GUARDIANS OF THE GALAXY, VOL. 2 (2017) – Less of an Awesome Mix

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I loved the first GUARDIANS OF THE GALAXY (2014), and it instantly ranked as one of my favorite Marvel superhero movies.  As such, I was really looking forward to VOL. 2, and I fully expected to like it.

I did not.

As GUARDIANS OF THE GALAXY VOL. 2 (2017) opens, old friends Peter Quill/Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax (Dave Bautista), Rocket (voiced by Bradley Cooper), and newly born Baby Groot (voiced by Vin Diesel) are busy saving the galaxy from bad guys, in particular taking on a giant monster in order to protect a civilization’s valuable commodity, batteries.  They’re also busy arguing with each other, and their banter is certainly one of the more enjoyable parts of the movie.

When Rocket steals some of the batteries they were supposed to be protecting, Queen Ayesha (Elizabeth Debicki) sends an armada of ships in hot pursuit to get the batteries back.  Our friendly neighborhood galaxy guardians are rescued by Ego (Kurt Russell) who claims to be Quill’s long-lost father.  He’s also all-powerful and invites Quill and his friends to his own personal planet which he made himself to show his son what a wonderful life he had been missing.

Meanwhile, Yondu (Michael Rooker) has been shamed by his fellow traders because he had taken part in the buying and selling of children.  Yondu decides it’s time he makes amends, and he seeks out Quill, one of those former children.  And the Guardians will need his help because things are not what they seem with Quill’s dad, Ego.

The biggest problem I had with GUARDIANS OF THE GALAXY VOL. 2 is its story.  The Guardians of the galaxy are a fun group of wise-cracking, in-fighting misfit superheroes, but in this movie their main adversary is Ego, and for most of the movie, they don’t even know he’s an adversary.  Instead, they spend most of their time dealing with Ayesha, who really isn’t that interesting a character.

Another subplot has Gamora contending with her sister Nebula (Karen Gillan), another story that isn’t all that interesting.  Then there’s the cutesiness of Baby Groot.  Now, I had fun watching Baby Groot, but I thought the film went overboard with all the cute stuff.

In short, I love the main characters, the guardians, and I still had fun watching them.  But they’re stuck in a story here that absolutely bored me.  And once more, as if it’s a mandatory part of the Marvel movie formula, there isn’t an intriguing or worthwhile villain to be found anywhere in the galaxy.

Chris Pratt returns as Star-Lord, and he’s as handsomely charming as ever, but he’s in this flat story with his dad Ego, and the character suffers for it.   Likewise, while I really enjoyed  Zoe Saldana as Gamora once again, she too is hindered by her main story, the ongoing rift with her sister Nebula.

Dave Bautista probably fares the best in his return as Drax, as he has some of the funnier lines in the film.  But in terms of action, Drax doesn’t do a whole lot.  Bradley Cooper is enjoyable again voicing Rocket, and then there’s Baby Groot.  I have no problems with Baby Groot, but if the main story of this one had been stronger, I wouldn’t have found the cutesiness here with Baby Groot so grating.

Probably my favorite performance in the whole movie belongs to Michael Rooker as Yondu, in the largest supporting role in the movie.  Yondu was in the first film as well, and the character is further developed this time around, and Rooker is more than up to the task of fleshing out this bright blue character.

Karen Gillan gets more screen time as Nebula as well, and a new character Mantis (Pom Klementieff) gets to enjoy some fine moments, mostly when interacting with Drax.

But the villains fall completely flat here.  I had been excited about Kurt Russell playing Ego in this movie, and there’s nothing wrong with Russell’s performance, but I found the character boring.  Likewise, Elizabeth Debicki did nothing for me as Ayesha.  The biggest knock on these villains is their agendas are dull.  Ayesha is just chasing down stolen batteries and looking for payback, and Ego is all about what his name implies.  All this evil power, and nothing to do with it.  What’s a villain to do?

Sylvester Stallone shows up for about five seconds as Stakar Ogord, in a role that’s clearly a set-up for a future movie.

