LEADING LADIES: EVELYN ANKERS

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LEADING LADIES:  Evelyn Ankers evelyn ankers

By Michael Arruda

Welcome back to LEADING LADIES, the column where we look at leading ladies in horror movies, especially from years gone by.

Today we look at the career of Evelyn Ankers, the Universal starlet best remembered for starring opposite Lon Chaney Jr. in the classic horror movie THE WOLF MAN (1941).  She would go on to star in a bunch of horror movies in the 1940s, most of them with Chaney, and when the horror boom died down after World War II, Ankers’ career quieted as well.  In the 1950s, while only in her thirties, she “retired” from the big screen to raise a family with her actor husband Richard Denning [THE CREATURE FROM THE BLACK LAGOON (1954)], although she continued to appear on the smaller screen of TV sets across the nation in guest spots on various television shows. She came out of retirement for one last movie role in 1960 co-starring with her husband Richard Denning in NO GREATER LOVE, a drama about Christian missionaries in Africa.

I’ve always enjoyed Evelyn Ankers’ performances in the Universal horror films from the 1940s.  She was particularly good as Gwen Conliffe in THE WOLF MAN, the woman who Larry Talbot (Lon Chaney Jr.) falls in love with.  The role of Gwen Conliffe was more than the usual standard love interest.  For starters, Gwen is engaged to be married to Frank Andrews (Patric Knowles) and so she has no business giving Larry Talbot the time of day, yet she does.  Further complicating matters is her fiancé Frank is the gamekeeper for the wealthy Talbots, and so he works for Larry Talbot’s family, a reminder that she— the daughter of a storekeeper— really isn’t supposed to be in the same social class as Larry Talbot.

For Larry, he’s taken with Gwen as soon as he lays eyes on her, and Gwen for her part is clearly interested in Larry, not enough to break off her engagement, but enough to take a moonlit walk with him to see the gypsy fortune tellers, a walk that directly leads to Larry’s being bitten by a werewolf.  In fact, Gwen is directly connected to Larry’s ill-fated destiny to become the wolf man.  She’s the first character to mention werewolves to Larry, citing the “even a man who is pure in heart” ditty.  She makes that walk with him to see the gypsy fortune teller, who unbeknownst to them is a werewolf.

She’s also the last person to see Larry before he turns into a werewolf for the first time, and he gives her the pendant he received from Maleva (Maria Ouspenskaya) so she can protect herself from the werewolf.  And if there’s any doubt about her true feelings towards Larry, at the end of the movie, she’s searching the fog filled woods for Larry, which puts her directly in the path of Larry’s murderous alter ego, the Wolf Man.

Gwen Conliffe is a complicated female lead, and Ankers nails Gwen’s character completely.

Ankers also starred as Dr. Ludwig Frankenstein’s (Sir Cedric Hardwicke) daughter Elsa in THE GHOST OF FRANKENSTEIN (1942) in which Lon Chaney Jr. played the monster, and she also starred as Claire Caldwell opposite Lon Chaney’s Dracula in the underrated SON OF DRACULA (1943).  She’s very good in both these movies.

Here’s a partial look at Ankers’ 62 screen credits, concentrating mostly on her horror film roles:

FORBIDDEN MUSIC (1936) – A Lady of the Court – Ankers’ first film role, uncredited.

MURDER IN THE FAMILY (1938) – Dorothy Osborne – Ankers’ first credited role in a feature-length film.

HOLD THAT GHOST (1941) – Norma Lind – stars opposite Abbott and Costello in this comedy in which Bud and Lou spend time in a haunted house.

Larry Talbot (Lon Chaney Jr.) and Gwen Conliffe (Evelyn Ankers) on their fateful moonlit walk through the fog shrouded woods.

Larry Talbot (Lon Chaney Jr.) and Gwen Conliffe (Evelyn Ankers) on their fateful moonlit walk through the fog shrouded woods.

THE WOLF MAN (1941) – Gwen Conliffe – Ankers’ signature role, and the role she’s most remembered for today.  She’s more than just Larry Talbot’s love interest in this film.  For starters, it’s a forbidden love, since she’s engaged to another man, and secondly, she’s instrumental in leading him towards his fate of becoming the wolf man, introducing him to the idea of werewolves and being with him on the fateful night when he was attacked and bitten by a werewolf.

