INDIANA JONES AND THE DIAL OF DESTINY (2023), the fifth and latest film in the INDIANA JONES franchise, plays out exactly the way you would expect a movie with an 80-year-old star to play out: slowly.
Now, I’m not old-shaming Harrison Ford. He’s 80 years-old, and he does a terrific job in this movie. But when these movies first started, in 1981, with RAIDERS OF THE LOST ARK, Ford was just shy of 40, and so the action was intense, fast-moving, and nonstop, as was the humor. Here, everything is much slower, careful, the action a little more cautious, the movements gingerly, the humor largely replaced with old-fashioned nostalgia. Not that this is bad. The movie is likable. It’s just not your father’s Indiana Jones. It’s your grandfather’s!
Okay, enough with the age humor. If I live to be 80, I hope I’m in as good shape as Harrison Ford. More power to him!
But getting back to the movie… INDIANA JONES AND THE DIAL OF DESTINY opens in the final days of World War II, where we witness a younger Indiana Jones once more battling Nazis for an ancient artifact, the titular dial of destiny. The de-aging special effects on Harrison Ford are quite impressive here, although they’re mostly impressive because director James Mangold keeps the lighting very dark and so Ford is mostly viewed through low lighting and shadows. That being said, he still looks really good.
On the other hand, the centerpiece of this opening sequence is a long action scene aboard a fast-moving train, and sadly it’s all shot with low lighting meaning for the most part it’s difficult to see. Also, while Ford is de-aged physically, the filmmakers decided to use his present-day voice, which obviously sounds like the voice of an 80-year-old and as a result makes for some unintentional odd moments.
The action then jumps to the late 1960s, where Indiana Jones is about to retire from being a college lecturer, but before he does, he’s visited by his goddaughter Helena (Phoebe Waller-Bridge) who brings him new information about the mysterious dial, or so she says. She’s really there to steal it, which she does, ahead of a group of former Nazis led by Dr. Voller (Mads Mikkelsen) who also arrive in search of the mysterious artifact.
Indiana Jones decides he has one more adventure left in him, as he travels overseas to stop Helena from selling the artifact and also to thwart the Nazis one last time.
I had mixed feelings about INDIANA JONES AND THE DIAL OF DESTINY. It’s a likable enough movie. It’s just not a very exciting one.
Director James Mangold is a filmmaker whose work I have liked a lot. He’s directed such movies as FORD V FERRARI (2019), LOGAN (2017), and 3:10 TO YUMA (2007), to name a few. The race car sequences in FORD V FERRARI were intense and exciting, so Mangold obviously knows how to craft effective action scenes. Yet, the ones in this movie are barely exciting. There’s the aforementioned fight scene on the train, a nifty car chase later in the movie, and an action-packed finale, but none of these sequences match the type of choreography Indiana Jones fans are used to.
It’s worth noting that INDIANA JONES AND THE DIAL OF DESTINY is the first Indiana Jones movie not to be directed by Steven Spielberg. So, based on this fact alone, you would expect the action scenes to be handled differently. And they are. They’re simply not as memorable.
The screenplay by Jez Butterworth, John-Henry Butterworth, and David Koepp is okay. The story it comes up with is fairly interesting but it’s nothing earth shattering. It also suffers— and I guess all the Indiana Jones movies do up to a point— from the “everything comes too easily” syndrome, where everything Jones does works and is the right thing to do. He interprets every clue correctly, and the answers to centuries’ old mysteries he discovers with ease. It’s a formula that is contrived and frankly boring.
All three of these writers have a lot of writing credits, and Koepp co-wrote the screenplay for the previous Indiana Jones installment, INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL (2008), so you would expect strong dialogue with lots of the same humor from previous Indiana Jones movies, but that simply isn’t the case. The humor is all very muted. The writers also stay away from Jones’ age, which I thought was a mistake. A couple of times, he talks about what it’s like to be older, and these scenes resonate. They seem real. But there are only a few of these scenes. Had there been more, the story would have come to life more because the character would have seemed more like a real person.
The story also flirts with time travel, as the Nazis want to use the dial to go back in time and change the outcome of World War II, and in the exciting climax, the possibility exists for Indiana Jones to open up a new chapter in his life: time traveling hero. Forty years ago, I would have been excited by this prospect. Today, with Ford in his 80s, I’m glad the story chose not to go in this direction. I’m really not looking for more Indiana Jones adventures, at least not with Ford playing the role.
That being said, Harrison Ford is fun as Indiana Jones. He’s always owned the role, and he continues to do so. I enjoyed his performance in this movie.
Phoebe Waller-Bridge as Helena isn’t a particularly likable character. She becomes more so as the movie goes along, but at first as someone who blindsides her godfather and steals from him, she almost seems as if she’s going to be a villain in the movie, but that’s not how things play out. She becomes more influenced by Indiana Jones and develops a soft sentimental side.
Mads Mikkelsen is an okay villain. He’s decent, but we’ve seen him play the bad guy before and be better at it, as in the first Daniel Craig James Bond movie, CASINO ROYALE (2006). I actually preferred Boyd Holbrook as his henchman, but even Holbrook has been better in other things, in films like VENGEANCE (2022) and the TV show NARCOS (2015-2016).
Antonio Banderas shows up for what isn’t much more than a glorified cameo, and he somehow earned third billing in the credits! Veteran character actor Toby Jones is also in the cast, appearing in the opening sequence.
John Rhys-Davies reprises his role as Sallah, from earlier Indiana Jones movies, as does Karen Allen as Marion.
INDIANA JONES AND THE DIAL OF DESTINY also features another music score by John Williams. Harrison Ford may be 80, but John Williams is 91! And he’s still working, writing music for movies. That’s amazing.
INDIANA JONES AND THE DIAL OF DESTINY finishes strong with a touching, sentimental scene which hearkens back to a similar scene from RAIDERS OF THE LOST ARK. It’s a nice way to end the series and was one of my favorite moments in the movie.
But it’s saying something if my favorite scene in INDIANA JONES AND THE DIAL OF DESTINY is the sentimental scene at the end, and not any of the action sequences which came before it. And that’s because sentimentality is the strongest thing this movie has going for it. The rest is all rather meh.
As such, I give INDIANA JONES AND THE DIAL OF DESTINY two and a half stars.
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RATING SYSTEM
Four stars – Perfect, Top of the line
Three and a half stars- Excellent
Three stars – Very Good
Two and a half stars – Good
Two Stars – Fair
One and a half stars – Pretty Weak
One star- Poor
Zero stars – Awful