James Gunn, who wrote and directed the first GUARDIANS movie, is back doing both here in the sequel.  He scores better behind the camera than at the keyboard.  I thought the film looked great.  I saw it in 2D, and it looked fine, although I wouldn’t have minded seeing it in 3D, but the times didn’t work out for me.  The visuals are eye-poppingly colorful and cinematic.

The action scenes are so-so.  While fun and lively, none of the action scenes here blew me away.  Some went on too long and made me yawn.

Again, the biggest knock on this one is its screenplay, by director James Gunn.  The story did nothing for me, and the villains were disappointing.  Ego has all this power and ability and he seems to know nothing about what to do with it.  Boring.

And the film’s theme, that they are more than friends, that they are family, has been done to death already and didn’t add anything fresh to this sequel.

As expected, the film does have another awesome mix as a soundtrack, so there are no complaints here.

Like other Marvel movies, there is an after credits scene. No, wait, that’s not quite accurate.  There are several after credit scenes, so you if you want to see them all, you have to wait till the very end of the movie.  That being said, to be honest, I didn’t like any of these after-credit scenes.  It’s a case where more doesn’t mean better, which is a nice microcosm of the entire movie.

GUARDIANS OF THE GALAXY VOL. 2 brings our entertaining squabbling guardians back to the big screen, and they are certainly fun to watch, but they’re stuck in a dull storyline that doesn’t do them justice.

The awesome mix volume 2 simply isn’t quite as awesome the second time around.

–END—

 

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

 

Eye-Popping Visuals Propel DOCTOR STRANGE (2016)

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DOCTOR STRANGE (2016), the latest Marvel superhero movie starring Benedict Cumberbatch as Doctor Stephen Strange, a neorosurgeon turned superhero who can hop through alternate universes and time and space with relative ease, is an eye-popping cinematic adventure, missing only one important ingredient:  a story worthy of its visual grandeur.

DOCTOR STRANGE is the story of brilliant neurosurgeon Doctor Stephen Strange (Benedict Cumberbatch) whose ego is as big as the multiple universes in this movie.  He’s the best there is and he knows it.  But all of that changes after a catastrophic car accident leaves him with hands that are no longer functional due to severe nerve damage.  His days as a surgeon are over.

But Strange refuses to accept this fate, and in his search for answers learns of a man Jonathan Pangborn (Benjamin Bratt) who after being paralyzed, miraculously regained full used of his legs.  It was a case that Strange himself had passed on, believing that Pangborn was beyond cure and surgery would not have helped.  Strange tracks down Pangborn, who tells the doctor that our of desperation, he had traveled to the Far East and it was there that he met people who taught him about mytisc arts and cured him.

So Strange travels to the Far East to meet these folks.  Initially, he rejects the teachings of this group, led by The Ancient One (Tilda Swinton), as he believes in medical science, not mystic mumbo jumbo.  But The Ancient One and Mordo (Chiwetel Ejiofor) eventually show him enough of these alternate universes and mystic powers that he has no choice but to accept their teachings.

He becomes their star pupil, which is a good thing since they need his help, as a former pupil, Kaecilius (Mads Mikkelsen) is stealing valuable pages from their private book collection and using them to wreak havoc on the world.  At first, Strange wants no part of their war.  As he says, he’s a doctor who has sworn to save lives, not destroy them, but once again, after seeing firsthand the evil deeds of Kaecilius, he changes his mind, and the newest Marvel movie superhero Doctor Strange is born.

Strange sets out not only to save the universe but also to get back his girlfrend, fellow doctor Christine Palmer (Rachel McAdams) who he had alienated with his ego-driven rude personality.  Since this is a Marvel superhero movie, chances are high that Strange will succeed at both.

I really enjoyed DOCTOR STRANGE, in spite of a story that I found very, very silly.  In fact, for me, the weakest part of this movie was its story.  Not the background story on Doctor Strange himself.  I liked that part.  I’m talking about the whole plot with Kaecilius, and him using ancient spells and what-not to cause all kinds of sinister damage on the world.  That whole story I just couldn’t get into.  I couldn’t take it seriously.

