:  Rich?

LUKE SKYWALKER:  Rich, powerful. Listen, if you were to rescue her, the reward would be…

HAN SOLO:  What?

LUKE SKYWALKER:  Well, more wealth than you can imagine!

HAN SOLO:  I don’t know, I can imagine quite a bit.

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Later, when they actually do attempt to rescue the princess, Han finds himself on the wrong end of a communication device.  After he and Chewy had taken out the Stormtroopers guarding Princess Leia, the intercom beeps and an official wants to know what exactly is going on there.  Han has no choice but to answer:

HAN SOLO:  Uh, everything’s under control. Situation normal.

VOICE:  What happened?

HAN SOLO:  Uh, we had a slight weapons malfunction, but uh… everything’s perfectly all right now. We’re fine. We’re all fine here now, thank you. How are you?

 

Han Solo even gets philosophical when Luke questions him about his lack of belief in the Force:

LUKE SKYWALKER:  You don’t believe in the Force, do you?

HAN SOLO:  Kid, I’ve flown from one side of this galaxy to the other, and I’ve seen a lot of strange stuff, but I’ve never seen anything to make me believe that there’s one all-powerful Force controlling everything.  ‘Cause no mystical energy field controls my destiny. It’s all a lot of simple tricks and nonsense.

 

Speaking of the Force, another character with lots of memorable lines in STAR WARS is Ben Obi-Wan Kenobi (Alec Guinness).  In this now classic exchange with a troop of Stormtroopers, Ben uses the Force, the now infamous Jedi mind trick, to circumvent the Stormtroopers’ checkpoint.  Let’s have a listen to the Jedi Master:

STORMTROOPER:  Let me see your identification.

BEN OBI-WAN KENOBI (waves his hand):  You don’t need to see his identification.

STORMTROOPER:  We don’t need to see his identification.

BEN OBI-WAN KENOBI:  These aren’t the droids you’re looking for.

STORMTROOPER:  These aren’t the droids we’re looking for.

Which led to years later, a hilarious T-shirt photo of a Stormtrooper sitting forlornly with his head buried in his hands with the caption:  “Those were the droids you were looking for!”

 

Ben Kenobi also has one of the more ominous lines in the movie and perhaps the entire series when the Millenium Falcon approaches the Death Star for the first time, and Han announces they’re approaching a small moon, to which Ben says gravely,

BEN OBI-WAN KENOBI:  That’s no moon. It’s a space station.

 

And later, when he finally meets Darth Vader in a duel to the death, he has this exchange with his former pupil:

DARTH VADER:  Your powers are weak, old man.

BEN OBI-WAN KENOBI:  You can’t win, Darth. If you strike me down, I shall become more powerful than you could possibly imagine.

I remember my reaction when I first saw this scene in 1977.  I thought, what is he talking about?  And after Darth Vader struck him down, I thought, Well, that was wishful thinking on his part.  But then, miraculously, his dead body is not present, and I immediately changed my tune.  Hmm.  Maybe he had something there.  And of course, Kenobi’s “spirit” is on hand for the next two STAR WARS movies, THE EMPIRE STRIKES BACK (1980), and THE RETURN OF THE JEDI (1983).

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One character I haven’t mentioned is the main character in STAR WARS, Luke Skywalker.  Luke has his share of memorable lines as well, like in this banter with Han Solo and Princess Leia:

PRINCESS LEIA:  It’s not over yet.

HAN SOLO:  It is for me, sister. Look, I ain’t in this for your revolution, and I’m not in it for you, Princess. I expect to be well paid. I’m in it for the money.

PRINCESS LEIA:  You needn’t worry about your reward. If money is all that you love, then that’s what you’ll receive. (To LUKE)  Your friend is quite the mercenary. I wonder if he really cares about anything. Or anybody.

(She exits.)

LUKE SKYWALKER:  I care.  (To HAN)  So, what do you think of her, Han?

HAN SOLO:  I’m tryin’ not to, kid.

LUKE SKYWALKER:  Good.

HAN SOLO:  Still, she’s got a lot of spirit. I don’t know, whaddya think? You think a princess and a guy like me—.