NORTH TO THE KLONDIKE (1942) – Mary Sloan- co-stars with Lon Chaney Jr. and Broderick Crawford in this adventure about settlers tangling with outlaws in the Klondike.  This was actually shot before THE WOLF MAN but released after it, making it the first time she co-starred in a movie with Lon Chaney Jr.

THE GHOST OF FRANKENSTEIN (1942) – Elsa Frankenstein- again co-starring with Lon Chaney Jr.  Ankers plays Elsa Frankenstein, the daughter of Dr. Ludwig Frankenstein, while Chaney plays the Monster, taking over the role from Boris Karloff.  Bela Lugosi’s second stint as Ygor is the best part of this movie, while Chaney’s Monster lacks all of Karloff’s nuances and emotion.  Ankers is OK as Elsa Frankenstein, but the role is rather standard.

SHERLOCK HOLMES AND THE VOICE OF TERROR (1942) – Kitty – meets up with Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) as they take on the Nazis.

CAPTIVE WILD WOMAN (1943) – Beth Colman – Universal monster movie where mad scientist John Carradine turns a female gorilla into a human woman.

SON OF DRACULA (1943) – Claire Caldwell – Once more Ankers plays opposite Lon Chaney Jr., this time going up against him as he plays Count Dracula.  Her role in this one is rather peripheral, as the main heroine in this underrated thriller from Universal is Louise Albritton as Claire’s mysterious sister Katherine who loves the supernatural and actually allows Dracula to make her a vampire so she can in turn make her true lover Frank (Robert Paige) immortal and ditch Dracula!  Take that, Drac!  I told you this one was underrated.  I actually really like Chaney’s interpretation of Dracula.  While it’s not Lugosi, it is a far cry from his sympathetic Larry Talbot, and it’s nice to see Chaney play a true evil character.

THE MAD GHOUL (1943) – Isabel Lewis- another mad scientist movie, this one with George Zucco, Robert Armstrong and Turhan Bey, about a scientist who turns a student into a ghoul.

WEIRD WOMAN (1944) – Ilona Carr- Back with Lon Chaney Jr. again, Ankers plays a woman suspicious of Chaney’s new wife, who has an island native heritage and is mixed up with voodoo.  She’s one weird woman!

JUNGLE WOMAN (1944) – Beth Mason – it’s the return of the ape woman from CAPTIVE WILD WOMAN, this one with J. Carrol Naish.

THE INVISIBLE MAN’S REVENGE (1944) – Julie Herrick – The third film in the INVISIBLE MAN series, none of them direct sequels, follows a fugitive Robert Griffin (Jon Hall) who becomes invisible and then exacts revenge on a family he believed had cheated him.  Ankers’ Julie is the daughter of the couple Griffin terrorizes, and she’s also the object of his affection, although she is not interested in him.  Smart girl!

THE PEARL OF DEATH (1944) – Naomi Drake – back with Sherlock Holmes (Basil Rathbone) and Dr. Watson (Nigel Bruce) again, this time in a tale about murder and a valuable pearl.

THE FROZEN GHOST (1945) – Maura Daniel – Ankers co-stars with Lon Chaney Jr. for the last time in this thriller about a mentalist (Chaney) who feels his powers are to blame for a man’s death and decides to get away from it all by hanging around a mysterious wax museum.  Hmm.  I think he needs a better travel agent.  Ankers’ final genre film.

BLACK BEAUTY (1946) – Evelyn Carrington – co-stars with her husband Richard Denning in this horse drama.

TARZAN’S MAGIC FOUNTAIN (1949)-  Gloria James Jessup – Tarzan film written by THE WOLF MAN screenwriter Curt Siodmak starring Lex Barker as Tarzan in a tale involving the fountain of youth.

NO GREATER LOVE (1960) – Evelyn Ankers’ final film appearance, co-starring with her husband Richard Denning in this tale about missionaries in Africa.

While I’ll always remember Evelyn Ankers for her role in the classic THE WOLF MAN, she added a lot of class to a lot of other movies as well, especially horror movies from the 1940s, and I certainly enjoyed her performances in such films as THE GHOST OF FRANKENSTEIN and SON OF DRACULA.

Evelyn Ankers passed away on August 29, 1985 from ovarian cancer.  She was 67.