Other than this, the screenplay by Jon Spaihts, C. Robert Cargill, and director Scott Derrickson, based on the comic book by Stan Lee, is pretty good.  I enjoyed the characterizations a lot here, and the dialogue is snappy and first-rate.  These writers share a pretty strong horror/science fiction background as well.  Spaihts wrote PROMETHEUS  (2012), while Cargill and Derrickson wrote the SINISTER movies.  Derrickson also wrote the screenplays to THE EXORCISM OF EMILY ROSE (2005) and DELIVER US FROM EVIL (2014), two films he also directed.  I enjoyed DOCTOR STRANGE more than all of these other movies.

The Marvel superhero movies have always boasted A-list casts, and DOCTOR STRANGE is no exception.

Leading the way is Benedict Cumberbatch as Doctor Strange.  Cumberbatch nails the role, and he makes Strange a guy you love to hate, or hate to love.  I mean, he’s an arrogant pain in the ass, and later, even as he humbled by his injuries and by the vast overwhelming amounts of information and knowledge shown him by The Ancient One, he’s still an arrogant pain in the ass.  But when he’s using this side of his personality to take on the bad guys, he’s a hoot to watch in action.  I’ve said this about other actors who have appeared in Marvel superhero movies, and I’ll say it again here:  Cumberbatch as Doctor Strange delivers a high level performance that has no business being in a superhero movie.  It’s great acting.

Chiwetel Ejiofor is likeable enough as Mordo, and Tilda Swinton is her usual icy self as The Ancient One, perhaps being a bit warmer here than we’ve seen her in the past.  Swinton of course played the White Witch in the NARNIA movies, and she was also sufficiently cold as the irritating Mason in the fine science fiction actioner SNOWPIERCER (2013), starring Captain America himself, Chris Evans.

Benedict Wong delivers a nice scene-stealing performance as Wong, the stoic librarian and protector of The Ancient One’s books who Strange spends most of the movie trying to get him to crack a smile, which he refuses to do.

I also really enjoyed Rachel McAdams as Christine Palmer, and thought her scenes with Strange were all very good.  It’s just too bad the character never really became anything more than simply Doctor Strange’s love interest.

And while Mads Mikkelsen is effectively villainous as main baddie Kaecilius, like most of the villains in the majority of the Marvel superhero movies, he doesn’t do a whole lot nor is he developed to the point where we feel like Doctor Strange is in deep trouble because of him.  At this point, I’m convinced that the powers that be behind the Marvel superhero movies just don’t care that much about their villains, because without fail, in spite of the fact that these movies are all pretty darned good, the villains are always the least memorable part.  In fact, for me, the best Marvel villain remains TV villain Wilson Fisk played by Vincent D’Onofrio on the TV series DAREDEVIL.  The movie villains haven’t come close.

I saw DOCTOR STRANGE in 3D, and I have to admit, it looked pretty darn good.  In fact, I’d have to say one of my favorite parts about this movie was the way it looked.  I loved its visuals, especially the scenes near the end where Doctor Strange is hopping through time and space.

I thought director Scott Derrickson handled things well, and this is certainly the best movie I think he’s directed.

Once more, I pretty much enjoyed everything about this movie except for its story, which I found silly and at times flat out ridiculous.  Frankly, I thought it was beneath the rest of the production, which featured strong acting and high production values and eye-popping visuals.

Like the other Marvel movies, there is an after-credits scene— there are two actually, one midway through and one at the very end.  I enjoyed the first more than the second.

So, where does DOCTOR STRANGE rank with the other Marvel movies?  Well, for me, it’s not quite as good as the heavy hitters:  THE AVENGERS movies, IRON MAN (2008), GUARDIANS OF THE GALAXY (2014), and DEADPOOL (2016) I enjoyed more than DOCTOR STRANGE.

But I liked it better than the THOR movies, and it’s probably up there in the same neighborhood as the first CAPTAIN AMERICA movie.  It’s a solid superhero adventure, entertaining from start to finish.

And since it’s part of the Marvel cinematic universe, which has produced one quality superhero movie after another, that’s not so strange.

—END—

 

 

 

 

Weak Writing Slays Season 2 of DAREDEVIL (2016)

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I absolutely loved Season 1 of the Netflix/Marvel TV show DAREDEVIL.  It was dark, gritty, and had a definite edge to it.  The writing was superb, the characters fleshed out, and it had a helluva villain, Wilson Fisk, masterfully played by Vincent D’Onofrio, who for my money was better than any of the villains seen in the Marvel Superhero movies.