LUKE SKYWALKER:  No.

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Then there’s this lively exchange as Luke arrives to rescue the princess:

LUKE SKYWALKER:  I’m Luke Skywalker. I’m here to rescue you.

PRINCESS LEIA:  You’re who?

LUKE SKYWALKER:  I’m here to rescue you. I’ve got your R2 unit. I’m here with Ben Kenobi.

PRINCESS LEIA:  Ben Kenobi? Where is he?

LUKE SKYWALKER:  Come on!

 

And then there’s these prophetic lines, when Luke finally decides he’s ready to follow Obi-Wan Kenobi:

LUKE SKYWALKER:  I want to come with you to Alderaan. There’s nothing for me here now. I want to learn the ways of the Force and become a Jedi like my father.

Luke also gets to utter the line, along with many other characters in subesequent movies, which would become a STAR WARS catch phrase:

LUKE SKYWALKER:  I have a very bad feeling about this.

 

Of course, the most famous catch phrase and line to come out of STAR WARS is the now iconic “May the Force be with you.”

So, that’s it for now.  I’m sure I will follow this up at some point with another column on more memorable quotes from STAR WARS, especially when in this edition we heard nary a word from one Darth Vader.

Thanks for reading, and join me again next time when we look at more memorable quotes from another classic movie.

—Michael

 

 

 

 

 

ROGUE ONE: A STAR WARS STORY (2016) – Threadbare Characters Hinder Visually Exciting Tale

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There’s been more hype surrounding ROGUE ONE:  A STAR WARS STORY (2016) than a Cantina Band galactic tour.

I have a bad feeling about this.

ROGUE ONE:  A STAR WARS STORY is the first stand alone STAR WARS movie, which means it’s the first film in the series not to be part of a trilogy.  It tells the intriguing tale of how the rebels stole those Death Star plans which they used to blow up the massive weapon at the end of the original STAR WARS movie.  It also provides information to dispel that old joke about how stupid the Empire must have been to leave so fatal a flaw in their Death Star plans.  We learn in this movie that the flaw was no accident.

Since this is stand alone movie, it is chock full of new characters, and the film spends very little time introducing them, so hold onto your hats.  There are plenty of new faces here.  Here we go:

In the opening moments of ROGUE ONE, we see Galen Erso (Mads Mikkelsen) coerced by main baddie Orson Krennic (Ben Mendelsohn) to work for the Empire, a coercion that includes the murder of Galen’s wife, and the attempted abduction of his young daughter Jyn, but the girl escapes and is eventually rescued by Saw Gerrera (Forest Whitaker).

The action jumps to several  years later where we meet the adult Jyn Erso (Felicity Jones), and we find her briefly in a prison cell before she is rescued by the rebel forces.  Back at the rebel base, the rebel leaders are very interested in Jyn’s father, since supposedly he has helped the Empire design and build their new ultimate weapon, the Death Star.

But what the rebels want Jyn to do is find her old friend Saw Gerrera because Saw’s forces have apprehended a pilot Bodhi Rook (Riz Ahmed) who has information vital to the rebellion.  In return for her help, the rebels promise Jyn her freedom.

Leading the mission is pilot Cassian Andor (Diego Luna) and a droid K-2SO (Alan Tudyk), but before they leave, we’re privy to Cassian’s private instuctions from the rebel leaders, which is to find and kill their targets, including Jin’s father.  On Saw’s planet, they are assisted by a blind warrior Chirrut Imwe (Donnie Yen) who worships the Force and seems to wish he were a Jedi, and his friend Baze Malbus (Wen Jiang).

Once they find Saw, he privately shows Jyn a holographic message from her father where he explains that he purposely built a flaw into the Death Star plans, which if exploited, could destroy the entire weapon.  One explosion in the right place would set off a series of blasts that would destroy the Death Star.

Of course, the rebels don’t trust Jyn’s father and so they don’t believe the message. However, Cassian believes in Jin, and along with a small group of rebels, including K-2SO, Chirrut, Baze, and the rescued pilot Bodhi,  offers to help her seek out and steal those Death Star plans.  They name their ship Rogue One and head off on their own to steal the plans.