Evelyn Ankers.  August 17, 1918 – August 29, 1985

Thanks for reading!

—Michael

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PICTURE OF THE DAY: FRANKENSTEIN MEETS THE WOLF MAN (1943) – ICY CAVE

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Larry Talbot aka The Wolf Man (Lon Chaney Jr.) and the Frankenstein Monster (Bela Lugosi)  emerge from an icy cave in FRANKENSTEIN MEETS THE WOLF MAN (1943).

Larry Talbot aka The Wolf Man (Lon Chaney Jr.) and the Frankenstein Monster (Bela Lugosi) emerge from an icy cave in FRANKENSTEIN MEETS THE WOLF MAN (1943).

PICTURE OF THE DAY:  FRANKENSTEIN MEETS THE WOLF MAN (1943) – ICY CAVE

Whenever we’re stuck in a cold and snowy winter, I think of FRANKENSTEIN MEETS THE WOLF MAN since a key scene in this classic monster movie bash from Universal pictures takes place in a snowy icy cave.

The scene I’m talking about, pictured here in today’s PICTURE OF THE DAY, is when Larry Talbot (Lon Chaney, Jr.) discovers the Frankenstein Monster (Bela Lugosi) frozen in a slab of ice.  It begins when the mob of angry torch-wielding villagers chase the Wolf Man into the countryside.  The beast, fleeing the mob, accidentally falls through some loose earth and lands in a frosty subterranean cave.  After trying futilely to escape the cave, and after some dramatic flip flops in the snow, looking like a pet dog playing in the snow for the first time, the Wolf Man passes out.

When he awakes, he’s back in his human form as Larry Talbot, and as Talbot, he notices the body of the Frankenstein Monster buried in ice.  He chips away at the ice and releases the Monster from his icy grave, and he’s interested in the Frankenstein Monster because he’s looking for Dr. Frankenstein’s notes on his experiments, because Talbot believes that since Frankenstein was such a medical genius, in his notes there may be something there indicating how he Larry Talbot- a man cursed to eternal life as a werewolf- could actually die.  Why Talbot doesn’t get hold of a silver bullet and do the job himself, I don’t know!

Also, since he’s never laid eyes on the Frankenstein Monster before, how does he know that that’s the Monster frozen in the ice?  Perhaps those electrodes sticking out of his neck gave him away!

And of course the Monster comes right to life— no need for any new electric shocks to recharge his batteries— because, like Talbot, he’s cursed with eternal life.  That’s because Dr. Frankenstein made him so he could never die.  Quite the scientist, that Dr. Frankenstein from the Universal monster movies.  Not only did he create life, build a body from other bodies, and then brought it to life, he also built so it would live forever!

In this photo, we see the Frankenstein Monster in the familiar pose with his arms stretched out in front of him.  As I’ve written in previous articles, Bela Lugosi was the first actor to portray the Monster in this fashion, with his arms outstretched in front of him, and this was because in the original script for FRANKENSTEIN MEETS THE WOLF MAN, the Monster was blind, as he lost his vision at the end of the previous film in the series, THE GHOST OF FRANKENSTEIN (1942).  Sadly, all references to the Monster’s blindness were eventually cut from the film, making Lugosi’s performance puzzling until you realize he was supposed to be blind.

It’s really too bad this was cut from the film because it made perfect sense.  At the end of THE GHOST OF FRANKENSTEIN, Dr. Bohmer (Lionel Atwill) puts the brain of the evil Ygor (Bela Lugosi) into the Monster.  So, in FRANKENSTEIN MEETS THE WOLF MAN, it made sense for Lugosi to play the Frankenstein Monster, because the brain of Ygor was now inside the Monster’s body, and originally the Monster was to speak with Ygor’s voice in FRANKENSTEIN MEETS THE WOLF MAN.  Again, to the misfortune of Lugosi, all of dialogue as the Monster in FRANKENSTEIN MEETS THE WOLF MAN was cut from the final film, again taking away from Lugosi’s performance as the Monster.  Evidently, Universal thought an evil Frankenstein Monster speaking with Ygor’s voice was too frightening for movie audiences, and they balked at the idea and cut all references to Ygor from the film.  There was also some concern, supposedly, that the Monster’s plans to take over the world were too close to the real life rants of Adolf Hitler who in 1943 was trying to do just that.  We can only imagine how much better FRANKENSTEIN MEETS THE WOLF MAN would have been had the original concept of the Monster with Ygor’s brain been kept in the film.  Lugosi would have had a field day.