But Season 2— well, simply put, Season 2 was a major disappointment.

Yup, Season 2 of DAREDEVIL fell short on so many fronts.

We can start with the absence of Wilson Fisk (Vincent D’Onofrio).  Both the character and D’Onofrio’s performance were clearly my favorite parts of Season 1.  With Fisk caught at the end of Season 1, it meant there would be a new villain in town.  I hoped the writers would be up to the task of filling the void left by the departure of Fisk.  They were not.

Fisk was such a dominating force in Season 1, the villain who pretty much set the tone for the entire series, and who made the hero Daredevil stronger because of his presence.  In Season 2, there was no such driving force.  The main villains this time around, the shadowy Ninja group known as The Hand, and their leader, the nearly supernatural Nobu, mainly remained in the shadows, their motives barely expressed.

But the lack of a strong villain on its own wouldn’t be enough to sink the entire second season of DAREDEVIL.  There’s more.

Let’s start with the main character himself, Daredevil/aka Matt Murdock (Charlie Cox).  I hate to say it, but simply put, Matt Murdock became a complete bore in Season 2, which is a complete turnaround from the compelling character we met in Season 1.  One of the best things about Murdock in Season 1 was his relationship with his friends Foggy Nelson (Elden Henson) and Karen Page (Deborah Ann Woll).  Nelson is his best friend from law school, and the two practice law together at their own tiny firm.  Karen becomes their secretary, and in Season 1 there was a fun sexual tension between the three of them.

All of that disappeared in Season 2.  Matt becomes distracted with the return of a former lover, the unpredictable and dangerous Elektra (Elodie Yung), and he ends up spending nearly the entire season in an on again/off again relationship with Elektra, while also using most of his energy to help her combat The Hand.  As a result, he blows off Foggy and Karen at nearly every turn, leaving them to spend nearly the entire season reacting to his terrible treatment of them.  It gets so bad that eventually Foggy calls it quits and dissolves the firm.

To make matters even worse, Matt finally acts on his feelings towards Karen, but then does an about face and dumps her for Elektra, which was too bad, because Matt and Karen shared some chemistry.  Matt and Elektra do not.

As such, two of the more enjoyable characters from Season 1, Foggy and Karen, get reduced to being emotional punching bags for Matt Murdock.  Even worse for Karen, once she leaves the firm, she enters a ridiculous storyline where she becomes a reporter and suddenly is a major newspaper writer because she “has a knack for that sort of thing.”  I have a knack for cooking too but you don’t see me suddenly hosting my own TV show on the Food Network.  Writing is hard work, and any story that implies otherwise is difficult to take seriously.

The dialogue in Season 2 also did not help matters.

The philosophical conversations Daredevil had with the Punisher were trite, cliche, and hopelessly dull.  They basically debated over vigilantism, with the Punisher arguing it’s okay to kill while Daredevil would display his halo— is he Daredevil or Dareangel?— and say klling is always wrong.  Daredevil’s stance is admirable— heck, Batman lives by the same creed— but the writing here was so bad, the dialogue so basic it was laughable.

Speaking of the Punisher, Jon Bernthal’s performance as the Punisher was one of the highlights of Season 2, and he got to enjoy a few decent episodes.  But as the season went on, his storyline got pushed into the background, taking a back seat to the Elecktra plot with the Hand. Anwyay, I’m glad he’s getting his own Punisher TV show soon.  I’m looking forward to it.

The other new character, Elektra, I didn’t like as much.  I never warmed up to her.  A big reason why was I enjoyed Matt’s chemistry with Karen more than his chemistry with Elektra.  She was also stuck in a story I didn’t like, the whole plot with the Hand.

What exactly was the Hand up to?  Their motives were never made clear, and the show clearly suffered for it.  There was so much screen time devoted to Matt and Elektra discussing the Hand, and I just didn’t care about any of it.

Wilson Fisk (Vincent D’Onofrio) does show up for a couple of episodes, where he’s in prison and his path crosses with The Punisher’s, in what clearly were the best episodes of Season 2.