I had mixed feelings about ROGUE ONE:  A STAR WARS STORY.  For me, this movie took forever to get going before ultimately reaching a very satisfying conclusion.  If it were a weather forecast, it would be like a sunny day  without a cloud in the sky before suddenly and quickly becoming very stormy, and before you know it you’re stuck in a full blown deadly hurricane.  ROGUE ONE plays out like that.  For two thirds of this movie, I wasn’t overly impressed, and then just around the time where they name their mission “Rogue One” things pick up and pick up fast.  The last third of this film is really good and goes to some dark places that work very well.  While I wasn’t nuts about the beginning, I liked the ending to this one A LOT.

The biggest problem I had with the beginning was a lack of character development.  We meet a bunch of new characters, but I didn’t feel I knew much of anything about them. I just wasn’t invested in what was going on.  I don’t think the movie did a good job creating these characters at all.  In fact, dare I say it?  But during the first half of this movie, I was kinda bored.  I was enjoying the visual aspects of the film, but the story was putting me to sleep.

But then the ending gets much better and actually forgets that it’s supposed to be a kid-friendly STAR WARS movie and becomes a much more adult story about war, and the film is much better for this switch in tone.

Another thing I didn’t like about ROGUE ONE was its villains.  The main villain here was Orson Krennic (Ben Mendelsohn) and I wasn’t impressed with him at all.  I found him very dull and boring.

Even the presence of Darth Vader (voiced once again by James Earl Jones and sadly sounding noticeably older) in a few scenes doesn’t really help things all that much.  Of course, the big news here is the return of Grand Moff Tarkin, a combination CGI creation and motion capture performance using actor Guy Henry combined with CGI effects to recreate Peter Cushing’s original appearance from the 1977 movie.

Initial word of mouth had been singing high praises about this effect, but I wasn’t all that impressed, honestly.  Maybe it’s because I’m such a huge Peter Cushing fan.  I mean, Tarkin here certainly resembles Peter Cushing, but he also resembles an animated Peter Cushing.  Plus the voice was wrong.  If you’re going to go to such great lengths to make the character look like Cushing, shouldn’t you go the distance and make him sound like Cushing?  Maybe I’m nitpicking here, but I wasn’t all that impressed by this CGI Tarkin.

I also wasn’t that interested in the power struggle here between Tarkin and Orson Krennic. I couldn’t care less that the two of them didn’t like each other and were vying for superiority over the other.  We already know who’s manning the Death Star in STAR WARS so this storyline did nothing for me.

The performances were fine, but for most of this movie I didn’t really get to know these characters all that well.  I liked Felicity Jones as Jyn, but I don’t think she made as much of an impact as Daisy Ridley did last year as Rey in STAR WARS:  THE FORCE AWAKENS (2015).  Like the rest of the cast and the entire movie, Jones gets better as the movie goes along.

I could take or leave Diego Luna as Cassian Andor.

I actually enjoyed some of the supporting characters more here.  I enjoyed both Donnie Yen as Chirrut Imwe and Wen Jiang as Baze Malbus throughout the movie.  I always enjoy Mads Mikkelsen, from TV’s HANNIBAL, and we just saw him as the villain in DOCTOR STRANGE (2016).  I also really enjoyed him as the Bond villain Le Chiffre in the first Daniel Craig Bond film CASINO ROYALE (2006).  Mikkelsen is fine here as  Galen Erson, even if ultimately the role doesn’t allow him to truly showcase his talents.

ROGUE ONE was directed by Gareth Edwards, and I have to admit I’m not a huge fan of his work.  He directed the Bryan Cranston GODZILLA (2014) which I thought was just okay, and he directed MONSTERS (2010) a stylish horror film that in spite of its title didn’t really feature too many monsters.  Edward’s films are always visually interesting, but I find he tends to struggle to tell a story. ROGUE ONE struggled to draw me in, and I wasn’t all that interested until the final third of the movie.

Visually there is a lot to like about ROGUE ONE.  I enjoyed the various worlds we visit, and some of the shots in this film were very cinematic.  I liked the sequence near the end of the film where Jyn and Cassian have to climb the massive tower.  It was suspenseful and visually exciting.

