GOING IN STYLE (2017) is a remake of a 1979 film of the same name by writer/director Martin Brest that starred George Burns, Art Carney, and Lee Strasberg as three senior citizens who decided to spice up their lives by robbing a bank.
This time around, the director is Zach Braff [from TV’s SCRUBS (2001-2010)] and the three elderly friends are played by Michael Caine, Morgan Freeman, and Alan Arkin.
I enjoy these three actors a lot, and they’re the main reason I wanted to see this movie.
The story has been updated to 2017, and the plot has as its villain the “evil” bank which is responsible for taking away these men’s homes and their pensions.
Joe (Michael Caine) is unhappy because his bank was less than clear about his refinanced mortgage, and as a result, his monthly payment has tripled. He can no longer afford the payment, and since his daughter and granddaughter live in the house with him, he does not want to lose his home.
To make matters worse, he and his buddies Willie (Morgan Freeman) and Albert (Alan Arkin) learn that the company they had worked for is shifting its workforce overseas, and as a result it’s cancelling their pensions.
When Joe visits his bank to argue about his mortgage, three masked men burst in and hold it up. They get away with the money, which gets Joe to thinking: if he and his friends robbed a bank, his bank, they’d get their pensions back. Worse case scenario, they go to jail, which for them isn’t so bad since they don’t have a lot of years left to live. As Joe says to his buddies, in prison, they’ll have a roof over their heads, three meals a day, and better health care than they have in the outside world.
While Willie and Albert don’t agree at first, eventually they change their minds and set their sights on robbing a bank.
GOING IN STYLE is a likable enough movie, but it’s nothing that hasn’t been done before or done better.
In spite of its realistic plot points of the manipulative bank giving Joe misleading information about his mortgage, and the company cancelling its pensions because it’s moving overseas, the film just isn’t very believable, which is surprising because the screenplay, based on the 1979 screenplay by Edward Cannon, was written by Theodore Melfi. Melfi wrote the screenplay for ST. VINCENT (2014) and HIDDEN FIGURES (2016) two films that I liked a lot. His script here for GOING IN STYLE is nowhere as crisp as his work on those other two movies.
The story just never becomes real. I never believed that these three guys would really rob a bank, or that they’d actually get away with it. The film is more a set-up to have Caine, Freeman, and Arkin interact with each other.
And sure, they’re fun to watch, but the problem is I’ve seen these actors far funnier in other movies than they are here. Which brings me to the biggest problem with this movie. It’s one thing for a comedy not to have the most believable plot, but it’s quite another for it not to be funny, and I just didn’t find this film all that humorous.
Sure, there are lots of little bits here and there that caused me to chuckle, and Caine, Freeman, and Arkin did a fine job with these little bits, but I rarely laughed out loud. Part of the problem is the film is rated PG-13, and so the language is tame, which really works against a guy like Alan Arkin who can be hilariously funny when his humor is untamed. He’s very reserved here, as are Caine and Freeman.
The plot also goes to the syrupy sweet aisle one too many times. Scenes with Caine and his granddaughter made me want to gag they were so cliché, as well as a subplot where Freeman’s character befriends a little girl during the heist.
Christopher Lloyd is also on hand as another friend, Milton, and he does his loony Christopher Lloyd shtick throughout which like a lot of other parts in this film, seemed old and tired.
The most energetic performance in the film clearly belongs to Ann-Margret who plays a woman trying to seduce Alan Arkin’s character, and this provides the film with its most unintentional laugh as he resists her! Who in their right mind would resist Ann-Margret? And at 75, she still looks amazing! I was flabbergasted by how good she looked in this film. Wow!
Joey King is okay as Caine’s granddaughter Brooklyn, and Peter Serafinowicz does a nice job as Caine’s ex-son-in-law. John Ortiz plays a man name Jesus who teaches them how to rob a bank.
Matt Dillon also appears as a less than intelligent FBI agent. Like the rest of the film, his performance is nothing I haven’t seen him do before and do better.
GOING IN STYLE is a likable enough movie, but sadly it didn’t possess enough biting humor or a believable enough story for it to completely work for me, even with the presence of Michael Caine, Morgan Freeman, and Alan Arkin.
It’s a strictly by-the-numbers comedy that could have benefitted from both sharper writing and directing.
A little more style would have been greatly appreciated.