Season 1 of DAREDEVIL had a central villain, Wilson Fisk, who had an agenda, and who’s violent antics gave Daredevil a major challenge and a reason for being.  With Fisk gone and without a powerful foe, Daredevil morphed into a far less interesting character in Season 2.

All of these flaws revolve around one central weakness:  inferior writing.  The writing in Season 2 was far less impressive than the high quality writing from Season 1.  The plots were all over the place and hardly ever came together.  The strong trio of Matt, Foggy, and Karen were divided and left weaker and far less interesting.  Newcomer the Punisher was given little to do, and newcomer Elektra failed to impress.

The villains in Season 2, the Hand, were never fully developed, and for most the season, Daredevil was reduced to a whiny pontificating pacifist with a mask and bad taste in women.

Here’s hoping Season 3 will be an improvement.

Wilson Fisk can’t get out prison fast enough!

—END—

 

 

 

 

Marvel’s CAPTAIN AMERICA: CIVIL WAR (2016) – Epic Superhero Adventure One of Year’s Best

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For nearly a decade, starting with IRON MAN (2008), Marvel has been churning out quality superhero movies year after year, and their latest installment, CAPTAIN AMERICA:  CIVIL WAR (2016) continues this trend.

It’s the best superhero movie of the year so far.

Yeah, I know, I loved DEADPOOL (2016), and I still do, but by the length of Ant-Man’s pinky fingernail, I prefer CIVIL WAR.  There are just so many good things about this movie that lift it to the top of the class.

And yes, I realize the Tobey Maguire SPIDERMAN movies and the X-MEN films pre-date IRON MAN, but for me, Jon Favreau’s IRON MAN was the movie that jettisoned the recent explosion of high quality Marvel superhero films.

The only thing problematic at this point in these Marvel movies is there have been so many films in the series, it’s often a challenge to keep track of the multiple storylines and characters.  The writers need to keep this in mind and do a better job explaining plot points from previous films.  For example, I don’t want to spend precious minutes in the theater trying to remember just how it was that Vision got hold of Loki’s technology.  When I do that, I miss what’s going on in the movie.  Other than this, these films are clicking on all cylinders.

CAPTAIN AMERICA: CIVIL WAR is about the rift that occurs between Captain America and Iron Man over the future of the Avengers, a rift that leads to an all out war between the two factions. The governments of the world have grown tired of the destructive collateral damage inflicted by the Avengers every time they go about saving the world.  They’re weary of all the death and destruction, and so they want the Avengers to sign an agreement saying they will no longer act unilaterally, that they will only act when instructed by the United Nations to do so.

Tony Stark aka Iron Man (Robert Downey, Jr.) has been riding an emotional roller coaster lately.  His girlfriend Pepper Pots has left him, and he’s recently been feeling extremely guilty over the deaths he has inadvertently caused in the line of duty.  In his mind, the Avengers are a bunch of loose cannons, and some restrictions would be a good thing.  Put the responsibility on someone else’s shoulders, for once.

Captain America (Chris Evans) has the exact opposite reaction to the agreement.  His best friend Bucky, aka the Winter Soldier (Sebastian Stan) is blamed for an international assassination and terrorist attack. Since Captain America believes Bucky was framed, he wants to investigate on his own without the sanction of the United Nations, which wants Bucky arrested.  In Captain America’s mind, if the Avengers give up their freedoms now, it will only get worse later.

And thus the battle lines are drawn.  The Avengers are suddenly divided.  It’s Team Captain America vs. Team Iron Man, and these two sides do more than just verbally spat.  They engage in an all out war, in a battle sequence that is as good as any other in the entire Marvel movie series.

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There’s a lot to like about CAPTAIN AMERICA:  CIVIL WAR.

Let’s start with the cast.  A lot of these folks have been playing these characters for a while now, and so they have really grown into these roles.  Chris Evans has always played the all-American superhero Captain America to near-perfection, in both the previous CAPTAIN AMERICA movies and in THE AVENGERS series.  He’s even a tad better here as his all-American image takes a hit— up to a point.  When he goes rogue, on the surface it seems like something Captain America wouldn’t do, but then again, there are certainly those who embody American patriotism who would shudder at the thought of reporting to the United Nations.  Sure, in this movie the Captain is also rebelling against the U.S. government, but in the current political climate even that decision doesn’t seem far-fetched.