That being said, I saw ROGUE ONE in 3D, and I can’t say that the 3D effects really added all that much to the film.

Tony Gilroy and Chris Weitz wrote the screenplay, and it’s OK.  The actual story is very good, and my favorite part just might have been the plot point of Galen Erso purposely building a flaw into the design of the Death Star, which finally explains what had always seemed like a big glaring plot hole in the original STAR WARS.  But the characterizations were weak, and for most of this movie I didn’t feel like I really knew these characters, and that’s not a good thing.

ROGUE ONE: A STAR WARS STORY is visually pleasing throughout, and while hardcore STAR WARS fans might not mind the threadbare character development during the first half of this movie, it left me feeling cold and disinterested in what was going on, until the end, when things pick up big time for one very exciting and near perfect conclusion that ranks as one of the most memorable STAR WARS endings yet.

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STAR WARS: THE FORCE AWAKENS (2015) Brings Home The Memories

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STAR WARS:  THE FORCE AWAKENS (2015)

Movie Review

By Michael Arruda

If there’s one thing that STAR WARS:  THE FORCE AWAKENS does well, it’s that it hearkens back to the original trilogy and if you liked those movies, you’re sure to enjoy this one as well.  Of course, it does a few other things well, too.

STAR WARS: THE FORCE AWAKENS takes place 30 years after the events in RETURN OF THE JEDI (1983).  As the familiar golden words on the screen at the beginning of the movie explain, Luke Skywalker has disappeared, and both the evil First Order and the feisty Rebels are looking for him.  A map exists which shows the hiding place of Luke.  Whoever finds the map will find Luke, and so the race is on.  That in a nutshell is the plot of STAR WARS: THE FORCE AWAKENS.

When the movie opens, a rebel pilot Poe Dameron (Oscar Isaac) possesses the map, but he’s captured by the First Order, the baddies in this one who look and act exactly like the Evil Empire in the first trilogy.  Before he’s captured, Poe slips the map to his droid BB-8 and tells it to run.  [Sound familiar?  Princess Leia did the same thing with R2D2 in the original STAR WARS (1977).  There are lot of homage moments like this in the THE FORCE AWAKENS.  For the most part, I enjoyed them.  However, this ploy also works against the film’s originality.  More on this later.]

Poe is captured and interrogated by one of the leaders of the First Order, a Darth Vader wannabe, Kylo Ren (Adam Driver), but with the help of a former Storm trooper Finn (John Boyega) Poe escapes.

Meanwhile, a young woman Rey (Daisy Ridley) crosses paths with BB-8 and befriends the droid.  When the First Order arrives in search of BB-8 and the map, Rey and the droid are helped by Finn.  They receive further assistance when old friends Han Solo (Harrison Ford) and Chewbacca (Peter Mayhew) arrive, and they bring the three back to the Rebels, now led by former Princess and now General Leia (Carrie Fisher).

The battle lines are drawn.  Both sides are searching for Luke Skywalker, while at the same time the Rebels are forced to defend the galaxy against another powerful planet-destroying weapon possessed by the First Order, a weapon that makes the Death Star in the original STAR WARS seem puny in comparison.  Of course.

STAR WARS: THE FORCE AWAKENS is clearly an homage to the original trilogy, especially to the first film in the series, STAR WARS. I had a love/hate relationship with this.

For the most part, the homage style works.  I absolutely loved how director J.J. Abrams re-introduced all the original characters.  Everyone- Han Solo, Princess Leia, Luke Skywalker, Chewbacca, C3PO, R2D2- receives a dramatic entrance.  Heck, even the Millennium Falcon gets a heroes-welcome first scene.  This all works for me and provides the fans with plenty of loud ovation moments.  It reminded me a lot of when I saw STAR TREK: THE MOTION PICTURE (1979) years ago at the movies, the way that film gave each main character a dramatic entrance, as that was the first time those folks were appearing on the large screen.