So, back to walking with his arms outstretched, again Lugosi was the first actor to play the Monster in this fashion, and it would make sense for a blind person to walk this way.  Karloff’s Monster didn’t move this way, nor did Lon Chaney Jr. in THE GHOST OF FRANKENSTEIN.  Interestingly enough, Glenn Strange in his three performances as the Monster in the final three films of the series, did walk this way with his arms outstretched, even though in those three films his sight was restored.  How do we know this?  Well, at the end of FRANKENSTEIN MEETS THE WOLF MAN, with Dr. Mannering (Patric Knowles) pumping electricity into his body, Lugosi gives his Monster a sinister smile, and it’s because it’s the first time in the film that he can see again.

But early on, as he is in the scene pictured here, he’s as blind as a bat, which is why he walks with his arms stretched out in front of him.

Hey, bundle up guys!  It’s freezing in that cave and neither one of you are wearing a heavy coat!

Maybe that’s where the Monster is taking Larry Talbot.  He knows where the winter gear is stored.

Thanks for reading!

—Michael

THE HORROR JAR: LON CHANEY JR. WOLF MAN Movies

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Lon Chaney Jr. as the Wolf Man in FRANKENSTEIN MEETS THE WOLF MAN (1943)

Lon Chaney Jr. as the Wolf Man in FRANKENSTEIN MEETS THE WOLF MAN (1943)

THE HORROR JAR:  Lon Chaney Jr. WOLF MAN Movies

By Michael Arruda

 

Welcome back to THE HORROR JAR, the column that lists odds and ends about horror movies.  Up today a look at the movies in which Lon Chaney Jr. played Larry Talbot, aka the Wolf Man.

Lon Chaney Jr. played the Wolf Man in a total of five movies, all of them for Universal, starting with arguably the best werewolf movie ever made, the classic THE WOLF MAN (1941).  He also made two other screen appearances as a werewolf that wasn’t Larry Talbot.

But it all started with THE WOLF MAN, a film that has aged well over the years, cementing its standing as perhaps the best werewolf movie ever made.

After working several years in bit parts using his real name, Creighton Chaney changed it to Lon Chaney Jr. upon the insistence of a producer, in order to take advantage of his deceased father’s name, Lon Chaney, one of the biggest silent film stars in movie history.  It was a decision that Chaney never liked, yet his career took off shortly thereafter.

His first big break came in 1939, when he played the role of Lenny in OF MICE AND MEN (1939) to great critical acclaim.  Two years later he took on the role which would make him famous, Larry Talbot, aka the Wolf Man, in THE WOLF MAN.

THE WOLF MAN is a remarkable film.  It boasts a fantastic cast that includes both Claude Rains and Bela Lugosi in addition to Chaney.  It’s one of Rains’ best roles, as he plays Sir John Talbot, Larry’s father, a strict moralistic man who means well but seems to hurt Larry with nearly every word he says.

Chaney is sensational as Larry Talbot, a tortured young man who wants no part of being a werewolf but becomes engulfed in the lycanthropic madness which surrounds him.  The original title of the movie was DESTINY, and it was to have featured Larry only becoming a werewolf in his own mind.   This idea was eventually scrapped, but you can still find traces and hints of this original concept in the final version.

Here they are now, the movies in which Lon Chaney Jr. played the Wolf Man:

THE WOLF MAN (1941)

Directed by George Waggner

Screenplay by Curt Siodmak

Music by Charles Previn, Hans J. Salter, and Frank Skinner

Larry Talbot/The Wolf Man:  Lon Chaney Jr.

Sir John Talbot:  Claude Rains

Maleva:  Maria Ouspenskaya

Gwen Conliffe:  Evelyn Ankers

Colonel Paul Montford:  Ralph Bellamy

Frank Andrews:  Patric Knowles

Bela:  Bela Lugosi

Running Time:  70 minutes

The cast alone makes this one a classic, but THE WOLF MAN is so much more.  It’s Lon Chaney Jr.’s first appearance as Larry Talbot, the Wolf Man, the role with which he would be forever identified.  This one has fine acting, an excellent script by Curt Siodmak, iconic Wolf Man makeup by Jack Pierce, and enough creepy atmosphere to make your skin crawl.  It also features an exciting conclusion, where young Gwen, Sir John Talbot, and the Wolf Man all cross paths in the fog-shrouded forest for the film’s heartbreaking finale.  Considered by many—myself included— to be the finest werewolf movie ever made.