And while technically this is a CAPTAIN AMERICA movie, it does play more like THE AVENGERS 2 1/2.  As such, Iron Man plays just as big a role in this one as Captain America does.  Robert Downey Jr. has been phenomenal as Tony Stark/Iron Man ever since he first played the role in IRON MAN (2008).  This marks the sixth time Downey Jr. has played the character, following the three IRON MAN movies and the two AVENGERS films.  I, for one, have not grown tired watching Downey Jr. play the role.

His Tony Stark is a wise-cracking playboy badass who is actually more interesting and fun to watch than when he wears his Iron Man suit.  That being said, Downey Jr.’s Stark, like Chris Evans’ Captain America, goes through some changes here.  He has developed a conscience in his “old age,” as he is feeling increasingly guilty over the innocent deaths he has caused in the line of duty.  Since he’s usually such a rebel, the fact that he’s the one who wants to side with the government, goes against type.  Combined with Captain America’s similar unexpected reaction, it makes for some fresh and compelling storytelling.

Scarlett Johansson returns as Black Widow, and she is every bit as good as she’s been the previous four times she’s played the role.  Likewise, Jeremy Renner as Hawkeye, Anthony Mackie as the Falcon, Don Cheadle as War Machine, Paul Bettany as Vision, Elizabeth Olsen as Scarlet Witch, and Paul Rudd as Ant-Man, all return to reprise their roles.

Ant-Man is an incredibly entetaining character, and Rudd takes advantage of nearly every moment he’s in the movie.  Likewise, I enjoyed Elizabeth Olsen even more here as Scarlet Witch than the previous two times she played the role.  She has a lot more to do in this movie, and for the first time you really get to know her character.

If all these actors and characters weren’t enough, there are also two impressive debuts in CAPTAIN AMERICA:  CIVIL WAR.  Chadwick Boseman is impressive as Black Panther.  Boseman, you might remember, played Jackie Robinson in 42 (2013).

But even better than Boseman is young Tom Holland as Spider-Man.  Holland is so impressive as the smart-alecky Spidey that he just might have nailed the best performance in the entire movie.  He’s that good.  And in an interesting bit of casting, Marisa Tomei plays Peter Parker’s Aunt May, a considerable younger version of the character.  But I really liked Tomei in the role, and with with Holland’s Peter Parker really looking like a high school student, the younger Aunt May made perfect sense here.

One character I’m not nuts about is the Winter Soldier (Sebastian Stan).  While Stan is fine in the role, the character does little for me.  Thankfully, even though the plot revolves around Captain American’s buddy, he’s really not in the film all that much.

The Marvel superhero movies always seem to struggle with their villains.  The bad guy in this one, Zemo (Daniel Bruhl) is meh, but it’s less of an issue in this movie since the Avengers are fighting each other.  You might even argue that this film has the best conflict in the Marvel series since they are indeed fighting one another.

Speaking of that fight, screenwriters Christopher Markus and Stephen McFeely got the conflict right, something that the writers of the recent BATMAN V SUPERMAN: DAWN OF JUSTICE (2016) failed to do.  In that flick, the rift between Batman and Superman seemed forced and contrived.  In this movie, I bought the divide between Captain America and Iron Man hook, line, and sinker.  Plus, the movie takes the time to develop the supporting characters’ beliefs, and so when they choose sides, it also makes perfect sense.

CIVIL WAR clocks in at 146 minutes, and as a testament to the terrific job done by directors Anthony and Joe Russo, those 146 minutes flew by.  I did not feel as if I were sitting in the theater for a long time at all.  The film caught my interest early on and held it to the very end.

In the tradition of the Marvel supehero movies, there are two post credit scenes in CIVIL WAR, one in the middle of the end credits and one at the very end, so if you’re into that sort of thing, you’ll want to stay till the last credit rolls.  I always stay.  Why not, right?