However, where this style faltered was in the construct of the story’s plot. In STAR WARS: THE FORCE AWAKENS, once again the First Order is in possession of a planet destroying weapon, and once more the Rebels detect a weakness in its construction, and so they come up with a plan to sneak in and destroy it.  This plot point is right out of both STAR WARS and RETURN OF THE JEDI.  You would think that at this point the bad guys would have come up with a different weapon or would have eliminated these weaknesses.  They haven’t won yet.

While this may sound like nitpicking, a different plot point in these movies would be most welcome.  It’s like when Lex Luthor shows up as the villain in all the SUPERMAN movies.  Nothing against Lex, but can we have a different villain once in a while?

Likewise, I realize that it’s the STAR WARS universe and the expectation is that things are somewhat similar.  I have no problem with the style and the looks being similar, but in terms of plot they need to shake things up a bit.  Not all film series have to do this.  Take the ROCKY series for example.  You expect those films to end with a climactic boxing match.  That makes sense.  Rocky is a boxer.  But the STAR WARS films take place in outer space and have entire galaxies as their canvas.  The plot points should be endless.

I really enjoyed the cast in STAR WARS: THE FORCE AWAKENS, and the film combines both the old and the new seamlessly.

Of the original cast members, Han Solo (Harrison Ford) gets the most screen time, and since Han has always been one of the most interesting and compelling characters in the STAR WARS universe, this is a good thing.  Harrison Ford is once again excellent as Han Solo, and he shows that at 73 he hasn’t lost much in terms of his charisma and acting chops.

Carrie Fisher as General Leia is in the film less, and based on her few scenes, this is also a good thing.  Of course, we don’t see a lot of Luke, since a key plot point of the film is that he’s disappeared, but since his name is in the credits, it’s a good bet he will show up at some point.

That being said, this was another plot point of STAR WARS: THE FORCE AWAKENS that I did not enjoy.  Luke Skywalker is the single most important character from the original series, and now we have a new STAR WARS movie which hearkens back to the original, and as a key plot point, the film chooses to have it so that Skywalker has vanished?  I don’t know about that.  To borrow a title from that other science fiction series, I would have preferred that this movie not played out like STAR WARS:  THE SEARCH FOR LUKE, which is a roundabout way of saying I wanted more Luke in this movie.

Of course, what truly helps this movie is that the new cast members are for the most part excellent.  Daisy Ridley nearly steals the movie as Rey, the new heroine who promises to be the next big character as this series progresses.  She’s that good.  Other than Harrison Ford’s return as Han Solo, Ridley was my favorite part of this movie.

John Boyega is nearly as good as Finn, the former Storm trooper now turned rebel hero.  He’s likeable, humorous, and gutsy, and he fits in perfectly in the STAR WARS universe.

I didn’t think Oscar Isaac fared as well as super duper pilot Poe Dameron.  He’s likable enough, but he’s more one-dimensional than the other two characters.  Perhaps he will be developed more later.  We saw Isaac earlier this year in the science fiction film EX MACHINA (2015).  His co-star in that film, Domhnall Gleeson, also stars here in STAR WARS: THE FORCE AWAKENS as one of the villains, General Hux.

And this is another place where I thought STAR WARS: THE FORCE AWAKENS had some problems.  I just wasn’t all that impressed with the villains in this one.  The main villain, Kylo Ren (Adam Driver) just didn’t do anything for me.  I found him whiny and wishy-washy, about as effective a villain as Loki in the Marvel superhero movies.

With his mask, he’s supposed to be a younger Darth Vader type, and in fact he is related to the character— another thing that strains disbelief in this film- everyone seems to be related to each other.  Is the universe really that small?— and some have cited his inner struggle— he’s not yet completely sold on the Dark side—as a compelling character trait.  I just found it weak and juvenile.  Choose a side and get on with it.  Hamlet, he wasn’t.

Plus, he takes off his mask at will.  What’s up with that?  What is the mask’s purpose, then?  A fashion statement?  To make him look scary?  Darth Vader wore his mask because without it he would die.  Kylo Ren wears his mask because he’s afraid to be evil without it, I guess.  I have to admit, whenever he took off his mask, I thought of Rick Moranis as Dark Helmet  in Mel Brooks’ SPACEBALLS (1987) and wanted to laugh.