FRANKENSTEIN MEETS THE WOLF MAN (1943)

Directed by Roy William Neill

Screenplay by Curt Siodmak

Music by Hans J. Salter

Larry Talbot/ The Wolf Man:  Lon Chaney Jr.

The Monster:  Bela Lugosi

Baroness Elsa Frankenstein:  Ilona Massey

Maleva:  Maria Ouspenskaya

Dr. Mannering:  Patric Knowles

Mayor:  Lionel Atwill

Rudi:  Dwight Frye

Running Time:  74 minutes

Universal decided one monster in a movie was no longer enough, which is too bad because had this been a straight Wolf Man sequel, Universal might have had another classic on its hands.  As it stands, FRANKENSTEIN MEETS THE WOLF MAN isn’t a bad film at all— it’s actually very good, and the novelty of two monsters appearing in one movie has held up over the decades, keeping this one a crowd-pleaser even today, but the first half of the movie, the part that is a direct sequel to THE WOLF MAN and resurrects Larry Talbot from the grave, is by far the best part of the movie.  Once Talbot discovers the Frankenstein Monster frozen in ice, and thaws him out, the film becomes less compelling and much more contrived.  Still, it’s a helluva show, and the film’s climactic battle between the two titled monsters although brief is still well worth the wait.

This one just might feature the best makeup job by Jack Pierce on the Wolf Man.  Chaney’s Larry Talbot is the most interesting character in the movie, and the Wolf Man even gets to be heroic as he saves the Baroness Frankenstein from the clutches of the Frankenstein Monster in the film’s conclusion.

 

HOUSE OF FRANKENSTEIN (1944)

Directed by Erle C. Kenton

Screenplay by Edward T. Lowe, Jr.

Music by Hans J. Salter

Larry Talbot/The Wolf Man:  Lon Chaney Jr.

Doctor Niemann:  Boris Karloff

The Monster:  Glenn Strange

Dracula:  John Carradine

Daniel:  J. Carrol Naish

Ilonka:  Elena Verdugo

Inspector Arnz:  Lionel Atwill

Rita Hussman:  Anne Gwynne

Professor Bruno Lampini:  George Zucco

Running Time:  71 minutes

After the success of FRANKENSTEIN MEETS THE WOLF MAN, Universal decided that even two monsters in one movie weren’t enough, and so they invited Dracula to the party.  While not as good as its predecessor, HOUSE OF FRANKENSTEIN is still a pretty good movie, and had it been twenty minutes longer and added some depth to its story, it might have been hailed as another Universal classic.  As it stands, things move incredibly quickly, and all the action is jam-packed in the film’s brief 71 minutes.

HOUSE OF FRANKENSTEIN is probably most notable for the return of Boris Karloff to the Frankenstein series, after he missed the previous two films.  Karloff returned not as the monster but as the evil Doctor Niemann, a nice precursor to Peter Cushing’s dark interpretation of Baron Frankenstein in the Hammer movies a decade and a half later.

Lon Chaney Jr. fares rather well here in his very brief screen time as Larry Talbot, as his scenes as the Wolf Man are quick and fleeting.  Still, he gets involved in one of the movie’s better subplots, a love story with the young gypsy girl Ilonka.  In fact, HOUSE OF FRANKENSTEIN contains one of the more dramatic sequences involving the Wolf Man in the entire series, as Ilonka decides to take it upon herself to “save” her lover, taking on the Wolf Man with a silver bullet.  This emotional little sequence really packs a wallop.

HOUSE OF DRACULA (1945)

Directed by Erle C. Kenton

Screenplay by Edward T. Lowe, Jr

Music by William Lava

Larry Talbot/ The Wolf Man:  Lon Chaney Jr.