Directors Anthony and Joe Russo also handle the action sequences with ease.  The chase scene involving Captain America, the Falcon, the Winter Soldier, and Black Panther is a keeper, and as I said earlier, the sequence where Team Captain America takes on Team Iron Man is among the most exciting and entertaining sequences of the entire Marvel supehero series.

CIVIL WAR is also a nice balance of light and dark.  As always with these Marvel movies, the humor is spot-on.  There are several laugh-out loud sequences, especially the obligatory Stan Lee cameo, which caused the theater to erupt with laughter.

It’s also quite dark, as the film truly captures the angst both Iron Man and Captain America, as well as the rest of the Avengers, feel at the prospect of going up against each other and really going all out to hurt each other.   This authenticity of emotion is something I never felt in the recent BATMAN V. SUPERMAN.

CAPTAIN AMERICA: CIVIL WAR is one movie you do not want to miss, especially if you’re a Marvel supehero fan.  With apologies to DEADPOOL which I liked almost as much, it’s the best superhero film of the year so far.

—END—

 

 

 

 

 

MEMORABLE MOVIE QUOTES: BATMAN (1966)

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Welcome back to MEMORABLE MOVIE QUOTES, that column where we look at memorable quotes in the movies.

With BATMAN V SUPERMAN: DAWN OF JUSTICE (2016) due out in theaters on March 25, let’s take a fun look back now at the 1960s version of BATMAN, starring Adam West as the Caped Crusader.  West’s hilarious take on the character was the way a lot of us of a certain age were first introduced to Batman, and the way we still fondly think of him today.

The 1960s BATMAN  TV show ran on ABC from 1966-1968, and it remains one of the funniest interpretations of a superhero ever.  Of course, when I was a tyke watching this on TV, the comedy went over my head.  I just thought it was a fun action adventure.

The movie version, BATMAN (1966), was originally slated to premiere before the show, but it didn’t happen that way and was actually released after the show had already started airing.

Let’s take a look now at some of the memorable lines in this incredibly entertaining superhero vehicle, starring Adam West as Batman, Burt Ward as Robin, Cesar Romero as the Joker, Burgess Meredith at the Penguin, Lee Meriwether as Catwoman, and Frank Gorshin as the Riddler, screenplay by Lorenzo Semple, Jr.

Semple Jr. also wrote the scripts for KING KONG (1976), FLASH GORDON (1980) and the last Sean Connery Bond film, NEVER SAY NEVER AGAIN (1983).  BATMAN is full of quotable lines.  Let’s have a listen.

For me, the most memorable line from the movie, and the one that always pops into my mind first whenever I think of BATMAN, comes from one of its most memorable sequences, where Batman (Adam West) and Robin (Burt Ward) infiltrate a seedy bar and discover a bomb there.  Batman grabs the bomb and attempts to dispose of it, but everywhere he runs, someone is there, and he can’t find any place to get rid of it.  At one point, he’s about to chuck it into the ocean, but he doesn’t when he sees baby ducklings swimming.

Finally, he says exasperatedly:

BATMAN:  Some days you just can’t get rid of a bomb.”

Moments later, it explodes, but no worries, Batman was able to shield himself and survive the blast.

 

Robin criticizes Batman for risking his life to safe the ruffians in the bar, to which Batman replies, teaching his young sidekick:

BATMAN:  They may be drinkers, Robin, but they’re still human beings.

 

Of course, a lot of the humor comes from Batman and Robin’s attempts to decipher the Riddler’s riddles.  For example:

BATMAN (reading the Riddler’s riddle):  What has yellow skin and writes?

ROBIN:   A ball-point banana!

BATMAN (reading):  What people are always in a hurry?

ROBIN:  Rushing people… Russians!

BATMAN:  So this means—.

ROBIN:  Someone Russian is going to slip on a banana and break their neck!

BATMAN (excitedly):  Precisely, Robin!

 

Later, Commissioner Gordon (Neil Hamilton) and Chief O’Hara (Stafford Repp) join in on the riddling solving business:

CHIEF O’HARA (reading):  What does a turkey do when he flies upside down?

ROBIN:  He gobbles up!

CHIEF O’HARA:  Of course.

BATMAN:  And, number two?