The other villain in the film, Supreme Leader Snoke (Andy Serkis)— how’s that for a presumptuous name?  He’s the Supreme Leader because name says so, not because of anything he does in the movie!— is reduced to appearing as a holographic image a la the Emperor in the original series.  He gets to say ominous lines to Kylo Ren, but that’s about it.

Snoke is played by Andy Serkis, who is the top guy in the movies when it comes to motion capture performances, as he has hit homeruns with his performances as Gollum in THE LORD OF THE RINGS series, as Caesar in the new PLANET OF THE APES series, and he even made for a decent King Kong in Peter Jackson’s 2005 remake of KING KONG.  But here he’s reduced to a stationary holographic image.

Nuff said.

Chewbacca, C3PO, and R2D2 all enjoy fine moments, and the new droid BB8 is also very enjoyable.  One more new cast member who makes an impression is Max Kanata (Lupita Nyong’o).  Kanata is a CGI created creature with wide eyes who enjoys some key scenes, and Nyong’o makes the most of her brief screen time.

For the most part, I enjoyed the directorial work of J.J. Abrams here.  He has made a crowd pleaser, and STAR WARS fans should walk away from the theater satisfied.  It’s clearly a homage and it works.  It brought me back to the time when I watched the original three films at the theater, and this was a lot of fun.  STAR WARS: THE FORCE AWAKENS is a much more satisfying STAR WARS vehicle than the previous three films, the prequel trilogy of the 90s and early 200s.

And the film looks great.  Again, it hearkens back to the original series, and really captures the original look of the first STAR WARS.  And while there were some cool scenes, I can’t say that they blew me away, since nearly everything that happens in this movie was very familiar.

The screenplay by director Abrams, Lawrence Kasdan who also wrote both THE EMPIRE STRIKES BACK and RETURN OF THE JEDI, and Michael Arndt successfully creates nostalgia but falters somewhat when it comes to original storytelling.  At times, STAR WARS: THE FORCE AWAKENS almost plays like a straight re-boot of the original STAR WARS.  I would have preferred it had this new film taken a far more original route.  Is it asking too much that the evil First Order develop a new way of doing things rather than creating yet another planet destroying weapon with a glaring weakness?  Is it asking too much that the good guys face some other conflict instead of trying to destroy another Death Star?  There are far too many exciting plot points for a STAR WARS movie not to seek them out.

John Williams once again wrote the music score, and once more it’s a phenomenal soundtrack.

STAR WARS: THE FORCE AWAKENS is a rousing tour de force, full of STAR WARS nostalgia and a genuine crowd-pleaser, but it lacks originality and as such offers nothing new, other than new younger characters who face the same adversities our original characters faced in the original trilogy.  So, yes, STAR WARS: THE FORCE AWAKENS  also plays like STAR WARS:  THE NEXT GENERATION.

While it’s all unabashedly fun, it’s also completely predictable.

May the Force Be With You.  Again.

—END—

 

 

 

 

 

STAR WARS Memories & Musings

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Star Wars poster

 

 

Like a “few” other people, I’ll be seeing the much hyped latest installment of the STAR WARS series, STAR WARS:  THE FORCE AWAKENS (2015).

And like these few other people, I’m a “bit”  excited to see this one.  I’m curious to see what J.J. Abrams does with it.

Of course, I was rather excited to see the original STAR WARS too way back in 1977.  It seems like only yesterday—.

Here’s a look back at some STAR WARS memories, along with some musings about then and now.

Here in 2015 as I see STAR WARS:  THE FORCE AWAKENS, I’m a middle school English teacher, and as such I teach 7th graders.

When I saw STAR WARS in 1977, I was in the 7th grade.

STAR WARS was the first film that I ever remember being hyped way WAY in advance.  It was months of STAR WARS promos, and this was before the internet.  Friends, relatives, classmates, everyone was talking about the new film STAR WARS that was due out later in the year.

I was particularly excited to see STAR WARS because I knew that Peter Cushing was in it.

STAR WARS was NOT the first Peter Cushing film I saw at the movies.  While I had seen most of his Hammer Films on television, I was too young to have caught them in the theater.  However, in 1976, I finally saw Peter Cushing on the big screen for the first time in Amicus’ AT THE EARTH’S CORE.