Dracula:  John Carradine

The Monster:  Glenn Strange

Doctor Edelmann:  Onslow Stevens

Police Inspector Holtz:  Lionel Atwill

Nina:  Jane Adams

Running Time:  67 minutes

Follow-up to HOUSE OF FRANKENSTEIN isn’t as good, but it’s still not a bad little movie.  This one is notable because Doctor Edelmann who treats all the monsters in this film, actually cures Larry Talbot!  So, at the end of the film, Larry Talbot, no longer suffering the effects of being the Wolf Man, actually gets to play the hero and save the heroine from the Frankenstein Monster.

Jane Adams, who played the hunchback nurse Nina, just recently passed away, on May 21, 2014 at the age of 95.

ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948)

Directed by Charles Barton

Screenplay by Robert Lees, Frederic I. Rinaldo, and John Grant

Music by Frank Skinner

Larry Talbot/ The Wolf Man:  Lon Chaney Jr.

Dracula:  Bela Lugosi

The Monster:  Glenn Strange

Chick:  Bud Abbott

Wilbur:  Lou Costello

Running Time:  83 minutes

Originally proposed as HOUSE OF THE WOLF MAN, this serious idea was scrapped in favor of a comedy.

Strangely, it took the comedic presence of Bud Abbott and Lou Costello to return the Universal monsters to their glory days.   Chaney was disappointed that Universal decided to put their monsters in an Abbott and Costello comedy, but the truth is the monsters fare better in this movie than the previous two.  They enjoy more screen time and have more dialogue than ever before.  Heck, even Glenn Strange as the Frankenstein Monster says a few lines!  Plus, Bela Lugosi returned as Dracula, the first time he played the role since the 1931 original.  This one works because the monsters play it straight and keep their dignity, and of course it doesn’t hurt that Abbott and Costello are downright hilarious in this movie.

Chaney delivers another excellent performance as Larry Talbot, this time focused on stopping Dracula from spreading his evil on the world.  Lots of Wolf Man scenes in this one.

And now for Chaney’s two non-Larry Talbot appearances as a werewolf:

ROUTE 66

Season 3 Episode 6 “Lizard’s Leg and Owlet’s Wing” (October 26, 1962)

Directed by Robert Gist

Teleplay by Stirling Silliphant

Lon Chaney Jr. dons werewolf makeup in this playful episode of the popular 1960s TV show.  Chaney, Boris Karloff and Peter Lorre all play themselves, as they are planning their horror movie comeback.  Karloff dresses as the Frankenstein Monster and Chaney dresses as the Wolf Man to see if they can still scare people.

FACE OF THE SCREAMING WEREWOLF (1964)

Directed by Gilberto Martinez Solares, Rafael Portillo, and Jerry Warren

Screenplay by Juan Garcia, Gilberto Martinez Solares, Alfredo Salazar, Jerry Warren, and Fernando de Fuentes

Music by Luis Hernandez Breton

The Mummified Werewolf:  Lon Chaney Jr.

Running Time:  60 minutes

An aging Lon Chaney Jr. plays a werewolf for the last time in this little seen Grade Z horror movie from Mexico.  The most notable thing about this one is that it took five writers to write it!

And that wraps things up for today.  I hope you enjoyed this look at Lon Chaney Jr.’s Wolf Man movies, and I’ll see you again next time on the next HORROR JAR.

Thanks for reading!

—Michael

MEMORABLE MOVIE QUOTES: THE WOLF MAN (1941)

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Lon Chaney Jr. as the Wolf Man doesn't have much to say, but his supporting cast does.  Check it out.

Lon Chaney Jr. as the Wolf Man doesn’t have much to say, but his supporting cast does. Check it out.

MEMORABLE MOVIE QUOTES:  THE WOLF MAN (1941)

By

Michael Arruda

 

Even a man who is pure in heart

And says his prayers by night

May become a wolf when the wolfs bane blooms

And the autumn moon is bright

 

 

We’ve all heard this little ditty.  It’s from THE WOLF MAN (1941) Universal’s classic werewolf movie starring Lon Chaney Jr. as everybody’s favorite werewolf, Larry Talbot.  THE WOLF MAN also boasts a fantastic supporting cast, one of the best ever assembled for a Universal monster movie, led by Claude Rains as Larry’s father Sir John Talbot, and also featuring Maria Ouspenskaya as Maleva the Gypsy woman, and Ralph Bellamy, Evelyn Ankers, Patric Knowles, and Bela Lugosi.

 

Welcome to another edition of MEMORABLE MOVIE QUOTES, that column where we look at neat quotes from even neater movies.  Today’s subject is THE WOLF MAN, one of my favorite Universal monster movies. 