COMMISSIONER GORDON (reading):  What weighs six ounces, sits in a tree and is very dangerous?

ROBIN:  A sparrow with a machine gun!

COMMISSIONER GORDON:   Yes, of course.

 

Of course, these scenes work so well because everyone involved handles them so seriously. Both O’Hara and Gordon keep a straight face and react  to Robin’s answers as if they are as straightforward as the time of day.

And who can forget Adam West’s energetic peformance and boisterous delivery of lines as Batman?  His Batman is as much a 1960s icon as James Bond, Star Trek, and the Beatles.  The ongoing joke in the show, and in this movie, is that Batman simply doesn’t realize how funny he is. He plays everything straight, even though his lines of dialogue are hilarious.

 

Here’s more riddle fun:

BATMAN (reading a message written in the sky by one of Riddler’s missiles):  What goes up white and comes down yellow and white?

ROBIN:  An egg!

BATMAN (reading another skywritten message):  How do you divide seventeen apples among sixteen people?

ROBIN:  Make applesauce!

BATMAN:  Apples into applesauce.  A unification into one smooth mixture. An egg—nature’s perfect container. The container of all our hopes for the future.

ROBIN:  A unification and a container of hope? United World Organization!

BATMAN (Excitedly):  Precisely, Robin!

 

Right after this, with their bat copter out of commission, Robin suggests they hail a cab to make it to the United World Organization building, but Batman won’t hear of it.  Why ride when you can walk?

BATMAN:  Luckily, we’re in tip-top condition. It’ll be faster if we run. Let’s go!

 

One of Batman’s best bits of dialogue comes in this scene where Catwoman (Lee Meriwether) disguised as Russian reporter Miss Kitka asks Batman and Robin to take off their masks, much to the horror of Commissioner Gordon and Chief O’Hara.

KITKA:  If you please, to take off the mask to give the better picture?

COMMISSIONER GORDON:  Great Scott! Batman take off his mask?

CHIEF O’HARA:  The woman must be mad!

BATMAN (calmly):  Please, Chief O’Hara.  All of you. This young lady is a stranger to our shores. Her request is not unnatural, however, impossible to grant.

KITKA:  Impossible?

BATMAN:  Indeed. If Robin and I were to remove our masks, the secret of our true identities would be revealed.

COMMISSIONER GORDON:  Completely destroying their value as ace crimefighters.

CHIEF O’HARA:  Sure, ma’am. Not even Commisioner Gordon and myself know who they really are.

ROBIN:  In fact, our own relatives we live with don’t know.

KITKA:  But your so curious costumes—.

ROBIN:  Don’t be put off by them, ma’am. Underneath this garb, we’re perfectly ordinary Americans.

KITKA:  You are like the masked vigilantes in the Westerns, no?

COMMISSIONER GORDON:  Certainly not! Batman and Robin are fully deputized agents of the law.

ROBIN:  Support your police! That’s our message!

BATMAN:  Well said, Robin, and no better way to end this press conference.  Thank you, and good day.

 

And in fitting fashion, when the movie ends, and Batman and Robin have saved the day, rather than leaving through the door, Batman suggests a better and more unassuming way to exit the proceedings.

BATMAN (deliberately):  Let’s go, but, inconspicuously, through the window.

batman-1966

Batman (Adam West) and Robin (Burt Ward) getting ready to leave inconspicuously through the window.

We end with the dialogue that always breaks me up whenever I watch this movie.  Batman is trying to locate the whereabouts of the four supervillains and acts on a tip that they have in their possession a submarine.  He telephones a Navy Admiral in the hope of learning more, and he finds out that yes, the Navy has sold the submarine, and when he asks for a forwarding address, the Admiral replies that he didn’t get one from the buyer.

ADMIRAL:  Your tone sounds rather grim. We haven’t done anything foolish, have we?

BATMAN (with the slightest agitation in his voice):  Disposing a pre-atomic submarine to persons who don’t even leave their full addresses—.  Good day, Admiral!

ADMIRAL (after Batman hangs up):  Gosh!

 

There you have it.  I hope you enjoyed these quotes from BATMAN.  Join me again next time when we look at more memorable quotes from another memorable movie.

Thanks for reading!

—Michael