I remember my girl friends fighting over who was cuter, Luke Skywalker or Han Solo.  The girls my age mostly were in love with Luke, while the girls I knew who were in high school or older definitely were into Han.

I never thought Princess Leia was all that hot.  My first big screen movie crush was probably Jamie Lee Curtis in HALLOWEEN (1978).

I saw STAR WARS and CLOSE ENCOUNTERS OF THE THIRD KIND  the same year.  I strongly preferred STAR WARS.

In 1977 Jimmy Carter was President and not very well respected.

In 2015,  Jimmy Carter is very well-respected.

In 1977 the TV show my friends and I couldn’t stop talking about was SATURDAY NIGHT LIVE.

In 2015, the TV show my friends and I can’t stop talking about is THE WALKING DEAD.

The comedian who was all the rage was a guy named Steve Martin.

Today I don’t know a comedian who is all the rage.

In 1977 I used to stay up late to watch Johnny Carson on THE TONIGHT SHOW.

In 2015, I can catch Jimmy Fallon on THE TONIGHT SHOW OnDemand.

For Christmas in 1977 my favorite gift was the STAR WARS soundtrack double album.  I used to blast John Williams’ rousing score on my stereo every day after school.  My parents were not amused.

For Christmas that year I also got the 12 minute Super 8mm version of STAR WARS, in color.  To own 12 minutes of that film was HUGE back then in the days before home video.  12 minutes.  Today like most everyone else I own the entire series.

As much as I loved STAR WARS, I was disappointed that my favorite magazine FAMOUS MONSTERS OF FILMLAND gave it so much coverage.  I wanted to read about monster movies not space adventures.

Since I was in 7th grade I thought I was too old for all the STAR WARS action figures and toys, and so I never collected them.  My younger brother who was 8 at the time got to have all the fun.

STAR WARS was the first movie I ever saw more than once at the theater.

It was the first film I ever saw starring Alec Guinness.

THE EMPIRE STRIKES BACK would be my first date movie.

THE EMPIRE STRIKES BACK remains my favorite STAR WARS movie, but not for that reason.

RETURN OF THE JEDI was the first STAR WARS movie I was disappointed with.  It wouldn’t be the last.

John Williams music score for STAR WARS reminded me an awful lot of the soundtrack for my favorite science fiction TV show as a kid, LOST IN SPACE.  It came as no surprise then when I learned shortly afterwards that Williams had also scored LOST IN SPACE.

C3PO and Dr. Smith do seem like distant cousins.

I liked Han Solo better when he shot first.

May the Force Be With You.

Thank you, George Lucas.

Thanks for reading.

—Michael

 

 

 

THE QUOTABLE CUSHING: STAR WARS (1977)

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Peter Cushing as Grand Moff Tarkin in STAR WARS (1977)

Peter Cushing as Grand Moff Tarkin in STAR WARS (1977)

THE QUOTABLE CUSHING:  STAR WARS (1977)

By

Michael Arruda

Welcome to another edition of THE QUOTABLE CUSHING, that column where we look at Peter Cushing’s best lines in the movies.

This column exists because I’m a huge Peter Cushing fan, and Cushing’s work as an actor is one of the main reasons I’m in the horror writing business.  In short, his performances were always an inspiration for me.

Today we look at some of Peter Cushing’s lines from the science fiction classic STAR WARS (1977).  For a while, it used to irk me that so many STAR WARS fans only knew Cushing from his role in this movie.  How could someone think of him in STAR WARS but not be familiar with any of his previous work?

Anyway, I’m over that now, so let’s get on with things and celebrate some of Cushing’s great lines of dialogue as the dastardly Grand Moff Tarkin, the one man in the entire STAR WARS series who bossed Darth Vader around and lived to tell about it.

I remember the days back in 1976, when I first heard about STAR WARS, before the George Lucas franchise had taken root in popular culture, and I was just so happy to hear that Peter Cushing was going to star in a new movie.  I had seen so few of his performances on the big screen.