 

Now, unlike Bela Lugosi as Dracula, or even Boris Karloff as the Frankenstein monster, both of whom uttered now famous lines in their roles, Lon Chaney Jr.’s Larry Talbot/The Wolf Man is not really known for the classic lines he said, unless you include his incessant whining about wanting to die and being cursed eternally.  But that doesn’t mean there aren’t memorable lines in THE WOLF MAN.  There are.  Plenty of them.

 

Let’s get started.  Here’s a look at some memorable quotes from THE WOLF MAN, screenplay by Curt Siodmark.

 

We’ll start with the poem above, spoken several times during the movie.  It’s one of the first times Larry hears about werewolves.  He hears this poem, not once, but several times, and the legend of lycanthropy begins to creep into his being.

 

This ditty became so prevalent and accepted that it was actually credited later as being “an ancient gypsy rhyme” when in reality it was simply made up by screenwriter Curt Siodmark.  Now, that’s good writing!

 

One of the most memorable characters in THE WOLF MAN is Maleva (Maria Ouspenskaya), the old gypsy woman whose son Bela (Bela Lugosi) is the werewolf who bites Larry Talbot (Lon Chaney Jr.) and turns him into a werewolf.  Maleva becomes a central character in the story because she helps Larry deal with his new condition.

 

In a key scene, Larry watches from the shadows as Maleva speaks to her deceased son inside a crypt, who’s dead because Larry killed him, thinking he had killed a wolf.  Larry listens from the shadows as Maleva delivers a final blessing to her dead son.  Let’s listen:

 

MALEVA:  The way you walked was thorny, through no fault of your own, but as the rain enters the soil, the river enters the sea, so tears run to a predestined end. Your suffering is over, Bela my son. Now you will find peace.

Later, when Maleva and Larry Talbot first meet, she tries to warn him, telling him that he has been bitten by a werewolf, but Larry doesn’t want to believe it.

 

MALEVA:  You killed the wolf.

LARRY TALBOT: Well, there’s no crime in that is there?

MALEVA: The wolf was Bela.

LARRY: You think I don’t know the difference between a wolf and a man?

MALEVA: Bela became a wolf and you killed him. A werewolf can only be killed by a silver bullet, or a silver knife or a stick with a silver handle.

LARRY TALBOT: You’re insane! I tell you, I killed a wolf! A plain, ordinary wolf!

MALEVA: Whoever is bitten by a werewolf and lives, becomes a werewolf himself.

When the police question Larry after Jenny Williams is killed by a wolf, and Bela the Gypsy is found dead next to her with his skull crushed by Larry Talbot’s cane, they want to know from Larry what happened.  He tells them he killed a wolf, not a man, but as they insist the cane killed a man, not a wolf, Larry’s frustration grows, until the questioning is stopped by family friend and doctor, Doctor Lloyd, who is quite patronizing of Larry in this scene.

LARRY TALBOT:  Don’t try to make me believe that I killed a man when I know that I killed a wolf!

DOCTOR LLOYD: [patronizing Larry] Yes, yes. We’re all a bit confused.

And in keeping with the theme of the original shooting script called DESTINY, in which Larry Talbot would have transformed into a werewolf only in his mind, Doctor Lloyd answers Larry’s question about whether or not he believes in werewolves with this answer:

LARRY TALBOT:  Do you believe in werewolves, doctor?

DOCTOR LLOYD:  I believe a man lost in the mazes of his own mind may imagine that he’s anything.

Claude Rains has some great lines as Larry Talbot’s father, Sir John Talbot, like this classic one when he chastises Inspector Montford for being too impatient regarding his investigation of Bela the gypsy’s death:

SIR JOHN TALBOT:  You policemen are always in such a hurry. As if dead men hadn’t all eternity.

And this line when he comments to Larry about his religious beliefs:

SIR JOHN TALBOT: All astronomers are amateurs. When it comes to the heavens, there’s only one professional.

Sir John is probably my favorite character in the movie, not because he’s likable, but because he’s the main reason why his son Larry Talbot is disturbed in the first place.  It’s a great performance by Claude Rains, and other than his role as Captain Louis Renault in CASABLANCA (1942), it’s probably my favorite Claude Rains role.