I knew very little about STAR WARS before its release, other than the word of mouth which was saying that it was going to be the best movie of the year and probably one of the all-time best science fiction adventures ever.  I wasn’t the only one who knew so little about it.  One of the early movie ads read, “STAR WARS, starring Alec Guiness and Peter Cushing.”

Anyway, Peter Cushing does have some memorable lines in STAR WARS, screenplay by George Lucas, as in this exchange with Darth Vader:

DARTH VADER:  He is here.

TARKIN:  Obi-Wan Kenobi? What makes you think so?

DARTH VADER:  A tremor in the Force. The last time I felt it was in the presence of my old master.

TARKIN:  Surely he must be dead by now.

DARTH VADER:  Don’t underestimate the Force.

TARKIN:  The Jedi are extinct, their fire has gone out of the universe. You, my friend, are all that’s left of their religion.

Yes?

VOICE:  We have an emergency alert in detention block AA-23.

TARKIN:  The Princess? Put all sections on alert.

DARTH VADER:  Obi-wan is here. The Force is with him.

TARKIN:  If you’re right, he must not be allowed to escape.

DARTH VADER:  Escape is not his plan. I must face him, alone.

Some of Tarkin’s best lines are when he’s speaking to Princess Leia (Carrie Fisher), as in this scene, when he meets her for the first time:

PRINCESS LEIA:   Governor Tarkin, I should have expected to find you holding Vader’s leash. I recognized your foul stench when I was brought on board.

TARKIN:  Charming to the last.

And then later when he threatens to destroy Leia’s home planet using the firepower of the Death Star if she doesn’t give him the location of the rebel base:

PRINCESS LEIA:  No! Alderaan is peaceful! We have no weapons, you can’t possibly…

TARKIN:  You would prefer another target, a military target? Then name the system! I grow tired of asking this so it will be the last time: Where is the rebel base?

PRINCESS LEIA:  Dantooine. They’re on Dantooine.

TARKIN:  There. You see, Lord Vader, she can be reasonable. Continue with the operation; you may fire when ready.

PRINCESS LEIA:   WHAT?

TARKIN:  You’re far too trusting. Dantooine is too remote to make an effective demonstration – but don’t worry; we will deal with your rebel friends soon enough.

There’s a lot of Baron Frankenstein in Cushing’s performance as Tarkin.  As when he receives word that the princess lied to him.

OFFICER:  Our scout ships have reached Dantooine. They found the remains of a Rebel base, but they estimate that it has been deserted for some time. They are now conducting an extensive search of the surrounding systems.

TARKIN:  She lied. She lied to us!

DARTH VADER:  I told you she would never consciously betray the Rebellion.

TARKIN:  Terminate her… immediately!

One of my favorite Peter Cushing moments in STAR WARS is when he pretty much tells Darth Vader to knock off his villainous behavior.

ADMIRAL:  Any attack made by the Rebels against this station would be a useless gesture, no matter what technical data they have obtained. This station is now the ultimate power in the universe! I suggest we use it!

DARTH VADER:  Don’t be too proud of this technological terror you’ve constructed. The ability to destroy a planet is insignificant next to the power of the Force.

ADMIRAL:  Don’t try to frighten us with your sorcerer’s ways, Lord Vader. Your sad devotion to that ancient Jedi religion has not helped you conjure up the stolen data tapes, or given you enough clairvoyance to find the rebels’ hidden fortress…

(Darth Vader motions with his hand, and the Admiral starts choking.)

DARTH VADER:  I find your lack of faith disturbing.

TARKIN:  Enough of this! Vader, release him!

And of course, since it’s Peter Cushing giving the order, Vader obeys.

We finish with another of my favorite lines, right near the end, just before, sadly, Tarkin gets blown up with the rest of the Death Star.

OFFICER:  We’ve analyzed their attack, sir, and there is a danger. Should I have your ship standing by?

TARKIN:  Evacuate? In our moment of triumph? I think you overestimate their chances.

Oh well. Tarkin should have listened to his subordinate.  Then he could have appeared in the sequels.

That’s it for now.  Thanks for joining me on THE QUOTABLE CUSHING.

 

See you next time.  Thanks for reading!

—Michael