Sir John isn’t intentionally mean to his son. He inflicts his damage inadvertently.  Nearly everything he says somehow hurts Larry, even though he means well.  Like this example towards the end of the movie when he berates his son for believing in werewolves:

SIR JOHN TALBOT:  You can’t run away.

LARRY TALBOT: That’s it! That’s what she said.

SIR JOHN: Who?

LARRY: The gypsy woman.

SIR JOHN: Gypsy woman? Now we’re getting down to it. She’s been filling your mind with this gibberish. This talk of werewolves and pentagrams. You’re not a child Larry, you’re a grown man and you believe in the superstitions of a Gypsy woman!

And in of the movie’s best scenes, when Sir John decides to prove to Larry that he’s not a werewolf, he ties his son to a chair inside Talbot castle, and you can see Larry appreciating his father’s efforts, but then Sir John is called to leave his son and join the villagers in their hunt for the werewolf.

LARRY: But you’re going to stay with me, aren’t you?

SIR JOHN:  Oh no, I’ve got to go, Larry.  These people have a problem.  You must make your own fight.

You can just see the light go out of Larry’s face. The fact is his father is just never there for him.  There’s a lot going on in THE WOLF MAN, more than what you usually find in a horror movie.  The story works on multiple levels.  It’s a great movie.

I hope you enjoyed these quotes from THE WOLF MAN, and that you will join me again next time when I examine great quotes from another classic movie.

Thanks for reading!

—Michael

 

Books by Michael Arruda:

TIME FRAME,  science fiction novel by Michael Arruda.  

Ebook version:  $2.99. Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

IN THE SPOOKLIGHT, movie review collection by Michael Arruda.

InTheSpooklight_NewText

 Ebook version:  $4.99.  Available at http://www.neconebooks.com.  Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.

FOR THE LOVE OF HORROR, short story collection by Michael Arruda.  

For The Love Of Horror cover

Ebook version:  $4.99.  Available at http://www.neconebooks.com. Print version:  $18.00.  Email your order request to mjarruda33@gmail.com. Also available at Amazon.com.  

 

PICTURE OF THE DAY: FRANKENSTEIN MEETS THE WOLF MAN (1943) PREMIERE

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St. Louis premiere of FRANKENSTEIN MEETS THE WOLF MAN

St. Louis premiere of FRANKENSTEIN MEETS THE WOLF MAN

PICTURE OF THE DAY:  FRANKENSTEIN MEETS THE WOLF MAN (1943) – Premiere

 

Here’s a picture of the artwork from the 1943 premiere of everybody’s favorite movie monster battle, FRANKENSTEIN MEETS THE WOLF MAN (1943).

 

According to the source, this comes from a theater in St. Louis.  I found this image on The Blog of Frankenstein, located at http://blog-of-frankenstein.blogspot.com/2012/09/1943-st-louis-cinema-front-display-for.html.

 

 

I love the artwork.  It would be a hoot to return to this time, when movies like FRANKENSTEIN MEETS THE WOLF MAN were scary, when people screamed when they saw Lon Chaney Jr.’s Wolf Man, and I’m sure that they did scream.

 

I wonder what that guy in the doorway was thinking when this picture was taken.  Why are you taking a picture of me?  Is that my ride? Do you have a license to be carrying that camera?

 

He looks kind of official.  Kinda reminds me of Marvel’s Agent Coulson.  Perhaps he was on the lookout for some future Agents of SHIELD.  Speaking of which, the Wolf Man would have made a nice addition to the team, and it would have given Larry Talbot a purpose in life.  He might even have finally stopped whining about his sad fate.

 

I also like the reflection in the glass doorway of the vintage automobile, which back then, was probably brand new.

 

It’s almost Halloween, time to appreciate and enjoy the classics of horror, and FRANKENSTEIN MEETS THE WOLF MAN is definitely a movie that deserves both recognition and a look during this horror movie season.

 

So, should you check out the movie this Halloween, start out with a look at this photo, and imagine if you will a time when FRANKENSTEIN MEETS THE WOLF MAN was still scary, when it was showing on the big screen, and imagine that you’re inside that theater surrounded by friends, eating candy and popcorn, and the Wolf Man appears on screen, and the theater erupts in a massive scream of terror.

 

Ah, the good old days!

 

Enjoy!

 

—Michael